July | August 2006 - Boston Photography Focus

January u l y | | A February u g u s t 22006 

0 0 6 

V o llu m e 3 0 ,, N u m b e r r 41

In the Loupe Ad_4-26-06 4/26/06 10:35 AM Page 1 

The Yachting Photography of 

Willard B. Jackson 

At the Peabody Essex Museum, Salem, MA 

On view now! 

Experience the beauty and power of yachting through the lens of one of America’s 

pioneer yachting photographers, Willard B. Jackson. Shooting on the waters off 

Marblehead, Mass., between 1898 and 1937, Jackson captured the many dimensions 

of New England yachting with meticulous artistry—from graceful boat designs to the 

exhilaration of the sport and sailors’ deep affinity with their vessels. 

Schooner yacht Resolute,1926, Willard B. Jackson. 

Salem, MA | 978-745-9500 | pem.org

from the director 

As we approach the end of our programming year, we close the door on one of our 

most exciting in recent memory. Beginning with the incredible success of both the 

Education Program fundraising campaign and the 2005 PRC Benefit Auction, we 

were able to present some outstanding exhibitions, lectures, workshops, portfolio 

reviews and the like. We hope you enjoyed them as much as we did. 

Of course this successful year is entirely due to the generosity of our members and 

supporters. Your contributions, memberships, materials, services, creativity, and 

time allow this relatively small organization to develop a relevant dynamic schedule. 

Our appreciation is without measure. 

Sadly, we unexpectedly lost one of our most ardent supporters and friends 

when photographer Wild Bill Melton was killed in a car accident this past May. 

Extremely talented and immensely charming, Bill never hesitated to answer 

our requests for support. As many of you know, he was a popular fixture at the 

Mother’s Day Portrait Extravaganza! In tribute to Bill, we urge you to make a 

contribution to CoastAid, a nonprofit organization dedicated to increasing 

awareness of coastal erosion in Bill’s native state of Louisiana. CoastAid, which 

Bill was heavily involved with, is working on some of the issues that could have 

reduced the devastating effects of Hurricane Katrina. For information about the 

organization and/or to make a contribution, please visit coastaid.org. 

Thank you, and be safe this summer. 

Best regards, 

Terrence Morash 

Executive Director 

s u p p o r t 

The programs and exhibitions of the Photographic Resource Center are made possible through the generous support of 

its members, Boston University, various government and private foundations, and corporations including: 

Adesso 

American Printing 

Apple 

Ardon Vinyl Graphics 

Art New England 

ArtsMedia 

ASMP 

Associated Press Photos 

Bambara Restaurant 

Becket Papers 

Bonni Benrubi Gallery 

Boston Beer Company 

Boston Bluegrass Union 

Boston Cultural Council 

Boston Park Plaza Hotel 

Boston University 

Calumet Photographic 

Cambridge Offset Printing 

The Charles Hotel 

Christie’s 

City of Boston 

CompUSA 

Paula Cooper Gallery 

Crestar Mfg. 

Deborah Bell Photographs 

DeCordova Museum and 

Sculpture Park 

Dixie Butterhounds 

Eastman Kodak 

Epson 

Filene’s 

FleetCenter Neighborhood 

Charities 

Fox River Papers 

galleryKayafas 

Gallery Naga 

Gay’s Flowers and Gifts 

Gourmet Caterers 

Hasselblad 

Harpoon Brewery 

Helicon Design 

Henrietta’s Table 

Hotel Commonwealth 

Hotel Marlowe 

Mark Hunt Backdrops 

Hunter Editions 

Ilford 

Jameson & Thompson Framers 

Kabloom 

KISS 108 FM 

Robert Klein Gallery 

Lee Gallery 

E.P. Levine 

Luminos Photo. Corp. 

ISM 

Massachusetts College of Art 

Massachusetts Cultural Council 

MassEnvelopePlus 

MCS Frames 

Merry Maids 

Miller Block Gallery 

Museums Boston 

Bee Digital 

National Endowment for the Arts 

Nielsen & Bainbridge Co. 

Nikon Inc. 

Nylon Magazine 

Olympus 

Palm Press 

Panopticon, Inc. 

Perfecta Camera, Corp. 

photocurator.org 

Photograph 

Polaroid Corporation 

Rialto 

Rouge 

Royal Sonesta Hotel 

Sandy’s Music 

Sebastian’s Catering 

Skinner, Inc. 

Sonya’s Catering 

Spectrum Select Printing 

Stanhope Framers 

Trader Joe’s 

WBUR 

Howard Yezerski Gallery 

Zeff Photo Supply 

Zona Laboratories 

Zoo New England 

t h e p r c m i s s i o n 

The Photographic Resource Center (PRC) at 

Boston University is an independent non-profit 

organization that serves as a vital forum for 

the exploration and interpretation of new work, 

ideas, and methods in photography and related 

media. The PRC presents exhibitions, fosters education, 

develops resources, and facilitates community 

interaction for local, regional, and 

national audiences. 

B o a r d o f D i r e c t o r S 

Rick Grossman, President 

David Gordenstein, Vice President 

Cathy England 

Andrew Epstein 

Roger Farrington 

Peter Fiedler 

Jim Fitts 

Michael Jacobson 

Lou Jones 

Emily Kahn 

S t a f f 

Terrence Morash, Executive Director/Editor 

Leslie Brown, Curator 

Michael Christiano, Education Coordinator 

Emily Gabrian, Programs Coordinator 

Alice Hall, Librarian 

Laura Bernier, Work/Study Assistant 

Christian Ling, Work/Study Assistant 

Christine Livingood, Intern 

Sarah Pollman, Intern 

Lissa Rivera, Intern 

G e n e r a l I n f o r m a t i o n 

Rodger Kingston 

Gary Leopold 

Susan Lewinnek 

Walt Meissner 

Bruce Myren 

Eliot Salloway 

Kim Sichel 

Jonathan Singer 

Carly Stewart, Intern 

David Wolf, Intern 

Photographic Resource Center at Boston University 

832 Commonwealth Avenue, Boston, MA 02215 

Tel 617-975-0600 prc@bu.edu 

Fax 617-975-0606 prcboston.org 

H o u r s 

Tuesday–Friday: 10–6pm Saturday–Sunday: 12–5pm 

Thursday: 10–8pm Closed Mondays 

A d m i s s i o n 

Adults: $3 

Students (with valid ID) and Seniors: $2 

Members, children under 18, and school groups are 

admitted free. Admission is free on Thursdays and on 

the last weekend of every month. 

P u b l i c T r a n s p o r t a t i o n 

Take the Green Line “B” train to the BU West, three 

stops west of Kenmore Square. 

C o v e r i m a g e 

Jonathan Moller, detail of Ex-members of the Civil 

Defense Patrols (known as PAC by their Spanish 

acronym) listen to a prayer by the minister of an evangelical 

church at the beginning of their meeting on the 

outskirts of the town of Nebaj, 2002, Toned gelatin silver 

print, 14 x 14 inches, edition of 30, Courtesy and 

copyright the artist. Complete caption in feature article. 

D e s i g n C r e d i t s 

This issue of the in the loupe was designed by 

Todd Fairchild (www.toddfairchild.com) and printed 

by Millennium Graphics.

announcements 

Ed and June Braverman get sized up by Lou Jones during 

this year’s Extravaganza. Ed also photographed 

for the event. Photograph by Terrence Morash. 

Mother’s Day Portrait 

Extravaganza raises 

$46,000. 

Raising a record $46,000 for the PRC’s 

programming, the 2006 Mother’s Day Portrait 

Extravaganza was our most successful to 

date! Second in importance only to our fall 

benefit auction, it ensures the success of the 

PRC as we begin planning next year’s programming 

schedule. Our sincere thanks goes 

out to the companies and individuals who 

made the Extravaganza happen this year 

including Macy’s, Polaroid, E.P. Levine, Zeff 

Photo Supply, Ilford, Nikon, Hotel Marlowe 

and Bambara Restaurant, the DeCordova 

Museum and Sculpture Park, Apple, Mark 

Hunt Backdrops, Trader Joe’s, WBUR, 

BeeDigital, and BU Parking Services. 

Special thanks to all of the participating 

photographers, assistants and volunteers! 

PRC welcomes Emily Kahn 

back to the Board. Bids 

adieu to Keith Johnson. 

After sitting on the sideline for a year (as 

directed by the PRC’s bylaws), artist Emily 

Kahn is rejoining the Board of Directors. 

An ardent supporter of the PRC for nearly a 

decade, Emily’s creativity and energy are 

a welcome re-addition! Photographer Keith 

Johnson, a key factor to such programs as 

the Mother’s Day Portrait Extravaganza, 

rotates off the Board after sitting for nearly 

six years. While we’ll miss him at official 

meetings, we are certain to rely on his 

expertise as we continue to develop the 

PRC’s various programs. 

Summer and Holiday Hours 

From July 2-September 7, 2006, the PRC 

will be open by appointment only as it hosts 

its Summer Photo Camp and many adult 

workshops. As well, please note that the 

PRC offices will be closed July 3-5 for the 

holiday. 

Participate in the PRC’s 

Monthly Critique Groups 

The monthly Critique Group is a chance to 

relax and discuss your work with other photographers. 

Informal presentation and discussion 

sessions meet on the third Wednesday 

of the month, 7-9pm at the PRC. All are 

welcome, no matter your expertise, age, 

or interest. For more information or to get 

on the group’s email list, contact Jeremiah 

Johnson at jeremiah_Johnson@graffiti.net. 

The next meeting dates are 7-9pm, July 12th 

and August 16th. 

