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A m ILLENNIUm PORTRAIT<br />

A R T H U R C A L E Y<br />

In a glass case in a corner <strong>of</strong> the <strong>Man</strong>x Museum there is the iron cast <strong>of</strong> a huge<br />

hand along with a pair <strong>of</strong> unbelievably big boots. We are told that they<br />

belonged to Arthur Caley, the <strong>Man</strong>x giant, who was 8ft 2in tall and weighed<br />

590lbs (nearly 43 stones) in his gigantic prime.<br />

Arthur is an almost mythical figure today. By and large we know that he earned a<br />

living in the freak shows that were popular in the 19th century and earlier but<br />

which would outrage today’s politically correct sensibilities. And that’s about it.<br />

There is, however, a truly remarkable tale to tell in<br />

Arthur’s life, a tale <strong>of</strong> faked death and fraud and<br />

the living <strong>of</strong> a new life unrecognised on the other<br />

side <strong>of</strong> the world. Arthur led a double life in fact<br />

and both <strong>of</strong> them were larger than life.<br />

His story is best told in the Journal <strong>of</strong> the <strong>Man</strong>x<br />

Museum <strong>of</strong> 1962-63 in an impeccably researched<br />

article by Ruth Serjeant called ‘The Mystery <strong>of</strong><br />

Arthur Caley the <strong>Man</strong>x Giant.’ The mystery was<br />

that Arthur had apparently died in 1852 or 1853<br />

and then became one <strong>of</strong> the most famous circus<br />

giants in America under the name <strong>of</strong> Colonel Ruth<br />

Goshen who really did die in 1889.<br />

Arthur was born in Sulby in 1824. He grew into a<br />

very big boy early in life; at 22 he was 7ft 6in tall<br />

and weighted 21 stones. When the 1851<br />

population census was taken in the Island in April<br />

<strong>of</strong> that year he was still living at home. But by July<br />

1851 he had left home and the <strong>Man</strong>chester<br />

Guardian reported that he was on public exhibition<br />

in the city.<br />

A rather shadowy figure called Cashen, almost<br />

certainly <strong>Man</strong>x, was apparently managing him and<br />

after <strong>Man</strong>chester Arthur went to London and then<br />

to Paris, from where his death was reported in the<br />

<strong>Man</strong>x Sun <strong>of</strong> January 15, 1853. It was said that he<br />

had succumbed to a surfeit <strong>of</strong> high living.<br />

In fact by this time a Frenchman called Etienne<br />

Lefevre was involved with Arthur’s management.<br />

Cashen was discredited by Lefevre as a man who<br />

had defrauded Arthur. But events were to show<br />

later that Arthur had not died at all. In Paris his life<br />

had been insured for £2,000 by his exhibitors. It<br />

was a sum worth faking a death for. At his funeral<br />

there was only a log in the c<strong>of</strong>fin.<br />

It was some time after this that Colonel Ruth Goshen was billed in America in<br />

Barnum & Bailey’s Circus as the youngest <strong>of</strong> a family <strong>of</strong> 14 giants born in<br />

Jerusalem. They knew all about hype in those days and Arthur had been given a<br />

completely new identity and a new career as a freak. He was also known as the<br />

Palestine Giant and the Arabian Giant.<br />

But Arthur Caley the <strong>Man</strong>x Giant was, to all intents and purposes, dead.<br />

Colonel Goshen had a long and successful career and towards the end <strong>of</strong> his life<br />

was living in the rural community <strong>of</strong> Clyde, New Jersey, where he was a famously<br />

flamboyant figure given to dressing up in a scarlet plush jacket and a huge black<br />

sombrero. He was also given to telling anybody who would listen about his<br />

fantastic adventures in a lifetime adventure – but only as Colonel Goshen.<br />

It was what the newspaper records showed after<br />

his death that led Ruth Serjeant to the inescapable<br />

conclusion that he was none other than the ‘late’<br />

Arthur Caley.<br />

On his deathbed he confided in the minister who<br />

attended him that he had been born in the <strong>Isle</strong> <strong>of</strong><br />

<strong>Man</strong>, not Jerusalem. (The minister, incidentally,<br />

was James Lefevre; if it was a coincidence it was<br />

an unlikely one). It also emerged that Colonel<br />

Goshen had been the same age as Arthur Caley.<br />

But perhaps the clincher was the fact that in his<br />

will one <strong>of</strong> the beneficiaries was a Mrs Margaret<br />

Gelling <strong>of</strong> Rochester, New York. Arthur Caley<br />

had a sister called Margaret who married Robert<br />

Gelling in 1835. It is not known for sure if this<br />

couple emigrated to America but many <strong>Man</strong>x<br />

people did in the 1830’s and 40’s.<br />

And when she died the Rochester Democrat and<br />

Chronicle reported that she had been born in the<br />

<strong>Isle</strong> <strong>of</strong> <strong>Man</strong> and she had the same birth date as<br />

Margaret Caley.<br />

But the photograph accompanying this article sets<br />

the seal on it. It is a studio portrait taken in New<br />

York and the addition to the caption in ink by an<br />

unknown hand must have been done out <strong>of</strong><br />

complete certainty.<br />

It is also a matter <strong>of</strong> record that Arthur was<br />

married and he and his wife had an adopted<br />

daughter. But this was in his life as Colonel Ruth<br />

Goshen, or Goshon. Has Arthur Caley any<br />

descendants still living today, perhaps in the <strong>Isle</strong><br />

<strong>of</strong> <strong>Man</strong>.?<br />

His parents were Arthur and Anne Caley, they lived<br />

in Sulby and they had 12 children altogether, many<br />

<strong>of</strong> which might well have gone on to live and die there.<br />

So, is there anybody up in Sulby these days who is, well, a bit <strong>of</strong> a big feller and<br />

goes by the name <strong>of</strong> Caley?<br />

Terry Cringle<br />

Photograph courtesy <strong>of</strong> <strong>Man</strong>x National Heritage<br />

K C M Y<br />

m<br />

August 1999m<br />

m anx<br />

illenniumPart 2000AD<br />

Eight<br />

A l o o k b a c k i n t i m e a s w e a p p r o a c h<br />

t h e n e w m i l l e n n i u m<br />

If sold separately – 50p<br />

<strong>Man</strong>x<br />

National<br />

Heritage<br />

Eiraght Ashoonagh<br />

Vannin<br />

Fort Anne, South Quay,<br />

Douglas, <strong>Isle</strong> <strong>of</strong> <strong>Man</strong> IM1 5PD<br />

Telephone 01624 649649<br />

S H I P<br />

M A N A G E M E N T F O R T H E N E X T M I L L E N A R Y<br />

An <strong>Isle</strong> <strong>of</strong> <strong>Man</strong> Newspapers Publication<br />

sponsored by The Midocean Group <strong>of</strong> Companies


m<br />

2 anxmillennium<br />

manxmillennium<br />

23<br />

Peter Kelly writes<br />

As we accelerate ever more quickly<br />

towards the end <strong>of</strong> the century, we<br />

should take some time to reflect on<br />

the rich heritage <strong>of</strong> the <strong>Isle</strong> <strong>of</strong> <strong>Man</strong> and some<br />

