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Issue 23 - noiZe Magazine

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From the Editor<br />

This New Year’s, the city of Miami Beach<br />

provided us with yet another example that shows it is<br />

impossible to legislate morality. In a fit of afterhours-phobia,<br />

they almost passed a ban on dancing<br />

between the hours of 5 and 8 a.m. to combat this<br />

menace to society-at-large. The City Council<br />

meeting was punctuated with such notable events as<br />

the chief of police testifying that he’d been to afterhours<br />

and seen people sucking on lollipops - a clear<br />

sign that they were doing drugs! Many turned up in<br />

favor of the clubs, however, and in the end, the city<br />

voted to strictly enforce the rule of closing the<br />

alcohol bars at 5 a.m. and to close the after-hours at<br />

9 a.m. With discussion about the fact that these<br />

clubs were located right in the middle of the tourist<br />

district rather than in the “meat packing district” like<br />

they are in New York, it was clear that the biggest<br />

concern was the visibility of messy party boys on the<br />

streets at noon.<br />

This meant that at promptly 5 a.m. on New<br />

Year’s morning, the Convention Center closed,<br />

spilling at least 5000 boys into the streets. During<br />

our exit, a line of about 20 police cars paraded down<br />

Convention Center Drive, lights flashing and sirens<br />

wailing. Were they saying, “we’re here, and we know<br />

what you’re up to”<br />

To compensate those who had expected a later<br />

night, Jeffrey Sanker threw a second party at Level,<br />

which couldn’t start until 8 a.m. since Level holds a<br />

liquor license. Club cleanup took longer than<br />

expected with an exhausted staff that had just<br />

thrown a huge New Year’s Eve celebration for their<br />

straight clientele - so the doors didn’t open till almost<br />

9 a.m. The lineup outside lasted past 10. The place<br />

rocked till almost 4:00 in the afternoon. So much for<br />

not having messy boys on the streets in broad<br />

daylight.<br />

The most interesting thing to me is that over<br />

and over I heard people remark that this was a totally<br />

new concept (none of them were from New York) -<br />

the idea of going out to a new party at 8 a.m. No<br />

doubt to accomplish this task, most everyone did<br />

even more substances at this hour. Without the<br />

interference of the City Council, the majority of<br />

these guys would have danced themselves out by 7 or<br />

8 or 9 a.m. at the Convention Center, and then gone<br />

home to bed. Yes, a small contingent would have<br />

been sleepless or driven or tweeked and gone on to<br />

after-hours - but these would have been the same<br />

guys who always go to after-hours. Instead, everyone<br />

made it a point to party on into the afternoon. For<br />

many, a whole new level of decadence was created in<br />

honor of the new Millennium. Worse, when people<br />

doing drugs are dumped onto the streets because a<br />

legislated bar closing time has arrived, they don’t<br />

have a chance to return to earth. How many of them<br />

get in cars and drive in a state when they shouldn’t be<br />

driving<br />

On the positive side, the after-hours was a really<br />

delicious, debauched experience that was reminiscent<br />

of the days when the club Go ruled Miami. It was<br />

depraved enough to satiate my party needs, allowing<br />

me to stay home and relax into the first work week<br />

of the Millennium.<br />

-Steve Kammon<br />

Editor in Chief Steve Kammon<br />

Publisher Stephen Ceplenski<br />

Advertising Director Gary Steinberg<br />

818-769-9390<br />

National Advertising Rep Rivendell Marketing<br />

Company, Inc.<br />

212-242-6863<br />

Art Director Klaus Gerhart<br />

Copy Editor Jeff Taylor<br />

Distribution Mike Spicola<br />

Promotions Circuit Boyz Productions<br />

Cover & Nude Photos Klaus Gerhart<br />

Circuit Photos Circuit Boyz Productions<br />

Chris Recek<br />

Bryan Mortenson<br />

Canboy Productions<br />

Sergio Finetto<br />

Kat Coric<br />

Joe Potter<br />

Writers and Contributors John R. Ballew<br />

Dane Hall<br />

Brandon<br />

Michael Lennox<br />

Dennis Fleming<br />

Kerry Hettinger<br />

Curt Freitag<br />

J. Chris<br />

Jeff Brascher<br />

K. Mechar<br />

Matt Kalkhoff<br />

Cristopher Blake<br />

Thomas L. Stoodley<br />

Christopher White<br />

East Coast Office POBox 22656<br />

Fort Lauderdale, FL 33335<br />

954-764-8210 (voice)<br />

954-764-6392 (fax)<br />

West Coast Office 11288 Ventura Blvd #700<br />

Studio City, CA 91604<br />

818-769-9390 (voice)<br />

818-769-5482 (fax)<br />

E-mail info@circuitnoize.com<br />

Website www.circuitnoize.com<br />

www.partyfinder.com<br />

Copyright 2000 Circuit Noize. All rights reserved. Contents may<br />

not be reproduced without permission from the publisher.<br />

Publication of name or photo of any person or organization in<br />

Circuit Noize is not to be construed as any indication of the<br />

sexual orientation of that person or organization.<br />

Published in February, May, August and November<br />

TM<br />

Circuit<br />

4<br />

Noize


Table of Contents<br />

Click on any article to view<br />

A Political Party for the New Millennium by Matt Kalkhoff.. 12<br />

A Three-Way on Three-Ways:<br />

Beautiful Strangers by Dane Hall .................................. 18<br />

Re-Intimating by Steve Kammon ............................................ 22<br />

Perils of Freedom by Christopher White ........................ 28<br />

The Ears Have It .................................................................. 32<br />

Renaissance America by Curt Freitag ................................ 38<br />

Is There Hope for Those with CRAP by Cristopher Blake .. 42<br />

Harmony on the Dance Floor by Jeff Brascher .................. 52<br />

Membership in AACP by Dennis Fleming ............................ 54<br />

Fight Clubs & Dance Floors by K. Mechar.......................... 62<br />

Spring Circuit ...................................................................... 72<br />

Just the Music by Thomas L. Stoodley ................................ 94<br />

Circuit Sage by Michael Lennox .......................................... 96<br />

Greetings from the Celebrity Lounge by Kerry Hettinger .. 98<br />

Anal Sex by John R. Ballew ..................................................104<br />

A Private Shadow Dance by Brandon ................................106<br />

Taking a Bullet by J. Chris ..................................................110<br />