Take advantage of your 

Connections this summer! 

Remember that with your PRC Membership 

Card you receive free admission and discounts 

at photography organizations all over 

the country. That’s the Connections network. 

Seven active organizations have just been 

added! Visit the Connections page of the 

PRC website for details, and figure these 

great places into your travel plans. 

quality time : Bringing fun to the membership since...March 

By Emily Gabrian, PRC Programs Coordinator 

www.prcboston.org | announcements 

 

Shindig 

Wednesday, July 26, 6:00-7:30pm 

Wednesday, August 30, 6:00-7:30pm 

Paradise Lounge, 969 Commonwealth Avenue, Boston 

It took two meetings to triple the size of the Shindig, let’s keep the ball rolling 

as the Paradise Lounge becomes the Members’ Lounge the last Wednesday 

of every month. PRC folks join together from all over greater Boston to meet 

one another amidst libations and business cards. Share your favorite photo 

stories, find out what’s going on around town, and let Emily know what you 

think of Quality Time. Come for the conversation, stay for the $5 dinner 

menu. You will see me (Emily Gabrian, your resident Programs Coordinator) 

there to make introductions, so introduce yourself! www.thedise.com 

Gallery Tour : howard yezerski gallery 

Friday, July 21, 4:30pm 

14 Newbury St., Boston, MA 02116 

Meet at the PRC at 4pm to take the train to Arlington Street, 

or meet us at the gallery 

To RSVP, call or email Emily Gabrian at 617-975-0600 or 

egabrian@prcboston.org. 

Join us for a rare opportunity as Howard Yezerski will lead us on a tour of his 

gallery, sharing insight about his position and history as a major player in the 

Boston arts community. Space is limited. RSVP to Emily Gabrian by July 14th 

at 617-975-0600 or egabrian@prcboston.org 

Sunday Morning Photo Tour by Bicycle! 

PRC & Urban AdvenTours Boston Biking 

Photography Tour 

Sunday, August 13, 9am-12pm Rain date TBA. 

$50 Includes bike and helmet rental, tour and a photo DVD. 

Meet at the PRC at 8:30am. 

We’re going on a beautiful tour of Beantown by bicycle! Andrew Prescott, 

founder of Urban AdvenTours, will lead PRC Members and our cameras 

on a custom tour. This 3-hour tour includes equipment, water, a power bar, 

sweeping city views, subtle local flavor, and plenty of time to photograph! 

Bring your cameras, enthusiasm and extra film (or memory cards) as we 

see the city with a fresh eye and enjoy some native tourism. All participants 

will also receive a photo DVD of the tour! To sign up and learn more about 

Urban AdvenTours, visit www.urbanadventours.com. Once you have signed 

up, email or call Emily Gabrian to RSVP and receive further tour information: 

egabrian@prcboston.org or 617-975-0600. 

For those of you who can’t make this tour but would like to take advantage 

of other Urban AdvenTours event discounts, enter the special promo code, 

“PRC” on future sign ups.

presentations 

EXHIBITIONS IN THE GALLERY 

2006 PRC Benefit Auction 

Preview Exhibition: September 8-October 1 

Live Auction: Thursday, October 5 

Get your paddle ready and mark your calendars for the 2006 PRC Benefit Auction. Hundreds of photographs will be 

on display (and for sale!) at the PRC and Boston University’s 808 Gallery. Save the date, the live auction is slated for 

Thursday, October 5! More information will follow in the September/October newsletter. 

EXHIBITIONS ONLINE 

Northeast Exposure Online (NEO), presented by Zeff Photo Supply, is an online monthly series showcasing 

regional emerging artists. The presentations are by invite only and feature a selection of images, a 

biography, artist and curator statements, and links 

setts State House, and the Boston Drawing 

Project at the Bernard Toale Gallery, among 

others. He has taught at the Art Institute 

of Boston (Boston, MA), University of 

Massachusetts, Boston (Boston, MA), and 

MassArt. He has worked at the Bonni Benrubi 

Gallery (New York, NY) and as assistant 

to Abelardo Morell, Eugene Richards, 

William Wegman, and Arnold Newman. 

Thomas Gearty (Cambridge, MA), Pavement, 

Ogunquit, Maine, 2006, Polaroid Type 600 Print, 

Courtesy of the artist 

neo | july 2006 

Thomas Gearty 

www.bu/edu/gearty.htm 

Recently returning to the US from London, 

Tom Gearty earned his MFA from Massachusetts 

College of Art (Boston, MA) in 

1999 and holds a BA from the University 

of Virginia (Charlottesville, VA). Gearty was 

a major contributor to Henry Horenstein’s 

Black & White Photography: A Basic Manual 

and Photography with Horenstein and 

Russell Hart, a founding editor and writer for 

Teachingphoto.com, and was selected for 

Sotheby’s Artlink worldwide Emerging Artists 

Program. He has exhibited around Greater 

Boston at the St. Botolph Club, Massachu- 

Featured online will be images from 

Gearty’s new series of Polaroid images. 

In all of his work, Gearty seeks out simple 

scenes, details, gestures, and moments that 

inspire wonder and yet also impart a feeling 

of loss. In hundreds of instant small images, 

he captures a vast array of things—often 

selecting objects for the agency that they 

appear to assert—ultimately building a new 

vocabulary of sorts. Whether it is crumbling 

pavement that just doesn’t seem to match 

up or a strange pattern of condensation on 

a car hood, he draws attention to a “secret 

world of things” independent of humans. 

neo | august 2006 

Robert Thurlow 

www.bu.edu/prc/thurlow.htm 

Robert Thurlow is a MFA graduate from the 

School of the Museum of Fine Arts, Boston 

and holds a certificate in photography from 

the Maine Photographic Workshops (Rockport, 

ME). Currently, he teaches at Salem 

State College (Salem, MA) and Curry College 

(Milton, MA). His exhibition and award 

record includes selection for the Danforth 

Museum of Art’s 2005 New England Photographers 

(Framingham, MA), Cambridge 

Robert Thurlow (Salem, MA), Self-Iconolatry #10, 

2004, Photo emulsion on wood with oil, 24 x 24 

inches, Courtesy and copyright of the artist 

Art Association’s 2004 National Prize 

Show, and the Essex Art Center’s 2003 

Juried Show (Essex, MA). 

Featured online are selections from two 

series Self-Iconolatry, self-portraits printed on 

wood, and Self-Consuming, portraits of the 

fast food industry. In Self-Iconolatry, he coats 

liquid emulsion on plywood panels onto 

which he then prints straight-on photographs 

of himself wearing various shirts. In Self- 

Consuming, an ongoing series, he documents 

his trips and meals at different fast 

food restaurants. Sentiments of humor, 

dread, and alienation emerge in all of his 

works; his sheer repetition of single images 

or ideas serves to challenge notions of pop 

culture and the banality of the everyday. 

www.prcboston.org | presentations

education 

second night, the workshop will photograph 

on the grounds of the Kennedy Library. We 

will spend the third night photographing at 

Fort Revere Park in Hull, with the aid of the 

full moon. The last evening will be a followup 

session to view prints and transparencies, 

critique work, and problem-solve. 

Lance Keimig has taught Night Photography 

workshops at The School of the Museum of 

Fine Arts and NESOP in Boston, The Mono 

Lake Photo Workshops and Nocturnes Photo 

and Peter will give an overview of what he 

thinks is important about all types of equipment; 

shooting; editing; and printing. Peter 

will also present two of his current extended 

projects, a book and an exhibition of prints. 

We will spend Saturday afternoon shooting 

on location and will reconvene on Sunday 

morning to review work from the previous 

day. You may also bring a personal project 

to present to the class for feedback and 

ideas. 

Workshops in California, as well as in Ireland 

Peter Vanderwarker is a Boston-based 

and Scotland. He has fine-tuned this workshop 

freelance photographer who shoots for 

into an outstandingly complete and comprehen- 

magazines such as Architectural Record 

sive program, which will provide you with all 

and Architectural Digest, architects, and large 

the technical knowledge and hands on experi- 

corporations. His work is in major public and 

ence to develop your own nocturnal images. 

private collections, and he is the author of four 

Please visit www.thenightskye.com for more 

books. Peter is particularly interested in the 

about Night Photography and Lance Keimig. 

tenuous process by which good ideas find their 

Lance Keimig, Fore River Revisited. Image courtesy of 

the artist. 

MASTERS WORKSHOP 

Night Photography with 

Lance Keimig 

Friday, July 7, 7pm 

Saturday, July 8, 7pm 

Sunday, July 9, 7pm 

Friday, July 14, 7pm 


Refining Your Vision: A Weekend 

Photography Workshop with 

Peter Vanderwarker 

Saturday, July 29, 10am-5pm 

Sunday, July 30, Noon-4pm 

To be held at the artist’s studio, 28 Prince 

Street, West Newton, MA 02465 

way to becoming great photographs. 

All sessions meet at the PRC, with the 

exception of the third night, when you meet 

on location at Fort Revere Park in Hull. 

$250 Members/$295 Non-Members/$175 

for full time students 


for full time students 

Reservations required. 

Please call 617-975-0600. 

www.prcboston.org | education 


Please call 617-975-0600. 

This workshop is for people who would like 

to learn how to photograph after dark, with 

either digital cameras or film. Workshop 

participants will utilize moonlight, existing 

artificial light sources, and experiment with 

light painting techniques. During the workshop, 

participants will create a body of nocturnal 

images in a variety of locations. From 

relatively short exposures by streetlight, to full 

moon exposures of an hour or more, we will 

explore the range of possibilities of Night 

Photography. During the first night, Lance will 

introduce the art of night photography with 

a technical presentation and slide show, 

followed by a location shoot. During the 

Spend a weekend with accomplished photographer 

Peter Vanderwarker shooting, 

learning, and discussing how to integrate 

photography into your view of the world. 

