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July | August 2006 - Boston Photography Focus

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Left : Annu Palakunnathu Matthew, An Indian from<br />

India - Feather/Dot, 2004, Archival inkjet print, 12<br />

x 16 inches, Courtesy of Sepia International, New<br />

York, NY, Original photo courtesy The Library of<br />

Congress, Washington, DC<br />

trips with youth from Vermont, the South<br />

Bronx, the Navajo Reservation to share<br />

photography and life stories with Oglala<br />

Lakota youth living on Pine Ridge Reservation<br />

in South Dakota. This program, a<br />

collaboration with The Hall Farm Center<br />

for Arts and Education, has grown out of<br />

the In-Sight <strong>Photography</strong> Project, another<br />

program he co-founded which is currently<br />

celebrating its fifteenth anniversary teaching<br />

youth photography regardless of their<br />

ability to pay. Willis is currently working<br />

on sabbatical projects throughout the year<br />

while on leave from his tenured job as<br />

Professor of <strong>Photography</strong> at Marlboro<br />

College (Marlboro, VT). His website is<br />

www.jwillis.net.<br />

2001<br />

2001 prc members’ exhibition<br />

june 22-july 29<br />

her work are also in the book Digital Art<br />

by Christiane Paul, Curator of New Media<br />

Arts at the Whitney Museum. Matthew<br />

is currently finishing a project titled The<br />

Virtual Immigrant that explores the magnified<br />

cultural dislocation and the conflicted<br />

experiences of 1-800 call center workers<br />

in India caused by technology’s effect on<br />

collapsing borders and shrinking distances.<br />

Her website is www.annumatthew.com.<br />

2002<br />

2002 prc members’ exhibition<br />

june 14-july 28<br />

Juror : Diana Gaston, former Associate<br />

Director of SFCamerawork and Curator<br />

at Museum of Photographic Arts, San Diego,<br />

now Associate Curator of Fidelity Investments,<br />

<strong>Boston</strong>, MA<br />

jonathan moller<br />

Left : Jonathan Moller, Ex-members of the Civil<br />

Defense Patrols (known as PAC by their Spanish<br />

acronym) listen to a prayer by the minister of an<br />

evangelical church at the beginning of their meeting<br />

on the outskirts of the town of Nebaj. For over ten<br />

years these former patrollers were obligated to spy on<br />

their neighbors and fight alongside of or in front of the<br />

Army. Though found to be responsible for numerous<br />

massacres and disbanded at the time of the signing of<br />

the Peace Accords in 1996, in 2002 tens of thousands<br />

of former civil patrollers throughout Guatemala began<br />

reorganizing to demand compensation from the government<br />

for what they claim was unpaid service provided<br />

to the state during the war. Quiché, Guatemala,<br />

2002, Toned gelatin silver print, 14 x 14 inches,<br />

edition of 30, Courtesy and copyright the artist<br />

Juror : Deborah Kao, Curator of <strong>Photography</strong>,<br />

Fogg Art Museum, Harvard University,<br />

Cambridge, MA<br />

annu palakunnathu matthew<br />

Since the PRC’s juried show in 2001,<br />

Annu Palakunnathu Matthew has been<br />

exhibiting nationally and internationally,<br />

including the Victoria & Albert Museum<br />

(London, England), Light Work (Syracuse,<br />

NY), RISD Museum (Providence,<br />

RI), DeCordova Museum of Art (Lincoln,<br />

MA), Le Mois de la Photo à Montréal<br />

Photo Biennale (Montreal, Canada),<br />

and Moscow’s Museum of Modern Art<br />

(Moscow, Russia). Among the list of<br />

grants recently supporting Matthew’s<br />

work include the John Gutmann Fellowship,<br />

Rhode Island Arts Fellowship and<br />

the American Institute of Indian Studies<br />

Creative Arts fellowship. She was recently<br />

an artist in residence at Yaddo and Mac-<br />

Dowell Colonies. Her work can be found<br />

in the collections of the George Eastman<br />

House (Rochester, NY), Museum of Fine<br />

Arts, Houston (Houston, TX), Center<br />

for Creative <strong>Photography</strong> (Phoenix, AZ),<br />

and the RISD Museum, among others.<br />

Matthew’s work is included in Phaidon’s<br />

book BLINK, which according to the<br />

publisher celebrates the quality and vision<br />

of today’s 100 most exciting international<br />

contemporary photographers. Images of<br />

Jonathan Moller has continued to focus<br />

on his human rights related Guatemala<br />

work culminating in the publication of<br />

the book, Our Culture is Our Resistance:<br />

Repression, Refuge and Healing in Guatemala<br />

by powerhouse Books (Fall 2004).<br />

Turner Libros (Madrid, Spain and Mexico<br />

City, Mexico) also published the book in<br />

a Spanish language edition. Moller has<br />

received several awards in the past few<br />

years, including the 2005 Center for Photographic<br />

Art Award and the 2003 Golden<br />

Light Award from the Maine Photographic<br />

Workshops. His recent and upcoming<br />

exhibition schedule includes venues such<br />

as the University of the Arts (Philadelphia,<br />

PA), the Mills College Art Museum (Oakland,<br />

CA), the Phillips Museum of Art at<br />

Franklin and Marshall College (Lancaster,<br />

PA), the Photographic Center Northwest<br />

(Seattle, WA), Centro de la Imagen (Mexico<br />

City, Mexico), the European Parliament<br />

(Brussels, Belgium), and the World<br />

Cultural Forum (Rio de Janeiro, Brazil),<br />

among others. Moller’s work continues<br />

to be collected by museums and other<br />

public institutions. His website is<br />

www.jonathanmoller.org.<br />

www.prcboston.org | prc members’ exhibition yearbook<br />

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