<strong>of</strong> the characters who have helped shape the<br />

local culture. Important figures from the<br />

Island’s past have featured in each issue <strong>of</strong><br />

this Midocean-sponsored millennium<br />

supplement and the focus is on a man whose<br />

boots would be hard to fill.<br />

Arthur Caley was known as the <strong>Man</strong>x Giant<br />

and was more than eight feet tall and weighed<br />

nearly 43 stone. Read about his eventful life<br />

on the back page <strong>of</strong> this issue and then pay a<br />

visit to the <strong>Man</strong>x Museum in Douglas where a<br />

pair <strong>of</strong> Arthur’s enormous boots can be found.<br />

Thinking big in terms <strong>of</strong> international shipping<br />

activities yet maintaining the closeness <strong>of</strong> the<br />

family business is a balance we strive to<br />

achieve at Midocean. At the start <strong>of</strong> the year,<br />

we acquired our 100th vessel. We know have<br />

120 vessels and we have just reached another<br />

milestone - the number <strong>of</strong> employees at our<br />

Fort Anne headquarters now numbers more<br />

than one hundred.<br />

We are proud <strong>of</strong> the fact that a high<br />

percentage <strong>of</strong> our workforce is local and<br />

therefore already deeply involved in Island<br />

life. A social club was established to build on<br />

this solid foundation and is going from<br />

strength to strength with several fund raising<br />

events for charity already under its belt. So,<br />

we are satisfied that the continuing expansion<br />

<strong>of</strong> Midocean can be accommodated within a<br />

close-knit community, with benefits for<br />

everyone involved.<br />

I hope you enjoy the eighth edition <strong>of</strong> <strong>Man</strong>x<br />

Millennium.<br />

Christos Ashiotis<br />

<strong>Man</strong>aging Director<br />

The number <strong>of</strong> calls<br />

following the publication<br />

<strong>of</strong> edition 7 were less than<br />

usual but I think I posed fewer<br />

questions than usual. In this<br />

edition you will find 50 views,<br />

taken mainly from magic<br />

lantern slides and glass<br />

negatives but a handful from<br />

photographic prints.<br />

I have introduced some<br />

photgraphs taken by Mr<br />

Southward which centre<br />

mainly on the north <strong>of</strong> the<br />

Island. In the September<br />

edition the majority <strong>of</strong> the<br />

views will come from the<br />

Southward collection with the<br />

remainder being from<br />

photographs given to the <strong>Man</strong>x<br />

Museum Library <strong>of</strong> recent.<br />

Unlike the photographs that<br />

appear in my weekly<br />

‘Nostalgia’ column in the<br />

<strong>Man</strong>x Independent it is<br />

possible to order photographs<br />

from the <strong>Man</strong>x Millennium<br />

series. Simply go along to the<br />

<strong>Man</strong>x Museum Library and<br />

quote the number which<br />

appears with the caption to the<br />

view in which you have an<br />

interest.<br />

It is suprising but since this<br />

series began in January<br />

readers have discovered<br />

photographs <strong>of</strong> themselves,<br />

their children, their partenrs<br />

and their grandparents not to<br />

mention their houses or the<br />

street in which they were born.<br />

The first piece <strong>of</strong> information<br />

related to previous editions<br />

brought to my attention was<br />

the identity <strong>of</strong> J.W. Birch who<br />

handed in to the <strong>Man</strong>x Museum<br />

photographs taken in the 1950s<br />

<strong>of</strong> such things as power<br />

stations, brickworks, river<br />

widenings etc. It transpires<br />

that he was a PhD., and<br />

sometime lecturer in<br />

Geography at the University <strong>of</strong><br />

Bristol. In 1964 he published a<br />

book entitled “The <strong>Isle</strong> <strong>of</strong> <strong>Man</strong><br />

- a Study in Economic<br />

Geography.” In his photograph<br />

<strong>of</strong> the widening <strong>of</strong> the Sulby<br />

River on page 5 (B) <strong>of</strong> the last edition the<br />

digger driver’s name should have read<br />

Craine not Crowe (my writing I’m afraid). I<br />

wonder how many readers realised that the<br />

photographs <strong>of</strong> Douglas beach on page 3<br />

(A) was printed in reverse - it was alright<br />

on the original printout.<br />

(A)<br />

(B)<br />

(C)<br />

(D)<br />

(E)<br />

(F)<br />

On page 6 (C) the photograph<br />

<strong>of</strong> the Ramsey Quayside<br />

brought a comment from two<br />

northside readers that the<br />

railway lines only went as far<br />

as the bend by the Mitre and<br />

not as far as the fish steps as<br />

quoted in an authoriative<br />

railway book.<br />

The cottage at the top <strong>of</strong> page<br />

8 (D) was described as Jenny<br />

Nell’s which is was how it has<br />

been catalogued <strong>of</strong> recent but I<br />

am advised that it should read<br />

Jemmy, that is Jemmy son <strong>of</strong><br />

Nell.<br />

The mill on page 11 has been<br />

identified as being at Sir<br />

George’s Bridge, Abbeylands.<br />

On page 12 (E) was a view <strong>of</strong><br />

the green at Maughold. It<br />

transpires that the three<br />

children in the photograph are<br />

the daughters <strong>of</strong> Mr Craine<br />

the grave digger who lived in a<br />

house next to the vicarage.<br />

Beneath the sundial is Janie,<br />

on the grass is Lily and<br />

walking towards the church is<br />

Jessie.<br />

The old cottages on page 14<br />

(F) include Mona Cottage<br />

which is the one with the<br />

integral door surround. This<br />

was suggested by the late Tom<br />

Cashin to have been one <strong>of</strong> the<br />

original houses <strong>of</strong> the village,<br />

its floor level is about a foot<br />

below street level. The shop<br />

and house built by Daniel<br />

Kelly dates from 1910 and the<br />

house was for Daniel himself,<br />

it did not become the vicarage<br />

until many years later. It<br />

ceased to serve that purpose in<br />

1980.<br />

Finally the ‘Old Chapel’ on<br />

(G) page 16 (F), which is<br />

described in ‘A History <strong>of</strong> Kirk<br />

Maughold’ by William and<br />

Constance Radcliffe. The site<br />

was purchased in January 1836<br />

and a school house was<br />

erected on the site. This is the<br />

building in the photograph.<br />

This was prior to the erection <strong>of</strong> Christ<br />

Church at the Dhoon in 1854-5 and so the<br />

school room was used as a temporary<br />

chapel as well.<br />

Now read on and enjoy the pictures.<br />

K C M Y<br />

Mr Southward’s camera has<br />

captured Ned Quayle on<br />

his father’s (R.E. Quayle)<br />

delivery cart, On the vehicle it<br />

says family grocer and the 1894<br />

directory lists Edward Quayle as<br />

being grocer, wine and spirit<br />

merchant <strong>of</strong> the Market Place,<br />

Ramsey. The question is, where is<br />

the row <strong>of</strong> whitewashed cottages?<br />

Southward Box 1 No 8<br />

West Craig Brickworks is<br />

the subject <strong>of</strong> this<br />

Southward photograph <strong>of</strong><br />

which the glass negative is held<br />

in the <strong>Man</strong>x Museum Library<br />

There were other brickworks at<br />

Regaby Beg, Ballacorrey and St<br />

Judes. This particular brickworks<br />

was stated in 1900 with the<br />

intention <strong>of</strong> producing 5 million<br />

bricks a year as well and<br />

drainpipes, ro<strong>of</strong> tiles, ridge tiles,<br />

floor tiles etc, It employed 14 men<br />

and finished bricks were loaded into<br />

stiff carts to be taken to Sulby<br />

Railway Station for shipment to<br />

Douglas. Southward Box 1 No 9


m<br />

22 anxmillennium<br />

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3<br />

m<br />

This photograph was taken on 18th August<br />

1934 by D. L. Hemmingway <strong>of</strong> Co.<br />

Armagh and shows the boating pool on<br />

Douglas Promenade. I included it partly<br />

because the size <strong>of</strong> the pool is now much<br />

reduced but mainly because it shows an art<br />

deco light fitting which you don’t see very<br />

<strong>of</strong>ten in photographs. A short while ago a<br />

carrier bag full <strong>of</strong> old newspaper cuttings was<br />

left in my porch, included was a special<br />

supplement from the <strong>Isle</strong> <strong>of</strong> <strong>Man</strong> Examiner<br />