Circuit<br />

5<br />

Noize


A Political Party for the New Millennium<br />

by Matt Kalkhoff<br />

On April 30, 2000, more than 1 million gay men and women<br />

are expected to descend upon our nation’s capital for the<br />

historic Millennium March on Washington (MMOW). This is<br />

the fourth GLBT March on Washington. The first march, in<br />

1979, attracted 100,000 people. The last march, in 1993, was<br />

famous among the party boys because the<br />

number of people that descended on DC<br />

created some of the most awesome parties<br />

ever seen there. In fact, it was this weekend<br />

that planted the seeds among local<br />

promoters, resulting in a Circuit party. This<br />

year, the volunteer committee that hosts the<br />

now-famous Cherry events has scheduled<br />

the Cherry 5 festivities to coincide with the<br />

weekend of the Millennium March.<br />

There is a great deal of controversy<br />

surrounding this particular march. Several<br />

prominent national organizations, such as<br />

NGLTF, pulled out of the organizing early<br />

on. There were disagreements with the<br />

march organizers (HRC and MCC) and the<br />

march committee. A controversy erupted<br />

about the whole concept of even having a<br />

march. Some outspoken members of the<br />

gay community have questioned the<br />

necessity and ultimate effectiveness of this<br />

tactic. Fundraising and logistical planning<br />

suffered.<br />

But now, the tide has turned. There’s<br />

been a big shake-up in the march<br />

leadership. Some groups that opposed the<br />

march have returned to the fold. There is now<br />

widespread concern that a poor showing at the march<br />

will hurt the whole gay rights movement. “A rising tide<br />

lifts all boats,” as they say, but the opposite is also true.<br />

This weekend presents us party boys with the<br />

opportunity to both enjoy ourselves at a weekend of<br />

feisty festivities and to also support our brothers who are<br />

trying to further our rights. For while we have come<br />

very far in the last three decades, we haven’t actually<br />

accomplished any of the goals set at the very first March<br />

on Washington.<br />

The march is designed to be short and sweet - a<br />

two-block street march, followed by an eleven-block<br />

stroll up the Mall. Most of us will miss the parade,<br />

since it starts too early, but we should make a<br />

commitment to attend the rally on the National Mall at<br />

noon on Sunday, April 30. There, your political<br />

activism can make the most difference - since the U.S.<br />

Capitol will make for the best background for photo<br />

ops of the crowd scene. Check out www.mmow.org for<br />

official MMOW information and<br />

www.millenniummarch.com for an unbiased and<br />

comprehensive look at the march.<br />

Now that we’ve got all the vital political issues ‘n<br />

stuff out of the way, let’s talk about the parties.<br />

Proceeds raised during Cherry 5 will benefit The Cherry<br />

Circuit<br />

12<br />

Noize


Fund, a non-profit organization that was established to<br />

provide financial support to various gay and lesbian<br />

causes in the Washington, DC area. This year’s<br />

beneficiaries include the new Washington Gay and<br />

Lesbian Center, the Gay and Lesbian Victory<br />

Foundation (the national organization whose sole<br />

mission is to increase the number of openly gay and<br />

lesbian elected officials), DC CARE Consortium (an<br />

AIDS resource and education consortium), and the<br />

Millennium March on Washington.<br />

Several spectacular events are being planned as<br />

part of the Cherry weekend. The parties kick off with<br />

an appearance by DJ Joe D’Espinosa on Friday night.<br />

The highlight of the weekend is likely to be an<br />

enormous dance extravaganza on Saturday at The Old<br />

Post Office Pavilion. This is the space where the<br />

legendary “Spring to Life” party occurred, in excess of<br />

6,000 people, during the 1993 March. This year,<br />

Circuit legend DJ Warren Gluck will be accompanied<br />

by the illusionary effects of lighting wizard Ross Berger.<br />

Details of Sunday night’s party, as well as additional<br />

information on the beneficiaries and parties, will be<br />

posted at www.cherryfund.com.<br />

In a unique and innovative effort to raise even<br />

more money for their beneficiaries, The Cherry Fund<br />

has also assembled more than 40 of your favorite<br />

online stores to form www.ishopforcharity.com. At<br />

this site, you can shop at stores like J. Crew and<br />

Amazon with a percentage of each sale going directly to<br />

the Cherry 5 beneficiaries.<br />

If the Cherry 5 events haven’t worn you out, you<br />

can try an assortment of other dance parties that are<br />

being planned for this momentous weekend. By the<br />

time you read this, many additional events will surely<br />

have been announced and some details may have<br />

changed. Local promoters Dave Parham of Backbeat<br />

Productions and Mark Lee of Atlas Events (202/331-<br />

4422) are joining forces to bring DJ Buc to town on<br />

Sunday night at Club Zei. Lou Piper<br />

(Two2Fab@aol.com) is working on a late-night Friday<br />

event with DJ St. Peter as well as his infamous<br />

Exclamation party on Sunday night with DJ<br />

Mark Vallese. Local bars and clubs will also<br />

be hosting their own events, including the<br />

likely appearance of super-DJs Danny<br />

Tenaglia and Victor Calderone thrown in for<br />

color.<br />

In keeping with the spirit of music as a<br />

powerful force in our fight for equality, you<br />

are all cordially invited to join Melissa<br />

Etheridge, Ellen DeGeneres, Anne Heche,<br />

and Kristen Johnson at “Equality Rocks,” a<br />

mega concert event that is being produced in<br />

conjunction with the Human Rights<br />

Campaign Foundation. “The rock concert<br />

for the new century, celebrating equal rights<br />

for all” will take place at the 45,000-seat<br />

Robert F. Kennedy Stadium on Saturday,<br />

April 29, 2000 at 6:00 p.m. Many other<br />

performers are expected to join the line-up<br />

including Cher, Elton John, Sheryl Crow,<br />

and Garth Brooks. And what would a major<br />

Circuit weekend be without the requisite<br />

Madonna rumor floating around That’s<br />

right kids, the Big M just might grace us<br />

with her presence for a long-overdue concert<br />

appearance, let’s keep our fingers crossed.<br />

Tickets, which range from $35 in the nosebleeds<br />

to $1,000 for front row seats, can be<br />

ordered online at www.ticketmaster.com or<br />

by phone at (800) 551-SEAT.<br />

As you can see, there will be a multitude<br />

of electrifying events to keep you busy<br />

during Millennium March weekend, so<br />

come join us in our nation’s capital at the<br />

end of April and see for yourself why<br />

Washington isn’t just a stuffy city full of<br />

crooked politicians and tired sex scandals.<br />

For at least one weekend, it will also be a<br />

dynamic spot where you can party your ass<br />

off while fighting for your basic civil rights as<br />

American citizens.<br />

Circuit<br />

13<br />

Noize


Beautiful Strangers<br />

by Dane Hall<br />

I stand on the sidelines, watching them as I nurse a cool, but<br />

not cold, bottle of water. Why is the water never cold at these<br />

places The music dances through my head in a hypnotic series<br />

of beats. The lights dazzle my starry eyes. There is magic in the<br />

air as the volcanic sea of flesh before me churns and bubbles<br />

with fiery intensity. But despite a multitude<br />

of visual distractions, my focus never<br />

