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The Prime Ministers' National Treasures Press Kit

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premieres weekly from tuesday 31 july 2007 at 6:50pm on abc tv<br />

Award winning cartoonist and yarn spinner Warren Brown reveals the emotional lives<br />

of Australian <strong>Prime</strong> Ministers through 10 objects they used every day or even adored.<br />

(10 x 5mins)<br />

For further information and interviews:<br />

Andy Brown Avisso PR for Film Australia 02 8356 9711 0434 375 994<br />

andyb@avviso.com.au


premieres weekly from tuesday 31 july 2007 at 6:50pm on abc tv<br />

Series synopses<br />

One page<br />

Award winning cartoonist and yarn spinner Warren Brown<br />

takes us on a surprising journey into the hearts and minds<br />

of Australia’s <strong>Prime</strong> Ministers. After months spent foraging<br />

through the nation’s archives, Brown unearths an array of 10<br />

extraordinary objects with countless secrets to tell - Harold<br />

Holt’s last days as revealed in the items he kept in his<br />

briefcase; hundreds of passionate love letters Joseph Lyons<br />

wrote to his wife; John Curtin’s AJA badge, worn every day<br />

whilst he was in offi ce; Andrew Fisher’s tin lunchbox which he<br />

Presenter Warren Brown with his cartoon caricatures of <strong>Prime</strong> Minister James<br />

used when he was just a poor gold miner in Gympie; William Scullin (left), Sir Isaac Isaacs (centre) and King George the Fifth (right).<br />

PHOTOGRAPH BY MARCUS FILINGER. © FILM AUSTRALIA.<br />

Hughes and the vote “yes” for conscription badge; the gold<br />

cigarette case Stanley Melbourne Bruce treasured till the day he died; the wind-up camera Robert Menzies<br />

used to make home movies during the London blitz and many more. <strong>The</strong>se reveal the nation’s leaders as<br />

you have never seen them before.<br />

Versions of the series, specifi cally designed for public exhibition, are showing at <strong>The</strong> Australian <strong>Prime</strong> Ministers<br />

Centre at Old Parliament House in Canberra.<br />

Series Key Credits<br />

<strong>The</strong> <strong>Prime</strong> Ministers’ <strong>National</strong> <strong>Treasures</strong> is a Film Australia <strong>National</strong> Interest Program. Produced in association<br />

with Old Parliament House and the Australian Broadcasting Corporation. © 2007 Film Australia.<br />

www.filmaust.com.au<br />

Series Producer - Paul Rudd<br />

Producer – Perry Stapleton<br />

Director - Matthew Thomason<br />

Writers - Paul Rudd, Matthew Thomason<br />

Presenter - Warren Brown<br />

Film Australia Executive Producer - Penny Robins<br />

ABC Commissioning Editor – Stuart Menzies<br />

Duration – 10 x 5 minutes<br />

For further information and interviews:<br />

Andy Brown Avisso PR for Film Australia 02 8356 9711 0434 375 994<br />

andyb@avviso.com.au


EPISODE 1 – EDMUND BARTON AND THE VELVET SOAP AD<br />

Tuesday 31 July at 6:50pm<br />

<strong>The</strong> Velvet Soap advertising campaign is a tongue-in-cheek reminder of<br />

Edmund Barton’s hand in formulating the White Australia policy. Barton<br />

also helped draft the Federal Constitution, created the High Court, and<br />

presided over the formulation of federal industrial relations and the legal<br />

system. Without him the wayward states may never have federated.<br />

Edmund Barton was <strong>Prime</strong> Minister of Australia from January 1901 to September<br />

1903. <strong>The</strong> Velvet Soap ad is held at Old Parliament House in Canberra.<br />

EPISODE 2 – ANDREW FISHER’S LUNCHBOX<br />

Tuesday 7 August at 6:50pm<br />

Billboard poster, designed by Charles Nuttall,<br />

advertising Velvet soap, featuring the fi rst three Justices<br />

of Australia’s High Court; Sir Edmund Barton, Sir<br />

Samuel Griffi th and Richard O’Connor, 1903-5.<br />

PHOTO COURTESY OF THE OLD PARLIAMENT<br />

HOUSE COLLECTION.<br />

Andrew Fisher’s tin lunchbox reminds us that humble beginnings informed his formidable political career:<br />

leaving school at 10, he was a coalminer throughout his teens, and migrated to Australia at 23. He rose<br />

quickly from union organiser to three-time <strong>Prime</strong> Minister, inventing the Australian ideal of “a fair go” along<br />

the way. Among a host of policies designed for the common good, he advocated maternity allowances and<br />

greater political equality for women.<br />

Andrew Fisher was <strong>Prime</strong> Minister of Australia three times; from November 1908 to June 1909, April 1910 to June 1913,<br />