issued in conjunction with the opening <strong>of</strong> the<br />

new Loch Promenade and Marine Gardens on<br />

23rd June 1934. From that I can tell you that the<br />

shelters at either end <strong>of</strong> the model yachting pond<br />

were built by W. E. Hampton Cowell <strong>of</strong><br />

Westminster Terrace using stone from the<br />

Ballajora quarry with ro<strong>of</strong>s <strong>of</strong> pitch pine covered<br />

in sheet copper. The same firm also built the<br />

Filterhouse for Douglas Corporation Water<br />

Department in Greenfield Road. The other<br />

shelters on the promenade were built by Creer<br />

Brothers. Photo No 8<br />

The ‘Great Snow’ <strong>of</strong> 1895 didn’t<br />

just happen in Ramsey and<br />

Castletown; here we have a very<br />

rare shot <strong>of</strong> what happened in Douglas.<br />

True the snow is not so deep as some <strong>of</strong><br />

those drifts that have appeared in<br />

photographs in other editions <strong>of</strong> ‘<strong>Man</strong>x<br />

Millennium’ but here we have it on<br />

Douglas Promenade. Taken from a faded<br />

print given to the <strong>Man</strong>x Museum by the<br />

late Percy Coupe on 20th July 1963, the<br />

cameraman has captured snow<br />

clearance so the horse tram can get<br />

through. We tend to forget that they were<br />

once a means <strong>of</strong> public transport rather<br />

than a tourist attraction. It linked the<br />

electric railway with the town so shoppers<br />

could come in from Ramsey, Maughold,<br />

Lonan and Laxey. Even the people <strong>of</strong><br />

Onchan would descend Summerhill or<br />

Port Jack to get the horse tram into town.<br />

Faint in the background is the Douglas<br />

Bay Hotel which opened in 1894 and was<br />

lit by electricity supplied by the electric<br />

railway company. PG/510/3<br />

This different view <strong>of</strong><br />

the Ellan Vannin has<br />

come to the <strong>Man</strong>x<br />

Museum collection <strong>of</strong> recent<br />

via Tony Pass. On board<br />

appear to be territorial<br />

soldiers, the pantechnicon<br />

possibly containing the tents<br />

and camp gear. It is when you<br />

see views like this that you<br />

realise how small the ship was<br />

and how little the<br />

accommodation for passengers<br />

for, like the Ben-my-Chree <strong>of</strong><br />

today, she was built to be the<br />

winter daily runner <strong>of</strong><br />

passengers and cargo on the<br />

one ship gap. Photo No 5<br />

To many readers this old boy will<br />

be familiar although I thought<br />

this particular close up <strong>of</strong> him<br />

was a bit different. Notice how his<br />

braces are only held on one button each<br />

side and see how the wallpaper is torn<br />

where it has been pasted over the rough<br />

walls <strong>of</strong> the cottage. The subject <strong>of</strong> this<br />

