Untitled - Galerie Dusseldorf
Untitled - Galerie Dusseldorf
Untitled - Galerie Dusseldorf
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H I L A R I E M A I S<br />
Biography<br />
1952 Born Leeds, Yorkshire<br />
1970–71 Bradford School of Art<br />
1971–74 Winchester School of Art<br />
B.A., 1st Hons<br />
1974–77 Lived and worked in London<br />
1975–77 Slade School of Fine Art, London<br />
1977 Slade Higher Diploma<br />
Boise Scholar<br />
1977–81 Lived and worked in New York<br />
1977–78 Fellowship, NewYork Studio School<br />
1977 First solo exhibition<br />
Cuningham Ward Gallery, New York<br />
1979–80 Artist in Residence State University of New York Purchase, New York<br />
1981 Moved to Australia<br />
Currently lives and works in Sydney<br />
Solo Exhibitions<br />
1977 Cuningham Ward, New York<br />
1979 Cuningham Ward, New York<br />
Madeline Carter, Boston<br />
1981 Betty Cuningham, New York<br />
1984 New Friends, Roslyn Oxley 9, Sydney<br />
1986 Christine Abrahams, Melbourne<br />
1987 Roslyn Oxley 9, Sydney<br />
1988 Roslyn Oxley 9, Sydney<br />
1989 Christine Abrahams, Melbourne<br />
1990 Roslyn Oxley 9, Sydney<br />
Hilarie Mais, Retrospectiive: Australian Works: 1982 – 1990 Contemporary Art<br />
Centre of South Australia, Adelaide; Gallery, for The Arts, Hobart<br />
1992 Christine Abrahams, Melbourn<br />
1994 Sherman Goodhope, Sydney<br />
1997 <strong>Galerie</strong> <strong>Dusseldorf</strong>, Perth<br />
Conversations Sherman Goodhope, Sydney<br />
1998 Christine Abrahams, Melbourne<br />
2000 Weather Sherman Goodhope, Sydney<br />
Arrivals: Olympic Harbour of Life Exhibition Sherman Hargrave, Sydney<br />
2001 Christine Abrahams, Melbourne<br />
2002 In Side Sherman Galleries Goodhope, Sydney<br />
2004 Christine Abrahams, Melbourne Hilarie Mais: selected works 1971 – 2004<br />
ANU Drill Hall Gallery, Canberra<br />
1
Selected Group Exhibitions<br />
1974 Seven Sculptors, Southern Arts, Guildhall Gallery, Winchester UK.<br />
1977 Artists Choice, Audubon Gallery, Charleston, South Carolina USA. Curator: Michael Tyzack<br />
1978 Bard Invitational, Bard College, New York State, USA. Curator: Alan Cote<br />
Mais, Rivlin, Walker Cuningham Ward, New York Curator: Betty Cuningham<br />
1979 Recent Directions in Sculpture, NYSS Gallery, New York.<br />
1999 Critics Choice, Atlantis Gallery, London, UK.Curator: Adrian Searle:<br />
Abstract Australian Sculpture from 1970: A Continuing Tradition, 4th Biennale of Sydney<br />
Satellite Exhibitions Irving Sculpture Gallery, Sydney Curator: Celia Winter Irving<br />
Wall Sculptures, 4 th Biennale of Sydney Sattelite Exhibition Art, Empire and Industry, Sydney<br />
1984 Australian Sculpture Now: 2nd Aust. Sculpture Triennial, National Gallery of Victoria.<br />
Curator: Graeme Sturgeon<br />
New Sculptors/New Sculpture, Christine Abrahams Gallery, Melbourne.<br />
Curator: Christine Abrahams<br />
1985 Australian Perspecta, Art Gallery of New South Wales. Curator Transfomations: Ursula<br />
Prunster; Curator Mainly Sculpture: Anthony Bond<br />
1986 Australian Perspecta Touring Exhibition.. An Interrupted Dialogue Artspace, Sydney.<br />
Curator: Gary Sangster Origins,Originality + Beyond: 6th Biennale of Sydney<br />
Art Gallery of New South Wales and Pier 2/3 Walsh Bay, Sydney<br />
Curator: Nick Waterlow The Forbidden Object, Roslyn Oxley9 Sydney.<br />
Curator: Roslyn Oxley The 1980s, Art Gallery of New South Wales, Sydney<br />
