NEW YORK ANTIQUARIAN BOOKFAIR 2012 - Maggs Bros. Ltd.
NEW YORK ANTIQUARIAN BOOKFAIR 2012 - Maggs Bros. Ltd.
NEW YORK ANTIQUARIAN BOOKFAIR 2012 - Maggs Bros. Ltd.
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MAGGS BROS LTD<br />
CONTINENTAL BOOKS<br />
<strong>NEW</strong> <strong>YORK</strong><br />
<strong>ANTIQUARIAN</strong><br />
<strong>BOOKFAIR</strong> <strong>2012</strong><br />
april 12-15, booth b12<br />
For Full details please contact Jonathan reilly/<br />
Jonathan@maggs.com/+44 020 7493 7160/+44 7432133576
APULEIUS Lamour de Cupido et de Psiché mere de<br />
volupté... nouvellement historiée, & exposée en vers<br />
François. [Paris], avec privilege du roy, [1586].<br />
Engraved architectural title-page signed by Leonard Gaultier, and 32<br />
numbered engraved plates, each containing a half-page illustration<br />
and text below.<br />
Sm 4to. Early 19th century green vellum gilt over pasteboards. $17500<br />
A wide-mArgined copy of the first edition of this illustrated tale of the lovers<br />
Cupid and Psyche. It is engraved throughout by Léonard Gaultier, the<br />
illustrations are primarily reversed, enlarged copies of the fine woodcut<br />
series used by Jeanne de Marnef Janot in 1546.<br />
This edition is extremely rare edition. OCLC lists only a handful<br />
of copies: Bibliothèque Nationale, British Library, Pierpont Morgan<br />
Library, Harvard, Columbia and NYPL. COPAC also adds Oxford<br />
and Durham in the UK.<br />
BMSTC (French), p. 21. Mortimer no. 34. Rothschild III, 2567. Brun, p. 144.<br />
ALBERTUS MAGNUS, ST.<br />
De laudibus beatae virginis Mariae.<br />
[Cologne, Ulrich Zell, not after 1473].<br />
Folio. Early 19th century ochre paper boards,<br />
red spine label lettered in gilt, red edges (spine<br />
darkened, a little soiled and marked). $24000<br />
First edition. A superb wide-margined copy<br />
with deep impressions of the types on<br />
remarkably fresh paper, printed by the<br />
prototypographer of Cologne, Ulrich Zell.<br />
H460. GW 678. BMC I, 192. BSB-Ink A185.<br />
Goff A271. Bod-inc A119.
AULUS GELLIUS Noctes Atticae.<br />
Lyon, apud Seb. Gryphium, 1539.<br />
8vo. Contemporary Italian brown morocco,<br />
covers framed by blind and gilt fillet borders,<br />
small floral tools at corners, central gilt-tooled<br />
arabesque design with title lettered on upper<br />
cover “AVLVS / GELL.”, spine with six bands,<br />
three raised with gilt tooling, spine panels<br />
with ornamental blind-tooled roll, gilt edges<br />
(panels at head and foot of spine defective,<br />
upper cover with area of abrasion, corners<br />
rubbed, ties missing). $4800<br />
Baudrier VIII, p. 123. This edition not in BMSTC<br />
(French) or Adams.<br />
ARISTOPHANES [Greek title]<br />
Comoediae novem cum commentariis<br />
antiquis... (ed. S. Gelenius). Basle, in officina<br />
Frobeniana, 1547.<br />
Folio. Contemporary vellum, 18th century green<br />
morocco labels on spine, g.e. $7500<br />
First edition to be edited by the Bohemian humanist<br />
Sigismund Gelenius and dedicated by him to Philip<br />
Melanchthon.<br />
BMSTC (German), p. 40. VD16 A3268. Adams<br />
A1715. Hoffmann I, p. 253. Dibdin I, pp. 297/8.
