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Issue 73 - Stanford Lawyer - Stanford University

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DISCOVERY<br />

37<br />

STANFORD<br />

LAWYER<br />

Only where there is a tragedy of the commons<br />

do we insist on complete or relatively complete<br />

internalization of externalities. There is no tragedy<br />

of the commons in intellectual property. A<br />

tragedy of the commons occurs when a finite natural<br />

resource is depleted by overuse. Information<br />

cannot be depleted, however. Indeed, copying<br />

information actually multiplies the available<br />

resources, not only by making a new physical<br />

copy but also by spreading the idea and therefore<br />

permitting others to use and enjoy it. Rather than<br />

a tragedy, an information commons is a comedy<br />

in which everyone benefits.<br />

This doesn’t mean that intellectual property<br />

law is a bad idea. Rather, the basic economic justification<br />

for intellectual property law comes from<br />

what was only an occasional problem with tangible<br />

property—the risk that creators will not make<br />

enough money in a market economy to cover<br />

their costs. Information is different from ordinary<br />

goods because the marginal cost of reproducing it<br />

is so low. In a private market economy, individuals<br />

will not generally invest in invention or creation<br />

unless the expected return from doing so exceeds<br />

the cost of doing so—that is, unless they can reasonably<br />

expect to make a profit. To profit from<br />

a new idea or a work of authorship, the creator<br />

must be able either to sell it to others for a price<br />

or to put it to some use that provides her with a<br />

comparative advantage in a market.<br />

Selling information requires disclosing it to<br />

others. Once the information has been disclosed<br />

outside a small group, however, it is extremely<br />

difficult to control. If we assume that it is nearly<br />

costless to distribute information to others, it will<br />

prove virtually impossible to charge enough for<br />

information to recoup any but the most modest<br />

fixed-cost investments. If the author of a book<br />

charges more than the cost of distribution, hoping<br />

to recover some of her expenditures in writing the<br />

work, competitors will quickly jump in to offer<br />

the book at a lower price. Competition will drive<br />

the price of the book toward its marginal cost—in<br />

this case the cost of producing and distributing<br />

one additional copy. In this competitive market,<br />

the author will be unable to recoup the fixed cost<br />

of writing the book. If this holds generally true,<br />

authors may leave the profession in droves, since<br />

they cannot make any money at it. The result,<br />

according to economic theory, is an underproduction<br />

of books and other works of invention and<br />

creation with similar public goods characteristics.<br />

Intellectual property, then, is not a response<br />

to allocative distortions resulting from scarcity, as<br />

real property law is. Rather, it is a conscious decision<br />

to create scarcity in a type of good in which<br />

it is ordinarily absent in order to artificially boost<br />

the economic returns to innovation. But solving<br />

the “problem” of intellectual property does not<br />

require complete internalization of externalities.<br />

How do the implications of my approach<br />

differ from the free riding argument The critical<br />

difference is that intellectual property law is<br />

justified only in ensuring that creators are able to<br />

charge a sufficiently high price to ensure a profit<br />

sufficient to recoup their fixed and marginal<br />

expenses. Sufficient incentive, as Larry Lessig<br />

reminds us, is something less than perfect control.<br />

Economic theory offers no justification for awarding<br />

creators anything beyond what is necessary to<br />

recover their average total costs.<br />

What’s Wrong with<br />

Overcompensating Creators<br />

The argument so far shows that there is no economic<br />

justification for granting inventors and<br />

creators the right to control positive externalities<br />

flowing from their creations, except to the extent<br />

necessary to enable them to cover their average<br />

fixed costs. But, the reader might object, showing<br />

that there is no need to grant such control doesn’t<br />

compel the conclusion that there is anything<br />

wrong with giving creators greater control over<br />

positive externalities. Wouldn’t it be easier just to<br />

treat intellectual property rights as absolute<br />

There are a number of costs to granting overbroad<br />

intellectual property rights. These costs fall<br />

into five categories. First, intellectual property<br />

rights distort markets away from the competitive<br />

norm, and therefore create static inefficiencies<br />

in the form of deadweight losses. Second, intellectual<br />

property rights interfere with the ability<br />

of other creators to work, and therefore create<br />

dynamic inefficiencies. Third, the prospect of<br />

intellectual property rights encourages rent-seeking<br />

behavior that is socially wasteful. Fourth,<br />

enforcement of intellectual property rights imposes<br />

administrative costs. Finally, overinvestment in<br />

research and development is distortionary.<br />

None of this is intended to suggest that intellectual<br />

property is a bad idea. Far from it. Rather,<br />

the point is that we cannot and should not seek

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