This workshop is suited for intermediate to 

advanced photographers who wish to push 

their photography to the next level. Peter will 

discuss how to expand your vision, edit and 

focus your work, and how to turn ideas into 

images. 

On Saturday morning, we will meet at 

Peter’s studio for discussion and instruction. 

Topics will include work flow (thinking, 

dreaming, seeing, planning shots, shooting 

pictures, editing, and printing); equipment 

– bring your camera(s) and your questions 

Photograph by Peter Vanderwarker. Image courtesy 

of the artist. 


Intimate Portraiture with 

Judith Black 

Saturday, August 5, 10am-4pm & 

Sunday, August 6, Noon-4pm 

PRC and on location 


Please call 617-975-0600. 


for full time students

education 

Judith Black, Robbie and Eileen, 2000. Courtesy 

of the artist. 

Judith Black, a renowned photographer 

whose personal work examines the self and 

family in the genre of family portraiture, and 

a distinguished member of the faculty at 

Wellesley College, will lead this intensive 

two-day portraiture workshop. This program 

will help participants to create more intimate, 

personalized, and successful portraits. 

Ms. Black will begin the workshop with a 

presentation on the history of portraiture 

and a discussion of her personal work. 

After which Ms. Black will lead participants 

through a series of activities and techniques, 

both on site at the PRC and on location, 

emphasizing available light portraiture 

with some overview of studio practice. 

Participants can incorporate what they 

have learned into their shooting Saturday 

afternoon. Participants will spend Sunday 

reviewing work shot on Saturday. 

Judith Black’s work has been included in 

numerous national and international exhibitions 

and publications over the past 20 years. It 

is included in museum collections nationally, 

including the Museum of Modern Art in New 

York, the San Francisco Museum of Modern 

Art, the Polaroid International Collection, the 

Davis Museum and Cultural Center, and the 

Houston Museum of Fine Art. 


Creating the Narrative Image with 

David Hilliard 

Saturday, August 12, 10am-4pm 

Location: PRC 

$125 Members/$170 Non-Members/ 

$90 for full time students 


Please call 617-975-0600. 

Learn how to create more compelling visual 

stories with acclaimed photographer David 

Hilliard. This rigorous day-long workshop 

is intended for photographers who incorporate 

any type of narrative elements into 

their work including personal, constructed, 

documentary, editorial or otherwise, and 

who are using single as well as multiple 

images. David will present the work of various 

narrative photographers as well as his 

own work, in which he creates affecting 

narratives inspired by his life and the lives 

of those around him. Other topics covered 

in the workshop will include conceptualizing 

projects, selecting and working with 

your subjects, editing and sequencing your 

images, and others. The final portion of the 

workshop will be devoted to reviewing participant 

work from recent projects. 

David Hilliard is on the faculty at Yale University 

and MassArt. His photography is exhibited 

internationally and has earned him many 

awards including a Guggenheim Fellowship, 

Massachusetts Cultural Council and a Fulbright 

Grant. Aperture Press recently published David 

Hilliard: Photographs, a monograph of the artists 

work. David is represented by the Bernard 

Toale Gallery in Boston and the Yancey Richardson 

Gallery in New York. 

YOUTH PROGRAM 

Summer Photo Camp 

Space Still Available 

July 17-28, 2006 

The Photographic Resource Center is 

pleased to offer a variety of fun and educational 

summer photography camps for children 

ages 8-14. So whether your child is an 

aspiring Ansel Adams, sees his/her world 

in an interesting light, or is just looking for a 

great summer experience, the Summer Photo 

Camp at the PRC is the place to be! 

Each week-long and age appropriate camp 

session is designed to foster an understanding 

and appreciation of photography, while 

stimulating creativity and self-expression. 

Half day or full day options are available 

for the 8-10 year olds while camp for the 

11-14 year olds is full day. No previous 

photography experience is necessary. 

Students’ artwork will be exhibited at the 

PRC at the close of Photo Camp. For more 

information on the Summer Photo Camp 

please visit prcboston.org, or contact 

Michael Christiano, Education Manager, 

at mchristiano@prcboston.org 

or 617.975.0600. 

All sessions of Photo Camp are instructed by 

Tricia Neumyer. A respected artist/educator 

Tricia’s work has been exhibited extensively 

around New England and the country at 

institutions such as the PRC and the Danforth 

Museum of Art. She is a dedicated educator 

who has taught at Montserrat College of Art 

and the Boston Photo Collaborative. Tricia 

received her BFA at MassArt and her MFA 

from the School of the Museum of Fine Arts. 

PORTFOLIO REVIEW 

David Hilliard, The Girls. Courtesy of the artist and Bernard Toale Gallery. 

Portfolio Reviews with the PRC 

Curator 

Review Date: Monday, September 18 

(call in for reservations at 10 am, Friday, 

August 18) 

Above are dates for 30-minute monthly 

portfolio reviews (and corresponding callin 

reservation information) with the PRC’s 

Curator, Leslie Brown. Reservations are still 

accepted on a first-call, first-served basis. 

It is highly recommended that you bring 

supporting materials (resume, images, and 

statement). You must be a PRC member to 

participate in the reviews and members are 

limited to one review per year. 

www.prcboston.org | education

ook review 

Lodima Press Portfolio Series featuring: 

Home by Nicholas Nixon 

Solitudes by Carl Chiarenza 

Common Mementos by George Tice 

Revere, PA: Lodima Press, 2006 

Review by Julia Dolan, Ph.D. Candidate, 

Art History Program, Boston University 

Pennsylvania-based Lodima Press has produced limited edition photographic 

books since 1981, but until recently only those photographs 

created by Michael A. Smith and Paula Chandlee—the company’s 

founder and his wife—were published by the press. In 2004 Smith 

widened his scope to include, among others, a series of small books 

featuring previously unpublished works by active American photographers. 

The Lodima Press Portfolio Series, which debuted in September 

of 2005, will grow by four to six new books each year for the 

foreseeable future. 

Nicholas Nixon, from the book Home. 

www.prcboston.org | book review 

If the first three portfolios in the series, Home by Nicholas Nixon, 

Solitudes by Carl Chiarenza, and George Tice’s Common Mementos, 

represent the overarching theme of the whole, it is clear that 

threads of nostalgia and quietude will link the series’ varied photographers 

together. Imagery aside, the manner in which the books 

are printed is exceptional, making the act of looking at the photographs 

even more of a pleasure. Lodima Press rightly prides itself 

on the use of the 600-line screen quadtone printing process. The 

photographers’ images, uninterrupted by any evidence of a screenbased 

reproduction method, rest on the pages like gelatin silver 

prints on a neutral gallery wall. Indeed, the abstracted studies of 

paper constructions in Chiarenza’s Solitudes are reminiscent of the 

glorious, dense, often murky textures so apparent in the photogravures 

of Camera Work fame. 

The publisher correctly touts the portfolio series, which will include 

such photographers as Barbara Bosworth, Larry Fink, and Emmet 

Gowin, as functioning “within the tradition of artists’ small books.” 

Each book features just ten to eighteen photographs, allowing for the 

artists to present a small suite of work or a taste of a larger series. 

One cannot help, however, but be concerned about the diminutive 

size of these portfolios. In an era of incessant visual bombardment, 

these intimate books, already quiet in both size and photographic 

message, are at risk of being overshadowed by meatier publications. 

While the hardcover, limited-edition, signed copies will most 

certainly hold their own on a crowded bookcase, the more reasonably 

priced, soft cover offerings seem too diminutive. Perhaps an 

additional release of hardcover copies at a mid-range price point 

will allow these small artists’ books to hold their own amongst larger 

photographic tomes, while simultaneously protecting the delicate messages 

that each photographer’s work unveils inside. 

Carl Chiarenza, from the book Solitudes. 

George Tice, from the book Common Mementos.

ook review 

Left: Edward Burtynsky, Bao Steel #8, Shanghai, China, from the China Series, 2005. Digital chromogenic print. 

Right: Emmet Gowin, Aeration Pond, Toxic Water Treatment Facility, Pine Bluff, Arkansas, 1989. Toned gelatin silver print. 

Imaging a Shattering Earth 

by Claude Baillargeon 

The catalogue is co-published by the Meadow Brook Art Gallery, 

College of Arts and Sciences, Oakland University, and CONTACT 

Toronto Photography Festival, 2005 

Review by Rebecca A. Senf, Ph.D. Candidate, 

Art History Program, Boston University 

The recent exhibition catalogue Imaging a Shattering Earth: Contemporary 

Photography and the Environmental Debate brings together 

powerful photographs, supports them with thought-provoking essays, 

and provides useful short biographies of the artists. The provocative 

title and compelling list of photographers represented in the exhibition, 

which originated at the Meadow Brook Art Gallery at Oakland 

University in Rochester, Michigan last fall, are tantalizing to anyone 

interested in contemporary landscape photography. The fully illustrated 

catalogue features fifty-six photographs by Edward Burtynsky, 

John Ganis, Peter Goin, Emmet Gowin, David T. Hanson, Jonathan 

Long, David Maisel, David McMillan, Robert and Shana ParkeHarrison, 

John Pfahl, and Mark Ruwedel. These “testimonies” record the 

damage we have done to our Earth, and present the evidence in an 

undeniable language. 

