November | December 2003 - Boston Photography Focus
November | December 2003 - Boston Photography Focus
November | December 2003 - Boston Photography Focus
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education programs at the prc<br />
LECTURES<br />
natures of those who have made this road<br />
their home.<br />
Jane Bernard is a documentary and editorial<br />
photographer whose work has appeared in<br />
U.S. News and World Report, the L.A. Times,<br />
and the Washington Post. She has worked as<br />
a staff reporter for the Albuquerque Journal and<br />
photographed for the U.S. Geological Survey<br />
book The Grand Canyon, 100 Years of Change.<br />
Polly Brown is a social-documentary photographer<br />
whose photo-essays and editorial work have<br />
been published in the New York Times Magazine,<br />
Mother Jones, and Psychology Today. She is the<br />
co-author of City Limits, a book on the<br />
people and neighborhoods of <strong>Boston</strong>. She<br />
was an Associate Professor of <strong>Photography</strong><br />
at the International Center of <strong>Photography</strong><br />
in New York and at the University of Hawaii.<br />
Her work has been exhibited worldwide and<br />
is in the permanent collections of the Fogg Art<br />
Museum, the Rose Museum, Polaroid Corporation,<br />
among many. She has received numerous<br />
grants, including a National Endowment for<br />
the Arts Fellowship.<br />
David Hilliard<br />
Co-Sponsored by the New England School<br />
of <strong>Photography</strong><br />
Wednesday, <strong>December</strong> 3, <strong>2003</strong>, 7 p.m.<br />
College of Communications, Auditorium 101,<br />
640 Commonwealth Avenue, <strong>Boston</strong>, MA<br />
Free to the Public.<br />
David Hilliard makes space and time meld in<br />
the mini dramas he constructs in his multiple<br />
panel compositions of color saturated C-Prints.<br />
In his work, Hilliard depicts panoramic views<br />
of ordinary scenes he sets up over a sequence<br />
of multiple photos. However, instead of tracking<br />
across the scene in a straight linear fashion,<br />
he distorts the space by pulling the image plain<br />
in unexpected directions, creating a wide-angle<br />
view of his subjects and the space they inhabit.<br />
His scenes take place in suburban lawns,<br />
gymnasiums, and florist shops and the people<br />
within them, seem emotionally distant. In<br />
contrast, the colors of his images are rich,<br />
saturated, and intoxicating.<br />
Hilliard has been a lecturer and faculty member<br />
at Yale University and Harvard University<br />
in addition to his career as a photographer.<br />
His work has been exhibited in numerous<br />
solo and group shows in the United States<br />
and beyond. Currently, Hilliard’s latest work<br />
is on display at the Bernard Toale Gallery,<br />
<strong>Boston</strong>, MA in the exhibition David Hilliard:<br />
New Work (Nov 12-Dec 24).<br />
John Paul Caponigro<br />
Co-Sponsored by the New England School<br />
of <strong>Photography</strong><br />
Thursday <strong>December</strong> 4, <strong>2003</strong>, 6 p.m.<br />
Photonics Center, Auditorium 206,<br />
8 St. Mary’s Street, <strong>Boston</strong>, MA<br />
Reservations Required.<br />
Please call 617-975-0600<br />
John Paul Caponigro is respected internationally<br />
as one of the most prominent artists working<br />
From the series Carnival Strippers, courtesy of Susan Meiselas/Magnum Photos.<br />
Susan Meiselas<br />
Lecture and Booksigning<br />
Monday, <strong>November</strong> 17, <strong>2003</strong>, 6 p.m.<br />
Photonics Center, Auditorium 206,<br />
8 St. Mary’s Street, <strong>Boston</strong>, MA<br />
$7 Members/$10 Non-Members<br />
$5 Full-Time Students and Seniors<br />
Reservations Recommended.<br />
Please call 617-975-0600.<br />
Susan Meiselas is a photojournalist and social<br />
documentarian who has gone to places and<br />
been in situations where many others have<br />
dared not go. Her courage, strength, and<br />
strong convictions have led her to India, Chile,<br />
Nicaragua, and El Salvador, and her coverage<br />
of hostilities in Central America earned her<br />
the Robert Capa Gold Medal from the Overseas<br />
Press Club in 1979. Meiselas’s early work was<br />
published in two books—Carnival Strippers<br />
and Nicaragua. In 1996, she completed project<br />
integrating her work into the 100-year photographic<br />
history of Kurdistan in the book<br />
Kurdistan: In the Shadow of History. In 2001,<br />
she explored a New York s&m club in Pandora’s<br />
Box. Most recently, she explored the 60-year<br />
history of outsiders’ relationships with the<br />
Dani, an indigenous people of the highlands<br />
of Papau in Indonesia, in Encounters with the<br />
Dani. In addition to still photography, Meiselas<br />
has co-directed two films, and wrote, photographed<br />
and produced a third. Her written<br />
articles have appeared in a long list of prestigious<br />
books, journals, and papers. As if it weren’t<br />
enough, her dedication and strong belief in<br />
education have led her to develop curricula<br />
using photography and animated film for<br />
the New York City public school system,<br />
and, as artist-in-residence for the South<br />
Carolina and Mississippi Arts Commissions,<br />
she set up film and photography programs<br />
in rural southern schools.<br />
A booksigning will follow Meiselas’s lecture.<br />
Copies of Encounters with Dani and the recently<br />
reprinted Carnival Strippers will be available for<br />
sale that evening.<br />
American Route 66:<br />
Home on the Road<br />
A Lecture-Presentation by Polly Brown<br />
and Jane Bernard<br />
Tuesday, <strong>November</strong> 25, <strong>2003</strong>, 6 p.m.<br />
School of Education, <strong>Boston</strong> University,<br />
Auditorium 130,<br />
2 Sherborn Street, <strong>Boston</strong>, MA<br />
$7 Members/$10 Non-Members<br />
$5 Full-Time Students and Seniors<br />
Reservations Required.<br />
Please call 617-975-0600.<br />
Route 66 is a historic and mythical highway.<br />
Uniquely American, it has become a symbol<br />
of mom-and-pop diners, apple pie, and the<br />
adventure of the open road. For three years,<br />
photographers Polly Brown and Jane Bernard<br />
traveled the road to document, through photographs<br />
and first-person accounts, the American<br />
spirit, so evident in the playful and determined<br />
Photograph by David Hilliard. Courtesy of the Bernard Toale Gallery.<br />
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