Curator: Brian Ladd Recent Acquisitions of Contemporary Australian Art, Australian National<br />
Gallery, Canberra. Five Years On, Art Gallery of New South Wales. Curator: Anthony Bond<br />
1987 Chaos, Roslyn Oxley9, Sydney. Curator: Roslyn Oxley<br />
Third Australian Sculpture Triennial, National Gallery of Victoria. Curator: Graeme Sturgeon<br />
87 Voyage of Discovery, Crescent Gallery, Dallas, Texas. Curator: Nicholas Fairrie<br />
1988 The Smorgon Collection of Contemporary Australian Art, Australian Centre for Contemporary<br />
Art, Melbourne. Curator: John Buckley The Coctail Party, Roslyn Oxley9 Gallery, Sydney<br />
Curator: Roslyn Oxley From the Southern Cross:Australian Biennale 1988 Art Gallery of New<br />
South Wales and Pier 2/3 and National Gallery of Victoria. Curator: Nick Waterlow<br />
1989 ICI Contemporary Touring Exhibition. Regional Galleries, Victoria and New South Wales<br />
Curators: Robert Lindsay & William Wright Delineations/Exploring Drawing, Ivan Dougherty<br />
Gallery, Sydney. Curator: Louise Pether<br />
1990 Strange Harmony of Contrasts, Roslyn Oxley9 and Regional Tour. Curator: Nicholas Baume<br />
"Group Show", Roslyn Oxley9 Gallery, Sydney Curator: Roslyn Oxley<br />
1991 Dissonancce, Frames of Reference: Aspects of Feminism and Art, Artspace/Pier 4-5, Walsh<br />
Bay, Sydney. Curator: Sally Couacaud<br />
1992 New York Studio School Alumni Show, Macquarie Galleries, Sydney and regional tour.<br />
Curator: William Wright Gallery Artists, Roslyn Oxley Gallery9, Sydney<br />
1993 Approaches to the Sublime: Aspects of the Esoteric in ,Contemporary Painting Ivan Dougherty<br />
Gallery, Sydney. Curators: Ian Grant and Andrew Christofides<br />
Poetics of Immanence, Ivan Dougherty Gallery, Sydney Curator: Margot Osborne<br />
Excalibur: Contemporary Artists and Celtic Heritage Geelong Art Gallery Curator: Ann Carew<br />
1994 Circle, Line, Square - Aspects of Geometry, Campbelltown City Art Gallery. Curator: Sioux<br />
Garside Reinventing the Grid, Robert Lindsay Gallery, Melbourne Curator: Rachel Kent<br />
The Baillieu Myer Collection of the 80s, Museum of Modern Art at Heide, Melbourne.<br />
The Blake Prize Exhibition, Blaxland Gallery, Sydney and Australian tour.<br />
1995 Window on Australia I, Australian Embassy, Tokyo.<br />
Eveolution, Newcastle Region Art Gallery. Curator: Annette Larkin<br />
In Tandem, Sherman Goodhope, Sydney The National Womens Art Exhibition,<br />
Art Gallery of New South Wales. Curator: Victoria Lynn<br />
The Loti and Victor Smorgon Gift of Contemporary Art Museum of Contemporary Art, Sydney.<br />
Curator: John Buckley<br />
1996 Systems End: Contemporary Art in Australia, Oxy Gallery, Osaka; Hakone Museum, Japan<br />
Dong Ah Gallery Seoul, Korea; Kaohsiung Museum, Taiwan. Curators: Takeshi Kanazawa<br />
and William Wright<br />
Rites for an Anxious Spring Museum of Modern Art at Heide, Melbourne.<br />
2
Curator: Maudi Palmer<br />
Flagging The Republic Sherman Galleries, Sydney and Australian tour.<br />
Curator: William Wright<br />
Spirit and Place Museum of Contemporary Art, Sydney.<br />
Curators: Ross Mellick and Nick Waterlow<br />
1997 Silent Rhythm Sherman Goodhope, Sydney Curator: Mark Hughes<br />
Tokyo International Art Festival Kokusai Forum, Tokyo<br />
21Years On, <strong>Galerie</strong> <strong>Dusseldorf</strong>, Perth Curators: Magda and Doug Sheerer<br />