BIBLE. PSALMS, FRENCH. MAROT<br />
(CLEMENT) Les Pseaumes de David et les<br />
cantiques de la Bible, auec les argumens & la<br />
paraphrase de Theodore de Besze. [Geneva], de<br />
l’imprimerie de Jean Berjon, 1581.<br />
8vo. Contemporary calf, covers with panel infilled with gilt strapwork<br />
design with hatching and central cartouche enclosing name “BENIGNE”<br />
on upper cover and “DE RABUTIN” on lower, flat spine richly gilt,<br />
gauffered edges (upper joint, headcaps and corners restored). $9500<br />
A rare edition of Marot and Beza’s Psalms in French finely bound<br />
for a prominent female Protestant, Bénigne de Rabutin, who<br />
married her first cousin François d’Anlezy, seigneur d’Espeuille<br />
(Burgundy). She was great aunt of the author Roger de Bussy-<br />
Rabutin who described her as a ‘très habile femme de la religion<br />
prétendue réformée’ and owned a portrait of her which still hangs<br />
at the Château de Bussy-Rabutin. Both were relatives of Marie de<br />
Rabutin-Chantal, Madame de Sévigné.<br />
Moeckli 100. OCLC: 7 copies in Europe, none in US libraries. COPAC<br />
adds Oxford only.<br />
BREDERO (GERBRAND<br />
ADRIAENSZ) Boertigh,<br />
Amoreus, en Aendachtigh Groot<br />
Lied-boeck. Amsterdam, Cornelis<br />
Lodowijcksz: vander Plasse, 1622.<br />
Engraved title, added, fine engraved portrait of<br />
Bredero by Hessel Gerritsz (the only known<br />
portrait), 20 engravings, 3 full page and 17 halfpage<br />
by Jan van de Velde II and Michel le Blon;<br />
full- page calligraphic woodcut of Cupid in pt. 2<br />
repeated in pt. 3; occasional use of civilité type.<br />
3 3 parts in one vol. Oblong 4to. 19th century<br />
vellum over pasteboards. $12000<br />
First collected edition of Bredero’s famous<br />
Groot Lied-boecke, the songbook of the Golden Age, containing some 200 popular poems, mostly love<br />
and wedding songs.<br />
Scheurleer, Nederlandsche Liedboeken, p. 142. Carter & Vervliet, Civilité Types, 1966, no.360. OCLC<br />
(US: NGA Washington, Newberry, Columbia, Huntington only).
CASA (GIOVANNI DELLA) Le Galatee,<br />
premierement composé en Italien... & depuis<br />
mis en François, Latin, Allemand, & Espagnol...<br />
Geneva [i.e. Lyon], par Jean de Tournes, 1609.<br />
16mo. 17th century vellum. $2000<br />
De Tournes had published a polyglot edition of this classic<br />
courtesy book in 1598 but without the German version<br />
found here. In this edition we have a French version printed<br />
in civilité type, a German version in gothic type,<br />
a Spanish version in roman type and an Italian version in<br />
italic type, printed in four columns across a double page<br />
with a Latin version in roman type printed at the bottom.<br />
Cartier II, 753<br />
CICERO Opera. De officiis. De amicitia.<br />
De senectute. Eiusdem paradoxa: Cum suis<br />
commentariis: una cum familiari explanatione<br />
ipsi Jodoci Asce[n]sii. Adjuncta eiusdem Ascenii in<br />
paradoxa nova expositione nuperrime absoluta:<br />
nec alias aut antehac usquam impressa. Lyon,<br />
Jean Bonet [i.e. Paris, Badius Ascensius], (1509).<br />
Title-page with large woodcut of Cicero at his desk<br />
flanked by Petrus Marsus and Badius Ascensius, at foot<br />
four small woodcuts of religious scenes, fine white-onblack<br />
woodcut initials throughout.<br />
Sm folio. Contemporary pigskin over wooden boards. $6500<br />
Extremely rare Badius edition of Cicero’s philosophical<br />
works, unknown to Renouard, printed by Badius in Paris<br />
to be sold by the Lyon bookseller Jean Bonet whose name<br />
and address appear on the title-page.<br />
Copies of this edition are scarce with only three<br />
institutional copies recorded by OCLC/COPAC, none of<br />
which are in the US.<br />
Not in Renouard, Adams, BMSTC (French), Baudrier.<br />
COPAC (UCL only).
