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Tuning, Scales and Temperament Harmonic and Inharmonic ...

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scales<br />

http://www.anu.edu.au/ITA/ACAT/drw/PPofM/scales/scales8.html<br />

Equal Divisions of the Octave into Different Numbers of Tones<br />

In twelve tone equal temperament the octave is divided into twelve equal ratio intervals. This causes<br />

major difficulties with intonation. Some of these difficulties could be eliminated if the octave was<br />

divided into a different number of tones, giving a scale with more or less that 12 notes.<br />

From the early stages of the piano's development, there have been five black <strong>and</strong> seven white keys to an<br />

octave. This could be so because it is particularly appropriate for the human h<strong>and</strong>, although to date no<br />

extensive work has been done to assert this. In subdividing the octave into 12, perhaps we have been led<br />

by our h<strong>and</strong>s <strong>and</strong> not our ears!<br />

In order to divide the octave into a different number of tones all we need to do is to compute the ratios in<br />

the same manner as we did for 12 tone equal temperament except with the different base. For example, if<br />

we choose 16 divisions to the octave, then the ratio unit ratio, a, is (the sixteenth root of 2), which is,<br />

approximately, 1.041616011. Each of the intervals can then be calculated as before:<br />

The actual frequencies can then easily be calculated.<br />

BACK INDEX<br />

1 of 1 2/4/2001 12:22 PM

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