Vol 47, No 2 Autumn/Winter 2011 - Finlays
Vol 47, No 2 Autumn/Winter 2011 - Finlays
Vol 47, No 2 Autumn/Winter 2011 - Finlays
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Strands of Memory<br />
Two very different memoirs, fascinating reading for<br />
anyone with an interest in the <strong>Finlays</strong> past, are<br />
reviewed by Juliet McCracken.<br />
A Tiger’s Wedding: my childhood in exile by Isla Blair<br />
The celebrated<br />
British actress<br />
Isla Blair is the<br />
product of two<br />
generations<br />
of Finlay tea<br />
planters. Being<br />
obliged to<br />
exchange the<br />
sunny, spicescented<br />
warmth<br />
and security of<br />
a South Indian<br />
childhood for the chill embrace of a<br />
British boarding school and years of<br />
family separation was a fate not merely<br />
endured by successive generations of the<br />
children of the Raj and their parents but<br />
accepted as inevitable.<br />
The strength of Blair’s book is that, while<br />
ploughing this often lonely furrow, it<br />
never descends into mawkishness or<br />
self-pity, opening instead with a most<br />
joyous evocation of the Eden that was<br />
South India for a tea planter’s child and<br />
ending with a celebration of family ties<br />
unbroken by the strain of parting.<br />
This author has the gift of total recall<br />
for the sights, sounds and, above all,<br />
the scents of a golden childhood: the<br />
‘crushed sunshine’ of a marigold garland,<br />
the thrill of meeting a panther on an<br />
afternoon walk; parties and gymkhanas<br />
at the High Range Club; the reassuring<br />
presence of indulgent servants. But, lying<br />
in wait for not-quite-six-year-old Isla<br />
and her older sister is a bleak Perthshire<br />
boarding school, complete with all the<br />
agonies of homesickness, chilblains,<br />
tripe, liberty bodices, and cuddling a<br />
cooling hot water bottle ‘because it felt<br />
a bit like Ayah’.<br />
It was to be five years before Isla and<br />
Fiona saw their parents in India again<br />
and another long stretch of schooldays<br />
intervened before the family was<br />
permanently reunited. Blair casts an<br />
unflinching eye on the gulfs in<br />
understanding that open within the<br />
closest families as a result of long<br />
separation. Other difficult topics are<br />
tackled with similar insight and<br />
compassion: the impossible challenge<br />
that life in a jungle outpost posed for<br />
some city-bred expatriate wives; the gin<br />
and adultery that, for others, filled the<br />
gaps left by absent children; the caste<br />
system; the ambivalent relationships<br />
between sahibs and servants.<br />
<strong>Finlays</strong> readers, especially those<br />
with South Indian connections, will<br />
be intrigued by her pictures of an<br />
earlier era: days of tent pegging and<br />
thunderboxes, and when the company<br />
paid planters an allowance considerably<br />
greater for a horse than for a wife.<br />
Blair takes wing when writing about the<br />
trials and triumphs of establishing a<br />
career in acting in the London of the<br />
1960s, of marriage to the actor Julian<br />
Glover and about her beloved family<br />
which, today, includes two small<br />
granddaughters. If ever a memoir<br />
deserved the adjective ‘heartwarming’<br />
this is it.<br />
A Tiger’s Wedding is available<br />
at £18, also as an ebook from<br />
www.amazon.co.uk and as an audio<br />
download, recorded by the author,<br />
from www.audible.co.uk.<br />
A Lot o Genuine Folks and a Wheen o Rogues by Richard Stenlake<br />
Richard Stenlake gathers up the many<br />
threads that make up the story of<br />
Catrine, to weave a compelling picture<br />
of a Scottish mill town in its heyday<br />
and its decline. The first section sets<br />
the scene: a model enterprise born of<br />
the 18th century Age of Improvement,<br />
built on the lines of Richard Arkwright’s<br />
revolutionary water frame mill and a<br />
foundation stone of the thriving new<br />
Scottish cotton industry.<br />
James Finlay & Company bought Catrine<br />
in 1801 and, for more than 160 years,<br />
their mill was to provide the raison d’être<br />
of an entire village. Its story is told in the<br />
Ayrshire voices of some of the now<br />
elderly people who once worked there.<br />
Their detailed, hands-on descriptions of<br />
every aspect of mid-20th century cotton<br />
processing – carding, roving, spinning,<br />
weaving, beetling, bleaching and dyeing<br />
– will be a boon to future historians of<br />
industry. Amid the technicalities are<br />
poignant images: children ducking under<br />
the clattering looms; spinning machinists<br />
working in bare feet because the oil on<br />
the floors made shoes fall apart; the<br />
sewing machine accidents that could<br />
leave a operator with a needle through<br />
her finger.<br />
Even more interesting is the picture they<br />
paint of a vanished community, one<br />
where everybody depended on everybody<br />
else in a village known as the Queen of<br />
the West. Away from the hard, dirty and<br />
sometimes dangerous work of the mill,<br />
these memories often take on an idyllic<br />
quality. This is a world of Clydesdale<br />
horses, of milk cans and penny caramels,<br />
where the children play street football,<br />
go birds nesting and swim in the mill<br />
lade and the mill girls queue to stand in<br />
the sinks after work on Fridays ‘getting<br />
ready for the dancing’.<br />
In 1970 harsh economic reality blew it<br />
all away and the mill was sold for £1.<br />
We should be grateful to The Catrine<br />
Community Trust whose Memories<br />
Project, financed by the Heritage Lottery<br />
Fund, has unearthed a goldmine.<br />
A Lot o Genuine Folks and a Wheen<br />
o Rogues is available from Stenlake<br />
Publishing Ltd. www.stenlake.co.uk.<br />
or from www.amazon.co.uk. Price £16<br />
22 <strong>Autumn</strong>/<strong>Winter</strong> ’11