September 1914 to October 1915. Andrew Fisher’s lunchbox is held at the Gympie Gold Mining Museum in Queensland.<br />

EPISODE 3 – WILLIAM HUGHES AND THE 1916 CONSCRIPTION BADGE<br />

Tuesday 14 August at 6:50pm<br />

<strong>The</strong> irascible William Hughes was a popular and dynamic politician despite a tendency to feud. He burned<br />

through 100 secretaries during his term in offi ce, helped found the Labor party, the <strong>National</strong>ist Party,<br />

and the United Australia Party and was ousted from all three. “<strong>The</strong> Little Digger” as he became known,<br />

campaigned twice for the deeply unpopular concept of national conscription in order to boost an Australian<br />

army decimated by some of the bloodiest offensives of World War One. He formed the Commonwealth<br />

Police Force after a dissenter socked him with an egg and the state police force did nothing.<br />

William Hughes was <strong>Prime</strong> Minister of Australia from October 1915 to February 1923. <strong>The</strong> 1916 Conscription<br />

Badge is held at the Powerhouse Museum in Sydney.<br />

EPISODE 4 – STANLEY MELBOURNE BRUCE’S CIGARETTE CASE Tuesday 21 August at 6:50pm<br />

Until the day he died, Stanley Melbourne Bruce kept two photographs on his desk – one of his wife and one<br />

of Turkish President Mustafa Kemal Atatürk, the founder of the modern Turkish state. As young men they<br />

were enemies at Gallipoli, but during the post-war years of international reconstruction, they forged a mutual<br />

admiration as passionate advocates of secular democracy. After the League of Nations Montreux conference<br />

in 1936, Atatürk presented Bruce with a gold cigarette case, which he treasured for the rest of his life.<br />

Stanley Melbourne Bruce was <strong>Prime</strong> Minister of Australia from February 1923 to October 1929. Stanley Melbourne<br />

Bruce’s Cigarette Case is held at the <strong>National</strong> Archives of Australia in Canberra.<br />

For further information and interviews:<br />

Andy Brown Avisso PR for Film Australia 02 8356 9711 0434 375 994<br />

andyb@avviso.com.au


EPISODE 5 – JAMES SCULLIN AND THE GCMG Tuesday 28 August at 6:50pm<br />

When Labor won the 1929 election, at the height of the Depression, the new <strong>Prime</strong> Minister, James Scullin,<br />

refused to take up residence in <strong>The</strong> Lodge. Instead, he offered to rent it out to defray the costs of the <strong>Prime</strong><br />

Ministership – an act which would be unthinkable today. Scullin was determined, and even when his mission<br />

to appoint an Australian-born Governor General met with furious opposition and public disapproval, he<br />

insisted on appointing one - Sir Isaac Isaacs. King George V was not amused, but the precedent had been<br />

set and Isaacs was anointed to the Order of St Michael and St George as Knight Grand Cross (GCMG) and<br />

presented the insignia chain.<br />

James Scullin was <strong>Prime</strong> Minister of Australia from October 1929 to January 1932. <strong>The</strong> GCMG is held at the<br />

<strong>National</strong> Library of Australia in Canberra.<br />

EPISODE 6 – JOSEPH LYONS’ LOVE LETTERS<br />

Tuesday 4 September at 6:50pm<br />

<strong>The</strong> Depression had fi nally ended when Joseph Lyons came to<br />

power. Lyons and his adored wife and confi dante, Enid, presented<br />

a genuine picture of domestic harmony and security to the<br />

Australian public despite the many separations they endured as<br />

he commuted from the family home in Tasmania to the Australian<br />

capital. Politics rarely produces impassioned romantics, which is<br />

just what makes the hundreds of letters Joseph Lyons wrote to<br />

Enid as fascinating as they are unexpected. He died in offi ce and<br />

Enid went on to become the fi rst female member of the Federal<br />

House of Representatives.<br />

Presenter Warren Brown’s watercolour caricature of <strong>Prime</strong> Minister Joseph Lyons.<br />