wavers from them: two sexy examples of<br />

unbridled masculinity.<br />

They are lost in their own private<br />

groove; torsos sliding together, arms<br />

encircling, reaching, feeling, fingertips<br />

charged with electricity. Lips flirt<br />

dangerously close, but never touch. Eyes<br />

bore deep, fueled with the adrenaline of<br />

discovery.<br />

They are a sight to behold and I find<br />

myself caught in the spell they are weaving.<br />

Like two wizards sharing a secret chant,<br />

they turn to me at the exact same moment<br />

and a fever-hot whisper of a smile crosses<br />

both their faces.<br />

One of them, the taller of the two,<br />

beckons me over with a slight jerk of his<br />

head. But I have no desire to join them at<br />

this moment. I smile back with a gentle<br />

shake of my head. The glint in my eye cuts<br />

its way through the festival of lights and<br />

reaches its target, meaning intact. I’m<br />

enjoying the visual, something he didn’t<br />

understand until we’d shared this experience.<br />

With a barely-there grin, so slight that only I<br />

will see and comprehend it, my boyfriend<br />

turns back to his newly-met dance partner<br />

and the alchemy begins again.<br />

If you’re one half of a male couple who<br />

enjoys a good night of dancing together,<br />

then you may have experienced the above<br />

scenario in some form or another. If not,<br />

then prepare yourself, because it will<br />

happen regardless of whether you are ready.<br />

These interludes are just one of many<br />

unique challenges facing two boys in love<br />

on the party scene. The dance floor is a<br />

mystical place that can create nearly instantaneous love<br />

affairs. But what if one of those lyrically-infused<br />

“relationships” flares up between your partner and<br />

some beautiful stranger smack dab in the middle of<br />

your festive night out What if, in a resounding vortex<br />

of music, lights and serotonin-boosters, you find<br />

yourself tripping the light fantastic with a handsome,<br />

strapping man who is not your husband How do you<br />

react What do you do What are the rules of this<br />

impromptu dance And when does the “green light”<br />

flash red<br />

My own personal litmus test for “dance floor love<br />

affairs” took years to fully work itself out. There was a<br />

long period when I would dance with no one but my<br />

boyfriend. Nor he, by my rather strident request, with<br />

anyone but me. Of course, that was in the beginning<br />

of our relationship and my insecurity factor topped the<br />

scale. How could it not I was brand-new to the<br />

scene, and nights out with my boyfriend usually found<br />

us surrounded by example after example of sculptor’s<br />

dream muses. And they all wore such big, inviting<br />

smiles!<br />

The first time I found myself slipping into<br />

someone’s dance groove other than my boyfriend’s, I<br />

was acutely uncomfortable. What would my boyfriend<br />

think What would our friends say What did this<br />

super-sexy stranger expect to happen - want to happen<br />

And most importantly, how in the world would I<br />

conduct myself when my body was tingling and his<br />

deliciously musky sweat was close to intoxicating<br />

Although my boyfriend flashed me a winning<br />

smile that assured me, “Good for you,” my heart raced.<br />

It wasn’t the chemicals. Rather, in the space of a<br />

heartbeat, I’d become a kid again. Nervous! But<br />

damn, this stranger’s well-muscled chest felt great<br />

against mine! And he could move! I began to relax,<br />

have fun... a lot of fun.<br />

But the sultry grind ended a long remix later when<br />

my new dance partner reached behind himself and<br />

Circuit<br />

18<br />

Noize


moved the hand I’d initially placed so gingerly on his<br />

back and slid it down beneath the waistband of his<br />

silky sweatpants. Slid it way down. Damn! He had<br />

one great ass to match that chest! But, it was a new<br />

boundary for me. I didn’t know the rules. I quickly<br />

withdrew from my beautiful stranger with a shy smile<br />

and a stupidly meek, “Thanks.”<br />

Yeah, I know.<br />

I know!<br />

“What a fool!”<br />

To those accustomed to the unique rules and<br />

environment of the dance floor, my shy response four<br />

years ago at the age of thirty-one may seem silly, if not<br />

downright uncool. But to me, it was the right one.<br />

My boyfriend and I hadn’t yet talked about what<br />

happens when you’re out dancing, feeling the rhythm<br />

and taking part in the tribal celebration of men<br />

dancing together.<br />

Years later, we’ve developed our rules of what’s<br />

“permissible” and what’s not (though I’m sure some of<br />

our friends might beg to differ) on the dance floor.<br />

Many of these boundaries, quite honestly, have come<br />

by trial and error. And yes, often times the errors<br />

really screw up a night! When the music’s pounding,<br />

the lights are strobing and the men are swinging from<br />

each other like simians through the trees, it’s hard not<br />

to get caught up in the energy. It’s easy to get carried<br />

away by a beast.<br />

To get to this point in our relationship, we had to<br />

honestly acknowledge the tremendous physical<br />

satisfaction that comes from finding yourself sharing<br />

an electrical current with a sexy, groovin’ stranger. It’s<br />

OK that this kind of attention feeds the ego. It<br />

doesn’t mean my boyfriend or I love the other any less.<br />

It took a while for us to trust in our oneness, to be<br />

sure the other would never forget that we are one. My<br />

boyfriend will always be my favorite dance partner.<br />

Hands down.<br />

For us, the rule is to respect one another’s feelings<br />

more than our own desires. If, for whatever reason,<br />

one of us starts feeling nervous when a beautiful<br />

stranger enters the mix, it’s up to the one of us “having<br />

the good time” to politely ask Mr. Handsome for a<br />

rain check and we move on. Not a lot of questions<br />

asked.<br />

It’s just a dance, though it is a dance that can<br />

become a gateway to something more.<br />

Circuit<br />

19<br />

Noize


Re-intimating<br />

by Steve Kammon<br />

My boyfriend and I were at a point in our relationship where<br />

we’d already negotiated the bounds of our vows when we<br />

discovered the Circuit. At that time, we agreed that it was OK<br />

to sleep with other boys, if we both liked them. And so the<br />

Circuit presented itself as a candy store. At first, the demands<br />

of the Circuit created many new laws of<br />

conduct. These rules covered everything<br />

from how we decided which boys could<br />

be picked up to hand signals that<br />

confirmed interest or annoyance with a<br />

boy we were evaluating. As time went by,<br />

our security in the relationship increased<br />

and the rules were peeled away one by<br />

one. If the Circuit really were a candy<br />

store, we’d both have spent a lot of money<br />

at the dentist, getting cavities filled.<br />

With two of you working the crowd,<br />

you’ve doubled your chances at getting<br />

laid. But an even bigger advantage to<br />

having a boyfriend on the Circuit is the<br />

moral support that a boyfriend provides.<br />

This comes in especially handy when you<br />

touch a boy on the dance floor in an<br />

inviting fashion, and he turns around and<br />

looks at you like you’re seven-day-old<br />

bread with those little green-white mold<br />

spots beginning to pop out in a random<br />

pattern. This is the perfect time to turn<br />

right back into your boyfriend’s arms and<br />

