05.11.2012 Views

NEW YORK ANTIQUARIAN BOOKFAIR 2012 - Maggs Bros. Ltd.

NEW YORK ANTIQUARIAN BOOKFAIR 2012 - Maggs Bros. Ltd.

NEW YORK ANTIQUARIAN BOOKFAIR 2012 - Maggs Bros. Ltd.

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

MAGGS BROS LTD<br />

CONTINENTAL BOOKS<br />

<strong>NEW</strong> <strong>YORK</strong><br />

<strong>ANTIQUARIAN</strong><br />

<strong>BOOKFAIR</strong> <strong>2012</strong><br />

april 12-15, booth b12<br />

For Full details please contact Jonathan reilly/<br />

Jonathan@maggs.com/+44 020 7493 7160/+44 7432133576


APULEIUS Lamour de Cupido et de Psiché mere de<br />

volupté... nouvellement historiée, & exposée en vers<br />

François. [Paris], avec privilege du roy, [1586].<br />

Engraved architectural title-page signed by Leonard Gaultier, and 32<br />

numbered engraved plates, each containing a half-page illustration<br />

and text below.<br />

Sm 4to. Early 19th century green vellum gilt over pasteboards. $17500<br />

A wide-mArgined copy of the first edition of this illustrated tale of the lovers<br />

Cupid and Psyche. It is engraved throughout by Léonard Gaultier, the<br />

illustrations are primarily reversed, enlarged copies of the fine woodcut<br />

series used by Jeanne de Marnef Janot in 1546.<br />

This edition is extremely rare edition. OCLC lists only a handful<br />

of copies: Bibliothèque Nationale, British Library, Pierpont Morgan<br />

Library, Harvard, Columbia and NYPL. COPAC also adds Oxford<br />

and Durham in the UK.<br />

BMSTC (French), p. 21. Mortimer no. 34. Rothschild III, 2567. Brun, p. 144.<br />

ALBERTUS MAGNUS, ST.<br />

De laudibus beatae virginis Mariae.<br />

[Cologne, Ulrich Zell, not after 1473].<br />

Folio. Early 19th century ochre paper boards,<br />

red spine label lettered in gilt, red edges (spine<br />

darkened, a little soiled and marked). $24000<br />

First edition. A superb wide-margined copy<br />

with deep impressions of the types on<br />

remarkably fresh paper, printed by the<br />

prototypographer of Cologne, Ulrich Zell.<br />

H460. GW 678. BMC I, 192. BSB-Ink A185.<br />

Goff A271. Bod-inc A119.


AULUS GELLIUS Noctes Atticae.<br />

Lyon, apud Seb. Gryphium, 1539.<br />

8vo. Contemporary Italian brown morocco,<br />

covers framed by blind and gilt fillet borders,<br />

small floral tools at corners, central gilt-tooled<br />

arabesque design with title lettered on upper<br />

cover “AVLVS / GELL.”, spine with six bands,<br />

three raised with gilt tooling, spine panels<br />

with ornamental blind-tooled roll, gilt edges<br />

(panels at head and foot of spine defective,<br />

upper cover with area of abrasion, corners<br />

rubbed, ties missing). $4800<br />

Baudrier VIII, p. 123. This edition not in BMSTC<br />

(French) or Adams.<br />

ARISTOPHANES [Greek title]<br />

Comoediae novem cum commentariis<br />

antiquis... (ed. S. Gelenius). Basle, in officina<br />

Frobeniana, 1547.<br />

Folio. Contemporary vellum, 18th century green<br />

morocco labels on spine, g.e. $7500<br />

First edition to be edited by the Bohemian humanist<br />

Sigismund Gelenius and dedicated by him to Philip<br />

Melanchthon.<br />

BMSTC (German), p. 40. VD16 A3268. Adams<br />

A1715. Hoffmann I, p. 253. Dibdin I, pp. 297/8.


