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2003 - Exeter College - University of Oxford

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And I more blessed with her than Jove with Aegin’,<br />

Or Dis adorned with Proserpine.<br />

From love to history, he charted a great range <strong>of</strong> subjects<br />

in his poetry. He wrote a ‘celebration <strong>of</strong> cyclical<br />

history’:<br />

Paestum, be still a guide and canon <strong>of</strong> the way<br />

Where grace has passed, and when time has unfurled<br />

New banners, should again return…<br />

And O you gods <strong>of</strong> beauty, that have seen<br />

The rise <strong>of</strong> Athens and the fall <strong>of</strong> Rome,<br />

Teach me to bear the failings <strong>of</strong> this time<br />

And weakness <strong>of</strong> my rhyme,<br />

With patience, knowing well, that fresh to clean<br />

The fields for wonder, and the wearied loam<br />

For growth to purify, we fall, and all<br />

Devices with us, ending being there,<br />

Yea, even where<br />

Beginning springs anew, and mending<br />

Spirit, fast as our rich robes are rending.<br />

Bell writes <strong>of</strong> his stance at this time as ‘one <strong>of</strong> curious<br />

complexity, reared over opposites’. It was autumn 1938,<br />

and events in Europe caused him also to reflect on the<br />

crisis and all it brought with it. The same subject received<br />

a variety <strong>of</strong> different treatments at his hand:<br />

prefaced by an amusing Dedication, before the opening<br />

lines:<br />

Of the first great fall <strong>of</strong> erring man,<br />

(Who has fallen since the world began<br />

With charming regularity)<br />

I sing with modest clarity.<br />

I pray you if my song be coarse,<br />

Forgive me, I am very hoarse.<br />

Or if my tone suggest a frog,<br />

Condemn my parents <strong>of</strong> the bog.<br />

(For I have studied evolution,<br />

As well as Biblical effusion,<br />

And both <strong>of</strong> them I say are true;<br />

Deride them not, I conjure you.)<br />

Bell traverses the genres with vivacity, passion, joy, and sparkling<br />

energy. Let us hope that the wings <strong>of</strong> wind which<br />

spread such myriad parts travel even further.<br />

Charles Bell is nearing the end <strong>of</strong> two new books, on his<br />

art <strong>of</strong> “Poetic Translation” and his “Life and Poems” —<br />

the latter an autobiography with unpublished and previously<br />

published work.<br />

The waste <strong>of</strong> our last war was not <strong>of</strong> wealth<br />

But charity; for the wealth, had it been given<br />

That there was burnt, would have made no war need be.<br />

And that war’s loss was not <strong>of</strong> life, but love;<br />

Had martyrs so many died for truth and kindness<br />

As there for hate, what world might we not see<br />

By hate we have won hate, greed, greed, war, war.<br />

Can submission kill more, or sacrifice waste more,<br />

Or peace cost more, or achieve less than these<br />

He also penned what he calls ‘a grotesque sc<strong>of</strong>f at<br />

Cromwell’:<br />

“Trust in God,” said Cromwell,<br />

“And keep your powder dry.”<br />

“God is love,” said Jesus,<br />

“And love’s humility.”<br />

What God was Cromwell trusting<br />

Belial the black, say I.<br />

He drew the sword <strong>of</strong> anger,<br />

And by that sword we die.<br />

The myriad parts <strong>of</strong> the puff ball described in Bell’s first<br />

extant poem may be seen as an image <strong>of</strong> the variety <strong>of</strong><br />

styles and subjects <strong>of</strong> the rest <strong>of</strong> his work. Along with<br />

the serious and grave, are touches <strong>of</strong> humour and wit.<br />

His poem ‘Paradise Well Lost’, is a take-<strong>of</strong>f on Milton,<br />

30<br />

EXON - Autumn <strong>2003</strong> - www.exeter.ox.ac.uk/alumni

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