The Cutting Edge
The Cutting Edge
The Cutting Edge
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BURMESTER B30<br />
slotted pulp-cone woofers, loaded by a rectangular port and<br />
teamed with an extremely unusual two-way, concentric ribbon<br />
driver. Resolution and transparency were the order of the day,<br />
rather than floor-rattling bass extension, but there was a<br />
beguiling fluidity and ease to the music from this superbly<br />
integrated system. (piega.ch)<br />
Another brand showing innovative and high-value product<br />
was DALI, with its new IKON range. With a choice of three<br />
floorstanders, two mini-monitors, two center-channels, a sub,<br />
and a rear surround, DALI covered most bases, whilst employing<br />
the combination soft-dome/ribbon-tweeter technology seen<br />
in the Helicon series in much more affordable packages. Equally<br />
appealing for multichannel or two-channel applications, these<br />
look ready to shake up the mid-market. (dali.dk)<br />
Bolzano Villetri added a newer, lower-priced range below<br />
its extensive and sumptuously finished 5000 and 3000 series<br />
omnis. Aimed at the A/V and surround-sound market, the<br />
front pair plus subwoofer offered an interesting alternative to<br />
more conventional approaches, with an expansive and notably<br />
relaxed sound, even using a basic DVD player as source. I can’t<br />
comment on the veracity (or otherwise) of its extravagant<br />
claims regarding the novelty and efficacy of its unusual<br />
opposed-driver configuration, but if it can build on these<br />
results then the performance of its products will speak for itself.<br />
(bolzanovilletri.com)<br />
Finally, Burmester was playing the new B30, smaller brother<br />
of the B100 that has so impressed HP of late. At a Euro asking<br />
price of 7900 this was doing a fabulous job of showcasing<br />
Burmester’s new 061 upsampling CD player. Again, the emphasis<br />
was on wide-open, high-resolution sound, but just when you<br />
thought that was all that was on offer, this system surprised you<br />
with some real rhythmic drive and musical authority—all delivered<br />
with effortless grace. (burmester.de)<br />
Naturally there were hordes of heavy-weight turntables on<br />
show, most of which will never (and probably should never)<br />
escape their home borders, But two items<br />
that really stood out were a re-engineered<br />
and now 12" version of Brinkmann’s<br />
Breur-alike tonearm (brinkmannaudio.com)<br />
and a very neat box from<br />
AXISS distribution that looks for all the<br />
world like a digital stylus balance (well, it<br />
makes one of those, too), which actually<br />
works the suspension of your new cartridge<br />
to run it in without trashing the<br />
stylus. Admittedly more of a<br />
dealer/reviewer tool, I’ve just got to get<br />
me one of these. (axiss-usa.com)<br />
Present only as a prototype but fascinating<br />
for all that, a record cleaner was<br />
shown by Audiodesk (makers of the CD<br />
lathe and washing machine). It’s compact,<br />
cleans both sides simultaneously and quickly, and, if it can be<br />
made to work, represents the first truly novel solution to cleaning<br />
discs since Harry Weisfeld launched the original HW16.<br />
U.K. stalwart Naim Audio continued its relentless move<br />
upmarket with the appearance of production samples of the<br />
CD555/555PS combination first seen at last September’s<br />
London show. <strong>The</strong> player and external power supply retail for<br />
nearly twice the price of Naim’s previous flagship, the<br />
ANTJE DECKER AND ELAC’S FS 609 X-P1<br />
38 THE ABSOLUTE SOUND ■ SEPTEMBER 2006