know that you’re loved.<br />

Tag-team relationships are abundant<br />

on the Circuit. Some of the single boys<br />

here have actually developed a knack for<br />

locating couples on the prowl and prefer<br />

hooking up with couples rather than<br />

single guys. They like the double scoops<br />

of attention they get and the complete<br />

lack of commitment when the sex is over.<br />

I suspect some of these couple-chasers<br />

also get off on the potential for drama to<br />

unfold right in front of their eyes. You<br />

know how some queens just live for<br />

drama.<br />

After years of balancing career and<br />

party, having a long-term relationship and being a<br />

party slut, my relationship ended. I discovered that<br />

it was easy to get laid as a single guy on the Circuit,<br />

if that’s what your focus is. I soon found, though,<br />

that sex was not really my highest priority at a party<br />

any longer. Now that my life lacked the intimacy of<br />

a relationship, it was the only thing I wanted. I<br />

found what I was looking for by dancing with my<br />

friends. I found ways to enhance the love energy.<br />

The Circuit became a place to bond with friends.<br />

And when I got horny enough, I’d get up the drive<br />

to hunt.<br />

As I started meeting new guys and entertaining<br />

the possibility of new relationships, those old days of<br />

being part of a free-wheeling couple came back to<br />

haunt me. No, not because people perceived me as<br />

used equipment or damaged goods. On the Circuit,<br />

it’s taken for granted that the boys you meet have<br />

been around the block a few times. For me, this was<br />

a personal issue - an internal struggle. Once you’ve<br />

opened Pandora’s box, how do you close that door to<br />

start anew<br />

Some new couples, made up of jaded partners,<br />

simply dive back into the melee. They quickly<br />

establish new rules of non-monogamy that fit the<br />

new relationship. Part of me wanted to do the same.<br />

I longed for the days of wild debauchery, which<br />

allowed me both intimacy and also fresh, hot boys.<br />

It didn’t take long to realize that playing with new<br />

boys when you’ve got a new boyfriend is an activity<br />

fraught with danger. The problem with this situation<br />

is that it is easy to make assumptions about how a<br />

new boyfriend will react based on the wide-open<br />

rules of an old relationship. When those<br />

assumptions prove very out-of-touch with reality,<br />

confusion and anger are the usual result.<br />

Certainly, one of the keys to negotiating the<br />

transition to non-monogamy for any couple is simply<br />

talking it through with patience and understanding.<br />

Circuit<br />

22<br />

Noize


Being honest about your desires for a solid, yet<br />

open, relationship is crucial to establishing trust.<br />

Perseverance is equally important. You can be sure<br />

that some good arguments will be had while<br />

negotiating these difficult waters. Another factor<br />

that makes the monogamy transition difficult is<br />

that, for most of us, during the dating phase, when<br />

there is no commitment, we make it a point of<br />

having the freedom to sleep with others. I believe<br />

that you’re cheating yourself and your relationship,<br />

if you don’t force the lid back down onto your<br />

libido.<br />

Intimacy isn’t established overnight. If you<br />

want to have a connected relationship, yet have it<br />

iced with extra-marital boyz, then you have to focus<br />

first on the primary relationship. An initial phase of<br />

monogamy in a relationship will greatly help in<br />

defining the boundaries. After trust is established,<br />

many things are possible. Many Circuit boys,<br />

myself included, have a tough time learning the art<br />

of delayed gratification. However, it is actually a<br />

way to enhance pleasure, not diminish it.<br />

One of the beautiful things about gay<br />

relationships is the fact that we are already outside of<br />

society’s established norm. This makes us free to<br />

define our relationships as we will. Because there<br />

are no rules, establishing a set that works for both of<br />

you is an important step in the process of opening a<br />

relationship. We shouldn’t feel that these rules are<br />

stagnant, once established. A healthy relationship<br />

will change and grow. It’s interesting to watch a<br />

strict set of rules about playing around be<br />

slowly ground to dust by years of misuse.<br />

During the course of an open relationship,<br />

it may help to go through phases of being<br />

open and phases of monogamy in order to<br />

deepen the intimacy in the primary<br />

relationship.<br />

For those of you who are working on<br />

a second or third or fourth relationship,<br />

you’ll find that you can never recreate the<br />

innocence of your first marriage. But by<br />

making the commitment to be<br />

monogamous for some period of time, you<br />

may find that you can wear white to your<br />

second, third or fourth wedding. Then<br />

again, you can always cheat by planning<br />

the wedding to coincide with Easter<br />

weekend in Palm Springs.<br />

Circuit<br />

<strong>23</strong><br />

Noize


Perils of Freedom<br />

by Christopher White<br />

“I just love gay marriages! They’re so sexually liberating!”<br />

And so began the new year with the words uttered by our first<br />

“trick” of the millennium, candidly describing my relationship<br />

with my boyfriend of five years. Threesomes have become a<br />

common affair (pardon the pun) for my partner and me. What<br />

started as a monogamous relationship, has<br />

become, like many gay partnerships, one of<br />

sexual liberation and adventure. But as<br />

with many adventures, there are certain<br />

perils along the path that one must be<br />

careful to avoid.<br />

Looking back, I realize that the<br />

monogamy in our early days was necessary<br />

in order to build the trust that is essential in<br />

any primary relationship. Until one is<br />

certain of their partner’s love for them and<br />

vice versa, any outside interest can prove to<br />

be a threat. Like any physical structure, a<br />

solid foundation is required, and mixing<br />

foreign ingredients into the cement may<br />

weaken the base on which that relationship<br />

is built.<br />

So we were monogamous. Those early<br />

days were for us to explore one another and<br />

determine whether or not this was to<br />

become a long-term commitment. In time,<br />

our relationship thrived and our certainty<br />

increased. A true partnership had<br />

developed and we knew that we belonged<br />

together. We loved one another and our<br />

love grew stronger with each day.<br />

We have always been very comfortable<br />

pointing out attractive men to one another<br />

- from the first day we met. It has never<br />

been an act that registered jealousy in either<br />

of us but, quite frankly, has been an activity<br />

that we have both enjoyed immensely.<br />

Many of our straight friends, and some of<br />

our gay friends, could not understand how<br />

we could be “together” but still be attracted<br />

to other men. We never thought our<br />

behavior odd. We were comfortable and<br />

secure in our relationship and knew there<br />

was never a need to worry. Our eyes have<br />

always wandered, and they probably always will.<br />

The freedom that many gay relationships enjoy is<br />

not usually found in our heterosexual counterparts so it<br />

is not surprising that our friends were shocked by our<br />

conduct. What we found unusually scandalous,<br />