“Our world is changing. We are destroying it; destroying the air 

we breathe, the water we drink, the land that sustains us. We are 

laying waste to the only home we have.” So begins Robert F. Kennedy 

Junior’s introductory essay. This book led me to a disheartening 

epiphany: if our world’s leaders have allowed the environmental 

disasters recorded here, we are doomed. What these photographs 

illustrate, however, is that our leaders not only have allowed them, 

but at times were (or currently are) sponsoring the pollution, degradation 

and waste. How can we expect individuals to recycle or 

relinquish gas-guzzling SUVs, when our leadership betrays us so 

Both main essays mention that except for Robert and Shana 

ParkeHarrison’s collaboration, men made all of Shattering Earth’s 

photographs. The curator, Claude Baillargeon, wanted photographers 

whose direct, yet distanced, observation of the earth’s altered 

topography created a 21st century parallel to the 1975 landmark 

exhibition New Topographics. Maia-Mari Sutnik’s essay discusses 

women photographers who grapple with environmental issues, but 

whose approach was either more personal or journalistic than Baillargeon 

wanted. 

These photographs gain strength grouped as they are here. I shared 

the book with two friends: one mentioned how difficult, painful it 

was to look at the images, the other said how beautiful they were. 

Put Shattering Earth on your coffee table and let it begin conversations 

about where we went so wrong, and how we will set things 

right again. 

www.prcboston.org | book review

1996–2005 

a prc members’ exhibition yearbook 1996-2005 

Each year, the Photographic Resource Center is pleased 

to host an annual juried exhibition with a nationallyrecognized 

juror. With the 11th annual show under our 

belt and this year marking the PRC’s 30th anniversary, we 

thought we would update you on the accomplishments 

of some alumni/ae since their exhibition. For many, being 

selected for this prestigious show was an important 

stepping-stone in their careers and led to many new 

opportunities and connections. 

The PRC Members’ Exhibition is a great opportunity to 

discover new and trends voices in the photographic arts. 

This juried show draws entries not only from New England, 

but also from across the country. In total, over 230 imagemakers 

have shown in the PRC Members’ Exhibitions— 

representing an array of “ones to watch.” 

For this feature article, the PRC has chosen 10 artists from 

each of the past 10 exhibitions (1996-2005) to highlight. 

We hope that you enjoy this roster and join us in congratulating 

these artists for their recent achievements. A full list 

of all artists and jurors from the past 10 years is on display 

in the gallery as well as available online. The PRC continues 

to sing the praises of those whose work has graced our 

walls—as supporting such talent is part of our mission 

as New England’s center for photography. We look forward 

to seeing and showing the work of the next generation of 

artists yet to be discovered. 

— Leslie K. Brown, PRC Curator

Facing page : Michael Hintlian, Laborers move a 

jersey barrier, Hanover Street, Central Artery/Tunnel 

Project, Boston, 2001, Gelatin silver print, 16 x 20 

inches, Courtesy and copyright the artist 

Top left : Jane D. Marsching, North Pole webcam/ 

travel play, 2005, 2 channel video installation, 

Courtesy and copyright the artist 

Bottom left : Liz Linder, Feelings of self worth: 

the boyfriend project (self help version), Christmas, 

2002, Ink jet print on archival rag, 11 x 14 


1996 

first annual prc members’ 

exhibition, march 15-april 7 

Jurors : Sheryl Conkelton, Associate Curator 

of Photography, MoMA, and Robert Seydel, 

PRC Curator 

michael hintlian 

Starting in 1997, Michael Hintlian began 

photographing the 5,000 men and women 

who worked on the Big Dig. Hintlian’s 

work was selected for three PRC juried 

exhibitions (1996, 1997, 2000). Since 

his last appearance at the PRC, he has 

shown work in galleries in Boston and 

New York City and is represented by Panopticon 

Gallery (Boston, MA). In 2004, 

his documentary book on Boston’s Big 

Dig, Digging, was published. His work 

has been subject of features in American 

Photo magazine and magazines in Europe 

and Asia. He is a founding member of 

Group M35, a collaborative photo agency 

based in New York City. The Boston 

Public Library’s Print Department recently 

acquired 30 of Hintlian’s Big Dig prints 

and will feature them in this coming fall 

when their new gallery at Copley opens. 

His website is www.hintlian.net. 

1997 

1997 prc members’ exhibition, 

february 14-march 9 

Jurors : Catherine Edelman, Catherine 

Edelman Gallery, Chicago, IL, and Robert 

Seydel, PRC Curator 

liz linder 

Liz Linder has continued to work on a 

diverse group of projects. In 2005 she 

showed a then-boyfriend-inspired look 

at the American male, entitled The Boyfriend 

Project, at Samson Projects (Boston, 

MA). In 2003, she examined our cultural 

reaction to September 11th in a muchacclaimed 

web-based project entitled 

God Bless America. A series of these images 

were shown and collected in Europe. 

Linder’s work regularly appears in The 

Boston Globe, The Phoenix, and other local 

publications. In between artistic endeavors, 

she’s helped to launch Phototropos, 

an animated photography company, and 

continued earning her bread and butter 

shooting musicians, corporate-types, 

occasions, and social projects that move 

her. Her projects have been featured in 

publications such as The New York Times 

and People Magazine. Linder continues 

doing what she does best in everything 

from personal to commercial work: uncovering 

what already exists, in unexpected 

ways. Her website is www.lizlinder.com. 

1997 

1998 prc member’s exhibition, 

february 13-march 9 

Jurors : Julie Saul, Julie Saul Gallery, New 

York, NY, and Sara Rosenfeld Dassel, PRC 

Director of Exhibitions 

jane d. marsching 

Jane D. Marsching is a new media artist, 

professor, writer, and curator. Since 1998, 

her work has been exhibited widely 

including at The North Carolina Museum 

of Art, Art Interactive (Cambridge, MA), 

CEPA Gallery (Buffalo, NY), Side Street 

Projects (Los Angeles, CA), and the Mills 

Gallery (Boston, MA). In 1999, she 

curated an exhibition at the PRC entitled 

Particle Accelerators: At the Intersection 

of Science, Technology, and Photography 

and was later featured in the 2004 PRC 

exhibition, Concerning the Spiritual in Photography. 

In 2005, Marsching curated an 

exhibition with Mark Alice Durant 

www.prcboston.org | prc members’ exhibition yearbook

Right : John Willis, Father & Son, Pine Ridge Reservation, 

SD, 2004, Gelatin silver Print, 20 x 24 


Above : Harvey Loves Harvey, “Appropriation often comes first. The blah blah, the other, is often the 

objective. Communication and self-realization as hacky hack.” – Paul McCarthy, From the series A 

Photographic Study Of The Artistic Interpretation Of Philosophical Statements By Popular Artists: What Is 

Meaning, 2006, 7-color Ultrachrome Print, 15 x 33 inches, Courtesy and copyright the artists 

www.prcboston.org | prc members’ exhibition yearbook 

10 

entitled Blur of the Otherworldly: Contemporary 

Art, Technology, and the Paranormal 

at the Center for Art and Visual Culture 

at the University of Maryland Baltimore 

County, which included a catalog with 

extensive texts. In 2006, she received 

Creative Capital and LEF grants and 

lectured about her work in Reykjavik, Iceland. 

Marsching was selected to be one of 

four finalists for the 2006 ICA Prize and 

her work will be shown at the new ICA 

building this fall. Her website is www.janemarsching.com. 

1999 

1999 prc members’ exhibition: 

exploring new technologies, 

part of first Boston Cyberarts 

Festival, april 30-june 27 

Jurors : Edward G. Earle, Curator of Digital 

Media, International Center of Photography, 

New York, NY, and the PRC 

matthew nash 

Matthew Nash has worn many hats in 

the years since showing at the PRC. He 

co-curated the exhibition Lingo at Oni 

Gallery in 2002 and coordinated OCD 

at the Boston Center for the Arts’ Mills 

Gallery (Boston, MA), which received 

national attention. His collaboration with 

artist Jason Dean, known as “Harvey Loves 

Harvey,” has had solo shows at Oni Gallery 

and Fitchburg State College (Fitchburg, 

MA) and has shown at numerous venues 

in Boston, New York City and elsewhere. 

Harvey Loves Harvey is represented by 

Judi Rotenberg Gallery (Boston, MA). In 

2004, Nash launched the online journal 

Big RED & Shiny, which covers the arts 

in New England, and holds the title of 

Publisher. The project has grown to three 

editors and numerous contributors. He is 

also a contributing editor to Contemporary 

Magazine, a college professor, cat owner, 

and (by the time this is in print) loving 

husband. Online, you can find him at: 

www.bigredandshiny.com and 

www.harveylovesharvey.com 

2000 

2000 prc members’ exhibition 

may 5-june 28 

Jurors : Richard B. Woodward, Editor at 

Large for DoubleTake magazine, and John P. 

Jacob, Executive Director of the PRC 

john willis 

John Willis recently published the book, 

Recycled Realities, a collaboration with 

Tom Young, with the Center for American 

Places and Columbia College. Since showing 

in 2000, his work has been added into 

many collections including The Library of 

Congress (Washington, DC), The National 

Museum of the Native American (Washington, 

DC), The Whitney Museum of 

American Art (New York, NY), among 

others. He has shown at venues including 

Oglala Lakota College (Kyle, SD), 

Light Factory (Charlotte, NC), Houston 

Center for Photography (Houston, TX). 