CIPRIANI (GIOVANNI BATTISTA) Degli<br />
edifici antichi e moderni di Roma vedute in<br />
contorno (I-II). Roma, 1817. [With:] Galleria<br />
delle piu insigni Statue, Busti, Bassi-Rilievi, ed<br />
altro. Rome, 1821-1822.<br />
I & II. Two engraved titles and five part-titles, 117 plates in vol. I<br />
including fine folding panorama, 123 plates in vol II, all by<br />
Cipriani. III. Two engraved titles, [15]ff letterpress, and 120 plates<br />
by Cipriani after Filippo Ferrari.<br />
3 vols. Oblong 8vo. Finely bound in vellum over paste-board, covers<br />
with double gilt fillet and upper cover with central gilt-lettered<br />
morocco label in blue (I-II) “Vedute di Roma da Cipriani” and green<br />
(III) “Galleria di Statue ec. da Cipriani”. $4500<br />
A particularly attractive set of two of Cipriani’s Roman works,<br />
the second dedicated to sculpture, holding in all 360 line<br />
engraved plates including a fine folding panorama, “Roma<br />
veduta per profilo dal Monte Mario” dated 1797.<br />
Not in Cicognara or Berlin Katalog.<br />
COPPOLA (GIOVANNI CARLO) Le Nozze degli Dei.<br />
Florence, Amadore Massi e Lorenzo Landi, 1637.<br />
Etched title-page and seven double-page etched plates by Stefano della Bella<br />
after Alfonso Parigi.<br />
4to. Recently bound in vellum over boards. $15000<br />
First edition of the libretto for this fantastic, allegorical<br />
masque of the wedding of Vulcan and Venus, written<br />
by Coppola to commemorate the marriage of Grand<br />
Duke Ferdinando II de Medici to Vittorio della<br />
Rovere of Urbino, and beautifully illustrated by<br />
Stefano della Bella after Parigi.<br />
Provenance: Bookplate of Professor John<br />
Ramsay Allardyce Nicoll (1894-1976), theatre<br />
historian and founding director of the Shakespeare<br />
Institute, Birmingham.<br />
Berlin Katalog 4116. Clubb 311. Cicognara 1445.<br />
Nagler Theater Festivals of the Medici (1964), pp.<br />
162-74. Watanabe 1285.
ERASMUS Epistolae ad diversos, & aliquot<br />
aliorum ad illu(m) per amicos eruditos, ex<br />
ingentibus fasciculis schedarum collectae. Basle,<br />
Johann Froben, August 21 1521 [- January 1522].<br />
Title with fine ‘Humanitas’ woodcut border by Urs Graf, two<br />
preliminary pages with fine woodcut borders by Ambrosius<br />
Holbein, large printer’s device; some greek letter.<br />
Folio. Contemporary vellum over boards, monastic paper<br />
library labels on spine. $9500<br />
First edition of this fascinating collection of Erasmus’ letters, one<br />
of the most sought-after of the early editions and one in which he<br />
was intimately involved. It is far larger than its predecessors and<br />
contains 617 letters of which 171 are newly printed. The<br />
correspondents for the newly printed letters include Johann<br />
Reuchlin, Justus Jonas, Guillaume Bude, Petrus Mosellanus,<br />
Polydore Vergil, Pope Leo X, Cardinal Albert of Brandenburg,<br />
More, William Warham, Wolsey and Fisher.<br />
Provenance: Johann Jakob Gessner (1707-1787), professor of<br />
Hebrew at Zurich and author of a number of numismatic works.<br />
VD16 E-2925. Adams E-852. Allen I, appendix VII, p. 600, no.<br />
F. Van der Haegen p. 99. Bezzel Erasmusdrucke no. 1003.<br />
DONI (ANTON FRANCESCO) La libraria,<br />
divisa in tre trattati. Venice, Gabriel Giolito de<br />
Ferrari, 1558.<br />
Giolito device on title-page, six fine almost full-page portraits of<br />
Dante, Petrarcha, Boccaccio, Ariosto, Domenici and Bembo.<br />
Sm 8vo. Contemporary limp vellum. $4000<br />
A rare edition of the first bibliography of Italian literature which<br />
follows the text of the first combined edition of 1557, which was<br />
the first to be illustrated and the last to be corrected by Doni.<br />
Provenance: From a Fugger family library with a late 18th<br />
century ink shelf-mark, from the monastic library of the Provost<br />
of Fulda, von Clodh, with his inscription on title-page.<br />
Censimento Edit 16 CNCE 17702. Adams D819. Breslauer/<br />
Folger Bibliography no. 18. OCLC (US: Chicago, Columbia,<br />
Brown only). Copac (Oxford only).
