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THE NAYLOR COLLECTION

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THREE-DIMENSIONAL PHOTOGRAPHY<br />

FORERUNNERS OF <strong>THE</strong> SLIDE PROJECTOR,<br />

magic lanterns were used by itinerant showmen<br />

and lecturers to display their hand-drawn<br />

images. The Naylor Collection contains magic<br />

lanterns dating from the late 17th century. The<br />

rarest of its holdings is an elaborately-crafted<br />

triple-lens magic lantern from England, dating<br />

from 1875. In addition to the lanterns, The Collection<br />

also includes slides, books about magic<br />

lanterns, and an 1877 Edison phonograph with<br />

its wax cylinders used to provide accompanying<br />

music.<br />

MAGIC LANTERNS<br />

110<br />

111<br />

Dr. Oliver Wendell<br />

Holmes stereo viewer;<br />

Boston, 1859<br />

<strong>THE</strong> <strong>NAYLOR</strong> <strong>COLLECTION</strong>, AMONG ITS MANY O<strong>THE</strong>R EXAMPLES OF<br />

three-dimensional photography, has one of the earliest hand-held stereoscopic<br />

viewers, which were invented by Dr. Oliver Wendell Holmes (1809-1894),<br />

physician, poet, essayist, and father of the famous Supreme Court jurist.<br />

The Collection’s other articles of three-dimensional technology include many<br />

table viewers, viewers designed and built in London and Paris, matched pairs<br />

of floor-model viewers, and folding viewers. Among its modern viewers is an<br />

automated one 5 feet high fabricated by Arthur Marsh. There are hundreds of<br />

three-dimensional views in The Collection for these viewers.<br />

115<br />

Multiple-Image<br />

Picture Frames<br />

Of The Collections’<br />

11 multiple -image<br />

picture frames, the<br />

largest (from 1870-<br />

1880) measures 48-<br />

by-48-inches, weighs<br />

70 p o u n d s , a n d<br />

includes 24 carte-devisite<br />

photos, each in<br />

its own 4-by-6-inch<br />

frame.<br />

Brewster stereo<br />

viewer; England,<br />

1855<br />

112 113 114<br />

D a g u e r r e o t y p e<br />

stereo viewer with<br />

image of mother and<br />

dead infant; South<br />

Africa 1848<br />

One-of-a-kind stereo<br />

viewer with lenses on<br />

t w o s i d e s ; N e w<br />

H ampshire, USA ,<br />

1871<br />

Photographers’<br />

Advertisements<br />

This collection of<br />

photographers’ advertisements<br />

illuminates<br />

the commercial,<br />

sociological, and<br />

artistic roles played<br />

by photography in<br />

the imaginations of<br />

Americans.<br />

116 117<br />

118<br />

119 120

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