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July | August 2006 - Boston Photography Focus

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Facing page : Michael Hintlian, Laborers move a<br />

jersey barrier, Hanover Street, Central Artery/Tunnel<br />

Project, <strong>Boston</strong>, 2001, Gelatin silver print, 16 x 20<br />

inches, Courtesy and copyright the artist<br />

Top left : Jane D. Marsching, North Pole webcam/<br />

travel play, 2005, 2 channel video installation,<br />

Courtesy and copyright the artist<br />

Bottom left : Liz Linder, Feelings of self worth:<br />

the boyfriend project (self help version), Christmas,<br />

2002, Ink jet print on archival rag, 11 x 14<br />

inches, Courtesy and copyright the artist<br />

1996<br />

first annual prc members’<br />

exhibition, march 15-april 7<br />

Jurors : Sheryl Conkelton, Associate Curator<br />

of <strong>Photography</strong>, MoMA, and Robert Seydel,<br />

PRC Curator<br />

michael hintlian<br />

Starting in 1997, Michael Hintlian began<br />

photographing the 5,000 men and women<br />

who worked on the Big Dig. Hintlian’s<br />

work was selected for three PRC juried<br />

exhibitions (1996, 1997, 2000). Since<br />

his last appearance at the PRC, he has<br />

shown work in galleries in <strong>Boston</strong> and<br />

New York City and is represented by Panopticon<br />

Gallery (<strong>Boston</strong>, MA). In 2004,<br />

his documentary book on <strong>Boston</strong>’s Big<br />

Dig, Digging, was published. His work<br />

has been subject of features in American<br />

Photo magazine and magazines in Europe<br />

and Asia. He is a founding member of<br />

Group M35, a collaborative photo agency<br />

based in New York City. The <strong>Boston</strong><br />

Public Library’s Print Department recently<br />

acquired 30 of Hintlian’s Big Dig prints<br />

and will feature them in this coming fall<br />

when their new gallery at Copley opens.<br />

His website is www.hintlian.net.<br />

1997<br />

1997 prc members’ exhibition,<br />

february 14-march 9<br />

Jurors : Catherine Edelman, Catherine<br />

Edelman Gallery, Chicago, IL, and Robert<br />

Seydel, PRC Curator<br />

liz linder<br />

Liz Linder has continued to work on a<br />

diverse group of projects. In 2005 she<br />

showed a then-boyfriend-inspired look<br />

at the American male, entitled The Boyfriend<br />

Project, at Samson Projects (<strong>Boston</strong>,<br />

MA). In 2003, she examined our cultural<br />

reaction to September 11th in a muchacclaimed<br />

web-based project entitled<br />

God Bless America. A series of these images<br />

were shown and collected in Europe.<br />

Linder’s work regularly appears in The<br />

<strong>Boston</strong> Globe, The Phoenix, and other local<br />

publications. In between artistic endeavors,<br />

she’s helped to launch Phototropos,<br />

an animated photography company, and<br />

continued earning her bread and butter<br />

shooting musicians, corporate-types,<br />

occasions, and social projects that move<br />

her. Her projects have been featured in<br />

publications such as The New York Times<br />

and People Magazine. Linder continues<br />

doing what she does best in everything<br />

from personal to commercial work: uncovering<br />

what already exists, in unexpected<br />

ways. Her website is www.lizlinder.com.<br />

1997<br />

1998 prc member’s exhibition,<br />

february 13-march 9<br />

Jurors : Julie Saul, Julie Saul Gallery, New<br />

York, NY, and Sara Rosenfeld Dassel, PRC<br />

Director of Exhibitions<br />

jane d. marsching<br />

Jane D. Marsching is a new media artist,<br />

professor, writer, and curator. Since 1998,<br />

her work has been exhibited widely<br />

including at The North Carolina Museum<br />

of Art, Art Interactive (Cambridge, MA),<br />

CEPA Gallery (Buffalo, NY), Side Street<br />

Projects (Los Angeles, CA), and the Mills<br />

Gallery (<strong>Boston</strong>, MA). In 1999, she<br />

curated an exhibition at the PRC entitled<br />

Particle Accelerators: At the Intersection<br />

of Science, Technology, and <strong>Photography</strong><br />

and was later featured in the 2004 PRC<br />

exhibition, Concerning the Spiritual in <strong>Photography</strong>.<br />

In 2005, Marsching curated an<br />

exhibition with Mark Alice Durant<br />

www.prcboston.org | prc members’ exhibition yearbook

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