1998 Material Perfection: Minimalism and its Aftermath, from the Kerry Stokes Collection,<br />
Lawrence Wilson Art Gallery, The University of Western Australia Curator: John Stringer<br />
Southern Reflections. Stockholm Kulturhuset, Sweden; Konsthallen Göteborg,<br />
Sweden, March 13 - April 13; Stenersen Museum, Oslo, Sweden, July 10 - Sept 13;<br />
Goteborg Konsthallen, Sweden, Dec 5 - Feb 7, 1999 Curator: Elizabeth Cross<br />
Blue, Annandale Galleries, Sydney,Curator: Bill Gregory<br />
“Something... Sherman Goodhope, Sydney Curators: William Wright & Mark Hughes<br />
1999 Southern Reflections Gallery Otso, Helsinki, Finland, Feb 18 - April 11<br />
Curator: Elizabeth Cross<br />
VISY Arts Board Exhibition Barossa Valley, South Australia<br />
Australian Contemporary Art Fair, Royal Exhibition Building, Melbourne<br />
Home and Away: Contemporary Australian and New Zealand Art from the Chartwell<br />
Collection, Auckland City Art Gallery, Auckland NZ Curator: William McAloon<br />
2000 Home and Away: Contemporary Australian and New Zealand Art from the Chartwell<br />
Collection, Govett Brewster Art Gallery Waikato Museum of Art and History<br />
Manawatu Art Gallery<br />
Recent Acquisitions Newcastle Region Art Gallery<br />
Monochromes Queensland University Art Museum Curator: David Pestorius<br />
2001 Home and Away: Contemporary Australian and New Zealend Art from the Chartwell<br />
Collection, DPArt Gallery City Gallery, Wellington<br />
A Century of Collecting 1901 - 2001 Ivan Dougherty Gallery University of NSW, Sydney<br />
Curator: Nick Waterlow<br />
Laurence, Mais, Parr, Tillers Art Chicago, Navy Pier, Chicago<br />
Interiors, Customs House Gallery, Sydney Curator: Dr Gene Sherman<br />
2002 Good Vibrations: The Legacy of Op Art, Heide Museum of Modern Art, Melbourne, VIC<br />
Fathoming: contemporary Australian Sculpture Gold Coast City Art Gallery<br />
Rockhampton Art Gallery Noosa Regional Gallery Curator: Kerri Anne Roberts<br />
Young, Storrier, Mais, Borgelt Art Chicago, Navy Pier, Chicago<br />
Sublime: 25 years of the Wesfarmers Collection of Australian Art, Art Gallery of<br />
Western Australia<br />
Private and Particular, Lawrence Wilson Gallery, Perth<br />
2003 Fathoming: contemporary Australian Sculpture Perc Tucker Regional Art Gallery, Townsville<br />
Hervey Bay Regional Gallery, Pialba Tweed River Regional Art Gallery, Murwillumbah<br />
Tamworth City Art Gallery Manly Art Gallery and Museum, Sydney Hazelhurst Regional<br />
Gallery and Arts Centre, Sydney<br />
Sublime: 25 years of the Wesfarmers Collection of Australian Art, Cairns Regional Gallery,<br />
Heide Museum of Modern Art Mornington Peninsula Regional Gallery<br />
untitled: Thinking About Abstraction, Art Gallery of New South Wales<br />
2004 Fathoming: contemporary Australian Sculpture Wagga Wagga Regional Art Gallery<br />
Bendigo Art Gallery Geelong Art Gallery Ararat Art Gallery Mildura Arts Centre<br />
3
Collections<br />
National Gallery of Australia, Canberra<br />
Slade School of Fine Art, London<br />
University College, London<br />
Liszt Foundation, New York<br />
Art Gallery of New South Wales, Sydney<br />
Parliament Collection, Canberra<br />
University of New South Wales, Sydney<br />
ArtBank Australia, Sydney<br />
Woolley & Assoc, Sydney<br />
National Gallery of Victoria, Melbourne<br />
Wollongong City Art Gallery, Wollongong<br />
Newcastle Region Art Gallery, Newcastle<br />