EURIPIDES Tragoediae septendecim. Venice,<br />
Aldus, 1503 [Bound with:] Electra, nunc primum in<br />
lucem edita. Rome, Blado, 1545.<br />
I. Aldine anchor device in both volumes. II. Arms and<br />
device on title. Greek letter.<br />
8vo. Together three vols. uniformly bound in English dark<br />
blue morocco c. 1840, triple gilt fillet on covers and central<br />
lozenge tooled in gilt with flowers and leafy stems, spine<br />
richly gilt in compartments. $49500<br />
Editio princeps. A fine set from the library of Sir Robert Peel<br />
of the complete Euripides with Aldus’ edition bound with<br />
the first printing of Electra.<br />
Provenance: Sir Robert Peel, second baronet (1788-<br />
1850), Prime Minister of Great Britain for two terms of<br />
office, 1834-1835 and 1841-1846, with his Drayton Manor<br />
armorial bookplate in each volume.<br />
Renouard pp. 43-4. Dibdin I, pp. 524-6 & pp. 526-7.<br />
Adams E1030 & E1052. BMSTC (Italian), p. 239.
FLUDD (ROBERT) [Opera]. A collection<br />
of works bound in 4 vols. Oppenheim,<br />
Frankfurt & Gouda, 1617 [1624] - 1638.<br />
Folio. Late 17th-century English mottled calf, spines<br />
gilt in compartments, speckled and red edges (different<br />
colours for each work). $50000<br />
A major group of the extraordinary works of Robert<br />
Fludd (1574-1637), long forgotten but now considered as<br />
one of the major thinkers of the XVIIth century<br />
contrasting with the flourishing rationalism of this period.<br />
From the library of the Earls of Macclesfield, Shirburn<br />
Castle, with their South Library bookplate and armorial<br />
blindstamp on titles.
JACOB (P.L.) Les<br />
Francs-Taupins.<br />
Histoire du Temps de<br />
Charles VII, 1440.<br />
Brussels, J.P. Meline,<br />
1834.<br />
3 vols. 12mo. Contemporary<br />
red morocco by J.J. Selencka<br />
of Brunswick, covers tooled in<br />
gilt with central crowned<br />
arms of Duke William of<br />
Brunswick and Lüneberg (1806-84) with the Order of<br />
the Guelphs and the collar of the Order of the Garter and<br />
elements of the Crown onlaid in blue goatskin, flat spines<br />
lettered and tooled in gilt with various pallets and<br />
ornaments, light green endleaves, g.e. $6000<br />
Each volume has Duke William’s fine large bookplate<br />
printed in gold and colours.<br />
LITURGIES. LUTHERAN<br />
CHURCHES. Svenska Psalmenboek.<br />
Liber cantus in quo glorificationes, hoc<br />
est: Kyrie et venite, nec non: sequentiae ac<br />
antiphonae… (Uppsala: tryckt aff Eskil<br />
Mattsson medh Hans Thiles bokbindares<br />
ther sammastådes bekostningh, 1620).<br />
Obl. 8vo. Title printed in red and black within woodcut border,<br />
printed single stave music (plain chant). Contemporary vellum<br />
o v e r paper boards. $7500<br />
This fascinating and very rare volume is of great importance and interest for the history of the Lutheran<br />
liturgy in Sweden, affording us a mixture of Swedish and Latin chants to be used at mass throughout the<br />
year, together with various funeral chants and hymns. It is a vivid testimony to the accommodative strain<br />
of the Swedish Church. The only institutional copy found outside Sweden is in the British Library.<br />
Provenance: Ex libris Johannis Arendtz on title-leaf; with the printed label of Johann Henrik<br />
Schröder (1791-1857) University Librarian at Uppsala, and a considerable book collector himself.<br />
Collijn 516; G.E. Klemming Sveriges äldre liturgiska literatur Stockholm, 1879 p. 50; N. Fransén,<br />
Koralbok till Then swenska Ubsala psalmboken 1645, p. 34 f.