view is John Kinnish, born in 1839 and he<br />

lived in a thatched cottage on the road<br />

into Ramsey at Ballure. Near the<br />

entrance was a stone horse trough which<br />

is still visible particularly in the winter<br />

months when the foliage dies down. After<br />

Hall Caine’s book ‘The <strong>Man</strong>xman’ was<br />

published Cowen the Ramsey<br />

photographer was commissioned to take<br />

photographs to illustrate an American<br />

version (see page 14 Edition 7 and page 8<br />

Edition 6). John Kennish or as he was<br />

known by his nicknames ‘Jackie Hoodin’<br />

or ‘Jackie Ballure’ was photographed as<br />

‘Old Pete’ or Peter Quilliam and his<br />

cottage became the home <strong>of</strong> Hall Caine’s<br />

character. MNH/pic/4238<br />

Work stops for the<br />

photographer in this<br />

print<br />

entitled<br />

Knocksharry Mill Day. The<br />

farm is considerably larger<br />

today than it was when the<br />

photograph was taken, now it<br />

has a new range <strong>of</strong> farm<br />

buildings as well as a new house.<br />

Perhaps there is a reader who<br />

can identify the traction engine,<br />

mill and maybe even the workers<br />

Photo No 1<br />

An unusual subject for a photograph but it was<br />

taken by P. M. C. Kermode the Ramsey<br />

advocate who became the first Director <strong>of</strong><br />

the <strong>Man</strong>x Museum in 1922 when it opened but he<br />

had been Secretary to the <strong>Man</strong>x Museum and<br />

Ancient Monuments Trustees from 1896. The chairs<br />

are lined up outside the ancient farmhouse at<br />

Claghbane, Maughold. The chair on the left is a<br />

jointed chair which bears the inscription MC 1685<br />

and bequeathed to the museum trustees by Miss<br />

Christian <strong>of</strong> Baldromma, Maughold. The chair in<br />

the centre also bears an inscription although this is<br />

not jointed apparent in the picture. ‘J.C. 19 March<br />

1723’. This could well be carved to commemorate the<br />

birth <strong>of</strong> a child who was to receive the chair. The<br />

chair was donated to the <strong>Man</strong>x Museum by the<br />

Kermode family <strong>of</strong> Claghbane. The remaining chair<br />

is also a jointed armchair <strong>of</strong> probable 18th century<br />

origin but I invite your comments. MNH/pic/4309


m<br />

4 anxmillennium<br />

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21<br />

m<br />

The title to this view<br />

is a ‘<strong>Man</strong>x Wedding’<br />

but no further<br />

details are given as to<br />

where or when. There’s a<br />

lot <strong>of</strong> hat raising and<br />

cheering going on. There<br />

was a <strong>Man</strong>x Wedding at<br />

Lezayre as part <strong>of</strong> the<br />

Heritage Year (1986)<br />

celebrations put on by the<br />

Lezayre Heritage<br />

Committee. <strong>Man</strong>y will<br />

recall a <strong>Man</strong>x Wedding in<br />

Laxey in the 1950s –<br />

probably to coincide with<br />

the centenary <strong>of</strong> the great<br />

Laxey Wheel in 1954. Some<br />

<strong>of</strong> the customs still take<br />

place at everyday<br />

weddings. It used to be a<br />

custom for newly married<br />

couples in Douglas to walk<br />

around the lighthouse at<br />

the end <strong>of</strong> the Red Pier<br />

then the quayside hobblers<br />

would hold a rope to block<br />

their passage until the<br />

groom coughed up some<br />

coins. The rope and<br />

throwing shining pennies<br />

was used as recent as 7th<br />

August this year when<br />

Joanne Garrett and John<br />

Kelly were married at St<br />

Mary’s Church. Returning<br />

to the photograph, can any<br />

reader identify the location<br />

<strong>of</strong> this event?<br />

MNH/pic/4324<br />

Iassume the centre post into<br />

which the large wooden gates<br />

fastened actually lifted out when<br />

they went to launch the lifeboat. This<br />

lantern slide view shows the Douglas<br />

lifeboat house <strong>of</strong> 1896 which was built<br />

to the designs supplied free <strong>of</strong> charge<br />

by Mr Rennison the architect. He<br />

came to the Island at the time <strong>of</strong><br />

designing the Villiers Hotel just over<br />

20 years earlier and designed many<br />

<strong>of</strong> the entertainment buildings in<br />

Douglas as well as houses, shops etc<br />

etc. He was probabl;y the most<br />

prolific architect <strong>of</strong> his time yet he<br />

lies in an unmarked grave in the<br />

Borough Cemetery. The previous<br />

lifeboat house was a traditional stone<br />

built building and was located on the<br />

shore at Harris Promenade roughly in<br />

line with where the Sefton now stands.<br />

This building is in the Harbour<br />

Commissioners’ yard on The Approach<br />

Road which leads to the Battery Pier.<br />

There was a slipway set against the<br />

harbour wall at The Croak and the<br />

lifeboat, which weighed 11 tons, had to<br />

be pulled across the road and then<br />

lined up with the slipway. When she<br />

returned from service it took six pairs<br />

<strong>of</strong> horses to pull her back up. In 1924 a<br />

new lifeboat house (the present one)<br />

was opened almost directly opposite<br />

this building. MNH/pic/1002<br />

The subject matter <strong>of</strong> this lantern<br />

slide given to the <strong>Man</strong>x Museum in<br />

1952 by Major Harris is ‘Dick<br />

Curphey, fisherman <strong>of</strong> Douglas’ A note<br />

on the slide says he was going around<br />

with a basket <strong>of</strong> fish on his back 30-40<br />

years ago. Whether this meant 30-40<br />

years before 1952 or before the slide was<br />

taken is hard to establish. Perhaps<br />

there is a reader who can advise or tell<br />

something more about Dick Curphey<br />

MNH/pic/4222.<br />

Aschool sports team, enough<br />

players for rugby but it is a<br />

football in the hands <strong>of</strong> the lad in<br />

the middle. On the jumpers are the<br />

initials VCFC which stands for Victoria<br />

College Football Club and on the back <strong>of</strong><br />

this recently donated photograph it says<br />

1882-3 season. On the floor is an animal<br />

skin and a bowler hat but why I don’t<br />

know. The Victoria College was in Victoria<br />

Road, Douglas. According to Canon Hinton<br />

Bird’s book ‘An Island that led’ a history <strong>of</strong><br />

<strong>Man</strong>x Education it was founded in 1881 by<br />

Richard Farrell BA LLD. He had<br />

previously been vice principal <strong>of</strong> a large<br />

London school and in setting up the college<br />

was assisted by J.H. Hopkinson <strong>of</strong> Lincoln<br />

College, Oxford. Canon R. D. Kermode,<br />

well known vicar <strong>of</strong> Lezayre up to the time<br />

<strong>of</strong> the second world war was one <strong>of</strong> the<br />

early pupils here who went on to<br />

Cambridge. By 1884 the exam results<br />

from Victoria College outperformed King<br />

Williams College! Farrell retired in 1892<br />

and the college eventually closed in the<br />

first decade <strong>of</strong> the present century<br />

Photo No 4.


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Douglas is the location <strong>of</strong> this picture<br />

below which is taken from an album<br />

<strong>of</strong> snapshots recently given to the<br />

<strong>Man</strong>x Museum and which is yet to be<br />

properly catalogued so here is a preview for<br />

you. It shows Barrack Street so named<br />

because <strong>of</strong> the presence <strong>of</strong> a barracks at the<br />

far end <strong>of</strong> this thoroughfare where it met<br />

Hanover Street which is now called Lord<br />

Street. The pedimented building on the left<br />

was built in 1839 as St George’s Church Infant<br />

School and Sunday School. <strong>Man</strong>y will recall it<br />

however as the Barrack Street Mission Hall.<br />

<strong>Today</strong> it is the Tardis nightclub. The houses on<br />

the right were demolished in the late 1950’s<br />

early 1960s to make way for the Shaw’s Brow car<br />

park Photo No 7<br />

This lantern slide has been catalogued<br />

as turf cutting in Ballaugh Curragh. I<br />

have to admit wondering if this is<br />

totally correct. Thirteen men in the middle<br />

<strong>of</strong> the working day cutting turf in one spot –<br />

no wives or children helping, no areas staked<br />

out, no piles <strong>of</strong> peat drying. Also the low lying<br />

land was usually owned by somebody where<br />

as the mountain lands are where most <strong>of</strong> the<br />

peat was dug. I did wonder if this was the<br />

digging <strong>of</strong> a drainage ditch or something<br />

similar. Perhaps there is a reader who can<br />

recognise the background which may help<br />

identify what is there now. MNH/pic/4320<br />

It’s a parade, it’s at<br />

Ramsey, it’s heading<br />

towards the Swing Bridge<br />

from the Mooragh Promenade<br />

and it’s a goat carriage but<br />

beyond that I am lost. The<br />

man alongside the vehicle is<br />

wearing a sash which may give<br />

a clue – could it have been part<br />

<strong>of</strong> the Oddfellows parade or<br />

maybe the May Day parade?<br />

There’s an interesting collection<br />

<strong>of</strong> buildings on the quayside in<br />

the background prior to the<br />

erection <strong>of</strong> the Steam Packet<br />

warehouses. This is a Southward<br />

photograph printed from one <strong>of</strong><br />

the many glass negatives held in<br />

the Southward collection.<br />

Southward Box 3 No 48<br />

From the same family album awaiting<br />

cataloguing comes this snapshot <strong>of</strong> a<br />

young lady sitting on a capstan at<br />

the end <strong>of</strong> the old bridge at Castletown. In<br />

the background on the left are the<br />

warehouses on the Irish Quay with Bridge<br />

House beyond. I have included this view for<br />

the benefit <strong>of</strong> those hell bent on giving<br />

Castletown the international heritage look<br />

with paving blocks, bollards, bus shelters<br />

and litter bins to match. Here we have what<br />

a Castletown gas lamp should look like with<br />

the supporting rods to each corner and the<br />

tapering lamp standard. The photograph<br />

also captures bollards, albeit supporting<br />

chains but this is what was to be found in<br />

Castletown not Cardiff or Coventry.<br />

Photo No 6<br />

Another Southward photograph<br />

entitled ‘Mother and Terry in<br />

front garden’. Terry is<br />

presumably the dog in mother’s arms<br />

and the house is in Bowring Road,<br />

Ramsey. Another glass negative in the<br />

Southward collection is labelled<br />

Myndon Ville, could this be what in the<br />

1851 census was described as Minden<br />

Cottage or what is now called Minden<br />

House? If that is the case then the<br />

decorative gagte has now gone. I<br />

expect the house on the opposite side <strong>of</strong><br />

the road should be the real guide to<br />

which house it really is.<br />

Southward Box 1 No 4


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Ihave not seen many photographs <strong>of</strong><br />