Campbelltown City Art Gallery, Sydney<br />
Art Gallery of Western Australia, Perth<br />
Seidler Collection, Sydney<br />
Museum of Modern Art at Heide, Melbourne<br />
Baillieu Myer Collection, Melbourne<br />
ASER Sculpture Collection, Adelaide<br />
Monash University, Melbourne<br />
University of Tasmania, Hobart<br />
Chartwell Collection, New Plymouth, N Z<br />
ICI Collection, Melbourne<br />
Mecenat Collection, Sydney<br />
Museum of Contemporary Art, Sydney<br />
Smorgon Contemporary Australian Collection, Melbourne<br />
SA Brewing Collection, Adelaide<br />
Medibank Collection, Canberra<br />
Shell Collection, Melbourne<br />
IBM Collection, Sydney<br />
Australian Capital Equity Collection, Perth<br />
Deutsche Bank, Sydney<br />
Wesfarmers Collection, Perth<br />
University of Southern Queensland, Toowoomba<br />
TAB Collection, Melbourne<br />
Visy Board Collection, South Australia<br />
Macquarie Bank, Sydney<br />
Samsung Corporation, Seoul<br />
Queensland Art Gallery<br />
Gippsland Regional Art Gallery<br />
Awards<br />
1973 Hampshire Art Award<br />
1977 Boise Scholarship, UCL London<br />
HFC Award, UCL London<br />
NYSS Fellowship<br />
1987 VA/CB Artist Grant<br />
1993 Australia Council Fellowship<br />
1994 The Blake Prize<br />
1999 VISY Art Prize<br />
2000 Pollock-Krasner Foundation Award<br />
4
Represented by<br />
Sherman Galleries, Sydney<br />
Christine Abrahams Gallery, Melbourne<br />
<strong>Galerie</strong> Dusselforf, Perth<br />
Bibliography<br />
1977 Ellen Lubell, Hilarie Mais, Arts Magazine, New York, May<br />
1978 Holland Cotter, SoHo News, New York.<br />
1979 Robert Taylor, Hilarie Mais, Boston Sunday Globe, May<br />
1981 Michele Cone, Art Express, New York, September<br />
Helen Ashton-Fisher, Pol, Sydney.<br />
Ronald J Onorato, Alice Adams/Hilarie Mais, Art Express, New York, September<br />
1982 Stuart Morgan, Critics Choice at Atlantis, Artscribe 33, London.<br />
Monica Petzal, Time Out, London.<br />
Terence Maloon, Sydney Morning Herald.<br />
1984 Terence Maloon, A Discreet Message About Discreetness, Sydney Morning Herald, September<br />
Graham Sturgeon, Hilarie Mais, Catalogue, Australian Sculpture Now: 2nd Australian Sculpture<br />
Triennial, National Gallery of Victoria, 1984<br />
Terence Maloon, The Year's Best, Sydney Morning Herald, December 28<br />
1985 Rodick Carmichael, Review,The 2nd Australian Sculpture Triennial, Studio International,<br />
London.<br />
Maudi Palmer, Review, The 2nd Australian Sculpture Triennial, Art and Australia.<br />
Ursula Prunster, Hilarie Mais, Catalogue, Australian Perspecta, 1985, Transformations<br />
Terence Maloon, Hilarie Mais, Catalogue, Australian Perspecta, 1985, Mainly Sculpture<br />
Maggie Gilchrist, Male Monoliths/Female Icons, Art and Australia Vol 23 #2, 1985.<br />
Terence Maloon , Arts Review, Sydney Morning Herald. October 26<br />
Elwyn Lynn, Favourite Censors and Other Monsters,Weekend Australian, Nov 27<br />
1986 Anne Berriman, The Bulletin.<br />
Terence Maloon, Arts Review, Sydney Morning Herald, Sept 27<br />
John McDonald, National Times.<br />
Elwyn Lynn, The Australian.<br />
Gary Catalano, Melbourne Age.<br />
Jan McDonald, Australian Artists' Index, ARLIS/ANZ,<br />
Suzanne Davies, Questioning Post-Modernism, Interior Design Magazine<br />
Bill Wright, Hilarie Mais, Cat.Origins Originality and Beyond :6th Biennale of Sydney<br />