BIBLE. PSALMS, FRENCH. MAROT<br />

(CLEMENT) Les Pseaumes de David et les<br />

cantiques de la Bible, auec les argumens & la<br />

paraphrase de Theodore de Besze. [Geneva], de<br />

l’imprimerie de Jean Berjon, 1581.<br />

8vo. Contemporary calf, covers with panel infilled with gilt strapwork<br />

design with hatching and central cartouche enclosing name “BENIGNE”<br />

on upper cover and “DE RABUTIN” on lower, flat spine richly gilt,<br />

gauffered edges (upper joint, headcaps and corners restored). $9500<br />

A rare edition of Marot and Beza’s Psalms in French finely bound<br />

for a prominent female Protestant, Bénigne de Rabutin, who<br />

married her first cousin François d’Anlezy, seigneur d’Espeuille<br />

(Burgundy). She was great aunt of the author Roger de Bussy-<br />

Rabutin who described her as a ‘très habile femme de la religion<br />

prétendue réformée’ and owned a portrait of her which still hangs<br />

at the Château de Bussy-Rabutin. Both were relatives of Marie de<br />

Rabutin-Chantal, Madame de Sévigné.<br />

Moeckli 100. OCLC: 7 copies in Europe, none in US libraries. COPAC<br />

adds Oxford only.<br />

BREDERO (GERBRAND<br />

ADRIAENSZ) Boertigh,<br />

Amoreus, en Aendachtigh Groot<br />

Lied-boeck. Amsterdam, Cornelis<br />

Lodowijcksz: vander Plasse, 1622.<br />

Engraved title, added, fine engraved portrait of<br />

Bredero by Hessel Gerritsz (the only known<br />

portrait), 20 engravings, 3 full page and 17 halfpage<br />

by Jan van de Velde II and Michel le Blon;<br />

full- page calligraphic woodcut of Cupid in pt. 2<br />

repeated in pt. 3; occasional use of civilité type.<br />

3 3 parts in one vol. Oblong 4to. 19th century<br />

vellum over pasteboards. $12000<br />

First collected edition of Bredero’s famous<br />

Groot Lied-boecke, the songbook of the Golden Age, containing some 200 popular poems, mostly love<br />

and wedding songs.<br />

Scheurleer, Nederlandsche Liedboeken, p. 142. Carter & Vervliet, Civilité Types, 1966, no.360. OCLC<br />

(US: NGA Washington, Newberry, Columbia, Huntington only).


CASA (GIOVANNI DELLA) Le Galatee,<br />

premierement composé en Italien... & depuis<br />

mis en François, Latin, Allemand, & Espagnol...<br />

Geneva [i.e. Lyon], par Jean de Tournes, 1609.<br />

16mo. 17th century vellum. $2000<br />

De Tournes had published a polyglot edition of this classic<br />

courtesy book in 1598 but without the German version<br />

found here. In this edition we have a French version printed<br />

in civilité type, a German version in gothic type,<br />

a Spanish version in roman type and an Italian version in<br />

italic type, printed in four columns across a double page<br />

with a Latin version in roman type printed at the bottom.<br />

Cartier II, 753<br />

CICERO Opera. De officiis. De amicitia.<br />

De senectute. Eiusdem paradoxa: Cum suis<br />

commentariis: una cum familiari explanatione<br />

ipsi Jodoci Asce[n]sii. Adjuncta eiusdem Ascenii in<br />

paradoxa nova expositione nuperrime absoluta:<br />

nec alias aut antehac usquam impressa. Lyon,<br />

Jean Bonet [i.e. Paris, Badius Ascensius], (1509).<br />

Title-page with large woodcut of Cicero at his desk<br />

flanked by Petrus Marsus and Badius Ascensius, at foot<br />

four small woodcuts of religious scenes, fine white-onblack<br />

woodcut initials throughout.<br />

Sm folio. Contemporary pigskin over wooden boards. $6500<br />

Extremely rare Badius edition of Cicero’s philosophical<br />

works, unknown to Renouard, printed by Badius in Paris<br />

to be sold by the Lyon bookseller Jean Bonet whose name<br />

and address appear on the title-page.<br />

Copies of this edition are scarce with only three<br />

institutional copies recorded by OCLC/COPAC, none of<br />

which are in the US.<br />

Not in Renouard, Adams, BMSTC (French), Baudrier.<br />

COPAC (UCL only).