Joseph Lyons was <strong>Prime</strong> Minister of Australia from January 1932 to<br />

April 1939. Joseph Lyons’ Love Letters are held at the <strong>National</strong> Library<br />

of Australia in Canberra.<br />

Presenter Warren Brown’s watercolour caricature of <strong>Prime</strong> Minister Robert Menzies.<br />

<strong>Prime</strong> Minister Joseph Lyons’ love letters to his wife Enid.<br />

PHOTOGRAPH BY MARCUS FILINGER. © FILM AUSTRALIA<br />

EPISODE 7 – ROBERT MENZIES’ CAMERA<br />

Tuesday 11 September at 6:50pm<br />

Robert Menzies served his first term as <strong>Prime</strong> Minister<br />

during World War Two. In 1941 he travelled to England to see<br />

the bombing of London first hand. He was shocked. He also<br />

believed Singapore would fall if the Japanese entered the war,<br />

which strained his relationship with Churchill. Menzies took<br />

his wind-up camera everywhere he went, and his very personal<br />

record of the visit includes strikingly informal footage of a young<br />

Princess Elizabeth.<br />

Robert Menzies was <strong>Prime</strong> Minister of Australia twice; from April 1939 to August 1941 and December 1949 to<br />

January 1966. Robert Menzies’ Camera is held at the <strong>National</strong> Museum of Australia in Canberra.<br />

For further information and interviews:<br />

Andy Brown Avisso PR for Film Australia 02 8356 9711 0434 375 994<br />

andyb@avviso.com.au


EPISODE 8 – JOHN CURTIN’S AUSTRALIAN JOURNALISTS’ ASSOCIATION BADGE<br />

Tuesday 18 September at 6:50pm<br />

John Curtin started out as a copy-boy on <strong>The</strong> Age, working his way up the ladder via the union movement.<br />

He joined the Australian Journalists’ Association (AJA) in 1917 and was elected State President in 1920,<br />

before moving into politics. Twenty years later he reached the top, becoming Australia’s fourteenth <strong>Prime</strong><br />

Minister. His affi nity with the press served him well during the arduous years of World War Two, when he<br />

kept newspaper editors onside with regular press briefi ngs, even revealing dispatches from Churchill. He<br />

wore his AJA badge every day he was in offi ce.<br />

John Curtin was <strong>Prime</strong> Minister of Australia from October 1941 to July 1945. John Curtin’s Australian Journalists’<br />

Association Badge is held at the John Curtin <strong>Prime</strong> Ministerial Library in Perth.<br />

EPISODE 9 – BEN CHIFLEY’S PIPE<br />

Tuesday 25 September at 6:50pm<br />

Possibly our best loved <strong>Prime</strong> Minister, Ben Chifley<br />

was a former train driver with a voice like worn out<br />

boot leather. He was well aware that his image as the<br />

typical bloke next door – he was rarely seen without his<br />

tobacco pipe - helped to sell an ambitious raft of post<br />

war reconstruction projects to the Australian public.<br />

He was also a gifted treasurer, prone to personal and<br />

professional thrift, which allowed him to set the stage<br />

for Australia’s economic boom in the 1950s.<br />

Ben Chifley was <strong>Prime</strong> Minister of Australia from July 1945 to<br />

December 1949. Ben Chifley’s Pipe is held at the Ben Chifley<br />

Home in Bathurst NSW.<br />

Photograph of <strong>Prime</strong> Minister, Ben Chifl ey and young boy with pipes in mouths.<br />

PHOTO COURTESY OF THE LITHGOW MERCURY.<br />

EPISODE 10 – HAROLD HOLT’S BRIEFCASE<br />

Tuesday 2 October at 6:50pm<br />

Presenter Warren Brown (left) with Holt expert Tom Frame in front of Harold<br />

Holt’s briefcase on location at the <strong>National</strong> Archives of Australia in Canberra.<br />

PHOTOGRAPH BY SAM COOPER, NATIONAL ARCHIVES OF AUSTRALIA.<br />

© NATIONAL ARCHIVES OF AUSTRALIA.<br />

<strong>The</strong> disappearance of our seventeenth <strong>Prime</strong> Minister,<br />