men down mines but this view shows<br />

Le Neve Forster, Chief Inspector <strong>of</strong><br />

Mines. The label on the lantern slide says<br />

the view was taken down Foxdale Mines.<br />

Notice the thickness <strong>of</strong> timbers used as pit<br />

props and the constant presence <strong>of</strong> water<br />

under foot. Notice also the candle held on the<br />

hat by a lump <strong>of</strong> clay. Perhaps there is a<br />

reader who can advise about the pipe<br />

system above his head. MNH/pic/4346<br />

Another views <strong>of</strong> Tynwald<br />

fair but one taken from a<br />

photographic print. The<br />

original photograph is believed<br />

to have been taken by Sophia<br />

Morrison about 1910. Sophia<br />

was the author <strong>of</strong> the little book<br />

‘<strong>Man</strong>x Fairytales’. Notice how<br />

the centre house was at that<br />

time the place for teas and<br />

c<strong>of</strong>fees. The ladies in the<br />

foreground are standing on the<br />

raised ground around the base<br />

<strong>of</strong> Tynwald Hill.<br />

Photo No 2<br />

Apostman by a postbox is the subject <strong>of</strong> this glass negative<br />

held in the museum library as part <strong>of</strong> the Southward<br />

collection. The title on the negative is ‘P.M. Corlett<br />

postman at letterbox opposite our gate’ Philip Murray Corlett<br />

was a son <strong>of</strong> Philip Corlett, Sadler and Harness maker. P.M.<br />

also worked as a sadler as well as being a postman. His<br />

brother John was a miller and brother Thomas Edward was a<br />

coach builder. The family shop existed next to the Ramsey<br />

Town Hall for many years and ledgers showed how some work<br />

was done on a barter basis being paid for over a period with<br />

farm produce. Skins were imported from England as well as<br />

purchased locally. Pony hide was bought as well as cowhide and<br />

dog skin was used to make waterpro<strong>of</strong> tobacco pouches. The<br />

first pillar box to be erected in the <strong>Isle</strong> <strong>of</strong> <strong>Man</strong> in December 1858<br />

was opposite Albert Terrace at the junction with Osborne<br />

Terrace in Douglas. The second box was a wall box placed in<br />

Sandy Road, Ramsey, (later renamed Bowring Road in February<br />

1859.) This could very well be that box <strong>of</strong> 1859. The photograph was<br />

taken by Mr Southward who was a distant relation to the Corletts.<br />

Southward Box 1 No 11<br />

An interesting child portrait but<br />

no name for the photographer.<br />

The young lad is John F.<br />

Crellin, son <strong>of</strong> J. C. Crellin MHK <strong>of</strong><br />

Ballachurry, Andreas. The boy is<br />

dressed in an especially made uniform<br />

<strong>of</strong> the <strong>Man</strong>x Fencibles. The first corps <strong>of</strong><br />

<strong>Man</strong>x Fencibles was raised in 1779 and<br />

subsequent Corps in 1793, 1795 and 1803.<br />

The picture dates from considerably<br />

later. MNH/pic/4342<br />

Afamiliar sight for northern residents is the former<br />

town hall at Ramsey which was demolished in 1972,<br />

following an outbreak <strong>of</strong> dry rot. Now its replacement<br />

lego building is to be demolished and replaced by a pseudo<br />

Victorian building but few modern buildings that try to<br />

look old can achieve the same ‘presence’ as the real thing.<br />

Look carefully at this building which, with the exception <strong>of</strong><br />

the semi-dormer windows, is not balanced either side <strong>of</strong> the<br />

central doorway. One side has a projecting oriel bay<br />

window at first floor level, the other includes a fire station<br />

which housed a horse drawn fire engine. When the fire<br />

engine was changed the arched brickwork above the door<br />

was removed and replaced by a straight lintel at a higher<br />

level so that the new engine could get in. The town hall design<br />

was the subject <strong>of</strong> an architectural competition which was won<br />