CIPRIANI (GIOVANNI BATTISTA) Degli<br />

edifici antichi e moderni di Roma vedute in<br />

contorno (I-II). Roma, 1817. [With:] Galleria<br />

delle piu insigni Statue, Busti, Bassi-Rilievi, ed<br />

altro. Rome, 1821-1822.<br />

I & II. Two engraved titles and five part-titles, 117 plates in vol. I<br />

including fine folding panorama, 123 plates in vol II, all by<br />

Cipriani. III. Two engraved titles, [15]ff letterpress, and 120 plates<br />

by Cipriani after Filippo Ferrari.<br />

3 vols. Oblong 8vo. Finely bound in vellum over paste-board, covers<br />

with double gilt fillet and upper cover with central gilt-lettered<br />

morocco label in blue (I-II) “Vedute di Roma da Cipriani” and green<br />

(III) “Galleria di Statue ec. da Cipriani”. $4500<br />

A particularly attractive set of two of Cipriani’s Roman works,<br />

the second dedicated to sculpture, holding in all 360 line<br />

engraved plates including a fine folding panorama, “Roma<br />

veduta per profilo dal Monte Mario” dated 1797.<br />

Not in Cicognara or Berlin Katalog.<br />

COPPOLA (GIOVANNI CARLO) Le Nozze degli Dei.<br />

Florence, Amadore Massi e Lorenzo Landi, 1637.<br />

Etched title-page and seven double-page etched plates by Stefano della Bella<br />

after Alfonso Parigi.<br />

4to. Recently bound in vellum over boards. $15000<br />

First edition of the libretto for this fantastic, allegorical<br />

masque of the wedding of Vulcan and Venus, written<br />

by Coppola to commemorate the marriage of Grand<br />

Duke Ferdinando II de Medici to Vittorio della<br />

Rovere of Urbino, and beautifully illustrated by<br />

Stefano della Bella after Parigi.<br />

Provenance: Bookplate of Professor John<br />

Ramsay Allardyce Nicoll (1894-1976), theatre<br />

historian and founding director of the Shakespeare<br />

Institute, Birmingham.<br />

Berlin Katalog 4116. Clubb 311. Cicognara 1445.<br />

Nagler Theater Festivals of the Medici (1964), pp.<br />

162-74. Watanabe 1285.