Harold Holt, during a beach holiday sparked countless<br />

conspiracy theories and ultimately overshadowed his political<br />

accomplishments. At the height of the cold war, with the<br />

Vietnam War escalating, he had already started to dismantle<br />

the White Australia policy. <strong>The</strong> items left in Holt’s briefcase<br />

are a signifi cant time capsule of his last days as <strong>Prime</strong><br />

Minister: a pair of socks, theatre tickets, his tax returns and<br />

a couple of combs. He is remembered today by <strong>The</strong> Harold<br />

Holt Memorial Baths in Melbourne and a plaque at Cheviot<br />

Beach where he took his last swim.<br />

For further information and interviews:<br />

Andy Brown Avisso PR for Film Australia 02 8356 9711 0434 375 994<br />

andyb@avviso.com.au


About the making of the series<br />

<strong>The</strong> team behind the second series of <strong>National</strong> <strong>Treasures</strong><br />

has had plenty of practice taking unwieldy wedges of<br />

history and fashioning them into palatable spoonfuls of<br />

snappy television. <strong>The</strong> fi rst series included everything<br />

from Bradman’s Bat to Phar Lap’s hide, and even a 160-<br />

year-old convict shirt. Three years later the series is still<br />

running on the ABC.<br />

With the second series, the stakes are higher, and<br />

the terrain a little more challenging. After all, how do<br />

<strong>Treasures</strong> presenter Warren Brown, DOP Paul Gordon and Director Matthew Thomason (left)<br />

filming a scene on location at the <strong>National</strong> Archives of Australia in Canberra.<br />

you create irresistible mini-documentaries out of the PHOTOGRAPH BY SAM COOPER © NATIONAL ARCHIVES OF AUSTRALIA.<br />

personal treasures of ten Australian <strong>Prime</strong> Ministers?<br />

How many people in the twentieth century can relate to these rather severe historical entities, with their<br />

stiff faces and improbable facial hair? As for their achievements – just hearing the word “Federation” has<br />

induced stomach cramps and myopia in generations of Australian school children.<br />

All this is about to change. <strong>The</strong>se founding father’s have been exhumed, brushed down, and lit up like heroes,<br />

for the latest collection of <strong>National</strong> <strong>Treasures</strong>. <strong>The</strong> series producer Paul Rudd, says viewers will be impressed by<br />

the new series, whether they love history or not. This is definitely not sepia television for the over-the-hill set.<br />

Each five minute grab has been “honed until it’s flab free and crystal clear,” says Rudd. “And the truth is, these<br />

men created the Australia we know today. <strong>The</strong>y were remarkably clever, intriguing, people.”<br />

“It’s certainly not academic history,” agrees Matthew Thomason, the series writer/director. “It’s personal.<br />

It goes straight to the heart. It’s about love letters, and home movies, and a gold cigarette case. And each<br />

object tells a bloody good story. <strong>The</strong>re is something irresistible about all of them.”<br />

Every treasure trove needs its sleuth, and Warren Brown, well-known cartoonist, and author, returns as an<br />

enthusiastic presenter with a knack for pumping adrenalin into Australian history.<br />

“Following the trail of our illustrious leaders has made me see what a great country Australia really is!” he says.<br />

“That you could have these homespun characters become <strong>Prime</strong> Ministers says it all. Chifley was a train<br />

driver. Curtin was a copy boy. Fisher left school at ten to work the mines. Australia was like a science lab<br />

of political experiments and these guys came in at ground zero. <strong>The</strong>y started from scratch. I’m amazed by<br />

how progressive they were!”<br />

As for the objects themselves, some are very personal items, says Brown, and others are totally surprising.<br />

“When I started to read Joseph Lyons’ love letters to his wife, I found them very moving. But my favourite<br />

is the gold cigarette case. It symbolizes such an unexpected friendship. This series has totally changed the<br />

way I think about Australia’s <strong>Prime</strong> Ministers.”<br />

For further information and interviews:<br />

Andy Brown Avisso PR for Film Australia 02 8356 9711 0434 375 994<br />

andyb@avviso.com.au


About the presenter – Warren Brown<br />

As a fulltime cartoonist for the Sydney Daily Telegraph, Warren Brown<br />

spends most of his time immersed in the argy-bargy of the metropolitan<br />

newspaper world. To escape he plays the banjo, tinkers with his vintage<br />

fi re engine and armoured car and writes the odd book. Consequently<br />

Warren is a regular on various television current affairs programs –<br />

most recently as the cartoonist on Difference of Opinion (ABC TV). In<br />

2003 he was one of the subjects of Hired Assassins – Political Cartooning<br />

in Australia, a searing documentary about Australian cartoonists<br />

(distributed by Film Australia). In 2006 Brown conceived and narrated<br />

the Logie nominated ABC TV series Peking to Paris – a 16,000km drive<br />

across China, Mongolia and Russia in fi ve 100 year-old cars identical<br />

to the originals in the race of 1907. Brown also co-authored the bestselling<br />

