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July | August 2006 - Boston Photography Focus

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Right : John Willis, Father & Son, Pine Ridge Reservation,<br />

SD, 2004, Gelatin silver Print, 20 x 24<br />

inches, Courtesy and copyright the artist<br />

Above : Harvey Loves Harvey, “Appropriation often comes first. The blah blah, the other, is often the<br />

objective. Communication and self-realization as hacky hack.” – Paul McCarthy, From the series A<br />

Photographic Study Of The Artistic Interpretation Of Philosophical Statements By Popular Artists: What Is<br />

Meaning, <strong>2006</strong>, 7-color Ultrachrome Print, 15 x 33 inches, Courtesy and copyright the artists<br />

www.prcboston.org | prc members’ exhibition yearbook<br />

10<br />

entitled Blur of the Otherworldly: Contemporary<br />

Art, Technology, and the Paranormal<br />

at the Center for Art and Visual Culture<br />

at the University of Maryland Baltimore<br />

County, which included a catalog with<br />

extensive texts. In <strong>2006</strong>, she received<br />

Creative Capital and LEF grants and<br />

lectured about her work in Reykjavik, Iceland.<br />

Marsching was selected to be one of<br />

four finalists for the <strong>2006</strong> ICA Prize and<br />

her work will be shown at the new ICA<br />

building this fall. Her website is www.janemarsching.com.<br />

1999<br />

1999 prc members’ exhibition:<br />

exploring new technologies,<br />

part of first <strong>Boston</strong> Cyberarts<br />

Festival, april 30-june 27<br />

Jurors : Edward G. Earle, Curator of Digital<br />

Media, International Center of <strong>Photography</strong>,<br />

New York, NY, and the PRC<br />

matthew nash<br />

Matthew Nash has worn many hats in<br />

the years since showing at the PRC. He<br />

co-curated the exhibition Lingo at Oni<br />

Gallery in 2002 and coordinated OCD<br />

at the <strong>Boston</strong> Center for the Arts’ Mills<br />

Gallery (<strong>Boston</strong>, MA), which received<br />

national attention. His collaboration with<br />

artist Jason Dean, known as “Harvey Loves<br />

Harvey,” has had solo shows at Oni Gallery<br />

and Fitchburg State College (Fitchburg,<br />

MA) and has shown at numerous venues<br />

in <strong>Boston</strong>, New York City and elsewhere.<br />

Harvey Loves Harvey is represented by<br />

Judi Rotenberg Gallery (<strong>Boston</strong>, MA). In<br />

2004, Nash launched the online journal<br />

Big RED & Shiny, which covers the arts<br />

in New England, and holds the title of<br />

Publisher. The project has grown to three<br />

editors and numerous contributors. He is<br />

also a contributing editor to Contemporary<br />

Magazine, a college professor, cat owner,<br />

and (by the time this is in print) loving<br />

husband. Online, you can find him at:<br />

www.bigredandshiny.com and<br />

www.harveylovesharvey.com<br />

2000<br />

2000 prc members’ exhibition<br />

may 5-june 28<br />

Jurors : Richard B. Woodward, Editor at<br />

Large for DoubleTake magazine, and John P.<br />

Jacob, Executive Director of the PRC<br />

john willis<br />

John Willis recently published the book,<br />

Recycled Realities, a collaboration with<br />

Tom Young, with the Center for American<br />

Places and Columbia College. Since showing<br />

in 2000, his work has been added into<br />

many collections including The Library of<br />

Congress (Washington, DC), The National<br />

Museum of the Native American (Washington,<br />

DC), The Whitney Museum of<br />

American Art (New York, NY), among<br />

others. He has shown at venues including<br />

Oglala Lakota College (Kyle, SD),<br />

Light Factory (Charlotte, NC), Houston<br />

Center for <strong>Photography</strong> (Houston, TX).<br />

Willis has received recent grants from The<br />

Vermont Arts Council, the Vermont Arts<br />

Endowment, and The John Anson Kittredge<br />

Foundation. Willis co-founded and<br />

directs the Exposures Cross Cultural Youth<br />

Exchange Program which leads annual<br />

Right : Neeta Madahar, Falling 3, 2005, Light jet<br />

print, 48 x 48 inches, Courtesy of Neeta Madahar<br />

and Howard Yezerski Gallery (<strong>Boston</strong>, MA)

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