ERASMUS Epistolae ad diversos, & aliquot<br />

aliorum ad illu(m) per amicos eruditos, ex<br />

ingentibus fasciculis schedarum collectae. Basle,<br />

Johann Froben, August 21 1521 [- January 1522].<br />

Title with fine ‘Humanitas’ woodcut border by Urs Graf, two<br />

preliminary pages with fine woodcut borders by Ambrosius<br />

Holbein, large printer’s device; some greek letter.<br />

Folio. Contemporary vellum over boards, monastic paper<br />

library labels on spine. $9500<br />

First edition of this fascinating collection of Erasmus’ letters, one<br />

of the most sought-after of the early editions and one in which he<br />

was intimately involved. It is far larger than its predecessors and<br />

contains 617 letters of which 171 are newly printed. The<br />

correspondents for the newly printed letters include Johann<br />

Reuchlin, Justus Jonas, Guillaume Bude, Petrus Mosellanus,<br />

Polydore Vergil, Pope Leo X, Cardinal Albert of Brandenburg,<br />

More, William Warham, Wolsey and Fisher.<br />

Provenance: Johann Jakob Gessner (1707-1787), professor of<br />

Hebrew at Zurich and author of a number of numismatic works.<br />

VD16 E-2925. Adams E-852. Allen I, appendix VII, p. 600, no.<br />

F. Van der Haegen p. 99. Bezzel Erasmusdrucke no. 1003.<br />

DONI (ANTON FRANCESCO) La libraria,<br />

divisa in tre trattati. Venice, Gabriel Giolito de<br />

Ferrari, 1558.<br />

Giolito device on title-page, six fine almost full-page portraits of<br />

Dante, Petrarcha, Boccaccio, Ariosto, Domenici and Bembo.<br />

Sm 8vo. Contemporary limp vellum. $4000<br />

A rare edition of the first bibliography of Italian literature which<br />

follows the text of the first combined edition of 1557, which was<br />

the first to be illustrated and the last to be corrected by Doni.<br />

Provenance: From a Fugger family library with a late 18th<br />

century ink shelf-mark, from the monastic library of the Provost<br />

of Fulda, von Clodh, with his inscription on title-page.<br />

Censimento Edit 16 CNCE 17702. Adams D819. Breslauer/<br />

Folger Bibliography no. 18. OCLC (US: Chicago, Columbia,<br />

Brown only). Copac (Oxford only).


EURIPIDES Tragoediae septendecim. Venice,<br />

Aldus, 1503 [Bound with:] Electra, nunc primum in<br />

lucem edita. Rome, Blado, 1545.<br />

I. Aldine anchor device in both volumes. II. Arms and<br />

device on title. Greek letter.<br />

8vo. Together three vols. uniformly bound in English dark<br />

blue morocco c. 1840, triple gilt fillet on covers and central<br />

lozenge tooled in gilt with flowers and leafy stems, spine<br />

richly gilt in compartments. $49500<br />

Editio princeps. A fine set from the library of Sir Robert Peel<br />

of the complete Euripides with Aldus’ edition bound with<br />

the first printing of Electra.<br />

Provenance: Sir Robert Peel, second baronet (1788-<br />

1850), Prime Minister of Great Britain for two terms of<br />

office, 1834-1835 and 1841-1846, with his Drayton Manor<br />

armorial bookplate in each volume.<br />

Renouard pp. 43-4. Dibdin I, pp. 524-6 & pp. 526-7.<br />

Adams E1030 & E1052. BMSTC (Italian), p. 239.


FLUDD (ROBERT) [Opera]. A collection<br />

of works bound in 4 vols. Oppenheim,<br />

Frankfurt & Gouda, 1617 [1624] - 1638.<br />

Folio. Late 17th-century English mottled calf, spines<br />

gilt in compartments, speckled and red edges (different<br />

colours for each work). $50000<br />

A major group of the extraordinary works of Robert<br />

Fludd (1574-1637), long forgotten but now considered as<br />

one of the major thinkers of the XVIIth century<br />

contrasting with the flourishing rationalism of this period.<br />

From the library of the Earls of Macclesfield, Shirburn<br />

Castle, with their South Library bookplate and armorial<br />

blindstamp on titles.


JACOB (P.L.) Les<br />

Francs-Taupins.<br />

Histoire du Temps de<br />

Charles VII, 1440.<br />

Brussels, J.P. Meline,<br />

1834.<br />

3 vols. 12mo. Contemporary<br />

red morocco by J.J. Selencka<br />

of Brunswick, covers tooled in<br />

gilt with central crowned<br />

arms of Duke William of<br />

Brunswick and Lüneberg (1806-84) with the Order of<br />

the Guelphs and the collar of the Order of the Garter and<br />

elements of the Crown onlaid in blue goatskin, flat spines<br />

lettered and tooled in gilt with various pallets and<br />

ornaments, light green endleaves, g.e. $6000<br />

Each volume has Duke William’s fine large bookplate<br />

printed in gold and colours.<br />

LITURGIES. LUTHERAN<br />

CHURCHES. Svenska Psalmenboek.<br />

Liber cantus in quo glorificationes, hoc<br />

est: Kyrie et venite, nec non: sequentiae ac<br />

antiphonae… (Uppsala: tryckt aff Eskil<br />

Mattsson medh Hans Thiles bokbindares<br />

ther sammastådes bekostningh, 1620).<br />

Obl. 8vo. Title printed in red and black within woodcut border,<br />

printed single stave music (plain chant). Contemporary vellum<br />

o v e r paper boards. $7500<br />

This fascinating and very rare volume is of great importance and interest for the history of the Lutheran<br />

liturgy in Sweden, affording us a mixture of Swedish and Latin chants to be used at mass throughout the<br />

year, together with various funeral chants and hymns. It is a vivid testimony to the accommodative strain<br />

of the Swedish Church. The only institutional copy found outside Sweden is in the British Library.<br />