Willis has received recent grants from The 

Vermont Arts Council, the Vermont Arts 

Endowment, and The John Anson Kittredge 

Foundation. Willis co-founded and 

directs the Exposures Cross Cultural Youth 

Exchange Program which leads annual 

Right : Neeta Madahar, Falling 3, 2005, Light jet 

print, 48 x 48 inches, Courtesy of Neeta Madahar 

and Howard Yezerski Gallery (Boston, MA)

Left : Annu Palakunnathu Matthew, An Indian from 

India - Feather/Dot, 2004, Archival inkjet print, 12 

x 16 inches, Courtesy of Sepia International, New 

York, NY, Original photo courtesy The Library of 

Congress, Washington, DC 

trips with youth from Vermont, the South 

Bronx, the Navajo Reservation to share 

photography and life stories with Oglala 

Lakota youth living on Pine Ridge Reservation 

in South Dakota. This program, a 

collaboration with The Hall Farm Center 

for Arts and Education, has grown out of 

the In-Sight Photography Project, another 

program he co-founded which is currently 

celebrating its fifteenth anniversary teaching 

youth photography regardless of their 

ability to pay. Willis is currently working 

on sabbatical projects throughout the year 

while on leave from his tenured job as 

Professor of Photography at Marlboro 

College (Marlboro, VT). His website is 

www.jwillis.net. 

2001 


june 22-july 29 

her work are also in the book Digital Art 

by Christiane Paul, Curator of New Media 

Arts at the Whitney Museum. Matthew 

is currently finishing a project titled The 

Virtual Immigrant that explores the magnified 

cultural dislocation and the conflicted 

experiences of 1-800 call center workers 

in India caused by technology’s effect on 

collapsing borders and shrinking distances. 

Her website is www.annumatthew.com. 

2002 



Juror : Diana Gaston, former Associate 

Director of SFCamerawork and Curator 

at Museum of Photographic Arts, San Diego, 

now Associate Curator of Fidelity Investments, 

Boston, MA 

jonathan moller 

Left : Jonathan Moller, Ex-members of the Civil 

Defense Patrols (known as PAC by their Spanish 

acronym) listen to a prayer by the minister of an 

evangelical church at the beginning of their meeting 

on the outskirts of the town of Nebaj. For over ten 

years these former patrollers were obligated to spy on 

their neighbors and fight alongside of or in front of the 

Army. Though found to be responsible for numerous 

massacres and disbanded at the time of the signing of 

the Peace Accords in 1996, in 2002 tens of thousands 

of former civil patrollers throughout Guatemala began 

reorganizing to demand compensation from the government 

for what they claim was unpaid service provided 

to the state during the war. Quiché, Guatemala, 

2002, Toned gelatin silver print, 14 x 14 inches, 

edition of 30, Courtesy and copyright the artist 

Juror : Deborah Kao, Curator of Photography, 

Fogg Art Museum, Harvard University, 

Cambridge, MA 

annu palakunnathu matthew 

Since the PRC’s juried show in 2001, 

Annu Palakunnathu Matthew has been 

exhibiting nationally and internationally, 

including the Victoria & Albert Museum 

(London, England), Light Work (Syracuse, 

NY), RISD Museum (Providence, 

RI), DeCordova Museum of Art (Lincoln, 

MA), Le Mois de la Photo à Montréal 

Photo Biennale (Montreal, Canada), 

and Moscow’s Museum of Modern Art 

(Moscow, Russia). Among the list of 

grants recently supporting Matthew’s 

work include the John Gutmann Fellowship, 

Rhode Island Arts Fellowship and 

the American Institute of Indian Studies 

Creative Arts fellowship. She was recently 

an artist in residence at Yaddo and Mac- 

Dowell Colonies. Her work can be found 

in the collections of the George Eastman 

House (Rochester, NY), Museum of Fine 

Arts, Houston (Houston, TX), Center 

for Creative Photography (Phoenix, AZ), 

and the RISD Museum, among others. 

Matthew’s work is included in Phaidon’s 

book BLINK, which according to the 

publisher celebrates the quality and vision 

of today’s 100 most exciting international 

contemporary photographers. Images of 

Jonathan Moller has continued to focus 

on his human rights related Guatemala 

work culminating in the publication of 

the book, Our Culture is Our Resistance: 

Repression, Refuge and Healing in Guatemala 

by powerhouse Books (Fall 2004). 

Turner Libros (Madrid, Spain and Mexico 

City, Mexico) also published the book in 

a Spanish language edition. Moller has 

received several awards in the past few 

years, including the 2005 Center for Photographic 

Art Award and the 2003 Golden 

Light Award from the Maine Photographic 

Workshops. His recent and upcoming 

exhibition schedule includes venues such 

as the University of the Arts (Philadelphia, 

PA), the Mills College Art Museum (Oakland, 

CA), the Phillips Museum of Art at 

Franklin and Marshall College (Lancaster, 

PA), the Photographic Center Northwest 

(Seattle, WA), Centro de la Imagen (Mexico 

City, Mexico), the European Parliament 

(Brussels, Belgium), and the World 

Cultural Forum (Rio de Janeiro, Brazil), 

among others. Moller’s work continues 

to be collected by museums and other 

public institutions. His website is 

www.jonathanmoller.org. 


11

Peter Smuts, Preservation I, 

from the series Charismatic 

Megafauna, 2003, Lightjet 

C-print, 37 x 55 inches, Courtesy 

and copyright the artist 

Peter Holzhauer, Culver City, 

2006, Gelatin silver print, 20 x 

24 inches, Courtesy and copyright 

the artist 


2003 



Juror : Chris Enos, artist, educator, and 

founder of the PRC 

neeta madahar 

Since showing in the PRC’s juried shows 

in 2002 and 2003, Neeta Madahar graduated 

with an MFA in Studio Art from the 

School of the Museum of Fine Arts and 

Tufts University. She has been exhibiting 

nationally and internationally, including 

solo shows at the Rencontres-Arles Photography 

Festival in France (2004) and the 

Institute of International Visual Arts, London 

(2005). Her work is in several private 

and public collections, including the Fogg 

Art Museum (Cambridge, MA), Kemper 

Museum of Contemporary Art (Kansas 

City, KS), and the Victoria and Albert 

Museum (London, England). In October 

2005, Photoworks published a monograph 

on Madahar’s work, Nature Studies. 

Her work was also featured in Aperture, 

Portfolio, Time Out: London and The New 

York Times. In addition, Madahar has also 

acquired many galleries and her work is 

now represented by Howard Yezerski Gallery 

(Boston, MA), Julie Saul Gallery (New 

York, NY), Galerie Poller (Frankfurt, Germany), 

and Purdy Hicks Gallery (London, 

England). This spring she was a visiting 

photography lecturer at the University 

College for the Creative Arts (Farnham, 

England). Selections from her Sustenance 

series were shown early on at the PRC; 

recently the entire suite was shown in full 

at the Danforth Museum of Art (Framingham, 

MA) and several pieces will be 

featured in the DeCordova Museum of 

Art’s upcoming September exhibition, 

Going Ape: Confronting Animals in 

Contemporary Art. 

2004 



Juror : Rachel Rosenfield Lafo, Director of 

Curatorial Affairs, DeCordova Museum and 

Sculpture Park, Lincoln, MA 

peter smuts 

Since showing in the PRC’s 2004 juried 

exhibition, Peter Smuts had a solo show at 

the Pepper Gallery (Boston, MA), All Fun 

and Games, which was chosen as one of 

the 10 best shows of 2005 by The Boston 

Globe’s Cate McQuaid. The DeCordova 

Museum of Art (Lincoln, MA) acquired 

three prints for their permanent collection 

and 5 large-scale prints from Charismatic 

Megafauna series will be featured in their 

exhibition, Going Ape: Confronting Animals 

in Contemporary Art, opening this fall. 

Smuts also founded The Human Pixel 

Project—an international collaborative art 

project made up of over 10,000 two-inch 

square works by artists from around the 

world. The Project was shown at the Three 

Columns Gallery at Harvard University 

(Cambridge, MA) and will be shown at 

galleries in Boston, New York, Miami, 

and Los Angeles over the coming year. 

Visit www.humanpixelproject.net for more 

information. 

2005 


may 20-june 26 

Juror : Alison Devine Nordström, Curator of 

Photographs, George Eastman House, International 

Museum of Photography and Film, 

Rochester, NY 

peter holzhauer 

Since appearing in the 2005 PRC juried 

exhibition, Holzhauer has relocated to 

Los Angeles, CA, where he is currently 

enrolled in the graduate program in the 

UCLA Department of Art. His work was 

featured in group shows at the George 

Eastman House International Museum of 

Photography and Film (Rochester, NY) as 

a part of Vital Signs: Focus on Young Photographers 

and the Danforth Museum of Art’s 

(Framingham, MA) New England Photographers. 

Other venues have included 

the Bernard Toale Gallery (Boston, MA) 

and UCLA MFA Open Studios. He has 

lectured as a visiting artist at Otis College 

of Art and Design (Los Angeles, CA) and 

is currently employed as a teaching assistant 

for James Welling. Recent additions 

to public collections include Boston Public 

Library (Boston, MA), Boston Athenaeum 

(Boston, MA), and George Eastman House 

(Boston, MA). He is currently working 

on a project on industrial gardening areas 

existing alongside and at the intersections 

of major freeways. His website is www. 

peterholzhauer.com. 

