July | August 2006 - Boston Photography Focus
July | August 2006 - Boston Photography Focus
July | August 2006 - Boston Photography Focus
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Left : Annu Palakunnathu Matthew, An Indian from<br />
India - Feather/Dot, 2004, Archival inkjet print, 12<br />
x 16 inches, Courtesy of Sepia International, New<br />
York, NY, Original photo courtesy The Library of<br />
Congress, Washington, DC<br />
trips with youth from Vermont, the South<br />
Bronx, the Navajo Reservation to share<br />
photography and life stories with Oglala<br />
Lakota youth living on Pine Ridge Reservation<br />
in South Dakota. This program, a<br />
collaboration with The Hall Farm Center<br />
for Arts and Education, has grown out of<br />
the In-Sight <strong>Photography</strong> Project, another<br />
program he co-founded which is currently<br />
celebrating its fifteenth anniversary teaching<br />
youth photography regardless of their<br />
ability to pay. Willis is currently working<br />
on sabbatical projects throughout the year<br />
while on leave from his tenured job as<br />
Professor of <strong>Photography</strong> at Marlboro<br />
College (Marlboro, VT). His website is<br />
www.jwillis.net.<br />
2001<br />
2001 prc members’ exhibition<br />
june 22-july 29<br />
her work are also in the book Digital Art<br />
by Christiane Paul, Curator of New Media<br />
Arts at the Whitney Museum. Matthew<br />
is currently finishing a project titled The<br />
Virtual Immigrant that explores the magnified<br />
cultural dislocation and the conflicted<br />
experiences of 1-800 call center workers<br />
in India caused by technology’s effect on<br />
collapsing borders and shrinking distances.<br />
Her website is www.annumatthew.com.<br />
2002<br />
2002 prc members’ exhibition<br />
june 14-july 28<br />
Juror : Diana Gaston, former Associate<br />
Director of SFCamerawork and Curator<br />
at Museum of Photographic Arts, San Diego,<br />
now Associate Curator of Fidelity Investments,<br />
<strong>Boston</strong>, MA<br />
jonathan moller<br />
Left : Jonathan Moller, Ex-members of the Civil<br />
Defense Patrols (known as PAC by their Spanish<br />
acronym) listen to a prayer by the minister of an<br />
evangelical church at the beginning of their meeting<br />
on the outskirts of the town of Nebaj. For over ten<br />
years these former patrollers were obligated to spy on<br />
their neighbors and fight alongside of or in front of the<br />
Army. Though found to be responsible for numerous<br />
massacres and disbanded at the time of the signing of<br />
the Peace Accords in 1996, in 2002 tens of thousands<br />
of former civil patrollers throughout Guatemala began<br />
reorganizing to demand compensation from the government<br />
for what they claim was unpaid service provided<br />
to the state during the war. Quiché, Guatemala,<br />
2002, Toned gelatin silver print, 14 x 14 inches,<br />
edition of 30, Courtesy and copyright the artist<br />
Juror : Deborah Kao, Curator of <strong>Photography</strong>,<br />
Fogg Art Museum, Harvard University,<br />
Cambridge, MA<br />
annu palakunnathu matthew<br />
Since the PRC’s juried show in 2001,<br />
Annu Palakunnathu Matthew has been<br />
exhibiting nationally and internationally,<br />
including the Victoria & Albert Museum<br />
(London, England), Light Work (Syracuse,<br />
NY), RISD Museum (Providence,<br />
RI), DeCordova Museum of Art (Lincoln,<br />
MA), Le Mois de la Photo à Montréal<br />
Photo Biennale (Montreal, Canada),<br />
and Moscow’s Museum of Modern Art<br />
(Moscow, Russia). Among the list of<br />
grants recently supporting Matthew’s<br />
work include the John Gutmann Fellowship,<br />
Rhode Island Arts Fellowship and<br />
the American Institute of Indian Studies<br />
Creative Arts fellowship. She was recently<br />
an artist in residence at Yaddo and Mac-<br />
Dowell Colonies. Her work can be found<br />
in the collections of the George Eastman<br />
House (Rochester, NY), Museum of Fine<br />
Arts, Houston (Houston, TX), Center<br />
for Creative <strong>Photography</strong> (Phoenix, AZ),<br />
and the RISD Museum, among others.<br />
Matthew’s work is included in Phaidon’s<br />
book BLINK, which according to the<br />
publisher celebrates the quality and vision<br />
of today’s 100 most exciting international<br />
contemporary photographers. Images of<br />
Jonathan Moller has continued to focus<br />
on his human rights related Guatemala<br />
work culminating in the publication of<br />
the book, Our Culture is Our Resistance:<br />
Repression, Refuge and Healing in Guatemala<br />
by powerhouse Books (Fall 2004).<br />
Turner Libros (Madrid, Spain and Mexico<br />
City, Mexico) also published the book in<br />
a Spanish language edition. Moller has<br />
received several awards in the past few<br />
years, including the 2005 Center for Photographic<br />
Art Award and the 2003 Golden<br />
Light Award from the Maine Photographic<br />
Workshops. His recent and upcoming<br />
exhibition schedule includes venues such<br />
as the University of the Arts (Philadelphia,<br />
PA), the Mills College Art Museum (Oakland,<br />
CA), the Phillips Museum of Art at<br />
Franklin and Marshall College (Lancaster,<br />
PA), the Photographic Center Northwest<br />
(Seattle, WA), Centro de la Imagen (Mexico<br />
City, Mexico), the European Parliament<br />
(Brussels, Belgium), and the World<br />
Cultural Forum (Rio de Janeiro, Brazil),<br />
among others. Moller’s work continues<br />
to be collected by museums and other<br />
public institutions. His website is<br />
www.jonathanmoller.org.<br />
www.prcboston.org | prc members’ exhibition yearbook<br />
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