LIVIUS (TITUS) Decades cum figuris<br />
noviter impresse. Venice, Philippo Pincio,<br />
September 1511.<br />
Three large woodcut illustrations, each one printed<br />
within a broad historiated border, at the foot are putti in<br />
procession playing musical instruments on horseback and<br />
a shield, the whole filled with renaissance ornament, 171<br />
woodcuts (c. 55 x 70mm.) in text (many signed “F”),<br />
numerous white-on-black woodcut initials, fine woodcut<br />
on verso of penultimate leaf, title in red.<br />
Folio. 18th century half calf, marbled boards, spine gilt<br />
in compartments. $12000<br />
A lavishly illustrated edition with woodcuts in the<br />
“popular style”, first published in 1493. Hind regards<br />
the Livy as one of the more important books with<br />
illustrations by the “popular” designer.<br />
ICCU/EDIT16, n. 34922. Essling 39. Sander 4002.<br />
MACCIO (PAOLO) Emblemata. (Bologna,<br />
Clemens Ferronius, 1628).<br />
Engraved title-page signed Corio f., engraved plate of the<br />
Virgin and Child and 81 emblematic engravings, two of<br />
them signed Augustinus Parisinus after Florius Macchius,<br />
each illustration is within a typographical border.<br />
4to. Contemporary limp vellum. $5500<br />
The only edition of this beautifully illustrated emblem<br />
book, each copperplate delicately engraved and set in<br />
the centre of the page, belonging to the best Bolognese<br />
book illustration of the Baroque period.<br />
Provenance: Ownership inscription of Agostino<br />
Comerio dated 1807, possibly the Italian artist born<br />
1784, in Locate, near Como who died in Recoare 1829.<br />
Praz p. 409. Cicognara 1913.
MAINARDI (ARLOTTO PIOVANO)<br />
Facetie: fabule: motti: Opera dilettevole vulgare<br />
in lingua Toscha historiata con pui facetie agionte<br />
nuovamente stampate. Venice, per Bernadino di<br />
Bindoni Milanese del Lago Mazore, 1538.<br />
Title-page with large woodcut of a priest and three<br />
gentlemen, 17 small text woodcuts in the text and device<br />
on final leaf; printed in double columns.<br />
8vo. English 19th century polished calf, covers with gilt<br />
armorial of George Granville Leveson-Gower, 1st Duke of<br />
Sutherland (1758-1833), with his crest as 2nd Marquess of<br />
Stafford, g.e. (rebacked with original spine laid down). $4000<br />
All early editions of Mainardi’s Facetie are extremely<br />
rare and this edition is no exception. Censimento records<br />
only three copies in Italy and only a handful of examples<br />
are located in institutions worldwide.<br />
Censimento Edit 16 3020 (three copies only). BMSTC<br />
(Italian), p. 404. Gamba Novelle, 49. OCLC (UK: BL, John<br />
Rylands (imperfect); US: Getty, UCLA, Yale).<br />
MACHIAVELLI (NICCOLÒ) Tutte<br />
le opere ... divise in V parti. “1550”<br />
[Geneva, c. 1610-1619].<br />
Woodcut head and shoulders portrait of<br />
Machiavelli on each title.<br />
Five parts in one vol. 4to. Contemporary vellum<br />
over paste-boards. $4000<br />
A fine copy from the first “Testina” edition,<br />
which, although dated “1550” on the title-page,<br />
was in fact published in Geneva in the early 17th<br />
century. The five parts include all Machiavelli’s<br />
works from Il Principe and the Dicorsi to his<br />
Istorie Fiorentine and Dell’ arte della guerra.<br />
Bertelli & Innocenti no. 203. Gamba 623.