12

listings 

www.prcboston.org | listings 

EXHIBITIONS 

The Aldrich Contemporary Art Museum 

Homecoming: Sarah Bostwick, Damian Loeb, and 

Doug Wada (thru Aug 6). Tue-Sun, 12-5. 258 

Main Steet, Ridgefield, CT 06877. 203-438-4519. 

www.aldrichart.org 

Addison Gallery of American Art 

In Focus: 75 Years of Collecting American Photography; 

75 Favorites, the Alumni’s Choose; 75 Years of 

Giving; Artist’s Project: Type A (thru July 31). Tue-Sat, 

10-5; Sun, 1-5. Phillips Academy, 180 Main Street, 

Andover, MA 01810. 978-749-4015. 

www.andover.edu/addison 

Art Institute of Boston 

Work by MFA Graduates (thru summer). Mon-Fri, 9-6; 

Sat, 9-5; Sun, 12-5. 700 Beacon Street, Boston, MA 

02215. 617-585-6600. www.aiboston.edu 

Art Interactive 

Urban Networks (thru Aug 6). Sat-Sun, 10-6. 

130 Bishop Allen Drive, Cambridge, MA 02139. 

617-498-0100. www.artinteractive.org 

Bank of Rhode Island Turks Head Gallery 

Cory Silken: Upwind and Downwind (Selections) 

(thru Jul 5). Mon-Wed 8:30–3, Thu-Fri 8:30-5. 

1 Turks Head Place, Providence, RI 02903. 

401- 456-5152. www.bankri.com 

Barrington Center for the Arts 

The Next Generation: Contemporary Expressions 

of Faith (thru Oct 14). Gordon College, 255 

Grapevine Road, Wenham, MA 01984. 

978-867-4414. www.gordon.edu 

Belmont Gallery of Art 

Fran Froman (thru Jul 28). Tue, Thu, Fri 8-4. 

22 Coolidge Road, Belmont, MA 02478. 

617-484-0304. www.belmontgallery.org 

Bernard Toale Gallery 

Laura McPhee: Silent Steps (Thru Sep 9) 

Tue-Sat, 10:30-5:30. 450 Harrison Avenue, 

Boston, MA 02118. 617-482-2477. 

www.bernardtoalegallery.com 

BF Annex 

JUJU (thru Jul 22). Tue-Sat 9:30-5:30. 450 Harrison 

Ave. #57 Boston, MA 02118. 617-451-3344. 

www.bfannex.com 

Brookline Arts Center 

Lincoln Center in Brookline (thru Jul 14). Mon-Fri, 

9-4:30. 86 Monmouth Street, Brookline, MA 02446. 

617-738-8760. www.brooklineartscenter.com 

Cambridge Art Association 

New Members’ Show (Jul 12-27) Opening reception: 

Jul 17, 5:30-7. Tue-Sat, 11-5. Kathryn Schultz 

Gallery, 25R Lowell Street, Cambridge, MA 02138. 

Mon-Fri, 9-6; Sat, 9-1. 3rd Annual Summer Art Fair 

(Jul 11-Sep 5). University Place Gallery, 124 Mt. 

Auburn Street, Cambridge, MA 02138. 

617-876-0246. cambridgeart.org/index-new.shtml 

Cambridge Muticultural Arts Center 

Dancing with Turkeys Photography by Stella Johnson 

(thru Jul 17). Mon-Fri, 10-6. 41 Second Street, 

Cambridge, MA 02141. 617-577-1400, x12. 

www.cmacusa.org 

Cape Cod Museum of Art 

Chris Cook, Photography, Night views around Cape 

Cod (Jul 1-Aug 13). Tue-Sat 10-5, Sun 12-5. Route 

6A, Dennis, MA. 508-385-4477. www.cmfa.org 

Copley Society of Art 

James Robbins: Intimate Time (thru Jul 22); 

Dawn Bradway: Optical Illusions, Math in Art 

(thru Jul 22). Tue-Sat, 10:30-5:30. 158 Newbury 

Street, Boston, MA 02116. 617-536-5049. 

www.copleysociety.org 

Danforth Museum of Art 

Members’ Juried Exhibition and Sale (thru Jul 30). 

Wed-Sun, 12-5. 123 Union Avenue, Framingham, 

MA 01702. 508-620-0050. 

www.danforthmuseum.org 

DeCordova Museum and Sculpture Park 

2006 Decordova Annual Exhibition (thru Aug 20). 

Tue-Sun, 11-5. 51 Sandy Pond Road, Lincoln, MA 

01773. 781-259-8355. www.decordova.org 

Depot Square Gallery 

Summer Members’ Show (thru Aug 31). Tue-Sat, 

10-5:30; Sun, 12-4. 1837 Mass Avenue, Lexington, 

MA 02420. 781-863-1597. 

www.depotsquaregallery.com 

DNA Gallery 

Sight-Specific (Aug 5-Sep 5). Daily, 11-7. 288 

Bradford Street, Provincetown, MA 02657. 

508-487-7700. www.dnagallery.com 

Driskel Gallery at the Schoolhouse Center 

Gallery Artists (thru Aug 30). Daily at 11 and 

by appt. 494 Commercial Street, Provincetown, 

MA 02657. 508-487-4800. 

www.theschoolhousegalleries.com 

Duxbury Art Association 

A Taste of Summer (Thru Jul 28). Wed-Sun, 1-4. 

64 St. George Street, Duxbury, MA 02331. 

781-934-2731, x4. www.duxburyart.org 

Fitchburg Art Museum 

Kindred Spirits: Intimate Photographs by Robert 

Sargent Fay (thru Sep 3). Tue-Sun, 12-4. 185 Elm 

Street, Fitchburg, MA 01420. 978-345-4207. 

www.fitchburgartmuseum.org 

Fogg Art Museum 

The Western Tradition: Art Since the Renaissance 

(thru Jul 30). Nominally Figured: Recent Acquisitions 

in Contemporary Art (thru Feb 25). Mon-Sat, 

10-5; Sun 1-5. 32 Quincy Street, Cambridge, 

MA 02138. 617-495-2325. 

www.artmuseums.harvard.edu/fogg 

Fort Point Arts Community Gallery 

On Point I (Thru Jul 7); On Point II (Jul 14-Aug 11). 

Opening reception Jul 14, 5-8. Mon-Fri, 10-3; 

Tue-Fri, 5-9; Sat, 12-5. 300 Summer Street, Boston, 

MA 02110. 617-423-4299. www.fortpointarts.org 

Gallery Kayafas 

Trees: A Group Summer Show (thru Jul 22). Reception: 

Jul 7, 5:30-8 Tue-Fri, 1-5:30; Sat, 12-5:30. 

450 Harrison Avenue, Suite 223, Boston, MA 

02118. 617-482-0411. www.gallerykayafas.com 

Gallery Naga 

Mary Kocol, Bloom: New Architecture and 

Flowering Landscapes (thru Jul 14). Saturated 

Color, More or Less (thru Jul 14). Tue-Sat, 

10-5:30. 67 Newbury Street, Boston MA 02116. 

617-267-9060. www.gallerynaga.com 

Griffin Museum of Photography 

12th Juried Show (thru Aug 13). Tue-Sun, 12-4. 

67 Shore Road, Winchester, MA 01890. 

781-729-1158. www.griffinmuseum.org. 

Haley Farm Gallery 

Through the Lens (thru Jul 6). Wed-Sat 11-5. 178 

Haley Road (off Rt. 1 Kittery), Kittery, ME 03904. 

207-439-2669. www.haleygallery.com 

Hallmark Museum of Contemporary Photography 

Benefit Exhibition (thru Jul 2). Thu-Sun 1-5. 85 Avenue 

A, Turners Falls, MA 01376. 413-863-0009. 

www.hmcp.org 

Iris Gallery 

Photographs by David Ricci (Thru Jul 31). Opening 

reception: Jul 1, 5-7. Thu-Mon 12-6 or by appointment. 

47 Railroad Street, Great Barrington, MA 

01230. 413-644-0045. www.irisgallery.net 

Isabella Stewart Gardner Museum 

Erik Hakansson (Thru Sep 17). Tue-Sun, 11-5. 280 

The Fenway, Boston, MA 02115. 617-566-1401. 

in the loupe listings deadlines 

September/October issue: 

August 4, 2006 

November/December issue: 

October 2, 2006 

www.gardnermuseum.org 

Isole Gallery of Art + Industrial Design 

Judith Aronson Retrospective (thru Sep 6). Open by 

appointment. 4 Park Plaza, Boston MA 02116. 

617-482-2267. www.isolegallery.com 

Judi Rotenberg Gallery 

Mary Ellen Strom: New Work (Jul 6-29); Made in 

America (Aug 3-26). Opening reception: Aug 3, 

6-8pm.130 Newbury Street, Boston, MA 02216. 

617-437-1518. www.judirotenberg.com 

Khaki Gallery 

Urbania (thru Jul 15); Emergence (Jul 16-Aug 30). 

Opening reception: Jul 21, 6-8. 9 Crest Road, 

Wellesley, MA 02482. 781-572-6263 

www.nahidkhaki.com 

Lesley University 

Photography Atelier 2006 (thru Sep 22). Mon-Sat 

8am-10pm. Porter Exchange Building, 3rd Floor, 

1815 Massachusetts Avenue, Cambridge, MA 

02138. www.photographyatelier.com 

Massachusetts College of Art, Bakalar Gallery 

Midway Show (thru Jul 14). Mon-Fri, 10-6; Sat, 

11-5. 621 Huntington Avenue, Boston, MA 02115. 

617-879-7000. www.massart.edu 

MIT List Visual Art Center 

9 Evenings Reconsidered: Art, Theatre, and Engineering, 

1966 (thru Jul 9). Tue-Thu, 12-6; Fri, 12-8; 

Sat-Sun; 12-6. 20 Ames Street Building E15, Atrium 

Level, Cambridge, MA 02139. 617-253-4680. 

www.mit.edu/lvac 

MIT Museum Main Gallery 

Scopes, Station Wagons and Solder (thru Jul 4). 