John McDonald, The 6th Biennale of Sydney, Studio International Vol 199, 1986-87, pp. 42-44<br />
Bernice Murphy, Cat. The Forbidden Object<br />
1987 Elwyn Lynn, Ecstasy amid the Muddle,Weekend Australian, Feb 14-15<br />
Elwyn Lynn, Echoes of Celtic Culture in a Celebration of Life, The Australian, May 13<br />
Anne Berriman, Hilarie Mais: Blurring the Edges, Craft Australia, Autumn<br />
Cat: 3rd Australian Sculpture Triennial<br />
Nicholas Fairrie, Cat. Voyage of Discovery: Australian Painting and Sculpture 1987<br />
Crescent Gallery, Dallas, Texas<br />
Linda Van Noonen, Cat. Voyage of Discovery: Australian Painting and Sculpture 1987<br />
John McDonald, Studio International, London.<br />
Bruce Adams, Myths Trapped on Canvas, Sydney Morning Herald, May 2<br />
Terence Maloon, OZ Art', Vogue, London.<br />
Donald Williams, In Our Image: The Story of Australian Art, McGraw Hill Book<br />
1988 Anthony Bond, Hilarie Mais , Cat. From the Southern Cross, Australian Biennale, 1988<br />
Anthony Bond, Review, The 1988 Australian Biennale, Craft Arts, May/July<br />
Elwyn Lynn, Of the Blood Culture,Weekend Australian, June 4<br />
John McDonald, Meditation on the Art of an Ephemeral World , Sydney Morning Herald., Oct<br />
Elwyn Lynn, Domesticity and the Dangerous, Weekend Australian, 8 October<br />
Mike Von Joel, Hilarie Mais, Interview, Artline, London.<br />
5
Anna Johnson, Out of the Ghetto, Interior Design Magazine<br />
1989 Peter Ward, A Costly Clash of Symbols, Weekend Australian, June 24-25<br />
Anna Johnson, Out of the Ghetto, Hilarie Mais and Anne Graham, Interior Design 16<br />
Terence Maloon, Cat. essay, ICI Contemporary Art Collection<br />
1990 Max Germaine, Artists and Galleries of Australia, Germaine<br />
Terence Maloon, Committment to Abstraction:One Existent to the Other,<br />
Contemporary Australian Painting, Craftsman House, Sydney<br />
Catherine Lumby, Review, Strange Harmony of Contrasts, Tension/20 March<br />
Elwyn Lynn,Weekend Australian.<br />
Peter Hutchings, From the Abstract to the Material, Follow Me, Adelaide, Nov<br />
Nicholas Baume Cat. Strange Harmony of Contrasts, Roslyn Oxley9 Gallery , Sydney<br />
Edmund Capon, Cat. Medibank Collection.<br />
Margaret Osborne, Review. The Adelaide Advertiser, November 21<br />
Bruce Adams, Cat. Hilarie Mais Contemporary Art Centre of S. Australia; Centre for The Arts, Hobart<br />
1991 A Dictionary of Women Artists of Australia, Germaine, Craftsman House<br />
Graeme Sturgeon,Contemporary Australian Sculpture, Craftsman House<br />
Sally Couacaud, Cat. Frames of Reference: Aspects of Feminism and Art, Artspace<br />
1992 Katrina Rumley, Cat. University of New South Wales Collection<br />
Christopher Heathcote, Melbourne Age 11.3.92<br />
Elwyn Lynn, In the Grip of Biennale Fever, Sydney Biennale Rev. Weekend Australian, Dec 19-20<br />
1993 Elwyn Lynn, Australian Weekend Review, 20 February<br />
Robert Berlind Report From Australia, Art in America, 3, April<br />
Elwyn Lynn, Sublimity to Ridicule, Weekend Australian Review, November 13-14<br />
Elwyn Lynn, Drawing on a Feminine Force, Weekend Australian, December 4-5<br />
Margot Osborne, Cat. Poetics of Immanence, Ivan Dougherty Gallery, Sydney and<br />
Domain Art Projects, Adelaide<br />
Ann Carew, Cat. Excalibur: Contemporary Artists and Celtic Heritage<br />
Andrew Christofided and Ian Grant Cat. Approaches to the Sublime, Ivan Dougherty Gallery, Sydney<br />
Terry Smith, Art and Australia, Vol. 30 #4<br />