though, were the number of gay couples we knew who<br />

were involved in committed relationships but who also<br />

enjoyed an occasional ménage à trio. I could not<br />

understand how these couples sustained healthy<br />

relationships while playing around so often. “Look, but<br />

don’t touch,” seemed to be a good motto to live by, but<br />

our friends seemed to be even happier “handling the<br />

merchandise” every once in a while.<br />

We became intrigued by this lifestyle and thought<br />

we might try it out. We started out slowly, agreeing<br />

upon one rule in particular. We would only engage in<br />

threesomes - no separate partnerships. Our relationship<br />

at the time was still fairly new and I didn’t think I was<br />

ready for either of us to be involved in something that<br />

seemed even more dangerous. I wanted to proceed with<br />

caution so as not to jeopardize our relationship.<br />

Our jaunting began to increase in frequency and<br />

soon it was becoming natural for us to take in a third<br />

person. It was an activity that was fun for both of us<br />

and seemed to satiate our desires. Because we were so<br />

comfortable and confident in our love for one another,<br />

this behavior was never a threat to our relationship. In<br />

fact, I thought it strengthened it. There was never any<br />

worry about infidelity since we had so much freedom.<br />

We were quite satisfied with this arrangement.<br />

Many of our friends who knew of our activities<br />

wondered to us if we were ever jealous of the other<br />

partner. “Usually in threesomes, one partner tends to<br />

‘couple up’ with the outside person. Doesn’t that ever<br />

happen with you” We never had this problem. We<br />

acknowledged this peril existed but didn’t think it<br />

would happen in any of our adventures. Neither of us<br />

was looking for a new partner. There was no need for<br />

such insecurities when what we had was so balanced.<br />

Circuit<br />

28<br />

Noize


As fate would have it, my partner and I met<br />

someone who would challenge this balance. The three<br />

of us were involved in a project that required us to see<br />

each other every day for a few months. There was an<br />

obvious attraction, but it seemed stronger between our<br />

new acquaintance and myself than between him and<br />

my partner. This new friend and I flirted often but<br />

never really pursued anything since a threesome didn’t<br />

seem to be his interest. The attraction between the two<br />

of us grew stronger and stronger. And it wasn’t just a<br />

physical attraction like our other “tricks”. There was<br />

something else there, something deeper. Our<br />

friendship began to grow, as did our physical<br />

attraction, and soon a relationship began to manifest.<br />

I knew this was outside the rules that my partner<br />

and I had established but, to be honest, I was enjoying<br />

the excitement of it all. Falling in love with someone<br />

new is an incredibly powerful experience. It’s easy to<br />

lose sight of everything else around you when you’re<br />

caught up in this thrill.<br />

I didn’t want to do anything to hurt my boyfriend.<br />

So I didn’t really do anything. For awhile.<br />

Finally, I couldn’t take it any longer. The sexual<br />

tension was overpowering. I wanted him so badly I<br />

couldn’t think clearly or logically. I was willing to risk<br />

everything. So, one night, as my boyfriend slept in the<br />

next room, it happened.<br />

It was better than I had even imagined. It was hot<br />

and burning and erotic and passionate. We quivered<br />

with each other’s touches. We melded into one. It was<br />

perfect. It felt so right.<br />

Immediately after, I was flooded with guilt. I<br />

wondered what I had done. I knew my boyfriend<br />

would ask if anything had happened. And I knew I’d<br />

have to tell him the truth. Our honesty with each<br />

other was one of the things I treasured most about our<br />

relationship.<br />

The next day as if on cue, my boyfriend asked if<br />

anything had happened after he had gone to bed.<br />

There was silence when I told him the answer. If I had<br />

listened more closely, I’m sure I could have heard the<br />

cracks forming in the foundation on which we had<br />

built our “house”. He was hurt and angry and felt<br />

betrayed. And rightly so. I didn’t know what to say<br />

except that I was sorry. And I was. But deep down<br />

inside, I felt something else - hunger for more.<br />

After some painful discussions about what this<br />

meant to our relationship, I reaffirmed my love for<br />

him, vowing that nothing would come between us.<br />

We came to the conclusion that this was just a natural<br />

evolution in our relationship. He had, in the past,<br />

proposed that we play with others separately but I<br />

hadn’t been “ready”. Now I conveniently agreed to his<br />

“suggestion”. We amended our rules.<br />

In the next few months, my boyfriend<br />

met a number of people that he played<br />

around with. I wasn’t with anyone except<br />

for my newfound lover - not even my<br />

boyfriend. It seemed more like I was “with”<br />

my new interest than I was with my<br />

boyfriend. People who would see the two of<br />

us out in public even started to comment on<br />

our behavior - how we were acting more like<br />

boyfriends than me and my partner were.<br />

I still loved my boyfriend but was torn.<br />

I wanted both relationships but wondered<br />

how “acceptable” that would be. I<br />

questioned the acceptability of any of our<br />

recent behavior and justified my conduct by<br />

stating that gay relationships come in all<br />

shapes and sizes and that this was the one<br />

that was going to work for us.<br />

My primary relationship was suffering.<br />

I wasn’t spending as much time with my<br />

boyfriend - and never intimately. We were<br />

starting to drift apart and I didn’t want that<br />

to happen. Although my new lover excited<br />

me in many ways - physically, emotionally,<br />

even spiritually - I didn’t want to destroy<br />

what I had with my boyfriend. It was too<br />

special. I knew that deep down inside me. I<br />

knew that this new relationship was special<br />

in its own right but wasn’t the long-term<br />

commitment that I had with my boyfriend.<br />

Marriages and affairs are two entirely<br />

different beasts.<br />

The project on which we were all<br />

working ended and my “mistress” moved<br />

back to his home. A few months later, it was<br />

over. Distance had diminished the power of<br />

our passion.<br />

I went running back to my boyfriend<br />

but his arms were no longer held open for<br />

me. I had thought that now that my affair<br />

was over, we could return to normal. But<br />

normal didn’t exist anymore. He seemed<br />

much more independent, as well as a degree<br />

more cynical. Things had changed - I had<br />

changed them - and there was no going<br />

back.<br />

We’re still together and we still love each<br />

other. We still go out and have fun and<br />

laugh together. We even still have<br />

threesomes. Sometimes it feels like<br />

everything is back to normal. But<br />

sometimes, I can feel the wedge that I’ve<br />

driven between us - a wedge that’s still there<br />

and may always be.<br />

Circuit<br />

29<br />

Noize


Membership in AACP<br />

by Dennis Fleming<br />

The gay party circuit has seen remarkable growth and<br />

popularity in the past few years. Every year, novice party boys<br />

(and girls) of all ages join the revelry, usually to the delight of<br />

the old guard who have been around for awhile - some since the<br />

