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ET CETERATA<br />

This dress, worn<br />

by Ann Miller in<br />

Easter Parade,<br />

is part <strong>of</strong> the<br />

<strong>Ransom</strong> <strong>Center</strong>’s<br />

film collection.<br />

<strong>Ransom</strong> Edition : : 12<br />

Ann Miller, born Johnnie Lucille Collier on April<br />

12, 1923 in Houston, Texas, began dancing lessons when she was five<br />

as part <strong>of</strong> her therapy from an attack <strong>of</strong> rickets. Her parents divorced<br />

when she was 10, and Ann and her mother moved to Hollywood,<br />

where Ann got jobs dancing in various clubs and playing bit parts in<br />

movies while being home schooled.<br />

In the late 1930s, Miller was booked at the Club Bal Tabarin in San<br />

Francisco. Lucille Ball was in the audience one night and saw Ann<br />

dance. She persuaded her agent to give Miller a screen test at RKO<br />

Studios where Ball was also under contract. Ann was signed to a<br />

seven-year contract (she was only 13 but lied and said she was 18).<br />

She debuted as a featured dancer in New Faces <strong>of</strong> 1937 (1937).<br />

Her next film, and first acting role, was Stage Door (1937), in which<br />

she was cast alongside Katherine Hepburn and Ginger Rogers. She<br />

continued to act and dance in several low-budget features before<br />

being loaned out to Columbia Pictures in 1938 for the role <strong>of</strong> the eccentric<br />

Sycamore family’s fudge-making, ballet-dancing daughter in<br />

You Can’t Take It With You, which won the Academy Award for best<br />

picture <strong>of</strong> 1938. Miller asked to be let out <strong>of</strong> her contract with RKO<br />

and soon headed to New York to appear in George White’s Scandals<br />

on Broadway in 1939. Returning to Hollywood in 1940, she appeared<br />

in a couple <strong>of</strong> films for Republic Pictures before signing with Columbia<br />

Pictures in 1941, where she would star in a series <strong>of</strong> wartime musicals<br />

and comedies.<br />

(top) Ann Miller studio still<br />

(above) Ann Miller and Peter Lawford in Easter Parade<br />

When Cyd Charisse broke her leg, Ann auditioned for and won<br />

the role <strong>of</strong> second female lead in MGM’s musical Easter Parade<br />

(1948), which also starred Fred Astaire, Judy Garland, and Peter<br />

Lawford. Her success in this film won Ann an MGM contract, and<br />

she quickly became a member <strong>of</strong> Arthur Freed’s musical unit at<br />

MGM, which included Gene Kelly, Fred Astaire, Cyd Charisse, Judy<br />

Garland, Vera-Ellen, Jane Powell, Frank Sinatra, and Jules Munshin.<br />

At MGM, she would make her best-remembered films, including On<br />

the Town (1949) and Kiss Me Kate (1953). Her final film for MGM<br />

was <strong>The</strong> Great American Pastime (1956) after which she retired<br />

from film making.<br />

Never out <strong>of</strong> the spotlight for long, Miller turned her attention to<br />

television, nightclubs, and the stage. She was the last actress to<br />

headline the Broadway production <strong>of</strong> Mame in 1969 and 1970.<br />

In 1979, she and Mickey Rooney starred in the smash hit Sugar<br />

Babies, in which she performed for nine years on Broadway and on<br />

tour. Her last stage performance was in 1998 in Stephen Sondheim’s<br />

Follies, in which she played the hardboiled survivor Carlotta<br />

Campion, who sings the anthemic “I’m Still Here.” In 2001, she took<br />

her last film role, playing Coco in director David Lynch’s Mulholland<br />

Drive (2001). Ann Miller died January 22, 2004, in Los Angeles.<br />

by Darnelle Vanghel

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