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AMB 90024 2 Richard Maltby and his Orchestra & Mary Mazza MALTBY POWERHOUSE Recorded January 22, 1958 (09:30 - 13:00) at Columbia Recording Studio, 207 East 30th Street, New York City with Mary Mazza, vocal; Al Caiola, guitar; Milt Hinton, bass; Arthur Marotti & Teddy Sommer, drums; Buddy Weed, piano; Artie Drelinger, Bernie Kaufman, Joe Lenza, Boomie Richman, Stanley Webb, saxophones; Warren Covington, Phil Giardina, Urbie Green, trombones; Billy Butterfield, Lyle Dedrick, Bernie Glow, Dick Perry, trumpets 1. Marching The Blues (Richard W. Bowles) ......................... 2:28 2. Seville (A. Louis Scarmolin) ................................................ 2:33 3. I've Got The Blues (Mary Clark) ......................................... 2:20 4. Indian Serenade (Noble Can) ............................................. 3:29 5. Witch Doctor (Richard W. Bowles)..................................... 3:01 6. The Fox Steps Out (Jerry Harald)....................................... 2:24 7. Cha Cha Plenty (Norman J. Clayton) ................................. 2:58 8. Such Fun Being Bad (Hunter-Truman)............................... 2:57 9. La Fonda (Paul Yoder) ......................................................... 2:59 10. Wrong Number (Lee Roy Abernathy)................................ 2:51 Original: SESAC N 455/456 P 1958 Achtern Dahl 4 • D-27729 Vollersode • Germany P 2009 & C 2009 …AND MORE BEARS LC 12483
AMB 90024 3 Richard Maltby and his Orchestra & Mary Mazza MALTBY POWERHOUSE The 'Maltby Powerhouse' is a fount of musical energy – dynamic selections presented with authority, inexhaustible drive, full of lively shading and constantly swinging. The exciting Maltby arrangements are instilled with the vigor of an allstar aggregation, and the personable voice of songstress Mary Mazza adds an impressive glow to the proceedings. From the opening note, the fuse is lit for an explosive session of sounds and stylings that comprise a 'Maltby Powerhouse.' Starting off in high gear the boys swing out with blues in the modern manner, ablaze with collective improvisation and a smattering of authentic Dixieland brass band effects which they call Marching The Blues. Then, for foot-stomping in a different rhythm, the scene changes to the southwestern corner of Spain, and a city bursting with floral glory and the murmur of clicking castanets. It's a musical profile of Seville during a gala three-day Fair, when dancers gyrate to the voluptuous beat and magnetic attraction of the paso doble. The blues return in a hard-hitting vocal by charming Mary Mazza. Mary believes that the most efficient remedy for relieving the blues is to sing about them – and sing she does, linking her voice with the instrumental tones of the Richard Maltby Orchestra in I've Got The Blues. Next, the super-charged sound takes a respite as the orchestra offers the reflective mood piece, Indian Serenade, which showcases the trombone artistry of Urbie Green. But the boys are whipped up into a fervor again, thanks to the enchantment
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iTunes 90024 - and more bears

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