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The Cutting Edge

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System One: $15OO<br />

TOTAL (BEFORE CABLES, POWER CONDITIONER) = $1478<br />

Cambridge Audio 540A integrated amplifier $439 Review, Issue 162<br />

Cambridge Audio 540C CD player $439 Review, Issue 162<br />

ERA Design 4 loudspeakers $599 Review, Issue 162<br />

Cambridge Audio’s 60Wpc 540A integrated<br />

amplifier and 540C CD player are<br />

modestly priced, but they neither look<br />

nor sound like entry-level components.<br />

Both offer tube-like smoothness in the<br />

upper midrange and treble, clear and grainless<br />

midrange, and rich, full bass that conveys the roundness<br />

of acoustic basses and the dynamic punch of<br />

electric ones. Unlike many low-priced components, the<br />

Cambridge pair delivers an open and spacious soundstage,<br />

giving listeners a sense of the air and space<br />

between instruments and voices. What makes these<br />

components sound so good Build-quality, for one<br />

thing. <strong>The</strong> amplifier, notes TAS Editor-in-Chief Robert<br />

Harley, features “a sizeable toroidal transformer, generous<br />

heatsinking, metal-film resistors throughout,<br />

gold-plated jacks and quality binding posts,” and even<br />

a “high-quality motorized Alps-brand volume control.”<br />

<strong>The</strong> CD player, in turn, features a scratch-built,<br />

Cambridge-designed transport mechanism and control<br />

circuit (with a laser and optical pickup sourced from<br />

Toshiba). <strong>The</strong> player offers a streamlined signal path,<br />

with circuitry including a custom, low-jitter<br />

clock and very-high-quality Wolfson 24-<br />

bit/96kHz DACs—the same ones, says<br />

Harley, “found in some players costing<br />

$3000.” In audio as in pizza, better ingredients<br />

make for better results.<br />

<strong>The</strong> Era Design 4 loudspeakers,<br />

whose design was influenced by Michael<br />

Kelly of Aerial Acoustics, offer unexpectedly<br />

big sound from a small package. What<br />

usually floors listeners about these<br />

diminutive two-way mini-monitors are the<br />

huge, open soundstages they present, and<br />

the remarkably hearty and potent midbass<br />

dynamics they deliver. Style-conscious buyers will<br />

be interested to know that all Era speakers feature<br />

exquisite furniture-grade wood finishes, and can be<br />

ordered with matching audio furniture from Era’s sister<br />

company, Sona Design.<br />

This little system is all about conveying the<br />

nuances and inherent warmth and richness of live<br />

music—for not a lot of money.<br />

Considerations: System One does not offer deeply<br />

extended bass, nor can it play extremely loudly for sustained<br />

periods of time (but Cambridge Audio’s clever<br />

“CAT5” circuit will eventually intervene to prevent damage<br />

should the amplifier be driven too hard for too<br />

long). Note that the Era speakers should be used with<br />

rigid, high-quality speaker stands. For these reasons,<br />

System One works better in small-to-mid-sized rooms,<br />

and will be most satisfying for listeners who enjoy<br />

music played a moderate volume levels.<br />

For a system that offers a bit deeper bass extension,<br />

that can play somewhat more loudly, and that<br />

requires no speaker stands, consider the $699/pair<br />

Epos ELS 303 floorstanders (reviewed in this issue) as<br />

an alternative to the Eras.<br />

WWW.THEABSOLUTESOUND.COM 55

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