MOREAU (PIERRE) Les sainctes prieres de<br />
l’ame chrestienne. Paris, chez I. Henault, 1656.<br />
Entirely engraved throughout with title-page, illustrations<br />
symbolising the seven deadly sins, floral illustrations,<br />
decorative borders and engraved calligraphic text.<br />
Sm. 8vo. Contemporary black morocco, blindstamped<br />
armorial device of three claws of a bird, surmounted by a<br />
crown, of the Buade family. $4000<br />
Excellent copy of this beautifully engraved devotional<br />
book, the product of Pierre Moreau, a professional<br />
calligrapher in Paris.<br />
The arms are of Louis Buade, seigneur de Frontenac<br />
(1625-98), who after a distinguished military career in<br />
Europe became French governor of Canada in 1672. It is<br />
known from an oration preached at his funeral that he had<br />
a great number of books, especially Jansenist, which he<br />
greatly praised and lent freely to others.<br />
Bonacini 1228 (1644 edition).<br />
MISSAL Missale Romanum, ex decreto<br />
sacrosancti Concilii Tridentini restitutum…<br />
Lyon, sumpt. viduae Claudii Rigaud, &<br />
Philippi Borde, 1635.<br />
Engraved vignette of the Last Supper on title-page, fine fullpage<br />
engraving of the Crucifixion by L. Culot after I. Faber,<br />
musical notation on a 4-line stave, printed in red and black<br />
throughout, double column.<br />
Folio. Fine contemporary French brown morocco, covers<br />
profusely gilt to an elaborate fan design, panelled with<br />
fillets and narrow multiple roll-tool borders, central panel<br />
with corners infilled with various small tools and fan<br />
ornaments, in the centre a circular fan rosette of 16<br />
sections radiating ornaments, spine richly gilt, four silk<br />
markers and remains of many others, g.e. $4500
PAUSANIAS Opera (edited by Marcus<br />
Musurus). Venice, in aedibus Aldi et Andreae<br />
soceri, July 1516.<br />
Aldine anchor and dolphin device on title and at end.<br />
Folio. (315 x 217mm). Bound by Derome le jeune, with his<br />
engraved ticket, in green morocco, covers with a broad border<br />
formed by concentric parallel roll-tools with an inner border of<br />
interlaced stems and dotted lines, with a six-pointed rosette at<br />
each crossing of the stems, spine with six raised bands,<br />
compartments intricately panelled with ornate fillet borders, in<br />
the centre a diamond-shaped ornament and small tools, pink<br />
silk end-leaves, inner edge gilt, g.e. $49500<br />
Editio princeps of Pausanias’ Description of Greece, a<br />
second century guide-book to the Peloponnese and northern<br />
Greece based on the author’s own travels. A superb copy<br />
bound by Derome le jeune c. 1780 in green morocco with<br />
fine neo-classical gilt tooling.<br />
Provenance: Sir Thomas Phillipps (1792-1872), bought<br />
from the bookseller Payne whose name appears in pencil on<br />
fly-leaf with the price ‘8.8.0’, and sold in the Bibliotheca<br />
Phillippica sale, Sotheby’s 26 November 1946, lot 249, for<br />
£165. John Hely-Hutchinson (1881-1956), with his<br />
Chippenham Lodge, Ely, book label dated 1946, and sold at<br />
his sale Sotheby’s 12 March 1956, lot 18, for £150 to Lind.<br />
Renouard p. 76, no. 3. BMSTC (Italian), p. 496. Adams P521.<br />
UCLA Ahmanson-Murphy no. 146.
