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iTunes 90024 - and more bears

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AMB <strong>90024</strong><br />

3<br />

Richard Maltby<br />

<strong>and</strong> his Orchestra<br />

& Mary Mazza<br />

MALTBY<br />

POWERHOUSE<br />

The 'Maltby Powerhouse' is a fount of musical energy – dynamic selections presented<br />

with authority, inexhaustible drive, full of lively shading <strong>and</strong> constantly swinging.<br />

The exciting Maltby arrangements are instilled with the vigor of an allstar<br />

aggregation, <strong>and</strong> the personable voice of songstress Mary Mazza adds an impressive<br />

glow to the proceedings. From the opening note, the fuse is lit for an explosive<br />

session of sounds <strong>and</strong> stylings that comprise a 'Maltby Powerhouse.'<br />

Starting off in high gear the boys swing out with blues in the modern manner,<br />

ablaze with collective improvisation <strong>and</strong> a smattering of authentic Dixiel<strong>and</strong> brass<br />

b<strong>and</strong> effects which they call Marching The Blues. Then, for foot-stomping in a<br />

different rhythm, the scene changes to the southwestern corner of Spain, <strong>and</strong> a<br />

city bursting with floral glory <strong>and</strong> the murmur of clicking castanets. It's a musical<br />

profile of Seville during a gala three-day Fair, when dancers gyrate to the voluptuous<br />

beat <strong>and</strong> magnetic attraction of the paso doble. The blues return in a hard-hitting<br />

vocal by charming Mary Mazza. Mary believes that the most efficient remedy for<br />

relieving the blues is to sing about them – <strong>and</strong> sing she does, linking her voice with<br />

the instrumental tones of the Richard Maltby Orchestra in I've Got The Blues.<br />

Next, the super-charged sound takes a respite as the orchestra offers the reflective<br />

mood piece, Indian Serenade, which showcases the trombone artistry of Urbie<br />

Green. But the boys are whipped up into a fervor again, thanks to the enchantment

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