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The Cutting Edge

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BURMESTER B30<br />

slotted pulp-cone woofers, loaded by a rectangular port and<br />

teamed with an extremely unusual two-way, concentric ribbon<br />

driver. Resolution and transparency were the order of the day,<br />

rather than floor-rattling bass extension, but there was a<br />

beguiling fluidity and ease to the music from this superbly<br />

integrated system. (piega.ch)<br />

Another brand showing innovative and high-value product<br />

was DALI, with its new IKON range. With a choice of three<br />

floorstanders, two mini-monitors, two center-channels, a sub,<br />

and a rear surround, DALI covered most bases, whilst employing<br />

the combination soft-dome/ribbon-tweeter technology seen<br />

in the Helicon series in much more affordable packages. Equally<br />

appealing for multichannel or two-channel applications, these<br />

look ready to shake up the mid-market. (dali.dk)<br />

Bolzano Villetri added a newer, lower-priced range below<br />

its extensive and sumptuously finished 5000 and 3000 series<br />

omnis. Aimed at the A/V and surround-sound market, the<br />

front pair plus subwoofer offered an interesting alternative to<br />

more conventional approaches, with an expansive and notably<br />

relaxed sound, even using a basic DVD player as source. I can’t<br />

comment on the veracity (or otherwise) of its extravagant<br />

claims regarding the novelty and efficacy of its unusual<br />

opposed-driver configuration, but if it can build on these<br />

results then the performance of its products will speak for itself.<br />

(bolzanovilletri.com)<br />

Finally, Burmester was playing the new B30, smaller brother<br />

of the B100 that has so impressed HP of late. At a Euro asking<br />

price of 7900 this was doing a fabulous job of showcasing<br />

Burmester’s new 061 upsampling CD player. Again, the emphasis<br />

was on wide-open, high-resolution sound, but just when you<br />

thought that was all that was on offer, this system surprised you<br />

with some real rhythmic drive and musical authority—all delivered<br />

with effortless grace. (burmester.de)<br />

Naturally there were hordes of heavy-weight turntables on<br />

show, most of which will never (and probably should never)<br />

escape their home borders, But two items<br />

that really stood out were a re-engineered<br />

and now 12" version of Brinkmann’s<br />

Breur-alike tonearm (brinkmannaudio.com)<br />

and a very neat box from<br />

AXISS distribution that looks for all the<br />

world like a digital stylus balance (well, it<br />

makes one of those, too), which actually<br />

works the suspension of your new cartridge<br />

to run it in without trashing the<br />

stylus. Admittedly more of a<br />

dealer/reviewer tool, I’ve just got to get<br />

me one of these. (axiss-usa.com)<br />

Present only as a prototype but fascinating<br />

for all that, a record cleaner was<br />

shown by Audiodesk (makers of the CD<br />

lathe and washing machine). It’s compact,<br />

cleans both sides simultaneously and quickly, and, if it can be<br />

made to work, represents the first truly novel solution to cleaning<br />

discs since Harry Weisfeld launched the original HW16.<br />

U.K. stalwart Naim Audio continued its relentless move<br />

upmarket with the appearance of production samples of the<br />

CD555/555PS combination first seen at last September’s<br />

London show. <strong>The</strong> player and external power supply retail for<br />

nearly twice the price of Naim’s previous flagship, the<br />

ANTJE DECKER AND ELAC’S FS 609 X-P1<br />

38 THE ABSOLUTE SOUND ■ SEPTEMBER 2006

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