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CableWorld CW-4412 MPEG-4 Encoder Duo

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light, there’s also shadow,<br />

and in the case of CBR easy<br />

calculation comes at the<br />

expense of changing video<br />

quality. The bit rate requirements<br />

of fast camera movements<br />

or dynamic video content<br />

may easily exceed the<br />

pre-set constant bitrate (unless<br />

it equals the maximum<br />

bit rate, which generally<br />

is not the case and would<br />

waste valuable resources<br />

whenever more static content<br />

is transmitted), causing<br />

the dreaded block artefacts<br />

none of us likes to see.<br />

This is where VBR kicks<br />

in: Whenever video content<br />

does not change much, the<br />

required bit rate decreases<br />

because only few image details<br />

need to be compressed.<br />

And when all of a sudden dynamic<br />

changes in the video<br />

content occur the bit rate increases<br />

alongside so that the<br />

intended video quality after<br />

compression can be maintained.<br />

On average, the bit<br />

rate with VBR is lower than<br />

with CBR.<br />

And there’s another benefit<br />

with VBR: The chance<br />

that several variable bit<br />

rates within a single transport<br />

stream all peak at the<br />

very same time is rather low,<br />

which means that the overall<br />

bandwidth of a transponder’s<br />

transport stream with<br />

VBR signals can be smaller,<br />

while the video quality of the<br />

individual signals is higher.<br />

Sounds perfect, right? Yes,<br />

in theory. In the real world,<br />

however, VBR comes with<br />

some strings attached. For<br />

example, the encoder has<br />

to know the low and high<br />

bit rate limits that must not<br />

be exceeded. Those limits,<br />

however, depend entirely<br />

on the average bit rate. This<br />

means the encoder must analyse<br />

the video signal based<br />

Web Frontend<br />

19. ENCODER – VIDEO & AUDIO SETUP: This menu option allows<br />

to independently configure the output signal. You can select between<br />

a constant bitrate (CBR) or a variable bitrate (VBR). Also, you<br />

can change other relevant <strong>MPEG</strong>-4 parameters.<br />

20. ENCODER – MULTIPLEX SETUP: Here you can select the<br />

required PIDs for the output stream. This comes very handy, as<br />

you can avoid problems with multiplexers, if you configure the<br />

PIDs correctly at this stage. Being able to input the desired service<br />

name and service provider name is just perfect.<br />

19<br />

21. IP STREAMER – IP STREAMER SETUP: Next you can configure<br />

the IP streaming, again independently for each encoder. Just select<br />

the mode (Multicast or Unicast) and specify the relevant IP and port<br />

and you are set.<br />

22. SETTINGS – WEB INTERFACE SETTINGS: This option lets you<br />

configure the network settings for the web interface. The <strong>CW</strong>-<strong>4412</strong><br />

can be controlled through a browser or by means of free applications<br />

provided by <strong>CableWorld</strong>. Both use independent networking<br />

configurations, which is actually very convenient. If you cannot<br />

access one network, for whatever reason, you can still communicate<br />

with the <strong>CW</strong>-<strong>4412</strong> through the alternative way.<br />

21<br />

20<br />

22<br />

24 TELE-audiovision International — The World‘s Leading Digital TV Industry Publication — 11-12/2014 — www.TELE-audiovision.com

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