by a Mr Berrington who received the £10 prize. This was in May<br />

1888 and by August 1889 the building was handed over to the<br />

commissioners. On the first floor windows behind the<br />

decorative street lamp can be read the words ‘school<br />

committee’ The clock which fitted the circle in the central<br />

pediment was added in 1911. Southward Box 2 No 15


18<br />

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7<br />

Mr Southward has<br />

c a p t u r e d<br />

‘Bateman in<br />

Coburg Road’. He has<br />

also captured a ‘To let’<br />

sign on a property<br />

(perhaps it is yours) for<br />

which you have to apply to<br />

George Kay the architect<br />

who originally set up in<br />

Ramsey and later opened<br />

an <strong>of</strong>fice in Douglas.<br />

Whoever Bateman was I<br />

don’t know except he<br />

appears to be a delivery<br />

boy for John Kermode <strong>of</strong><br />

London House, the red<br />

brick building in<br />

Parliament Street,<br />

R a m s e y .<br />

Southward Box 2 No 16<br />

Another mining photograph<br />

which was taken at Foxdale.<br />

The information provided on<br />

this glass slide is ‘Miners and<br />

mining students at miner’s <strong>of</strong>fice<br />

(not company’s <strong>of</strong>fice) Foxdale<br />

1899’. On the left is Captain J. Lean<br />

and the large man beside him is<br />

Mr John Nicholls an engineer who<br />

later took over the Onchan<br />

Laundry from Mr Thomason and<br />

turned it into the Onchan Steam<br />

Laundry. On the right is Captain<br />

W. H. Kitto (the man with the<br />

watch chain) and beside him<br />

Captain T. Callister. The natural<br />

reaction <strong>of</strong> people is to comment<br />

how clean the men lok but you<br />

have to bear in mind they were<br />

mining for lead ore in rock – not<br />

coal. Maybe your grandfather or<br />

great grandfather is in this group.<br />

MNH/pic/4348<br />

This view shows the<br />

lighthouse at Douglas<br />

which was built in 1832 by<br />

the Harbour Commissioners and<br />

over twenty years later taken<br />

over by the Northern Lights. It<br />

was replaced in 1892 by the<br />

present lighthouse but the two<br />

were meant to have stood side<br />

by side until the new one was<br />

No indication as to the location<br />

<strong>of</strong> this photograph but the<br />

subject matter – sheep<br />

shearing is quite obvious. The men<br />

are holding shears or ‘joushes’ in<br />

<strong>Man</strong>x. Some <strong>of</strong> the sheep have a<br />

reversed leter E marked on them if<br />

that helps identify the flock. Local<br />

sheep <strong>of</strong>ten had their ears clipped in<br />

different ways to signify ownership.<br />

It is interesting to see the untethered<br />

grey horse in the background –<br />

seems more <strong>of</strong> a gypsy thing than<br />

<strong>Man</strong>x farmers in the hills.<br />

MNH/pic/4349


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17<br />

From the Southward<br />

Collection <strong>of</strong> glass<br />

negatives is this view <strong>of</strong> a<br />

refreshment tent at the Sulby<br />

Fair <strong>of</strong> unknown date but<br />

probably in the first decade <strong>of</strong><br />

this century. It’s hard to imagine<br />

a licenced tent at such a country<br />

event. Does any reader know who<br />

L. Knowles was – a publican? a<br />

licenced grocer?<br />

Southward Box 2 No 30<br />

Acontrast to many <strong>of</strong> the fine<br />

houses on the Island is Mrs Mary<br />

Gilrea’s sod cottage at Jurby<br />

photographed in 1897 and produced by<br />

Mr Stubbs. The walls are made <strong>of</strong> turf<br />

sods stacked on top <strong>of</strong> one an other but<br />

it relied on the thatch throwing the<br />

water <strong>of</strong>f the building. Notice how the<br />

thatch is taken up the chimney stack<br />

and how the ro<strong>of</strong> is really hipped<br />

compared with the usual gable<br />

arrangement for a stone built cottage.<br />

Sod cottages were undoubtley<br />

indigenous for when the ro<strong>of</strong> fell in<br />

the walls could wash away and<br />

everything would return to the earth<br />

MNH/pic/4230<br />

Ithought I would include this TT view<br />

which has the title ‘TT Start 1922’’ as<br />

I have always been amazed at the<br />

cantilever <strong>of</strong> the control box designed to<br />

give the best all round view <strong>of</strong> the<br />

start/finish area. It looks like a<br />

megaphone hanging out <strong>of</strong> the left hand<br />

window and is it a siren on the platform<br />

edge between the windows? What is that fan<br />

type thing over the starting rider – an<br />

umbrella or something to keep the seagulls<br />

away? Somehow a lot has changed and very<br />

little has changed in 77 years. Notice on the<br />

left the trophies are on display throughout<br />

the races. MNH/pic/4354<br />

One <strong>of</strong> the many regattas to be<br />

held on the Mooragh Lake at<br />

Ramsey was captured for us by<br />

Mr Southward. We don’t know what<br />

everyone is looking at but certainly<br />

there are a lot <strong>of</strong> them. I was taken by<br />

the young ones sitting on the edge <strong>of</strong><br />

the lake which I don’t think I have seen<br />

before. The Mooragh Park with its 12<br />

acre lake was laid out by the Ramsey<br />

Town Commissioners and on 11th<br />

August 1887 Spencer Walpole the<br />

Lieutenant Governor cut the first sod. It<br />

took three years to construct the park to<br />

the designs <strong>of</strong> Mr E. Thomas at a cost <strong>of</strong><br />

£4,650 Southward Box 2 24A<br />

I<br />

never tire <strong>of</strong> finding<br />

another view <strong>of</strong> Tynwald<br />

Fair with something<br />

different hidden away in some<br />

corner or other. In this faint<br />

lantern slide (which I hope<br />

can be darkened before<br />

printing) there are various<br />

stalls set up, covered and<br />

uncovered. Over on the left is<br />

a solid canopy with the word<br />

‘potatoes’ clearly viable.<br />

Could this be ‘Hot Potatoes’?<br />

If so then there is nothing new<br />

under the sun. In the<br />

background the old Tynwald<br />

Inn at one time called ‘The<br />

Junction’. Notice the complex<br />

<strong>of</strong> cottage, house and stable. It<br />

would be interesting to know<br />

what the large banner or<br />

poster is over on the right.<br />

This Cowen photograph or<br />

glass slide to be more precise,<br />

was given to the <strong>Man</strong>x Museum<br />

in 1953 by Sam Bennett <strong>of</strong><br />

Ramsey. MNH/pic/4362


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9<br />

What a marvellous title on this<br />

lantern slide ‘Waiting for the<br />

King at Ramsey’ This <strong>of</strong> course<br />

was Edward VII who arrived in 1902. I<br />

have seen views <strong>of</strong> the King and Queen<br />

being pulled along the pier in a carriage<br />

by sailors before it was hitched up to<br />

horses at the landward end but I have not<br />

seen the welcoming party before. The<br />

location is the end <strong>of</strong> the Queens Pier at<br />

Ramsey I can but assume that the<br />

Chairman <strong>of</strong> the Commissioners is H.C.<br />

Kerruish JP and with him is Mr James<br />

Bell,Town Clerk, In the background the<br />

people <strong>of</strong> Ramsey pack every inch <strong>of</strong> space<br />

on the pier. Does it take the visit <strong>of</strong> another<br />

monarch to galvanise those in charge to do<br />

something about opening up the pier to the<br />

public again? MNH/pic/4232<br />

The Royal Visit <strong>of</strong> 1902 features again in this magic<br />

lantern slide given to the <strong>Man</strong>x Museum in June 1953<br />

by Sam Bennett <strong>of</strong> Ramsey. After arriving in Ramsey<br />

the King and Queen drove to Bishopscourt then on to Peel and<br />

a visit <strong>of</strong> the Castle. From there it was to Cronkbourne for tea<br />

with the Speaker <strong>of</strong> the House <strong>of</strong> Keys A. W. Moore. After that<br />

it was down to the <strong>Man</strong>x Electric Railway Station at Derby<br />

Castle for a tram ride to Ramsey and back on the Royal Yacht.<br />

Following this visit <strong>of</strong> 1902 Onchan changed the name <strong>of</strong> their<br />

Marine Drive which ran from Derby Castle to Groudle in<br />

commemeration <strong>of</strong> the visit to King Edward Road. In<br />

commemoration <strong>of</strong> the visit, this view however was taken in<br />

Braddan at Cronkbourne, the house designed by Ewan Christian<br />

the great Victorian architect for the Moore family. The<br />

conservatory on the right has since disappeared although its base<br />

remains. What is <strong>of</strong> interest to me is the fact that the woodwork<br />

on the porch is painted white whereas you would expect it to be<br />

black. The King raises his hat as the carriage turns in the<br />

drive MNH/pic/4228<br />

Sandcastle amongst<br />

the seaweed on<br />

Douglas beach in this<br />

Edwardian lantern slide<br />

and not a bathing costume<br />

in sight. Notice the small<br />

buckets on the left for<br />

making sand castles, no<br />

bright colours and patterns<br />

on them, they are just<br />

miniature zinc buckets. In<br />

the background on the left<br />

a group <strong>of</strong> people are<br />

gathered on the bulwark to<br />

listen to the minstrels. The<br />

Central Hotel shows up<br />

behind, the tallest building<br />

in Douglas at that time<br />

MNH/pic/1040<br />

It’s more a case <strong>of</strong><br />

walking across the<br />

decks <strong>of</strong> the boats in<br />

the bay than in the<br />

harbour in this early view<br />

<strong>of</strong> Peel. There is just a<br />

short timber breakwater<br />

projecting from the Sally<br />

port <strong>of</strong> the castle. The<br />

breakwater running out<br />

from the East Quay has a<br />

small light beacon on the<br />

end whilst on the other side<br />

<strong>of</strong> the harbour a gantry is<br />

being used to lower the<br />

blocks in position to make a<br />

harbour wall. Beside the<br />

hut is a vertical steam<br />

boiler and also visible are<br />

railway tracks for the<br />

constructional traffic.<br />

MNH/pic/467<br />

Another view <strong>of</strong> the<br />

Sulby Fair which<br />

appears to be an all<br />

men, all cattle event. If the<br />

object was to sell cattle there<br />

is no ring or pens, it seems a<br />

very unorganised event but I<br />

am sure it worked. Perhaps<br />

the thatched cottage in the<br />

background helps to identify<br />

the location <strong>of</strong> the field.<br />

Southward Box 3 No 32


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Afine close up <strong>of</strong> Clifford Earp’s<br />