1994 Alan McCullock/ Susan McCulloch,The Encyclopedia of Australian Art, Allen & Unwin<br />
Sasha Grishin, Canberra Times, 26 February<br />
Anne Loxley, Rev. Poetics of Immanence, Art Monthly Australia, March<br />
Suzanne Davies, Hilarie Mais; Interview, Monument #2, March<br />
Felicity Fenner, Sydney Morning Herald, 23 September.<br />
Zoja Bojic, Novosti, Sept<br />
John McDonald, Save us from Perfection, Sydney Weekend Herald, 24 September.<br />
Elwyn Lynn, Pleasures and Puzzles, Weekend Australian, 17-18 September.<br />
Terence Maloon, Cat. ICI Contemporary Collection.<br />
Robert Lindsay, Cat. ICI Contemporary Collection.<br />
Robert Lindsay, Cat. Baillieu Myer Collection, Museum of Modern Art at Heide,<br />
Donald Williams and Colin Simpson, Art Now, Contemporary Art Post - 1970,1994<br />
Anne Loxley, Cat. Hilarie Mais, Sherman Goodhope, Sydney<br />
Victoria Lynn, Minimalism and its Shadows, Art and Australia, Vol 32 #2,<br />
Rachel Kent, Cat. Reinventing the Grid, Robert Lindsay Gallery, Melbourne<br />
Robert Rooney, How Lines of Thought Converge on the Grid, Weekend Australian, 22-23 October<br />
Sioux Garside, Cat. Circle Line Square: Aspects of Geometry<br />
Campbelltown Bicentennial Art Gallery<br />
John McDonald, Blake Persues the Outward Signs of Spiritual Grace,<br />
Sydney Morning Herald 17 December<br />
Elwyn Lynn, Blake Apostles of Minimalism, Weekend Australian, 17-18 December<br />
1995 Donald Williams, In Our Own Image: The Story of Australian Art, McGraw Hill,<br />
Anne Loxley, Hilarie Mais, Art & Australia Monograph,<br />
Annette Larkin, Cat. Eveolution, Newcastle Region Art Gallery,<br />
Susan McCulloch, Blake Prize at Blaxland Gallery, Asian Art News, review, Vol 5 #2<br />
Margaret Gee, The Australian Celebrity Contact Book<br />
Suzanne Davies, Hilarie Mais, Cat. The Shell Collection of Contemporary Australian Art,<br />
Victoria Lynn, Women Artists in the Contemporary Collection, Art Gallery of New South Wales<br />
6
Dr Gene Sherman and William Wright, Cat.Windows on Australia I<br />
1996 Takeshi Kanazawa/Tomoyo Abe, Fuji Television, TV Museum, Systems End Interview<br />
John Clark, Lecture, Systems End: Contemporary Art in Australia,<br />
Robert Rooney, Rev. Rites for an Anxious Spring, Weekend Australian 6 September<br />
T G McGuire, Down Under Asia, Asahi Evening News, 27 June<br />
Toshio Shimizu, Art AsiaPacific, # 14, (Systems End Review)<br />
Anne Loxley, Hilarie Mais, Cat. Systems End: Contemporary Art in Australia.<br />
Nick Waterlow, Cat. Spirit and Place: Art in Australia,1861-1988,<br />
Neilton Clarke, Beginning of the End, The Daily Yomiuri, 7 June<br />
Australian Art Exhibition Touring Japan, The Boat (Bridge Between Osaka and Australia)<br />
April - June 1996<br />
Sherman to Asia, Asian Art News, May-June<br />
1997 David Bromfield,Weekend West Australian, Feb.<br />
Bruce Adams, Review, Spirit and Place: Art in Australia 1861 - 1988, Art/Text, May-July<br />
Giles Auty,Weekend Australian, Review, Oct 18-19<br />
Joyce Morgan, Yen For the Big League, Sydney Morning Herald, Oct 31<br />
Nick Waterlow, Cat. Hilarie Mais,Conversations, Sherman Goodhope,<br />
Cat, The Loti and Victor Smorgon Gift of Contemporary Australian Art,<br />
Museum of Contemporary Art, Sydney<br />
1998 John Stringer, Cat. Material Perfection: Minimal Art and its Aftermath, from the Kerry Stokes<br />
Collection, Lawrence Wilson Gallery, University of W.A.<br />
