Download PDF Version - Harry Ransom Center - The University of ...
Download PDF Version - Harry Ransom Center - The University of ...
Download PDF Version - Harry Ransom Center - The University of ...
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
ET CETERATA<br />
This dress, worn<br />
by Ann Miller in<br />
Easter Parade,<br />
is part <strong>of</strong> the<br />
<strong>Ransom</strong> <strong>Center</strong>’s<br />
film collection.<br />
<strong>Ransom</strong> Edition : : 12<br />
Ann Miller, born Johnnie Lucille Collier on April<br />
12, 1923 in Houston, Texas, began dancing lessons when she was five<br />
as part <strong>of</strong> her therapy from an attack <strong>of</strong> rickets. Her parents divorced<br />
when she was 10, and Ann and her mother moved to Hollywood,<br />
where Ann got jobs dancing in various clubs and playing bit parts in<br />
movies while being home schooled.<br />
In the late 1930s, Miller was booked at the Club Bal Tabarin in San<br />
Francisco. Lucille Ball was in the audience one night and saw Ann<br />
dance. She persuaded her agent to give Miller a screen test at RKO<br />
Studios where Ball was also under contract. Ann was signed to a<br />
seven-year contract (she was only 13 but lied and said she was 18).<br />
She debuted as a featured dancer in New Faces <strong>of</strong> 1937 (1937).<br />
Her next film, and first acting role, was Stage Door (1937), in which<br />
she was cast alongside Katherine Hepburn and Ginger Rogers. She<br />
continued to act and dance in several low-budget features before<br />
being loaned out to Columbia Pictures in 1938 for the role <strong>of</strong> the eccentric<br />
Sycamore family’s fudge-making, ballet-dancing daughter in<br />
You Can’t Take It With You, which won the Academy Award for best<br />
picture <strong>of</strong> 1938. Miller asked to be let out <strong>of</strong> her contract with RKO<br />
and soon headed to New York to appear in George White’s Scandals<br />
on Broadway in 1939. Returning to Hollywood in 1940, she appeared<br />
in a couple <strong>of</strong> films for Republic Pictures before signing with Columbia<br />
Pictures in 1941, where she would star in a series <strong>of</strong> wartime musicals<br />
and comedies.<br />
(top) Ann Miller studio still<br />
(above) Ann Miller and Peter Lawford in Easter Parade<br />
When Cyd Charisse broke her leg, Ann auditioned for and won<br />
the role <strong>of</strong> second female lead in MGM’s musical Easter Parade<br />
(1948), which also starred Fred Astaire, Judy Garland, and Peter<br />
Lawford. Her success in this film won Ann an MGM contract, and<br />
she quickly became a member <strong>of</strong> Arthur Freed’s musical unit at<br />
MGM, which included Gene Kelly, Fred Astaire, Cyd Charisse, Judy<br />
Garland, Vera-Ellen, Jane Powell, Frank Sinatra, and Jules Munshin.<br />
At MGM, she would make her best-remembered films, including On<br />
the Town (1949) and Kiss Me Kate (1953). Her final film for MGM<br />
was <strong>The</strong> Great American Pastime (1956) after which she retired<br />
from film making.<br />
Never out <strong>of</strong> the spotlight for long, Miller turned her attention to<br />
television, nightclubs, and the stage. She was the last actress to<br />
headline the Broadway production <strong>of</strong> Mame in 1969 and 1970.<br />
In 1979, she and Mickey Rooney starred in the smash hit Sugar<br />
Babies, in which she performed for nine years on Broadway and on<br />
tour. Her last stage performance was in 1998 in Stephen Sondheim’s<br />
Follies, in which she played the hardboiled survivor Carlotta<br />
Campion, who sings the anthemic “I’m Still Here.” In 2001, she took<br />
her last film role, playing Coco in director David Lynch’s Mulholland<br />
Drive (2001). Ann Miller died January 22, 2004, in Los Angeles.<br />
by Darnelle Vanghel