Tue-Fri, 10-5; Sat-Sun, 12-5. 265 Massachusetts 

Avenue, Cambridge, MA 02139. 617-253-4444. 

web.mit.edu/museum 

Museum of Fine Arts, Boston 

Laura McPhee: River of No Return (thru Sep 17). 

Mon-Tue, 10-4:45; Wed-Fri, 10-9:45, Sat-Sun, 

10-5:45. 465 Huntington Avenue, Boston, MA 

02115. 617-267-9300. www.mfa.org 

Center for Photographic Exhibitions at New England 

School of Photography 

Ken Lee and Guy Washburn (Jul 3-Jul 28). CFPE 

Staff Group Show (Jul 31-Sep 1). Mon-Fri, 9-5. 

537 Commonwealth Avenue, Boston, MA 02215. 

617-437-1868. www.nesop.com 

Panopticon Gallery 

Emerging Artists (thru Aug 5). Mon-Fri, 10-6; Sat, 

11-5. 435 Moody Street, Waltham, MA 02453. 

781-647-0100. The Elements: Panopticon’s Annual 

Juried Exhibition (thru Jul 8). Maritime Photographs by 

Norman Fortier (thru Sep 10). Tue-Sat, 11-6. 502c 

Commonwealth Avenue, Boston, MA 02215. 

617-267-8929. www.panopt.com 

Peabody Essex Museum 

Taj Mahal: The Building of a Legend (thru Jul 23). The 

Yachting Photography of Willard B. Jackson (thru Jan 

21). Tue-Sat, 10-5; Sun, 12-5. East India Square, 

Salem, MA 01970. 978-745-9500. 

866-745-1876. www.pem.org 

Peabody Museum of Archeology and Ethnology 

14

listings 

Pusan, Korea, 1952-1954: The Photographs of 

Roger Marshutz (thru Sep 10). Mon-Sun, 9-5. 

11 Divinity Avenue, Cambridge, MA 02138. 

617-496-0099. www.peabody.harvard.edu 

Portland Museum of Art 

The Quiet Landscapes of William B. Post (thru Aug 

27). Pictorial Photography of Maine (thru Aug 27). 

Tue, Wed, Sat-Sun, 10-5, Thu-Fri, 10-9. Congress 

Square, Portland, ME 04101. 207-775-6148. 

www.portlandmuseum.org 

Radiant Light Gallery 

Contemplari: Images By Barry Thomson (thru Jul 8). 

Sat, 12-6:30. 615 Congress St., Suite 409, 

Portland, ME 04101. 207-252-7258. 

www.radiantlightgallery.com 

Real Art Ways Center for Contemporary Culture 

Mike Womack: Heat is not made of tiny hot things 

(thru Jul 9). Tue-Sun, 2-10; Fri-Sat, 2-12. 56 Arbor 

Street, Hartford, CT 06106. 860-232-1006. 

www.realartways.org 

The Rose Art Museum at Brandeis University 

Erwin Wurm: I Love My Time, I Don’t Like My Time 

(thru Jul 30). Tue-Sun, 12-5; Thu,12-9. 415 South 

Street, Waltham, MA 02454. 781-736-3434. 

www.brandeis.edu/rose 

Salt Institute for Documentary Studies 

African-American Hamlets of Kentucky’s Bluegrass 

Region (Spring). Mon-Fri, 11:30-4:30. 110 

Exchange Street, Portland, ME 04112. 

207-761-0660. www.salt.edu 

Scollay Square Gallery 

Faces of Boston: A City-Wide Exhibit of Bostonian 

Portraits Throughout City Hall (thru Sep 1). 3rd Floor, 

Boston City Hall One City Hall Plaza, Boston, MA 

0220. www.cityofboston.gov/arts/galleries.asp 

South Shore Art Center 

Blue Ribbon Members’ Show (Jul 21-Sep 3). Mon- 

Sat, 10-4; Sun 12-4. 119 Ripley Road, Cohasset 

MA 02025. 781-383-2787. www.ssac.org 

Thorne-Sagendorph Art Gallery at Keene State College 

Art = Body + Mind (thru Oct 15; Closed Aug 5- 

Sep 4). Sat-Wed, 12-4 Thru and Fri, 12-7. 101 

Wayman Way, Keene, NH. 603-358-2720. 

www.keene.edu/tsag 

Tufts University Art Gallery, Aidekman Arts Center 

Tufts Third Annual Summer Exhibition (thru Jul 30). 

Tue-Sun, 11-5; Thu until 8. Aidekman Arts Center, 

40 Talbot Avenue, Medford, MA 02155. 

617-627-3518. www.tufts.edu/as/gallery 

University of Rhode Island Photography Gallery 

Speaking Volumes (Sep 6-30). Closing Reception 

Sep 28, 4-6pm. Tue-Fri, 12-4, 7:30-9:30; Sat-Sun, 

1-4. Fine Arts Center Galleries, 105 Upper College 

Road, Kingston, RI 02881. 401-874-2775. 

www.uri.edu/artgalleries 

Wadsworth Atheneum Museum of Art 

Eloquent Vistas: The Art of the 19th Century 

American Landscape Photography From the George 

Eastman House Collection (thru Aug 13). Shifting 

Terrain: Contemporary Landscape Photography (Jul 

15-Nov 5). Connecticut Contemporary (thru Jul 15). 

Tue-Fri, 11-5; Sat-Sun, 11-5. 600 Main Street, 

Hartford, CT 06103. 860-278-2670. 

www.wadsworthatheneum.org 

Whitney Art Works 

Scott Davis: New Work (thru Jul 15). Opening 

Reception July 7, 5-8. 45 New York Street, 

Porltand, ME 04101. 207-780-0700. 

www.whitneyArtworks.com 

EDUCATION 

Jonathan Bailey is offering a one-week summer 

workshop in his home and studio in Tenants Harbor, 

Maine (August 6-12). The class explores numerous 

historical toning processes, contemporary gold-based 

split-toning processes (including his signature GP-1 

Gold process), and the unusual and exotic Mordancage 

process. The week’s fee includes dinner each 

evening (prepared and served by Jonathan and his 

partner Jane Matthews) – and a boat fare for a day 

on Monhegan Island. For more information check out 

his website: www.jonathan-bailey.com. 

The George Eastman House is hosting a week program 

of lectures and workshops entitled “Preserving 

Photographs in a Digital World.” The focus will be 

on learning the materials and techniques used in photograph 

preservation and a comparison to the newly 

adopted digital ways. Workshop date: August 19- 

24. Costs: $1,495. Includes all instructional materials. 

For more info www.imagepermanenceinstitute. 

org or www.eastmanhouse.org. 

Lesley Seminars at Lesley University is offering 2 photo 

courses (credit or non-credit) starting September, 

2006, taught by Holly Smith Pedlosky: Fundamentals 

of Digital Photography I and Photography Photography 

Atelier 2007, a course for emerging photographic 

artists (visit www.photographyatelier.org). 

The digital photography course will be held at the 

Art Institute of Boston at Lesley University, Boston, 

MA. Photography Atelier 2007 will be held at the 

Porter Exchange Building in Cambridge, MA. 

For more information and to register: visit 

http://www.lesley.edu/ce/ls/arts.html or 

call Allyson Gill, 617.349.8609 

Night Sky Photo Workshops presents it’s 2006 

Schedule with photo tours to the West of Ireland in 

September, The Isle of Skye and Orkeny in Scotland 

in July, and a Night Photography conference at 

Mono Lake in California in August. More Information 

at www.thenightskye.com 

Karin Rosenthal is teaching workshops this summer 

at Prince Edward Island, August 14-18, 2006 and 

August 21-25, 2006. Spaces are still available. 

Email Karin for further information: kr@krosenthal. 

com. www.krosenthal.com/workshops 

Santa Fe Workshops offer a wide variety of workshops 

and programs for the 2006 Spring and 

Summer schedule. For more information please 

contact Santa Fe Workshops, PO Box 9916, 

Santa FE, NM 87504, or go to 

www.santafeworkshops.com or call 508-983-1400. 

Harvey Stein is teaching a workshop through the 

International Center of Photography in New Mexico, 

August 19-27, 2006. Particpants explore Northern 

New Mexico, visiting beautiful Santa Fe and it’s 

people for a day; venture to Georgia O’Keefe’s 

Ghost Ranch for a gorgeous hike and landscape 

photography; travel to Tent Rocks and the White 

Place, two spectacular but little known/visited landscapes; 

and photograph a sunrise from America’s 

highest bridge which spans the Rio Grande River 

Gorge. Also photograph historic churches and 

Native America pueblos. Call Donna Ruskin at ICP, 

212 857 0062 or go to www.icp.org for more 

information or to register. 

ENTRIES/ OPPORTUNIES 

Body and Soul Images of Women 2006 Special 

Theme: the challenge, the heartache, the joy of 

being a woman. 

This photographic competition is an initiative of the 

Eating Disorders Network of Queensland, Australia. 

The EDN is made up of not-for-profit organizations 

and key stakeholders who develop initiatives to 

raise awareness, and to provide information and 

training on body image issues and eating disorders. 

This is a charity event and funds raised through 

the sale of resources produced from the submitted 

images will be used to support the work of the 

EDN. Contest winners will be announced in Body 

Image and Eating Disorders Awareness Week of 

the September 4-10, 2006 in Brisbane, Australia, 

and on the Isis website and the EDARC website. It is 

envisaged an exhibition of the photographs will be 

held during this week. Entries must be post-marked 

by August 4, 2006. Complete rules and details at 

www.isis.org.au 

Center for Photography Woodstock A-I-R. 

