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An investigation of the process of writing IELTS Academic Reading ...

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<strong>An</strong>thony Green and Roger Hawkey<br />

7 COMPARISONS BETWEEN GROUPS<br />

The approach adopted for this study involved asking both experienced and inexperienced writers about<br />

<strong>the</strong>ir practices based around Salisbury’s (2005) phases <strong>of</strong> <strong>the</strong> item construction <strong>process</strong>. The study<br />

collected both written (flowchart) and oral (interview and focus group) data on item writer <strong>process</strong>es<br />

and products (draft and edited texts and items) and incorporated both deductive and inductive<br />

approaches to analysis.<br />

This approach has proved useful in identifying differences across <strong>the</strong> item writer groups and between<br />

individuals within <strong>the</strong> groups. These differences highlight both <strong>the</strong> importance <strong>of</strong> item writer training<br />

and guidelines and suggest changes that might be advisable. In <strong>the</strong> context <strong>of</strong> recent research<br />

undertaken by <strong>the</strong> University <strong>of</strong> Bedfordshire into <strong>the</strong> <strong>IELTS</strong> <strong>Academic</strong> <strong>Reading</strong> test, <strong>the</strong> current study<br />

can help to explain some <strong>of</strong> <strong>the</strong> characteristics <strong>of</strong> <strong>IELTS</strong> texts identified by Weir et al (2009a) and <strong>the</strong><br />

types <strong>of</strong> reading employed by <strong>IELTS</strong> test takers (Weir et al 2009b).<br />

7.1 Item <strong>writing</strong> <strong>process</strong>es<br />

Both <strong>the</strong> experienced and non-experienced item writers seem to pass through similar steps in<br />

constructing <strong>the</strong>ir items. They typically begin from a topic, locate texts related to <strong>the</strong> topic, identify<br />

and evaluate potential <strong>IELTS</strong> texts before selecting one that seems appropriate – this is clearly<br />

Salisbury’s (2005) exploratory phase. Both groups reported that <strong>the</strong>y found this <strong>the</strong> most timeconsuming<br />

stage in <strong>the</strong> item <strong>writing</strong> <strong>process</strong>.<br />

With <strong>the</strong> exception <strong>of</strong> Jane, <strong>the</strong> experienced writers all included more steps in <strong>the</strong>ir item <strong>writing</strong> flowcharts<br />

than <strong>the</strong>ir non-experienced counterparts. The flow charts include similar attention to text editing<br />

in both groups, but <strong>the</strong>re is greater attention to task development among <strong>the</strong> experienced group: this<br />

being broken down into number <strong>of</strong> steps including revision and re-editing <strong>of</strong> <strong>the</strong> text following or in<br />

conjunction with item <strong>writing</strong>.<br />

In <strong>the</strong> next phase – recognisable as Salisbury’s (2005) concerted phase – all <strong>of</strong> <strong>the</strong> writers carried out<br />

an iterative <strong>process</strong> <strong>of</strong> editing <strong>the</strong> text and developing <strong>the</strong> items. Unlike <strong>the</strong> writers in Salisbury’s<br />

(2005) study, who were devising scripts for tests <strong>of</strong> listening comprehension, <strong>the</strong>se writers could not<br />

be said to have started from <strong>the</strong>ir items in <strong>writing</strong> <strong>the</strong>ir texts. However, as observed by Salisbury<br />

(2005) in her study, <strong>the</strong> experienced writers seemed to have a repertoire <strong>of</strong> gambits for efficiently<br />

exploiting <strong>the</strong>ir source texts and paid attention to task type in text selection. They also paid attention to<br />

potential items during <strong>the</strong> initial exploratory phase – highlighting or making notes on testable material.<br />

While <strong>the</strong> untrained writers selected material that was already close to <strong>the</strong> appropriate length, trained<br />

writer texts chose much longer pieces <strong>the</strong>n progressively cut out passages that seemed to repeat<br />

information or that included elements that would not be tested. The extent <strong>of</strong> editing and <strong>the</strong> desire to<br />

avoid repetition perhaps explains why <strong>the</strong> texts analysed in Weir et al (2009a) displayed relatively<br />

high type: token ratios in comparison with undergraduate textbooks (indicative <strong>of</strong> a wide range <strong>of</strong><br />

vocabulary use and rapid progression <strong>of</strong> ideas).<br />

As a first step in what Salisbury (2005) calls <strong>the</strong> refining phase, <strong>the</strong> experienced group favoured<br />

attempting <strong>the</strong> task <strong>the</strong>mselves after an intervening period (although deadlines sometimes limited <strong>the</strong><br />

opportunities for this). The non-experienced writers also reported attempting <strong>the</strong>ir own tasks, but Mary<br />

and Victoria additionally asked friends to respond to <strong>the</strong>ir tasks and so were able to obtain some<br />

fur<strong>the</strong>r feedback on how well <strong>the</strong> items were working before coming to <strong>the</strong> editing session.<br />

<strong>IELTS</strong> Research Reports Volume 11 www.ielts.org 50

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