Napier in the Gordon Bennett Trials<br />

<strong>of</strong> 1905. The view was taken at the<br />

Ramsey Control and forms part <strong>of</strong> the<br />

Southward Collection which contains<br />

other views <strong>of</strong> this great event. This was<br />

the second year the event had been held<br />

and readers may be astonished to learn <strong>of</strong><br />

the course. Starting on Quarterbridge<br />

Road the cars travelled south to<br />

Castletown via Ballasalla; then to<br />

Ballacraine passing through Foxdale, Kirk<br />

Michael and then turning <strong>of</strong>f at Ballaugh to<br />

travel through Jurby and on to Ramsey via<br />

Sandygate, then it was over the mountain to<br />

Cronk-na-Mona, Willaston and back to the<br />

start via Bray Hill. Quite a course when you<br />

consider the state <strong>of</strong> the roads then.<br />

Southward Box 2 No 16<br />

The title on this lantern slide<br />

commercially produced by Graystone,<br />

Bird <strong>of</strong> Bath is ‘Getting ready to sail’. It<br />

is taken alongside the Victoria Pier and the<br />

ship full <strong>of</strong> passengers is the Mona’s <strong>Isle</strong><br />

whilst berthed next to her is the four<br />

funnelled Ben-my-Chree II. Beyond is the<br />

Red Pier with its fine lighthouse around<br />

which newly married couples would walk. On<br />

the other side <strong>of</strong> the harbour the terraces<br />

designed by John Welch, John Robinson and<br />

others. Between the two pairs <strong>of</strong> funnells on<br />

the Ben-my-Chree can be seen the former<br />

Imperial Hotel, later Imperial Buildings, the<br />

headquarters <strong>of</strong> the <strong>Isle</strong> <strong>of</strong> <strong>Man</strong> Steam Packet<br />

Company. Behind the mast <strong>of</strong> the Mona’s <strong>Isle</strong><br />

can just faintly be seen the ro<strong>of</strong> <strong>of</strong> Hengler’s<br />

Circus, a permanent building <strong>of</strong> timber<br />

construction and the reason for the title<br />

Circus Beach which has since been covered<br />

with demolition material from the Douglas<br />

Bay Hotel and elsewhere before being paved<br />

over. MNH/pic/468<br />

Another<br />

lifeboat<br />

but this time we<br />

move to<br />

Castletown for this<br />

view <strong>of</strong> the lifeboat in<br />

the square. Is this the<br />

‘Thomas Black’ which<br />

served from 1896 until<br />

the station closed in<br />

1922 or is it the earlier<br />

boat? On lifeboat day<br />

the boat was brought<br />

into the square but<br />

that would be<br />

accompanied by<br />

bunting and seaweed<br />

hung from ropes.<br />

Notice the man with<br />

what I take to be a<br />

maroon launcher on the<br />

extreme right. Don’t<br />

overlook the sundial in<br />

the background that<br />

gives the time in various<br />

places throughout the<br />

world as well as, so it is<br />

said, the time <strong>of</strong> night<br />

by the light <strong>of</strong> the moon.<br />

This glass lantern slide<br />

once belonged to Canon<br />

Spicer and was given to<br />

the museum library in<br />

1952 by Mrs Riggall<br />

MNH/pic/3722<br />

Elsewhere in this edition is a<br />

photograph <strong>of</strong> ‘Old Pete’<br />

well this is the interior <strong>of</strong><br />

his cottage at Ballure on the<br />

outskirts <strong>of</strong> Ramsey. The cottage<br />

was thatched but it is interesting<br />

to see that the underside <strong>of</strong> the<br />

ro<strong>of</strong> was partially boarded. The<br />

decoration above the fire place<br />

opening are advertisements for<br />

Holbrook’s Sauce but undoubtedly<br />

they brought a bit <strong>of</strong> colour to the<br />

collage interior. The light patch<br />

on the left is either a large<br />

skylight or, as local tradition has<br />

it, a hole has been made in the<br />

wall and ro<strong>of</strong> to let additional light<br />

in so that the photograph could be<br />

taken. On the shelves to the left,<br />

rosie bowls can be seen between<br />

the other crockery. On the right<br />

the table appears to be piled up<br />

with newspapers but it looks as if<br />

the cottage wall behind this had<br />

been wallpapered ‘Old Pete’ died on<br />

20th September 1906 and his funeral<br />

was attended by a great multitude<br />

<strong>of</strong> people MNH/pic/1018


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Areturn to Douglas for<br />

this G.B. Cowen<br />

lantern slide <strong>of</strong> the<br />

Castle Mona and the sands<br />

in front. I wonder if Cowen<br />

took this views or whether<br />

in fact he copied another<br />

photograph a little older<br />

than his usual views. On<br />

the right is a grass<br />

embankment which was<br />

the location <strong>of</strong> a gun<br />

battery used in connection<br />

with others on Onchan<br />

Head and Douglas Head to<br />

protect the bay and harbour<br />

<strong>of</strong> Douglas. Notice there is<br />

no promenade with railings,<br />

no row <strong>of</strong> shops and the<br />

wing <strong>of</strong> the hotel on the<br />

extreme left has not yet been<br />

raised in height to provide<br />

more accommodation for<br />

guests. The building was only<br />

a private residence for the<br />

first thirty years <strong>of</strong> its life<br />

and it has been a hotel for<br />

167 years. Don’t forget it was<br />

the first Casino in the <strong>Isle</strong> <strong>of</strong><br />

<strong>Man</strong> but the days <strong>of</strong><br />

‘Pandora’s Box’ might be<br />

better forgotten. The<br />

photograph was given to the<br />

<strong>Man</strong>x Museum Library in<br />

1960 along with many more<br />

by Mr David Craine<br />

MNH/pic/4114<br />

Do you recognise the location <strong>of</strong> this<br />

photograph? It is the junction <strong>of</strong> Bowring<br />

Road with North Shore Road, Ramsey. The<br />

building on the right is now the North Shore Post<br />

Office but when this photograph was taken by Mr<br />

Southward it was the shop <strong>of</strong> Mr Arthur Faragher.<br />

The note on the negative tells us the young men are<br />

E. Simkiss and G. Halliday but that’s all. Notice the<br />

way in which the street lamp is in the road rather<br />

than on the pavement or the parapet as the locals<br />

would say. The tapered and fluted lamp standard<br />

featured a lot in Ramsey and elsewhere. This<br />

building and Teare’s the butchers on the other side <strong>of</strong><br />

the road were like bookends forming a portal to<br />

Bowring Road but they really needed to be part <strong>of</strong><br />

larger terraces to be more architecturally<br />

impressive. Southwards Box 2 No 30A<br />

The title on the glass lantern slide is<br />

‘Walker’s School, Ballacorraige’ and<br />

that’s it. The slide was produced by<br />

Lizars, Optician <strong>of</strong> Glasgow so thinking caps<br />

on and tell me where it is, what’s there now,<br />

who was Walker and in deed anything else<br />

that you can MNH/pic/4112<br />

Here is another magic lantern slide<br />

which I feel may have come from the<br />

Harbour Board at one time. It shows<br />

the construction <strong>of</strong> the lighthouse on the<br />

Chickens Rock. The original is rather faint<br />

but a terrific record <strong>of</strong> the event <strong>of</strong> all those<br />