PSALTER/PRAYERBOOK<br />
Illuminated manuscript on vellum, a<br />
Psalter and prayerbook in Latin and<br />
French. Paris, c. 1624-1643.<br />
Illuminated miniatures of God the Father<br />
holding an orb and cross (f. 4v) and King<br />
David in Penitence (f. 17v), the second a<br />
representation of a kneeling Louis XIII as<br />
David, in robes with his crown beside him.<br />
12mo. 112 x 70mm. i-iii (paper) + 120 folios<br />
(vellum) + iv-vi (paper). Lacking ff 98 & 99.<br />
Written in brown ink with titles in red and<br />
gold. Early 19th century English blue morocco gilt with large lozenge<br />
panel enclosing ‘IHS’ emblem on covers (extremities rubbed). $20000<br />
This delightful manuscript holds a miniature of a kneeling Louis XIII<br />
of France representing King David in Penitence, one of a number of<br />
clues that indicate that this manuscript could possibly have been made<br />
for his wife, Anne of Austria (1601-1666).<br />
Provenance: Anne of Austria? Inscribed on vellum fly-leaf “W<br />
Brownlow, May 26th 1819.” and “There is a prayer in the book for<br />
Louis XIII who began to reign A.D. 1610. W.B. 1842.”<br />
QUINTUS CURTIUS RUFUS De la vie<br />
et des actions d’Alexandre le Grand. Rouen<br />
& Paris, Thomas Jolly, 1664.<br />
4to. Contemporary light brown sheep, covers richly gilt<br />
with broad outer ornamental roll, inner fillet frame and<br />
ornamental roll infilled with a semé of fleur-de-lis and<br />
central arms of Louis XIV (1638-1715), spine gilt in<br />
compartments with repeated fleur-de-lis tool, g.e. $4000<br />
A fine prize binding with royal arms from the Collège<br />
de la Flèche, near Le Mans, Sarthe, one of the most<br />
famous provincial schools of the Ancien Régime.<br />
Former pupils included Mersenne, Descartes, Eugène<br />
de Savoie and Tallyrand.<br />
Provenance: A prize copy presented to René<br />
Duchemin of Laval for Greek oratory on 21 August<br />
1679 by C. Caignart S.J.
RABELAIS (FRANÇOIS) Les Oeuvres…<br />
Contenant cinq livres de la vie, faits, &<br />
dits Heroïques de Gargantua, & de son fils<br />
Pantagruel… Derniere edition de nouveau reveuë<br />
& corrigee. Antwerp, par Jean Fuet, 1605.<br />
Full-page woodcut of the “Sacred Bottle” on p. 157 of the<br />
final part.<br />
2 vols. 12mo. English early 18th century sprinkled calf, double<br />
gilt fillet on covers, gilt label on spine. $3750<br />
This edition with the imprint of Jean Fuet of Antwerp is the<br />
second of three editions listed by Rawles and Screech (nos. 83).<br />
The Fuet editions follow textually the newly corrected edition<br />
of “Jean Martin, Lyon, 1600” (NRB 81, Plan 118).<br />
Rawles & Screech A New Rabelais Bibliography, (1987), no.<br />
83, pp. 429-444. Plan no. 121.<br />
TERENTIUS [Comoediae sex]. Paris, ex officina<br />
Rob. Stephani, 1540 (colophon: January 1541).<br />
Estienne’s olive tree device on title-page (Shreiber no. 4).<br />
12mo. Early 17th century vellum, covers and spine panelled<br />
with two sets of double gilt fillets, central panel with fleuron<br />
tools at each corner. $2500<br />
A finely bound copy of this tiny pocket edition of Terence.<br />
Shreiber notes that it was “printed in Robert’s smallest<br />
roman type (42r)” and that a copy of this edition was in<br />
Montaigne’s library.<br />
Schreiber no. 64. Renouard I, p.52, no. 13.