Provenance: Ex libris Johannis Arendtz on title-leaf; with the printed label of Johann Henrik<br />

Schröder (1791-1857) University Librarian at Uppsala, and a considerable book collector himself.<br />

Collijn 516; G.E. Klemming Sveriges äldre liturgiska literatur Stockholm, 1879 p. 50; N. Fransén,<br />

Koralbok till Then swenska Ubsala psalmboken 1645, p. 34 f.


LIVIUS (TITUS) Decades cum figuris<br />

noviter impresse. Venice, Philippo Pincio,<br />

September 1511.<br />

Three large woodcut illustrations, each one printed<br />

within a broad historiated border, at the foot are putti in<br />

procession playing musical instruments on horseback and<br />

a shield, the whole filled with renaissance ornament, 171<br />

woodcuts (c. 55 x 70mm.) in text (many signed “F”),<br />

numerous white-on-black woodcut initials, fine woodcut<br />

on verso of penultimate leaf, title in red.<br />

Folio. 18th century half calf, marbled boards, spine gilt<br />

in compartments. $12000<br />

A lavishly illustrated edition with woodcuts in the<br />

“popular style”, first published in 1493. Hind regards<br />

the Livy as one of the more important books with<br />

illustrations by the “popular” designer.<br />

ICCU/EDIT16, n. 34922. Essling 39. Sander 4002.<br />

MACCIO (PAOLO) Emblemata. (Bologna,<br />

Clemens Ferronius, 1628).<br />

Engraved title-page signed Corio f., engraved plate of the<br />

Virgin and Child and 81 emblematic engravings, two of<br />

them signed Augustinus Parisinus after Florius Macchius,<br />

each illustration is within a typographical border.<br />

4to. Contemporary limp vellum. $5500<br />

The only edition of this beautifully illustrated emblem<br />

book, each copperplate delicately engraved and set in<br />

the centre of the page, belonging to the best Bolognese<br />

book illustration of the Baroque period.<br />

Provenance: Ownership inscription of Agostino<br />

Comerio dated 1807, possibly the Italian artist born<br />

1784, in Locate, near Como who died in Recoare 1829.<br />

Praz p. 409. Cicognara 1913.


MAINARDI (ARLOTTO PIOVANO)<br />

Facetie: fabule: motti: Opera dilettevole vulgare<br />

in lingua Toscha historiata con pui facetie agionte<br />

nuovamente stampate. Venice, per Bernadino di<br />

Bindoni Milanese del Lago Mazore, 1538.<br />

Title-page with large woodcut of a priest and three<br />

gentlemen, 17 small text woodcuts in the text and device<br />

on final leaf; printed in double columns.<br />

8vo. English 19th century polished calf, covers with gilt<br />

armorial of George Granville Leveson-Gower, 1st Duke of<br />

Sutherland (1758-1833), with his crest as 2nd Marquess of<br />

Stafford, g.e. (rebacked with original spine laid down). $4000<br />

All early editions of Mainardi’s Facetie are extremely<br />

rare and this edition is no exception. Censimento records<br />

only three copies in Italy and only a handful of examples<br />

are located in institutions worldwide.<br />

Censimento Edit 16 3020 (three copies only). BMSTC<br />

(Italian), p. 404. Gamba Novelle, 49. OCLC (UK: BL, John<br />

Rylands (imperfect); US: Getty, UCLA, Yale).<br />

MACHIAVELLI (NICCOLÒ) Tutte<br />

le opere ... divise in V parti. “1550”<br />

[Geneva, c. 1610-1619].<br />

Woodcut head and shoulders portrait of<br />

Machiavelli on each title.<br />

Five parts in one vol. 4to. Contemporary vellum<br />

over paste-boards. $4000<br />

A fine copy from the first “Testina” edition,<br />

which, although dated “1550” on the title-page,<br />

was in fact published in Geneva in the early 17th<br />

century. The five parts include all Machiavelli’s<br />

works from Il Principe and the Dicorsi to his<br />

Istorie Fiorentine and Dell’ arte della guerra.<br />

Bertelli & Innocenti no. 203. Gamba 623.


