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Proceedings of National Seminar on Postmodern ... - Igcollege.org

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<str<strong>on</strong>g>Proceedings</str<strong>on</strong>g> <str<strong>on</strong>g>of</str<strong>on</strong>g> <str<strong>on</strong>g>Nati<strong>on</strong>al</str<strong>on</strong>g> <str<strong>on</strong>g>Seminar</str<strong>on</strong>g> <strong>on</strong> <strong>Postmodern</strong> Literary Theory and Literature , Jan. 27-28, 2012, Nanded<br />

“ History always talk <str<strong>on</strong>g>of</str<strong>on</strong>g> the victories, literature talks <str<strong>on</strong>g>of</str<strong>on</strong>g> defeats. History speaks <str<strong>on</strong>g>of</str<strong>on</strong>g> what is<br />

while literature talks <str<strong>on</strong>g>of</str<strong>on</strong>g> what could have been but both talk <str<strong>on</strong>g>of</str<strong>on</strong>g> what should not have been.<br />

Partiti<strong>on</strong> is a wound, which doesn’t heal ever. There are lot <str<strong>on</strong>g>of</str<strong>on</strong>g> painful memories associated<br />

with it and those who have g<strong>on</strong>e through it are still haunted by memories”.<br />

The film starts with Puro’s (Urmila Mart<strong>on</strong>dkar) carefree life with her<br />

parents (Kulbhushan Kharbanda and Lillete Dubey) and brother Trilok<br />

(Priyanshu Chatterjee) and two sister, <strong>on</strong>e <str<strong>on</strong>g>of</str<strong>on</strong>g> them is Rajjo(Isha Koppikar). The<br />

film moved during 1946 and 1948, the time <str<strong>on</strong>g>of</str<strong>on</strong>g> freedom from British col<strong>on</strong>ies<br />

and the air <str<strong>on</strong>g>of</str<strong>on</strong>g> partiti<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> the land India and Pakistan.<br />

Puro’s marriage is fixed with a wealthy, decent and scholar young man,<br />

Ramchand (Sanjay Suri) and it is decided that Trilok will be marry with Lajjo,<br />

Ramchand’s sister (Sandali Sinha). But <strong>on</strong>e evening Puro is kidnapped by<br />

Rashid (Manoj Bajpai). Puro’s family is grief stricken but they neither bother to<br />

lodge police complaint nor look for her. When girl is kidnapped mysteriously<br />

from a house, she is as good as dead for her family. What is the reas<strong>on</strong>- Rashid<br />

explains it – the two families – his and hers – haven been rivals for some years<br />

now. Her grandfather had g<strong>on</strong>e <strong>on</strong>e <str<strong>on</strong>g>of</str<strong>on</strong>g> his aunts kidnapped and kept her at their<br />

house for three successive nights, while his grandfather, father and uncle<br />

pledged revenge. It was d<strong>on</strong>e thing so, now it was Puro’s turn to face the<br />

c<strong>on</strong>sequences <str<strong>on</strong>g>of</str<strong>on</strong>g> her ancestors’ misdeeds. One night Puro succeeds to run away<br />

and reaches her parent’s house but they refuse to take her back because their<br />

community w<strong>on</strong>’t accept her and nobody will marry her. Puro decides to get<br />

suicide but Rashid waits for her near the well and takes her back with him. He<br />

loves her genuinely; he has repentance for his deeds. Puro also slowly adjusts<br />

with her new life and identity with the new name Hamida though she can’t<br />

f<strong>org</strong>et her root, her parents, her village and her love.<br />

Life goes <strong>on</strong> for everybody except Trilok and Ramchand, Trilok searches<br />

his sister Puro and Ramchand yet waits for his Janaki.<br />

This situati<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> these three pers<strong>on</strong>s are narrated through a beautiful s<strong>on</strong>g<br />

sung by Jagjeet Singh:<br />

“Haath Choote bhi to Rishte Nahi Choota Karate<br />

Waqt ki Shakh se Lamhe Nahi Toota Karate.”<br />

530 PLTL-2012: ISBN 978-81-920120-0-1

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