This non-profit organization provides photographers 

with educational, exhibition, publication, residency, 

collection, fellowship, and workspace opportunities. 

The center is open 24-hours and offers a spacious 

environment for photographers to develop and 

explore their photographic careers with extensive 

facilities and a supportive staff. For more info visit 

www.cpw.org or call 845-679-9957. 

Home Movie Day 

Home Movie Day, a worldwide event sponsored by 

the Center for Home Movies will take place locally, 

Saturday, August 12 at the Boston Public Library, 

Copley Square, www.bpl.org/central, 1-4pm (film 

check-in at noon). Films will be shown, preservation 

discussed, and history will be made. Hosted by area 

film archivist Liz Coffey, HMD is an educational and 

entertaining afternoon. Everyone is invited, even if 

you don’t have any films to show! Bring your films on 

8mm, super 8, or 16mm. HMD Providence will be 

held Saturday, August 19 at the RI Historical Society 

Aldrich House, 110 Benevolent Street, Providence, 

RI, 1-4pm. Film drop-off: Friday, August 18 at the 

RIHS Library, 21 Hope Street, Providence. For more 

information on all events and home movies in general, 

please visit homemovieday.com. 

Khaki Gallery 

Khaki Gallery, a contemporary gallery of photography 

and art in Wellesley, MA is inviting artists 

working in photography and related media to submit 

works for group/solo shows 2006-07 season. We 

are interested in unified bodies of original work with 

strong themes and a distinctive artist’s view. Please 

send artist’s statement,10 low resolution images in 

JEPG format on a CD or via email, or Web address, 

or 10 slides and SASE. Please do not send original 

materials. Khaki Gallery, 9 Crest Road, Wellesley, 

MA 02482, 781-237-1095 www.nahidkhaki.com 

The Turks and Caicos Underwater Photography 

Competition 

From June 1 through August 31, 2006, challenges 

those who share a passion for the sea by capturing 

the unique beauty of the Caribbean’s submarine scenery. 

Juror is Lindsey Musgrove, Director of Tourism for 

the Turks and Caicos Tourism Board. The competition 

awards in two categories: Amateur and Professional 

Photographers. Grand Prize Winners will be 

awarded a first place $5,000 cash prize, second 

place $3,000 cash prize and $2,000 third place 

cash prize as well as their photographs published by 

the Government of the Turks & Caicos Islands as a 

set of commemorative postage stamps, each bearing 

a winning photograph, the photographer’s name and 

country of origin. Individuals participating in the competition 

can submit their entries to any participating 

dive shop or the Tourist Board’s offices by Aug. 31, 

2006. Participants are encouraged to submit entries 

prior to departing the Islands to ensure authenticity. 

For more information on rules and regulations please 

visit www.underwaterphoto.tc. 

www.prcboston.org | listings 

15

parting 

shot 

Elliott Erwitt ending his 

PRC lecture. Photograph 

by Michael Howard. 

phonelines 

Jonathan Bailey is one of the exhibitors in the 

second annual juried exhibition entitled The 

Elements at Panopticon Gallery in The Hotel 

Commonwealth running through July 8th. 

John Bunzick has a one-person show at Gargoyles 

on the Square, 219 Elm Street, Davis Square, 

Somerville. The show runs August 15 through 

September 17. Artist’s reception September 10, 

3 - 5 PM. Mr. Bunzick also exhibited in a two-person 

show at Possibilities Art Studio and Gallery in 

Pacific Grove, CA in March of this year. View his 

images at www.johnbunzick.com. 

Karen Davis has been awarded the Director’s 

Prize at the National Prize Show of the Cambridge 

Art Association for her photograph, “Laughing 

Woman” (2005.) The juror was Cheryl Brutvan, 

Curator of Contemporary Art at the Museum 

of Fine Arts, Boston. Her photograph, “Nicole 

in Flight” has been selected for inclusion in the 

Annual Juried Exhibit of the Griffin Museum of 

Photography. The juror was Bonni Benrubi, Bonni 

Benrubi Gallery, New York. Visit the revamped 

website (YesThatKarenDavis.com), including the 

photographs mentioned above. 

California Member, Tony De Bone is exhibiting 

a 20 x 24 Polaroid transfer, color enhanced 

by hand, in Soho Photo’s Alternative Processes 

Competition Exhibit in New York. The image, 

“Girl High on Rebar” is from his Fetish Series. The 

exhibit, which was juried by Christopher James, 

will open May 2 and run through June 3. 

Jack Dzamba’s image “Dream” was chosen for 

an exhibition at Gallery Black and White and for 

publication through the TCB-Café Publishing of 

San Francisco’s Photography Competition 2005. 

The international competition will result in a fine art 

book Like Sand from Orchid’s Lips scheduled for 

Spring 2006. The show ran May 12 through June 

16, 2006 at 295 Huntington Ave., Boston, MA. 

www.icron.us 

Linda Hirsch received a Puffin Foundation Grant 

for her work on behalf of Congregation Beth 

El/Sudbury for expansion of their “Cuban Jewish 

Connection” to purchase more camera supplies 

for “Sister Community” of Cienfuegos. Supplies 

will be used in scanning, processing and helping 

them to share their vision. This will result in on-site 

instruction via Cuban colleagues and eventual 

US/Cuban/Canadian collaborative for internet/ 

photo-quilt photo/mural projects. Via Canada and 

Hadassah International, Cienfuegos and other Jewish 

Cuban Communities have received and rebuilt 

working computers and printer supplies. More 

cameras, film and services are still needed. For 

information or to offer supplies/services contact 

ljvhirsch@comcast.net 

Phonelines is a long-running program allowing PRC 

members to tout their recent achievements. To be 

included in the September/October Phonelines, 

please email us at prc@bu.edu by August 4th. 

Stella Johnson’s exhibition, Dancing with Turkeys: 

Religious and Cultural Rituals in the Villages of 

Temoac and Morelos Mexico was exhibited at the 

Cambridge Multicultural Arts Center, Cambridge, 

MA June 14 through July 17, 2006. 

Michael Philip Manheim’s exhibition of 

Rhythm From Within runs through July 5th at 

the August Gallery in Santa Fe, New Mexico. 

www.MichaelPhilipManheim.com 

Marjorie Nichols’ work was featured in the June 

issue of Photographers’ Formulary E-newsletter. 

photoformulary.com/images/2006Newsletters/ 

webJune2006NL.pdf and her White Amaryllis 

was purchased for $1500 at the School of the 

Museum of Fine Art’s “December Sale.” 50% of 

sales are contributed to the SMFA scholarship fund. 

Larry Pratt received the 4th place award for his 

photo “Curiosity” in the Art of Photography show 

at the Lyceum Theater in San Diego. The show 

runs from April 20-June 4. (www.artofphotographyshow.com) 

Karin Rosenthal’s work has been recently exhibited 

in The Elements, a juried exhibition of Panopticon 

Gallery, Hotel Commonwealth, Kenmore Square, 

Boston. The show ran May 4- July 8, 2006. 

Rosenthal was also one of two recipients of the 

Ultimate Eye Foundation 2006 grant, which 

includes 4 prints on exhibition at the Peninsula Art 

Museum, Belmont, CA, from May 13- July 16, 

2006. The exhibition is titled, Dangerous Visions: 

Images from the Ultimate Eye Foundation. 

Cory Silken’s solo exhibition Upwind and 

Downwind, classic yacht racing photographs 

from a contemporary vantage point, will be at 

the Museum of Yachting in Newport, RI, from 

September 1-30. There will be an opening reception 

during the annual Classic Yacht Regatta on 

September 1st from 6-9pm. Selected images from 

Upwind and Downwind will also be in the Griffin 

Museum Juried Show, Winchester, MA, May 11- 

August 13; Bank RI Pitman St. Gallery, Providence, 

RI, May 4-June 7, BankRI Turks Head Gallery, Providence, 

RI, June 8-July 5; and Arnold Art Gallery 

Invitational Exhibit, Newport, RI, June 16-July 7. 

Paul Wainwright is part of a 2-person show titled 

Through the Lens at the Haley Farm Gallery in 

Kittery, Maine, that runs through July 5th. Also 

showing with Paul is Marianne Pernold Young. 

The gallery is located at 178 Haley Farm Road, 

Kittery, ME. Wainwright’s photograph Rocks on 

Prouts Neck has been accepted into the 2nd 

annual juried exhibition The Elements at the Panopticon 

Gallery in Boston, MA. The show runs 

through July 8, 2006. 

join the community 

Do you love photography 

In the answer is yes, then you have a 

home in the Photographic Resource 

Center. A non-profit organization serving 

the community since 1976, the PRC 

challenges with its thought-provoking 

exhibitions; inspires with its distinctive 

education programs; informs with its 

wide-ranging resources; and tantalizes 

with its unique special events. By becoming 

a member, you join a community of 

individuals who eat, drink, and sleep 

photography. 

A subscription to this newsletter is only 

one benefit of a PRC membership. For 

more information, visit prcboston.org. 

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Indicate your desired membership level. 

■ Individual: $45 ■ Student/Senior: $25 

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The Photographic Resource Center is a non-profit, 501(c)3 corporation 

and membership fees are tax-deductible as allowed by law. 

For information on tax-deductible portions of your membership, 

please contact the Membership Office at 617-975-0600.

Photographic Resource Center 

at Boston University 

832 Commonwealth Avenue 

Boston, MA 02215

July | August 2006 - Boston Photography Focus

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