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John Moran Auctioneers - California Art Auction

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1081 Louis B. Akin (1868-1913 Flagstaff, AZ)<br />

‘’Pinnacle Rock in Canyon de Chelly’’, unsigned, oil on canvas<br />

laid to board, 14.5’’ x 5.75’’, est:$2000/3000<br />

Provenance: With O’Brien <strong>Art</strong> Galleries, Chicago, IL (see verso<br />

label); <strong>John</strong> G. Verkamp, Executor of the Louis Benton Akin<br />

estate, no. 33; Richard Riordan, acquired from the above, 27<br />

February 1914 ($10) (see typed memo affixed to the original<br />

paper backing). Visual: Generally good condition with minor<br />

frame abrasion and some scattered edge losses. A dot of loss in<br />

the upper right in the sky. Blacklight: No evidence of restoration<br />

under blacklight.<br />

1082 Ransome Gillet Holdredge<br />

(1836-1899 San Francisco, CA)<br />

Indians in Yosemite Valley, signed lower right: R.G. Holdredge,<br />

oil on canvas laid to waxed canvas, 32’’ x 56’’, est:$8000/12,000<br />

Provenance: Private Collection, Los Angeles, CA. Visual: Some<br />

scattered stable craquelure. Wax lined as stated and mounted<br />

on newer supporting stretchers. The canvas slightly rippled<br />

from the lining. Blacklight: Tiny spots of touch-up scattered in<br />

the sky and in parts of the landscape. A concentrated area of<br />

scattered dots of touch-up on the distant mountains in the left<br />

center approximately 4’’ x 2’’. A vertical 1.5’’ line and another .5’’<br />

spot of touch-up in the upper center.<br />

1083 Joseph <strong>John</strong> Englehart (1867-1915 Oakland, CA)<br />

‘’Yosemite Valley’’, signed lower left: J.J. Englehart, titled verso,<br />

oil on canvas, 30’’ x 50’’, est:$4000/6000<br />

Provenance: Corporate Collection, Pomona, CA. Visual:<br />

Generally good condition. Two minor spots of paint loss, one in<br />

the direct center and one in the lower left corner. Surface dirt.<br />

Blacklight: No evidence of restoration under blacklight.<br />

30

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