Catalogue of an exhibition of Florentine painting ... - Warburg Institute

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40 FURNITURE AGAINST THE SOUTH WALL FOLDING CHAIR, of walnut, X-shaped, the legs united below by bars with moulded ends. The seat and back of leather. Sixteenth century. Lent by Major Lucas. FOLDING CHAIR, of walnut, X-shaped, the legs united below by bars terminating with lions' paws. The seat and back of stamped crimson velvet. Sixteenth century. Lent by Mr. Louis Breitmeyer. CASSONE, of walnut, carved, and partly gilt; in the front is a panel painted with the battle of Anghiari in 1440; one end represents Niccolo Piccinino entering the walls of Borgo San Sepolcro, warrior, possibly Nero Capponi. the other a Length, 6 feet 9 inches. Height, 3 feet 7 inches. Depth, 2 feet 7 inches. See P. Schubring in The Burlington Magazine, vol. xx, Jan. 1913, p. 196. Lent by Mr. J. Annan Bryce. FOLDING CHAIR, of walnut, X-shaped, the legs united below by bars terminating with acanthus. The seat and back of stamped crimson velvet. Sixteenth century. Lent by Mr. Louis Breitmeyer. FOLDING CHAIR, of walnut, X-shaped, the legs united below by bars with moulded ends. The seat and back of leather. Sixteenth century. Lent by Major Lucas. OPPOSITE WEST WALL TABLE, of walnut, the broad ends boldly carved with swags and masks, and united by a frame carved with masks and volutes. Length, 7 feet. Sixteenth century. Lent by Mr. J. Annan Bryce.
FURNITURE 41 CENTRE OF ROOM WRITING TABLE, of walnut, decorated outside and in with intarsia of bone and boxwood in geometric and other patterns, with a falling front and a hinged top enclosing drawers. Lombardy; middle of sixteenth century. Lent by Mr. Henry Harris. OPPOSITE THE RECESS TABLE, of walnut, the broad ends carved in the centre with a cartouche, and united by a frame carved with acanthus ornament. Length, 7 feet. Sixteenth century. Lent by Col. L. C. R. Messel.
Page 6: J * THE VIRGIN AND CHILD WITH ST. A
Page 10 and 11: CHISWICK PRESS: CHARLES WHITTINGHAM
Page 13 and 14: LIST OF CONTRIBUTORS HIS MAJESTY TH
Page 15 and 16: THE ART OF FLORENCE HE "artistic te
Page 17 and 18: THE ART OF FLORENCE 9 into an aesth
Page 19 and 20: THE ART OF FLORENCE 11 mystery lies
Page 21 and 22: THE ART OF FLORENCE 13 should be th
Page 23 and 24: CATALOGUE NOTE. TTie Pictures are n
Page 25 and 26: 6 TWO ANGELS MAKING MUSIC. PICTURES
Page 27 and 28: PICTURES 19 From the collections of
Page 29 and 30: PICTURES 21 scaffold in the backgro
Page 31 and 32: PICTURES 23 From the collections of
Page 33 and 34: PICTURES 25 youthful female saint;
Page 35 and 36: PICTURES 27 B. Berenson, Florentine
Page 37 and 38: PICTURES 29 treatment of the play o
Page 39 and 40: 30 MINERVA AND THE FLUTE. Continuou
Page 41 and 42: PICTURES 33 club. (6) On the left o
Page 43 and 44: PICTURES 35 38 MYTHOLOGICAL SCENE.
Page 45 and 46: DRAWINGS 37 9 A WRIST LAID IN A HAN
Page 47: FURNITURE 39 RIGHT OF MANTELPIECE C
Page 51 and 52: WORKS OF ART 43 NIGHT," statuette i
Page 55: Plate I i. ST. JAMES THE ELDER GIOV
Page 63: Plate I! a as O H Q Z Z 5 04 O 2 I
Page 71: Plate V 5. GOD THE FATHER MASACCIO
Page 79: Plate V 7. THE VIRGIN AND CHILD FRA
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Page 115:
Plate XVI 1 6. MADONNA AND CHILD UN
Page 123:
Plate XVI II
Page 131:
Plate XX 20. A KNIGHT FLORENTINE SC
Page 139:
Plate XXI] H a o CD
Page 147:
Plate XXIV 24. CHRIST AT THE COLUMN
Page 155:
Plate XXVI 26. THE ADORATION OF THE
Page 163:
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Page 195:
36. ST. JEROME TRADITIONALLY ASCRIB
Page 203:
Plate XXXV 38. MYTHOLOGICAL SCENE F
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Catalogue of an exhibition of Florentine painting ... - Warburg Institute

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