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November | December 2003 - Boston Photography Focus

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education programs at the prc<br />

LECTURES<br />

natures of those who have made this road<br />

their home.<br />

Jane Bernard is a documentary and editorial<br />

photographer whose work has appeared in<br />

U.S. News and World Report, the L.A. Times,<br />

and the Washington Post. She has worked as<br />

a staff reporter for the Albuquerque Journal and<br />

photographed for the U.S. Geological Survey<br />

book The Grand Canyon, 100 Years of Change.<br />

Polly Brown is a social-documentary photographer<br />

whose photo-essays and editorial work have<br />

been published in the New York Times Magazine,<br />

Mother Jones, and Psychology Today. She is the<br />

co-author of City Limits, a book on the<br />

people and neighborhoods of <strong>Boston</strong>. She<br />

was an Associate Professor of <strong>Photography</strong><br />

at the International Center of <strong>Photography</strong><br />

in New York and at the University of Hawaii.<br />

Her work has been exhibited worldwide and<br />

is in the permanent collections of the Fogg Art<br />

Museum, the Rose Museum, Polaroid Corporation,<br />

among many. She has received numerous<br />

grants, including a National Endowment for<br />

the Arts Fellowship.<br />

David Hilliard<br />

Co-Sponsored by the New England School<br />

of <strong>Photography</strong><br />

Wednesday, <strong>December</strong> 3, <strong>2003</strong>, 7 p.m.<br />

College of Communications, Auditorium 101,<br />

640 Commonwealth Avenue, <strong>Boston</strong>, MA<br />

Free to the Public.<br />

David Hilliard makes space and time meld in<br />

the mini dramas he constructs in his multiple<br />

panel compositions of color saturated C-Prints.<br />

In his work, Hilliard depicts panoramic views<br />

of ordinary scenes he sets up over a sequence<br />

of multiple photos. However, instead of tracking<br />

across the scene in a straight linear fashion,<br />

he distorts the space by pulling the image plain<br />

in unexpected directions, creating a wide-angle<br />

view of his subjects and the space they inhabit.<br />

His scenes take place in suburban lawns,<br />

gymnasiums, and florist shops and the people<br />

within them, seem emotionally distant. In<br />

contrast, the colors of his images are rich,<br />

saturated, and intoxicating.<br />

Hilliard has been a lecturer and faculty member<br />

at Yale University and Harvard University<br />

in addition to his career as a photographer.<br />

His work has been exhibited in numerous<br />

solo and group shows in the United States<br />

and beyond. Currently, Hilliard’s latest work<br />

is on display at the Bernard Toale Gallery,<br />

<strong>Boston</strong>, MA in the exhibition David Hilliard:<br />

New Work (Nov 12-Dec 24).<br />

John Paul Caponigro<br />

Co-Sponsored by the New England School<br />

of <strong>Photography</strong><br />

Thursday <strong>December</strong> 4, <strong>2003</strong>, 6 p.m.<br />

Photonics Center, Auditorium 206,<br />

8 St. Mary’s Street, <strong>Boston</strong>, MA<br />

Reservations Required.<br />

Please call 617-975-0600<br />

John Paul Caponigro is respected internationally<br />

as one of the most prominent artists working<br />

From the series Carnival Strippers, courtesy of Susan Meiselas/Magnum Photos.<br />

Susan Meiselas<br />

Lecture and Booksigning<br />

Monday, <strong>November</strong> 17, <strong>2003</strong>, 6 p.m.<br />

Photonics Center, Auditorium 206,<br />

8 St. Mary’s Street, <strong>Boston</strong>, MA<br />

$7 Members/$10 Non-Members<br />

$5 Full-Time Students and Seniors<br />

Reservations Recommended.<br />

Please call 617-975-0600.<br />

Susan Meiselas is a photojournalist and social<br />

documentarian who has gone to places and<br />

been in situations where many others have<br />

dared not go. Her courage, strength, and<br />

strong convictions have led her to India, Chile,<br />

Nicaragua, and El Salvador, and her coverage<br />

of hostilities in Central America earned her<br />

the Robert Capa Gold Medal from the Overseas<br />

Press Club in 1979. Meiselas’s early work was<br />

published in two books—Carnival Strippers<br />

and Nicaragua. In 1996, she completed project<br />

integrating her work into the 100-year photographic<br />

history of Kurdistan in the book<br />

Kurdistan: In the Shadow of History. In 2001,<br />

she explored a New York s&m club in Pandora’s<br />

Box. Most recently, she explored the 60-year<br />

history of outsiders’ relationships with the<br />

Dani, an indigenous people of the highlands<br />

of Papau in Indonesia, in Encounters with the<br />

Dani. In addition to still photography, Meiselas<br />

has co-directed two films, and wrote, photographed<br />

and produced a third. Her written<br />

articles have appeared in a long list of prestigious<br />

books, journals, and papers. As if it weren’t<br />

enough, her dedication and strong belief in<br />

education have led her to develop curricula<br />

using photography and animated film for<br />

the New York City public school system,<br />

and, as artist-in-residence for the South<br />

Carolina and Mississippi Arts Commissions,<br />

she set up film and photography programs<br />

in rural southern schools.<br />

A booksigning will follow Meiselas’s lecture.<br />

Copies of Encounters with Dani and the recently<br />

reprinted Carnival Strippers will be available for<br />

sale that evening.<br />

American Route 66:<br />

Home on the Road<br />

A Lecture-Presentation by Polly Brown<br />

and Jane Bernard<br />

Tuesday, <strong>November</strong> 25, <strong>2003</strong>, 6 p.m.<br />

School of Education, <strong>Boston</strong> University,<br />

Auditorium 130,<br />

2 Sherborn Street, <strong>Boston</strong>, MA<br />

$7 Members/$10 Non-Members<br />

$5 Full-Time Students and Seniors<br />

Reservations Required.<br />

Please call 617-975-0600.<br />

Route 66 is a historic and mythical highway.<br />

Uniquely American, it has become a symbol<br />

of mom-and-pop diners, apple pie, and the<br />

adventure of the open road. For three years,<br />

photographers Polly Brown and Jane Bernard<br />

traveled the road to document, through photographs<br />

and first-person accounts, the American<br />

spirit, so evident in the playful and determined<br />

Photograph by David Hilliard. Courtesy of the Bernard Toale Gallery.<br />

2<br />

3

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