days of disco. These elder Circuiteers remember times when<br />

parties were not so frequent and were a far<br />

cry from the abundant, multi-day<br />

extravaganzas that have erupted over<br />

virtually every weekend, holiday and gaycentered<br />

event known to man. You may<br />

have talked to, danced beside or even tricked<br />

with one these party masters; or you may<br />

have overheard a gathering pontificate about<br />

how the Circuit “used to be.” You may not<br />

realize, however, that there exists a<br />

professional organization of these<br />

experienced, senior members of the Circuit.<br />

Similar to the AARP (American Association<br />

of Retired Persons), the AACP (Association<br />

of Aging Circuit Partyers) seeks to unite all<br />

advanced veterans of Circuit partycology<br />

and educate neophytes in the history and<br />

motives behind this phenomenon known as<br />

the gay party circuit. Below are some<br />

indicators of whether you, too, qualify for<br />

membership in this illustrious geriatric crew.<br />

-- You may belong to AACP if: --<br />

• Pictures from past parties show you<br />

dressed in a baseball cap pulled down over<br />

your eyes, short Daisy Duke cutoff shorts<br />

and black Doc Marten boots with thick<br />

white socks rolled over the tops.<br />

• You recall the days when only Susan<br />

Morabito, Buc, Michael Fierman, Robbie<br />

Leslie and Warren Gluck comprised the<br />

small fraternity of DJs from which a party<br />

promoter could choose.<br />

• You remember when the White Party<br />

in Palm Springs was just a couple hundred<br />

guys wanting to get out of L.A. for Easter<br />

Weekend.<br />

• You’ve been overheard talking about the<br />

days when X was really good.<br />

• You were around when Black and Blue<br />

in Montreal could only refer to the aftermath of some<br />

very aggressive sex play with a guy from Canada.<br />

• Mixed party music was rare and could only be<br />

found on cassette, the quality usually very garbled due to<br />

repetitive copying. Continuous mixes on CD were just a<br />

distant dream.<br />

• You maintain that the cover of Gordon Lightfoot’s,<br />

“If You Could Read My Mind” done by Stars on 54, is<br />

an utter butcher job of the original cover recorded by<br />

your self-appointed dance goddess, Viola Wills, many<br />

years before.<br />

• You used to be able to enjoy a whole weekend of<br />

Circuit festivities including all the parties, all the afterhours<br />

and more sex than a New York hustler has on a<br />

busy holiday weekend, yet still show up to work on<br />

Monday like you never left. Now after one day of<br />

partying, your back is sore, your brain resembles<br />

strawberry Jello and your co-workers mistake you for the<br />

recycling bin.<br />

• You remember when Circuit Noize was just the<br />

front and back of a legal-size piece of paper.<br />

• You are acutely aware that 102 Second Ave. in New<br />

York City, home of the Saint, was considered the gay<br />

party Holy Land, resulting in pilgrimages by gay boys<br />

from around the world; an occurrence comparable only<br />

to the Muslims’ journeys to Mecca.<br />

• You can reminisce about the year Madonna showed<br />

up at Miami’s White Party wearing black because she<br />

“…didn’t want to be noticed.”<br />

• You can remember when the letters GHB and<br />

TINA were just acronyms from the Personal Ads section<br />

of the newspaper meaning Gay Hung Boy and Top Into<br />

Nipple and Assplay.<br />

• You attended the L.A. White Party at the Probe<br />

when it was closed down by the fire marshal right about<br />

the time everyone’s X was kicking in, prompting a<br />

panicked flurry of Calvin Klein underwear-clad queens<br />

spilling out onto Highland Avenue. After a desperate<br />

search for a place to go, many ended up with their first<br />

experience at the Meat Rack in Hollywood.<br />

Circuit<br />

54<br />

Noize


The Ears Have It<br />

…you never know who’s listening<br />

“Never tweak before you peak, but<br />

always grind before you bump!”<br />

›<br />

“Steve, it looks like some of<br />

Jeffrey’s pubic hair is<br />

still caught between your teeth.”<br />

- Said to the editor<br />

in regards to last issue’s<br />

Sanker article.<br />

›<br />

“I remember this song.<br />

My elderly cousin used to play it<br />

when she rocked me in my cradle.”<br />

- This boy was over the<br />

T-dance oldies.<br />

›<br />

“Girl, put the bumper down<br />

…step away from the bumper.”<br />

- Said to a queen who was<br />

no longer making any sense.<br />

›<br />

“Wow, they emailed me the<br />

weekend air specials and they’re<br />

offering $109 to New York!”<br />

“Damn! That’s less money than<br />

rolling at a club!”<br />

›<br />

“Oh no, I think I lost a bullet”<br />

“OH MY GOD!!!”<br />

“Don’t be so dramatic,<br />

I have another one.”<br />

“You carry more than one bullet”<br />

“When you take your SAT’s<br />

you take more than one pencil,<br />

don’t you”<br />

“Oh man …shoot it in my face<br />

…not in my eyes or anything<br />

…but …you know…”<br />

›<br />

“If you’re the one<br />

supposed to be leading the way<br />

through the dance floor,<br />

why are you pushing me<br />

in front of you”<br />

“You’re my cow catcher.<br />

I’m using you to bump the ugly ones<br />

out of our path.”<br />

›<br />

“My friends are more important to<br />

me than some little piece of meat.”<br />

“Don’t think I didn’t notice that you<br />

specified the meat was little.”<br />

›<br />

“He has everything I’m<br />

looking for in a boyfriend:<br />

Tina, X, and K.”<br />

›<br />

“Gay men measure personality<br />

in inches.”<br />

›<br />

“You’re absolutely<br />

positively negative, right”<br />

›<br />

“Fisting one day, lobbying the next.<br />

It gives a whole new meaning to<br />

the acronym PAC.”<br />

- in reference to the sex party hosts<br />

who email party invites<br />

and political action requests.<br />

Circuit<br />

32<br />

Noize


Renaissance America<br />

by Curt Freitag<br />

It’s a brand new world for queer dance music mavens. A recent<br />

crackdown by the RIAA on DJ compilations has jeopardized the<br />

ability for the average Circuit boy (if any Circuit boy can allow<br />

himself to be labeled as “average”) to get ahold of the works of<br />

his or her favorite Circuit DJs. While our favorite DJs<br />

have to find new ways to pay the rent and<br />

get the latest and greatest music to spin,<br />

we, the listeners, need to find other ways<br />

to satisfy our desire to not merely hear the<br />

music that moves us, but to possess it.<br />

With “Circuit music” under siege,<br />

one option for dancing queens is to point<br />

their ears across the Atlantic. European<br />

dance music has provided many of the<br />

Circuit’s most talented DJ’s (including San<br />

Francisco’s own gems: Neil Lewis and Phil<br />

B) with high-quality fodder to mix in<br />

between Cher and Madonna. The “high<br />

trance” style of progressive house music<br />

that is established in Europe, however, is<br />

just starting to catch on in the mainstream<br />

of America’s CD shoppers. There are only<br />

a handful of continuous DJ mixes available<br />

on the American labels (most notably the<br />

Global Underground series) - most exist<br />

only as imports.<br />

The Renaissance series (named for the<br />

club of international renown that spawned<br />

the series) has previously been available as<br />

import only, even though it has given the<br />

world fine works from the likes of Ian<br />

Ossia, David Morales, bt, and of course<br />

Sasha and John Digweed, since the<br />

