July | August 2006 - Boston Photography Focus
July | August 2006 - Boston Photography Focus
July | August 2006 - Boston Photography Focus
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presentations<br />
EXHIBITIONS IN THE GALLERY<br />
<strong>2006</strong> PRC Benefit Auction<br />
Preview Exhibition: September 8-October 1<br />
Live Auction: Thursday, October 5<br />
Get your paddle ready and mark your calendars for the <strong>2006</strong> PRC Benefit Auction. Hundreds of photographs will be<br />
on display (and for sale!) at the PRC and <strong>Boston</strong> University’s 808 Gallery. Save the date, the live auction is slated for<br />
Thursday, October 5! More information will follow in the September/October newsletter.<br />
EXHIBITIONS ONLINE<br />
Northeast Exposure Online (NEO), presented by Zeff Photo Supply, is an online monthly series showcasing<br />
regional emerging artists. The presentations are by invite only and feature a selection of images, a<br />
biography, artist and curator statements, and links<br />
setts State House, and the <strong>Boston</strong> Drawing<br />
Project at the Bernard Toale Gallery, among<br />
others. He has taught at the Art Institute<br />
of <strong>Boston</strong> (<strong>Boston</strong>, MA), University of<br />
Massachusetts, <strong>Boston</strong> (<strong>Boston</strong>, MA), and<br />
MassArt. He has worked at the Bonni Benrubi<br />
Gallery (New York, NY) and as assistant<br />
to Abelardo Morell, Eugene Richards,<br />
William Wegman, and Arnold Newman.<br />
Thomas Gearty (Cambridge, MA), Pavement,<br />
Ogunquit, Maine, <strong>2006</strong>, Polaroid Type 600 Print,<br />
Courtesy of the artist<br />
neo | july <strong>2006</strong><br />
Thomas Gearty<br />
www.bu/edu/gearty.htm<br />
Recently returning to the US from London,<br />
Tom Gearty earned his MFA from Massachusetts<br />
College of Art (<strong>Boston</strong>, MA) in<br />
1999 and holds a BA from the University<br />
of Virginia (Charlottesville, VA). Gearty was<br />
a major contributor to Henry Horenstein’s<br />
Black & White <strong>Photography</strong>: A Basic Manual<br />
and <strong>Photography</strong> with Horenstein and<br />
Russell Hart, a founding editor and writer for<br />
Teachingphoto.com, and was selected for<br />
Sotheby’s Artlink worldwide Emerging Artists<br />
Program. He has exhibited around Greater<br />
<strong>Boston</strong> at the St. Botolph Club, Massachu-<br />
Featured online will be images from<br />
Gearty’s new series of Polaroid images.<br />
In all of his work, Gearty seeks out simple<br />
scenes, details, gestures, and moments that<br />
inspire wonder and yet also impart a feeling<br />
of loss. In hundreds of instant small images,<br />
he captures a vast array of things—often<br />
selecting objects for the agency that they<br />
appear to assert—ultimately building a new<br />
vocabulary of sorts. Whether it is crumbling<br />
pavement that just doesn’t seem to match<br />
up or a strange pattern of condensation on<br />
a car hood, he draws attention to a “secret<br />
world of things” independent of humans.<br />
neo | august <strong>2006</strong><br />
Robert Thurlow<br />
www.bu.edu/prc/thurlow.htm<br />
Robert Thurlow is a MFA graduate from the<br />
School of the Museum of Fine Arts, <strong>Boston</strong><br />
and holds a certificate in photography from<br />
the Maine Photographic Workshops (Rockport,<br />
ME). Currently, he teaches at Salem<br />
State College (Salem, MA) and Curry College<br />
(Milton, MA). His exhibition and award<br />
record includes selection for the Danforth<br />
Museum of Art’s 2005 New England Photographers<br />
(Framingham, MA), Cambridge<br />
Robert Thurlow (Salem, MA), Self-Iconolatry #10,<br />
2004, Photo emulsion on wood with oil, 24 x 24<br />
inches, Courtesy and copyright of the artist<br />
Art Association’s 2004 National Prize<br />
Show, and the Essex Art Center’s 2003<br />
Juried Show (Essex, MA).<br />
Featured online are selections from two<br />
series Self-Iconolatry, self-portraits printed on<br />
wood, and Self-Consuming, portraits of the<br />
fast food industry. In Self-Iconolatry, he coats<br />
liquid emulsion on plywood panels onto<br />
which he then prints straight-on photographs<br />
of himself wearing various shirts. In Self-<br />
Consuming, an ongoing series, he documents<br />
his trips and meals at different fast<br />
food restaurants. Sentiments of humor,<br />
dread, and alienation emerge in all of his<br />
works; his sheer repetition of single images<br />
or ideas serves to challenge notions of pop<br />
culture and the banality of the everyday.<br />
www.prcboston.org | presentations