MOREAU (PIERRE) Les sainctes prieres de<br />

l’ame chrestienne. Paris, chez I. Henault, 1656.<br />

Entirely engraved throughout with title-page, illustrations<br />

symbolising the seven deadly sins, floral illustrations,<br />

decorative borders and engraved calligraphic text.<br />

Sm. 8vo. Contemporary black morocco, blindstamped<br />

armorial device of three claws of a bird, surmounted by a<br />

crown, of the Buade family. $4000<br />

Excellent copy of this beautifully engraved devotional<br />

book, the product of Pierre Moreau, a professional<br />

calligrapher in Paris.<br />

The arms are of Louis Buade, seigneur de Frontenac<br />

(1625-98), who after a distinguished military career in<br />

Europe became French governor of Canada in 1672. It is<br />

known from an oration preached at his funeral that he had<br />

a great number of books, especially Jansenist, which he<br />

greatly praised and lent freely to others.<br />

Bonacini 1228 (1644 edition).<br />

MISSAL Missale Romanum, ex decreto<br />

sacrosancti Concilii Tridentini restitutum…<br />

Lyon, sumpt. viduae Claudii Rigaud, &<br />

Philippi Borde, 1635.<br />

Engraved vignette of the Last Supper on title-page, fine fullpage<br />

engraving of the Crucifixion by L. Culot after I. Faber,<br />

musical notation on a 4-line stave, printed in red and black<br />

throughout, double column.<br />

Folio. Fine contemporary French brown morocco, covers<br />

profusely gilt to an elaborate fan design, panelled with<br />

fillets and narrow multiple roll-tool borders, central panel<br />

with corners infilled with various small tools and fan<br />

ornaments, in the centre a circular fan rosette of 16<br />

sections radiating ornaments, spine richly gilt, four silk<br />

markers and remains of many others, g.e. $4500


PAUSANIAS Opera (edited by Marcus<br />

Musurus). Venice, in aedibus Aldi et Andreae<br />

soceri, July 1516.<br />

Aldine anchor and dolphin device on title and at end.<br />

Folio. (315 x 217mm). Bound by Derome le jeune, with his<br />

engraved ticket, in green morocco, covers with a broad border<br />

formed by concentric parallel roll-tools with an inner border of<br />

interlaced stems and dotted lines, with a six-pointed rosette at<br />

each crossing of the stems, spine with six raised bands,<br />

compartments intricately panelled with ornate fillet borders, in<br />

the centre a diamond-shaped ornament and small tools, pink<br />

silk end-leaves, inner edge gilt, g.e. $49500<br />

Editio princeps of Pausanias’ Description of Greece, a<br />

second century guide-book to the Peloponnese and northern<br />

Greece based on the author’s own travels. A superb copy<br />

bound by Derome le jeune c. 1780 in green morocco with<br />

fine neo-classical gilt tooling.<br />

Provenance: Sir Thomas Phillipps (1792-1872), bought<br />

from the bookseller Payne whose name appears in pencil on<br />

fly-leaf with the price ‘8.8.0’, and sold in the Bibliotheca<br />

Phillippica sale, Sotheby’s 26 November 1946, lot 249, for<br />

£165. John Hely-Hutchinson (1881-1956), with his<br />

Chippenham Lodge, Ely, book label dated 1946, and sold at<br />

his sale Sotheby’s 12 March 1956, lot 18, for £150 to Lind.<br />

Renouard p. 76, no. 3. BMSTC (Italian), p. 496. Adams P521.<br />

UCLA Ahmanson-Murphy no. 146.


