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July | August 2006 - Boston Photography Focus

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presentations<br />

EXHIBITIONS IN THE GALLERY<br />

<strong>2006</strong> PRC Benefit Auction<br />

Preview Exhibition: September 8-October 1<br />

Live Auction: Thursday, October 5<br />

Get your paddle ready and mark your calendars for the <strong>2006</strong> PRC Benefit Auction. Hundreds of photographs will be<br />

on display (and for sale!) at the PRC and <strong>Boston</strong> University’s 808 Gallery. Save the date, the live auction is slated for<br />

Thursday, October 5! More information will follow in the September/October newsletter.<br />

EXHIBITIONS ONLINE<br />

Northeast Exposure Online (NEO), presented by Zeff Photo Supply, is an online monthly series showcasing<br />

regional emerging artists. The presentations are by invite only and feature a selection of images, a<br />

biography, artist and curator statements, and links<br />

setts State House, and the <strong>Boston</strong> Drawing<br />

Project at the Bernard Toale Gallery, among<br />

others. He has taught at the Art Institute<br />

of <strong>Boston</strong> (<strong>Boston</strong>, MA), University of<br />

Massachusetts, <strong>Boston</strong> (<strong>Boston</strong>, MA), and<br />

MassArt. He has worked at the Bonni Benrubi<br />

Gallery (New York, NY) and as assistant<br />

to Abelardo Morell, Eugene Richards,<br />

William Wegman, and Arnold Newman.<br />

Thomas Gearty (Cambridge, MA), Pavement,<br />

Ogunquit, Maine, <strong>2006</strong>, Polaroid Type 600 Print,<br />

Courtesy of the artist<br />

neo | july <strong>2006</strong><br />

Thomas Gearty<br />

www.bu/edu/gearty.htm<br />

Recently returning to the US from London,<br />

Tom Gearty earned his MFA from Massachusetts<br />

College of Art (<strong>Boston</strong>, MA) in<br />

1999 and holds a BA from the University<br />

of Virginia (Charlottesville, VA). Gearty was<br />

a major contributor to Henry Horenstein’s<br />

Black & White <strong>Photography</strong>: A Basic Manual<br />

and <strong>Photography</strong> with Horenstein and<br />

Russell Hart, a founding editor and writer for<br />

Teachingphoto.com, and was selected for<br />

Sotheby’s Artlink worldwide Emerging Artists<br />

Program. He has exhibited around Greater<br />

<strong>Boston</strong> at the St. Botolph Club, Massachu-<br />

Featured online will be images from<br />

Gearty’s new series of Polaroid images.<br />

In all of his work, Gearty seeks out simple<br />

scenes, details, gestures, and moments that<br />

inspire wonder and yet also impart a feeling<br />

of loss. In hundreds of instant small images,<br />

he captures a vast array of things—often<br />

selecting objects for the agency that they<br />

appear to assert—ultimately building a new<br />

vocabulary of sorts. Whether it is crumbling<br />

pavement that just doesn’t seem to match<br />

up or a strange pattern of condensation on<br />

a car hood, he draws attention to a “secret<br />

world of things” independent of humans.<br />

neo | august <strong>2006</strong><br />

Robert Thurlow<br />

www.bu.edu/prc/thurlow.htm<br />

Robert Thurlow is a MFA graduate from the<br />

School of the Museum of Fine Arts, <strong>Boston</strong><br />

and holds a certificate in photography from<br />

the Maine Photographic Workshops (Rockport,<br />

ME). Currently, he teaches at Salem<br />

State College (Salem, MA) and Curry College<br />

(Milton, MA). His exhibition and award<br />

record includes selection for the Danforth<br />

Museum of Art’s 2005 New England Photographers<br />

(Framingham, MA), Cambridge<br />

Robert Thurlow (Salem, MA), Self-Iconolatry #10,<br />

2004, Photo emulsion on wood with oil, 24 x 24<br />

inches, Courtesy and copyright of the artist<br />

Art Association’s 2004 National Prize<br />

Show, and the Essex Art Center’s 2003<br />

Juried Show (Essex, MA).<br />

Featured online are selections from two<br />

series Self-Iconolatry, self-portraits printed on<br />

wood, and Self-Consuming, portraits of the<br />

fast food industry. In Self-Iconolatry, he coats<br />

liquid emulsion on plywood panels onto<br />

which he then prints straight-on photographs<br />

of himself wearing various shirts. In Self-<br />

Consuming, an ongoing series, he documents<br />

his trips and meals at different fast<br />

food restaurants. Sentiments of humor,<br />

dread, and alienation emerge in all of his<br />

works; his sheer repetition of single images<br />

or ideas serves to challenge notions of pop<br />

culture and the banality of the everyday.<br />

www.prcboston.org | presentations

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