Elizabeth Cross,Cat. Southern Reflections, AGNSW/Kulturhuset, Stockholm,<br />
Bruce Adams, Cat. Essay, Southern Reflections, AGNSW/Kulturhuset, Stockholm,<br />
Eva Runefelt, Svenska Dagbladet, Stockholm, 29 March<br />
Jessica Kempe, Dagens Nyheter, Stockholm, 8 April<br />
Crispin Ahlström, Goteborg Posten, Goteborg, 30 March<br />
Terry Ingram, The Australian Financial Review, Sydney, 21 May<br />
Jeffrey Makin, Review, Melbourne Herald Sun, 1 June,<br />
Michael Lawrence, Framed: Photographs of Australian Artists, Hardie Grant Books, Melbourne<br />
Courtney Kidd, Public Art in Sydney, Artlink Vol 18 #2<br />
1999 Susan Archdall, Adelaide Advertiser, 29 March<br />
Klaus Susiluoto, Australian Art in Choppy Seas, Lansivayla, 24 Feb<br />
Marja-Terttu Kivirinta, Living Heart - Australian Modern Art Defines Mythical Desert, Helsingin<br />
Sanomat, 4th March<br />
Russell Millard, Lightning Visit Worth $40,000, The Adelaide Advertriser, 29 March<br />
Visy Board Art Prize, The Leader, Adelaide 31 March<br />
Adam Dutkiewicz, Democratic Success, Adelaide Advertiser, 14 April<br />
Bruce James, Handbook of the Collections, Art Gallery of New South Wales<br />
Susan McCulloch, Guy Abrahams: Dealer in Optimism, Australian Art Collector, Issue 7<br />
William McAloon, Cat. Essay, Home and Away: Contemporary Australian and New Zealand<br />
Art from the Chartwell Collection, Auckland City Art Gallery, New Zealand<br />
Rachel Kent, Hilarie Mais, Cat. Essay, Home and Away: Contemporary Australian<br />
and New Zealand Art from the Chartwell Collection, Auckland City Art Gallery, New Zealand<br />
2000 Courtney Kidd Essay, Australian painting Now ,Craftsman House, Sydney<br />
Rod Pattenden, An Unfamiliar Art: The Blake Prize for Religious Art<br />
Art and Australia Vol 37 No 3 2000 p 414-421<br />
Felicity Fenner, Hilarie Mais: The Unlocked Grid<br />
Australian Art Collector magazine<br />
Courtney Kidd, In the Frame, Sydney Mornung Herald, 7 June<br />
Felicity Fenner, Abstract Painting, Craftsman House, Sydney<br />
David Pestorius, Monochromes, Queensland University<br />
2001 Kevin Malloy, The Material is Immaterial<br />
Art and Australia Vol 38, No 4 p 632<br />
Nicholas Jose, Asian – Australian dialogues in the visual arts<br />
Art and Australia Vol 38, No 4 p 592-597<br />
Dr Gene Sherman, body space<br />
Object magazine, No. 201<br />
7
2002 Donald Williams, In Our Own Image (4 th Edition)<br />
McGraw Hill<br />
Cat. Shell Collection of Contemporary Australian Art<br />
Essay by Suzanne Davies<br />
Louise Martin-Chew, Review, Fathoming: Contemporaary<br />
Australian Sculpture, Gold Coast City Art Gallery,<br />
The Weekend Australian<br />
Janna Graber, Walkabout, American Style Magazine<br />
Sublime: 25 Years of the Wesfarmers Collection of<br />
Australian Art, Exhibition catalogue<br />
Felicity Fenner, Australian Art Collector<br />
Peter Hill, Hilarie Mais at Sherman Galleries,<br />
Sydney Morning Herald preview, September 13-19<br />
Hannah Shuckburgh, Hilarie Mais, Arts Review, London<br />
September, Vol. LIII<br />
Zoja Bojic, Imago Terrae Australis<br />
Melanie Eastburn, Time and Sculpture, World Sculpture News, Vol 8., No.4 Autumn<br />
50 Most Collectable, Australian Art Collector<br />
2003 Nick Waterlow, Conversations on the work of Hilarie Mais,<br />
Art and Australia, Vol. 41/2<br />
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