PSALTER/PRAYERBOOK<br />

Illuminated manuscript on vellum, a<br />

Psalter and prayerbook in Latin and<br />

French. Paris, c. 1624-1643.<br />

Illuminated miniatures of God the Father<br />

holding an orb and cross (f. 4v) and King<br />

David in Penitence (f. 17v), the second a<br />

representation of a kneeling Louis XIII as<br />

David, in robes with his crown beside him.<br />

12mo. 112 x 70mm. i-iii (paper) + 120 folios<br />

(vellum) + iv-vi (paper). Lacking ff 98 & 99.<br />

Written in brown ink with titles in red and<br />

gold. Early 19th century English blue morocco gilt with large lozenge<br />

panel enclosing ‘IHS’ emblem on covers (extremities rubbed). $20000<br />

This delightful manuscript holds a miniature of a kneeling Louis XIII<br />

of France representing King David in Penitence, one of a number of<br />

clues that indicate that this manuscript could possibly have been made<br />

for his wife, Anne of Austria (1601-1666).<br />

Provenance: Anne of Austria? Inscribed on vellum fly-leaf “W<br />

Brownlow, May 26th 1819.” and “There is a prayer in the book for<br />

Louis XIII who began to reign A.D. 1610. W.B. 1842.”<br />

QUINTUS CURTIUS RUFUS De la vie<br />

et des actions d’Alexandre le Grand. Rouen<br />

& Paris, Thomas Jolly, 1664.<br />

4to. Contemporary light brown sheep, covers richly gilt<br />

with broad outer ornamental roll, inner fillet frame and<br />

ornamental roll infilled with a semé of fleur-de-lis and<br />

central arms of Louis XIV (1638-1715), spine gilt in<br />

compartments with repeated fleur-de-lis tool, g.e. $4000<br />

A fine prize binding with royal arms from the Collège<br />

de la Flèche, near Le Mans, Sarthe, one of the most<br />

famous provincial schools of the Ancien Régime.<br />

Former pupils included Mersenne, Descartes, Eugène<br />

de Savoie and Tallyrand.<br />

Provenance: A prize copy presented to René<br />

Duchemin of Laval for Greek oratory on 21 August<br />

1679 by C. Caignart S.J.


RABELAIS (FRANÇOIS) Les Oeuvres…<br />

Contenant cinq livres de la vie, faits, &<br />

dits Heroïques de Gargantua, & de son fils<br />

Pantagruel… Derniere edition de nouveau reveuë<br />

& corrigee. Antwerp, par Jean Fuet, 1605.<br />

Full-page woodcut of the “Sacred Bottle” on p. 157 of the<br />

final part.<br />

2 vols. 12mo. English early 18th century sprinkled calf, double<br />

gilt fillet on covers, gilt label on spine. $3750<br />

This edition with the imprint of Jean Fuet of Antwerp is the<br />

second of three editions listed by Rawles and Screech (nos. 83).<br />

The Fuet editions follow textually the newly corrected edition<br />

of “Jean Martin, Lyon, 1600” (NRB 81, Plan 118).<br />

Rawles & Screech A New Rabelais Bibliography, (1987), no.<br />

83, pp. 429-444. Plan no. 121.<br />

TERENTIUS [Comoediae sex]. Paris, ex officina<br />

Rob. Stephani, 1540 (colophon: January 1541).<br />

Estienne’s olive tree device on title-page (Shreiber no. 4).<br />

12mo. Early 17th century vellum, covers and spine panelled<br />

with two sets of double gilt fillets, central panel with fleuron<br />

tools at each corner. $2500<br />

A finely bound copy of this tiny pocket edition of Terence.<br />

Shreiber notes that it was “printed in Robert’s smallest<br />

roman type (42r)” and that a copy of this edition was in<br />

Montaigne’s library.<br />

Schreiber no. 64. Renouard I, p.52, no. 13.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!