early/mid 90’s. Now the latest release in<br />

the series, Renaissance America, comes<br />

directly to the American market, brought<br />

by a DJ with a rock ‘n’ roll spirit: Dave<br />

Seaman.<br />

Each of Seaman’s previous works takes<br />

its listeners on an impressive journey using<br />

a diverse collection of sounds from trance<br />

to disco to rock ‘n’ roll. He has always<br />

found a way to make an eclectic set of<br />

artists and styles fit together while crafting<br />

a work with direction, integrity, and tremendous<br />

creativity. His work on Renaissance Worldwide:<br />

Singapore is one of the most creative works that I’ve<br />

heard from a DJ. Unfortunately, his new release,<br />

Renaissance America falls short of the incredibly high<br />

bar that Seaman set on that and other of his previous<br />

works.<br />

Renaissance America kicks off with bt’s<br />

“Godspeed”, a ubiquitous track that seems to appear<br />

on compilation after compilation to the point where<br />

one can’t help but wonder if a track can become too<br />

popular for its own good (my response: yes!).<br />

However, this particular reworking of the track (the<br />

Hybrid Remix) does offer up a slightly groovier, darker<br />

take on the track. This is a version that would fit<br />

equally well into a basement club or a high-ceiling<br />

space. bt always fills a room, but this version needs to<br />

work a little harder to hit those heights. It’s worth the<br />

effort.<br />

The second track, Brother Brown’s “Under the<br />

Water” really illustrates the difference between the<br />

style of the leading European DJ’s with the DJ’s of the<br />

Queer Party Circuit, and it sets the tone for the<br />

remainder of the CD. This track captures the feeling<br />

of isolation and loneliness of being left behind,<br />

whether by friend, family, or lover. Contrast the lyrics<br />

of “Under the water, under the water/You left me<br />

drowning” with something like “we’re all here<br />

together” from Madagascar’s queer club fav “You’re<br />

Beautiful”. Rather than the uplifting, unifying feeling<br />

that one often gets from a gay dance party, this track<br />

brings us together only in our feelings of isolation.<br />

While the music is wonderful and the sentiment is one<br />

that queers can probably relate to, it does not provide<br />

the escape from our everyday “issues” that many of us<br />

are likely seeking in our trip to the dance floor.<br />

From this point on, Seaman takes us into deep<br />

trance (lyric-free!), with the occasional funky break to<br />

bring us back into the present. This is typical of<br />

Circuit<br />

38<br />

Noize


Seaman’s style, using darker, heavier bass lines to<br />

shake up the atmospheric trance trips that typify his<br />

work. However, a feeling of isolation and<br />

disassociation pervades nearly all of the tracks on this<br />

work, which makes this a CD that might be effective<br />

to chill out with after returning from the clubs, but<br />

not one to listen to while preparing to head out. You<br />

would be better off enjoying this with a friend, using<br />

it for background music for the discussion of life,<br />

light, and love that so often accompanies a lovely<br />

sunrise and a fatigued body.<br />

All in all, Renaissance America is not Seaman’s<br />

best work. Compared to his Renaissance<br />

Worldwide: Singapore CD, it lacks the<br />

variety and rock ‘n’ roll mentality that made<br />

that journey such an adventure. This CD<br />

feels less risky, more homogenized (which<br />

might be appropriate for his first American<br />

release). If you’re interested in finding out<br />

what an internationally-renowned<br />

European DJ can do to get your feet<br />

moving on the dance floor, you might want<br />

to look across the Pacific, and start with<br />

Singapore.<br />

Circuit<br />

39<br />

Noize


Is There Hope for Those with CRAP<br />

by Cristopher Blake<br />

There’s a social problem that seems to be getting out of hand.<br />

I’m speaking, of course, about Complete Raging Asshole<br />

Personality (CRAP). I’ve noticed that more and more guys are<br />

suffering from this syndrome and it’s beginning to alarm me.<br />

At first, I didn’t think much of it. I’d be out at a party and<br />

I’d notice that a small percentage of the<br />

men were, for some reason, acting very<br />

lofty and abrasive. They were clearly<br />

exuding the message that we should all<br />

treat them as super-celebrity virgins who<br />

can’t speak to anyone else for fear of<br />

getting herpes, and that, since they are so<br />

beautiful, other people should only<br />

approach them through prayer.<br />

There are also those guys that aren’t<br />

even pretty, but still just can’t be nice to<br />

anyone no matter what. Even if you’ve<br />

never met them before, they still look at<br />

you as if you’ve borrowed their underpants<br />

without asking and are currently wearing<br />

them on your head.<br />

However slight this CRAP may have<br />

been at first, it now seems to be spreading<br />

madly. I’m sure most of you will agree<br />

that it’s becoming rampant. This is due, I<br />

believe, to one of the symptoms of CRAP.<br />

It apparently compels the sufferer to find a<br />

densely-attended social event where they<br />

can stand deluging more attitude than<br />

Princess Stephanie, effectively infecting<br />

anyone within ten feet of them with<br />

CRAP cooties until half the crowd is in<br />

such a bad mood that they could happily<br />

kick a puppy.<br />

That is CRAP. It’s a sad disorder that<br />

is taking rapid hold in our community and<br />

causing significant social unpleasantness.<br />

It seems to be very similar to PMS, only<br />

with notably less bloating.<br />

Usually, it’s relatively easy to deal with<br />

boys that may have these types of<br />

symptoms. I’ve normally dealt with it one<br />

of two ways: 1) hit them with a car; or 2)<br />

pay someone to hit them with a car.<br />

Circuit<br />

42<br />

Noize


However, soon after I noticed the common<br />

nature of this syndrome, I also saw some small hope<br />

for its treatment. I realized that, occasionally, some of<br />

the guys I had first pegged as assholes were suddenly<br />

acting very, very nice to me at certain parties or clubs.<br />

Some were trying so hard to convince me they were<br />

nice that they insisted we have sex. I was very<br />

confused by this until someone explained that they<br />

were only being nice because they had taken some<br />

kind of medication. That was good news. At least<br />

they knew they were shamelessly full of themselves,<br />

but had opted to seek pharmaceutical help. After all,<br />

the first step to recovery is admitting that you have a<br />

problem.<br />

At first, I didn’t understand why they didn’t just<br />

take this medication all the time. Especially since<br />

their CRAP is such an enormous issue. Then, I tried<br />

to obtain some through my medical insurance<br />

company. I immediately learned that it wasn’t<br />

covered. Now I was beginning to understand. I<br />

figured this stuff must be very expensive, which is<br />

why the boys suffering from CRAP would want to<br />

use it so sparingly and only in social situations, and<br />

understandably so.<br />

Although I couldn’t get my insurance company<br />

to spring for the stuff, I thought I’d at least get a<br />

prescription, just in case I ever needed it. I told my<br />

doctor I wanted “that stuff that makes all the guys so<br />

happy when they go to clubs.”<br />

He said, “Get out of my office.”<br />

My doctor obviously also has CRAP.<br />

