July | August 2006 - Boston Photography Focus
July | August 2006 - Boston Photography Focus
July | August 2006 - Boston Photography Focus
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Right : John Willis, Father & Son, Pine Ridge Reservation,<br />
SD, 2004, Gelatin silver Print, 20 x 24<br />
inches, Courtesy and copyright the artist<br />
Above : Harvey Loves Harvey, “Appropriation often comes first. The blah blah, the other, is often the<br />
objective. Communication and self-realization as hacky hack.” – Paul McCarthy, From the series A<br />
Photographic Study Of The Artistic Interpretation Of Philosophical Statements By Popular Artists: What Is<br />
Meaning, <strong>2006</strong>, 7-color Ultrachrome Print, 15 x 33 inches, Courtesy and copyright the artists<br />
www.prcboston.org | prc members’ exhibition yearbook<br />
10<br />
entitled Blur of the Otherworldly: Contemporary<br />
Art, Technology, and the Paranormal<br />
at the Center for Art and Visual Culture<br />
at the University of Maryland Baltimore<br />
County, which included a catalog with<br />
extensive texts. In <strong>2006</strong>, she received<br />
Creative Capital and LEF grants and<br />
lectured about her work in Reykjavik, Iceland.<br />
Marsching was selected to be one of<br />
four finalists for the <strong>2006</strong> ICA Prize and<br />
her work will be shown at the new ICA<br />
building this fall. Her website is www.janemarsching.com.<br />
1999<br />
1999 prc members’ exhibition:<br />
exploring new technologies,<br />
part of first <strong>Boston</strong> Cyberarts<br />
Festival, april 30-june 27<br />
Jurors : Edward G. Earle, Curator of Digital<br />
Media, International Center of <strong>Photography</strong>,<br />
New York, NY, and the PRC<br />
matthew nash<br />
Matthew Nash has worn many hats in<br />
the years since showing at the PRC. He<br />
co-curated the exhibition Lingo at Oni<br />
Gallery in 2002 and coordinated OCD<br />
at the <strong>Boston</strong> Center for the Arts’ Mills<br />
Gallery (<strong>Boston</strong>, MA), which received<br />
national attention. His collaboration with<br />
artist Jason Dean, known as “Harvey Loves<br />
Harvey,” has had solo shows at Oni Gallery<br />
and Fitchburg State College (Fitchburg,<br />
MA) and has shown at numerous venues<br />
in <strong>Boston</strong>, New York City and elsewhere.<br />
Harvey Loves Harvey is represented by<br />
Judi Rotenberg Gallery (<strong>Boston</strong>, MA). In<br />
2004, Nash launched the online journal<br />
Big RED & Shiny, which covers the arts<br />
in New England, and holds the title of<br />
Publisher. The project has grown to three<br />
editors and numerous contributors. He is<br />
also a contributing editor to Contemporary<br />
Magazine, a college professor, cat owner,<br />
and (by the time this is in print) loving<br />
husband. Online, you can find him at:<br />
www.bigredandshiny.com and<br />
www.harveylovesharvey.com<br />
2000<br />
2000 prc members’ exhibition<br />
may 5-june 28<br />
Jurors : Richard B. Woodward, Editor at<br />
Large for DoubleTake magazine, and John P.<br />
Jacob, Executive Director of the PRC<br />
john willis<br />
John Willis recently published the book,<br />
Recycled Realities, a collaboration with<br />
Tom Young, with the Center for American<br />
Places and Columbia College. Since showing<br />
in 2000, his work has been added into<br />
many collections including The Library of<br />
Congress (Washington, DC), The National<br />
Museum of the Native American (Washington,<br />
DC), The Whitney Museum of<br />
American Art (New York, NY), among<br />
others. He has shown at venues including<br />
Oglala Lakota College (Kyle, SD),<br />
Light Factory (Charlotte, NC), Houston<br />
Center for <strong>Photography</strong> (Houston, TX).<br />
Willis has received recent grants from The<br />
Vermont Arts Council, the Vermont Arts<br />
Endowment, and The John Anson Kittredge<br />
Foundation. Willis co-founded and<br />
directs the Exposures Cross Cultural Youth<br />
Exchange Program which leads annual<br />
Right : Neeta Madahar, Falling 3, 2005, Light jet<br />
print, 48 x 48 inches, Courtesy of Neeta Madahar<br />
and Howard Yezerski Gallery (<strong>Boston</strong>, MA)