VIL nov 09 GRID3.indd - Tubac Villager
VIL nov 09 GRID3.indd - Tubac Villager
VIL nov 09 GRID3.indd - Tubac Villager
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14<br />
A CTING<br />
CLASSES<br />
OFFERED<br />
by Kathleen Vandervoet<br />
FOR SCHLITZ, IMAGINATION FUELS TALENT<br />
Everyone knows what acting is. And most<br />
people can provide a critique about the quality<br />
of acting. But does that mean everyone can<br />
do it Polly Schlitz, who recently opened <strong>Tubac</strong><br />
Performance Studios, is here to provide expert<br />
guidance.<br />
Many of us may believe acting will never be one<br />
of our talents, but Schlitz aims to prove that idea<br />
wrong.<br />
Passion, hope and determination fuel her<br />
conversation. She intends to play a role in enriching<br />
the cultural offerings in <strong>Tubac</strong> through her acting<br />
studio. Within a few years, she expects to see it<br />
expand to becoming a formal conservatory which is,<br />
in turn, part of an even larger foundation to support<br />
music, writing, performing and more.<br />
Schlitz trained as an actor in New York but only<br />
worked professionally for a few years, she said.<br />
Acting was something she embraced from childhood,<br />
when she had the lead role in elementary school<br />
performances.<br />
She turned to acting, she said, because “I wanted to<br />
understand how I could enrich my life, have better<br />
personal controls, better observational skills, and a<br />
better way to communicate.<br />
“I realized I loved acting, but wasn’t as interested in<br />
being an actress,” she said. That led her to becoming<br />
a teacher and a writer.<br />
She now offers acting classes for anyone interested,<br />
from ages 5 to 95, she said. Classes are of varying<br />
lengths, such as a three-hour course or a weekend<br />
program. Alternatively, they can run a week or a<br />
month.<br />
With <strong>nov</strong>ice adult students who may be fearful or<br />
lack confidence, she said, “I start out saying, ‘I think<br />
you have a mistaken notion of acting.’ The first thing<br />
I do is divide the class into half. I put half onto the<br />
stage, sitting on chairs. The other half is the audience.<br />
I say to the actors, ‘go.’<br />
Schlitz explained that no one knows what to do with<br />
themselves. But that provides the first lesson. She<br />
next tells them, “Acting is doing,” and gives them<br />
varying small tasks in the room. As they start to<br />
do what she suggested, “Suddenly, they forget they<br />
Polly Schlitz<br />
are actors. You have<br />
interesting things happening.”<br />
Acting is a craft, Schlitz said. “You can learn it like<br />
anything else.”<br />
The craft “trains the imagination. And the imagination<br />
is what shapes our intention, our perspective and our<br />
sets of possibility.”<br />
She approaches the children’s classes differently.<br />
“Every workshop for kids starts with a story.” Often, a<br />
book with large, colorful illustrations will be used. The<br />
children immediately begin to talk about what they<br />
see and what their impressions are.<br />
“I always explain to kids, from Day One, that the glory<br />
of theater is that there’s no black and white, right or<br />
wrong. It’s about exploring your imagination, and<br />
manifesting that into something that interests you.<br />
“They’re learning to work together, to work as a team<br />
to go through a process towards an end product.<br />
My emphasis is always on the process of creating.<br />
We include music, movement and voice. We include<br />
creative writing.”<br />
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