years ago. Hopefully one day photographs<br />

will turn up <strong>of</strong> the work that was<br />

undertaken on shore for the granite used in<br />

its construction was brought from<br />

Dalbeatie in Scotland to Port St Mary where<br />

a large workforce <strong>of</strong> stone cutters produced<br />

blocks that dovetailed together. They were<br />

assembled dry to check everything was in<br />

order and then shipped out to the rock. The<br />

first 32 feet above the rock is solid granite<br />

then the entrance door and seven storeys upto<br />

the lantern machinery room. The light was lit<br />

for the first time on January 1st, 1875 and the<br />

cost all those years ago was close to £70,000.<br />

MNH/pic/480<br />

Another puzzler for you. It is obviously a<br />

lime kiln and limestone blocks have been<br />

used in the construction. It is not the lime<br />

kilns at Scarlett (see page 22, edition No 3) so it<br />

is Port St Mary or maybe af Jefferson’s quarry?<br />

Your views would be appreciated. MNH/pic/1690<br />

Train and tram buffs will have seen views<br />

similar to this before, it is on the summit <strong>of</strong><br />

Snaefell but don’t think it was the original<br />

hotel, it isn’t. This was the station building, the<br />

refreshment building was on a lower level with a<br />

path between them. Soon this had to be replaced<br />

by a boardwalk, presumably on account <strong>of</strong> soil<br />

erosion. Higher than the station building was the<br />

actual summit where a platform was<br />

constructed and there was an <strong>of</strong>ficial guide<br />

from whom you could purchase special<br />

postcards. MNH/pic/869


12<br />

m<br />

anxmillennium<br />

m<br />

anxmillennium<br />

13<br />

There are a limited<br />

number <strong>of</strong> cable car<br />

pictures and here we<br />

have a good one taken at the<br />

base <strong>of</strong> Victoria Street. In the<br />

background the magnificent<br />

Villiers Hotel as designed by<br />

Rennison the architect who<br />

came to the Island from<br />

Stockport. The cable cars<br />

worked on exactly the same<br />

principle as those in San<br />

Francisco and it was an urban<br />

form <strong>of</strong> transport. The route<br />

from the Jubilee Clock was up<br />

Victoria Street, Prospect Hill,<br />

Bucks Road, Woodbourne Road,<br />

York Road and them down<br />

Ballaquayle Road and Broadway<br />

to meet the promenade at the<br />

Villa Marina. The final decent<br />

was considered too dangerous<br />

and after a very short time the<br />

cars only went as far as Stanley<br />

View on Ballaquayle Road.<br />

MNH/pic/873<br />

I<br />

selected this lantern slide <strong>of</strong> a<br />

uniformed gentleman with a pier and<br />

lighthouse in the background<br />

because it presented a challenge. On the<br />

belt and knitted into the jumper are the<br />

initials R.V.L.C. and on his armband a<br />

crown. What did the initials stand for,<br />

what were the dates painted onto the<br />

slide and where was the pier. My initial<br />

thoughts were that the photograph was<br />

taken from the jetty at the end <strong>of</strong> East<br />

Quay in Peel and that the lighthouse was<br />

on the end <strong>of</strong> the Castle Jetty. Quite by<br />

accident when going through Constance<br />

Radcliffe’s excellent book ‘Shining by the<br />

Sea’ there was a photograph <strong>of</strong> a man<br />

standing by a wooden tripod used for<br />

‘breechers-buoy’ rescues, behind was a<br />

cart and all around was equipment for<br />

lifesaving. This view, which was possibly<br />

enlarged to show the lighthouse was in fact<br />

the top right hand corner <strong>of</strong> that on page 90<br />

<strong>of</strong> the book. From that I can tell you<br />

however that the man is Thomas Arthur<br />

Corlett an advocate and an <strong>of</strong>ficer <strong>of</strong> the<br />

Rocket Brigade in Ramsey. Formed in 1864<br />

it was entitled ‘Ramsey Volunteer Life<br />

Corps’. That explaind the initials. T. A.<br />

Corlett lived from 1851 to 1878 and I wonder<br />

if the dates on the slide related to the life <strong>of</strong><br />

the lighthouse. The south pier was raised in<br />

height in 1845 and a stone lighthouse added<br />

to replace a wooden one the same year. In<br />

the background is the ‘Abernathy’ part<br />

timber constructed extension to the North<br />

Pier <strong>of</strong> 1863-64. MNH/pic/470<br />

I<br />

had three views <strong>of</strong> this<br />

shipwreck from which to<br />

select one <strong>of</strong> the lantern<br />

slides for publication. I<br />

though this was the more<br />

dramatic even though one <strong>of</strong><br />

the others showed the ship<br />

before she began to break up.<br />

This slide was given to the<br />

<strong>Man</strong>x Museum in 1952 by<br />

Major F. C. Harris. The ship<br />

is the ‘Argo’ which was on<br />

passage from Bordeaux to<br />

Glasgow with a general<br />

cargo in December 1905. She<br />

struck the rocks at Meary<br />

Voar near Santon Head. The<br />

crew spent the night trapped<br />

on the vessel but the next<br />

day all fourteen were taken<br />

ashore. The heavy seas soon<br />

broke the ship into three<br />

MNH/pic/3729<br />

What a way to launch a<br />

lifeboat! Look closely<br />

and you will see there<br />

are two men on the boat as it<br />

is tipped into Ramsey<br />

harbour in this Midwood<br />

lantern slide. The first<br />

lifeboat house is believed to<br />

have been a wooden hut on<br />

land owned by the Harbour<br />

Commissioners, the arrival <strong>of</strong><br />

the ‘Two Sisters’ in 1868 saw<br />

the building <strong>of</strong> a stone lifeboat<br />

house a little north <strong>of</strong> the<br />

present building on the South<br />

Promenade. This was an ideal<br />

location for launching straight<br />

out on to the beach and in to<br />

the sea. In February 1895<br />

there was a blizzard as well as<br />

a heavy sea and a schooner<br />

had grounded on Ramsey<br />

beach close to the boathouse,<br />

It proved difficult to launch<br />

the lifeboat in the usual way<br />

and so she was hauled around<br />

onto the quayside where a<br />

lamp standard had to be taken<br />

down to facilitate the launch<br />

into the harbour. The lifeboat<br />

suffered damage to her bow<br />

which was quickly covered<br />

with a piece <strong>of</strong> tin but<br />

afterwards it was discovered<br />

that 13 planks were in fact<br />

damaged. This photograph is<br />

not however <strong>of</strong> that launch for<br />

there is no snow, no blizzard, no<br />

overcoats and something <strong>of</strong> a<br />

heat haze. So if this is after<br />

February 1895 why did they try<br />

it again after the damage the<br />

first time! The view was given<br />

to the <strong>Man</strong>x Museum in June<br />

1953 by Sam Bennett <strong>of</strong> Ramsey<br />

MNH/pic/3736

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