coffee table book Peking to Paris (based on the television series<br />

and published by Harper Collins). A keen history buff, Warren was the<br />

offi cial overnight MC at Anzac Cove and Lone Pine War cemeteries at<br />

Gallipoli on Anzac Day (2006, 2007, 2008). In 2007 he was nominated<br />

for a Best New Talent Award for his ABC radio program Weekender. In<br />

response to overwhelming popular demand, he has returned for the<br />

second series of <strong>National</strong> <strong>Treasures</strong>.<br />

Presenter Warren Brown.<br />

PHOTOGRAPH BY BRAD RIMMER. © FILM AUSTRALIA.<br />

About the writer/director – Matthew Thomason<br />

Matthew Thomason has a BA majoring in <strong>The</strong>atre and Media, and has worked in television as a segment<br />

producer, writer/director and series producer since 1985. He started in television as a copywriter at Capital<br />

Seven, Canberra. From 1988 to 1990, he worked for Beyond Productions. From 1991 to 1995, he was a<br />

segment producer for the Nine Network on 35 Years of Television and Getaway. He was writer/director on<br />

the nature documentary series Deadly Australians and Salute – Australians at War. He spent the next three<br />

years writing and producing science shows and sporting programs before returning to Getaway as series<br />

producer in 1998-99. In 2000, he began working at Grundy Television, writing, producing and directing<br />

entertainment pilots and entertainment retrospectives. In 2003 he was Senior Producer on Network Ten’s<br />

Australian Idol, the highest rating show in the network’s history.<br />

About the series producer/writer – Paul Rudd<br />

Paul Rudd cut his teeth as an editor in regional television before joining the Nine Network in 1988 as<br />

Features Editor on top shows including Live at Five, A Current Affair, Today, Eye on Australia and Burke’s<br />

Backyard. In 1992 he worked as Series Director/Producer on Getaway, Sex and Deadly Australians. In 1994<br />

he was Executive Producer of 50 Fantastic Years and Salute–Australians at War. Over the next six years Paul<br />

executive produced reality TV, entertainment specials and Nine’s 30-hour Millennium Live coverage. Paul<br />

left the Nine Network in September 1999 and has since produced Andrew Denton’s Olympics Exposed<br />

for Channel 4 in the UK and Nature’s Born Killers, a documentary series with Michael Willesee, as well as<br />

series producing and writer/directing the landmark three-hour series Colour of War–<strong>The</strong> Anzacs for Film<br />

Australia’s <strong>National</strong> Interest Program.<br />

For further information and interviews:<br />

Andy Brown Avisso PR for Film Australia 02 8356 9711 0434 375 994<br />

andyb@avviso.com.au


Links<br />

Film Australia<br />

www.fi lmaust.com.au<br />

Investigating <strong>National</strong> <strong>Treasures</strong><br />

http://www.nationaltreasures.com.au/<br />

<strong>The</strong> Australian <strong>Prime</strong> Ministers Centre<br />

http://www.apmc.oph.gov.au/<br />

Australia’s <strong>Prime</strong> Ministers<br />

http://primeministers.naa.gov.au/<br />

<strong>Prime</strong> Ministers of Australia<br />

http://www.nma.gov.au/<br />

Past <strong>Prime</strong> Ministers<br />

http://www.pm.gov.au/past_pm/index.cfm<br />

<strong>National</strong> Library of Australia<br />

http://www.nla.gov.au/<br />

<strong>National</strong> Archives of Australia<br />

http://www.naa.gov.au/<br />

John Curtin <strong>Prime</strong> Ministerial Library<br />

http://john.curtin.edu.au/<br />

Powerhouse Museum, Sydney<br />

http://www.powerhousemuseum.com/<br />

Gympie Gold Mining & Historical Museum<br />

http://www.gympiemuseum.com/<br />

<strong>National</strong> Museum of Australia<br />

http://www.nma.gov.au<br />

For further information and interviews:<br />

Andy Brown Avisso PR for Film Australia 02 8356 9711 0434 375 994<br />

andyb@avviso.com.au

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