Even with my current understanding of all this,<br />

it still leaves me having to deal with awkward<br />

interactions, especially at the gym, with all the poor<br />

local guys that may be suffering from CRAP but are<br />

unable to regularly afford the alleviating medication.<br />

It’s like they have two separate personalities. There’s<br />

the one that’ll pass me on the flat bench with no<br />

more than a nod to indicate any recognition, and<br />

there’s the other personality that will approach me on<br />

a dance floor and announce they know me by putting<br />

both their hands down my pants.<br />

I much prefer the latter interaction. Therefore, I<br />

would like to propose that community action be<br />

taken to immediately raise awareness for CRAP. By<br />

“awareness,” I, of course, mean to say, “enormous<br />

amounts of money.”<br />

After all, it must be horribly difficult for all these<br />

boys to go through the tedium of their day-to-day<br />

lives, all the while suffering with the inimitable<br />

burden of all that CRAP, forcing them to treat<br />

everyone else as if they were communist lepers.<br />

Not only the health care industry, but<br />

also the U.S. Government needs to be<br />

made aware of the staggering hardships<br />

endured by the urban social community<br />

due to the shamefully-limited availability of<br />

aid for this CRAP, in the form of<br />

personality-enhancing compounds, such as<br />

fast-acting nasal inhalant energy powders,<br />

libidinous bliss-inducing tablets,<br />

therapeutic hallucinogens, and various<br />

other social pharmaceutical necessities.<br />

Obviously, these guys cannot handle<br />

their own CRAP and must be aided<br />

chemically. How many innocent men have<br />

to be given CRAP before something is<br />

done How much suffering must one<br />

community endure from all this CRAP<br />

I know what you must be thinking.<br />

You’re thinking, “Well, while we’re waiting<br />

for federal aid, why don’t we just provide<br />

those around us with some tough love I<br />

mean, medication or not, we have more<br />

important issues to deal with than their<br />

CRAP. And while we sympathize with<br />

their condition, they should be able to<br />

handle their own CRAP without infringing<br />

upon those around them.”<br />

Yes, that’s true enough. But let’s not<br />

blame the victims! Look around you! All<br />

over the place you will see guys suffering<br />

from the delusion that they are better than<br />

everyone else! Don’t be fooled! That is<br />

CRAP! Obviously these poor souls have no<br />

control over this condition and must be<br />

shown the utmost tolerance and<br />

compassion!<br />

All of our gatherings, both social and<br />

political, casual and professional, would be<br />

made significantly more productive with<br />

strong, direct, and immediate action toward<br />

alleviating CRAP. By that, I mean proper<br />

medications should be handed out at the<br />

door, especially at dance clubs where all this<br />

CRAP seems to have originated. An<br />

eclectic variety of any and all of these<br />

miraculous chemicals should be readily and<br />

abundantly available to anyone that even<br />

suspects that he may need it. I believe this<br />

is the only way we can do away with all this<br />

CRAP. As we all have seen, most guys<br />

aren’t capable of handling it themselves.<br />

Let’s medicate them. Thank you.<br />

Circuit<br />

43<br />

Noize


Harmony on the Dance Floor<br />

by Jeff Brascher<br />

With GHB so high on the hit lists of many law enforcement<br />

agencies, party promoters and club owners are being forced to<br />

take drastic action in order to protect their licenses and their<br />

livelihoods. Lines to get into events are long and slow-moving<br />

because security staff must search each guest. In-and-out<br />

privileges have been suspended at many<br />

clubs. Announcements are made and signs<br />

are posted promising dire consequences for<br />

possession of liquid substances. There is<br />

the constant threat of closure hanging over<br />

every event. Entering a club these days is<br />

like entering a police state.<br />

Once on the dance floor, it is not<br />

uncommon for the crowd to part several<br />

times a night while one of our brothers is<br />

carted off to a waiting ambulance. It is this<br />

recurring drama that sometimes leads to<br />

the closure of our favorite venues. Each<br />

time an ambulance is called, club owners<br />

and promoters are placed under tighter<br />

scrutiny. Security personnel move through<br />

our sacred spaces, hauling people off to be<br />

searched for “dancing erratically.”<br />

Undercover police are infiltrating what<br />

used to be safe havens for our personal<br />

expression and exploration.<br />

In much of the gay media’s coverage<br />

of our subculture, we are accused of selfabsorption<br />

and a disregard for the wellbeing<br />

of our fellow partiers. The truth is,<br />

there are many behind-the-scenes<br />

operators demonstrating just how much<br />

love and compassion there really is in our<br />

community. In spite of what the popular<br />

gay press says, the general atmosphere at<br />

most Circuit events and newer clubs is one<br />

of love, acceptance, consideration and<br />

support. It’s up to us to nurture these<br />

tendencies.<br />

Most Circuit party revelers have a<br />

keen interest in their own health and wellbeing<br />

as well as that of their fellows.<br />

Unfortunately, there are few sources of<br />

reliable information on GHB. But there<br />

are a growing number of concerned party-goers who<br />

are trying to educate themselves and their<br />

communities about this drug. One group, based in<br />

San Francisco, is called Harmony. They have produced<br />

an informative, easy-to-read pamphlet that describes<br />

the effects, dangerous interactions, and other risks<br />

associated with GHB. They also give readers advice<br />

on how to help someone who is having a GHB-related<br />

incident. They do not advocate its use, nor do they<br />

condemn its users. This is the first in a series of<br />

informational materials that they hope will help<br />

people make responsible choices about how they party.<br />

Harmony’s efforts have been recognized by the<br />

City and County of San Francisco. The group’s GHB<br />

brochure has been adopted by the Department of<br />

Public Health as the official informational vehicle for<br />

client outreach programs. In addition, reports from at<br />

least one major club owner indicate a significant drop<br />

in GHB-related incidents at gay events. There has<br />

been no drop in those incidents at straight clubs,<br />

which is not surprising, considering Harmony has<br />

been directing its efforts mainly at gay club-goers.<br />

At a recent event, one of my friends began to<br />

collapse on the dance floor. He tried to continue<br />

dancing but seemed unconscious of my presence. I<br />

struggled to hold him up and move him off the dance<br />

floor. >From out of nowhere, two men appeared, lifted<br />

him onto their shoulders and carried him to a waiting<br />

medical professional. After a couple of tense hours and<br />

understanding reassurances, they let me take him. He<br />

was refreshed and ready to get back on the dance floor.<br />

The men who helped him were members of Circuit<br />

Scouts, an organization here in San Francisco. This<br />

corps of dedicated volunteers attend each event,<br />

remaining sober to help anyone suffering the effects of<br />

drug overuse or exhaustion. Circuit Scouts, and<br />

groups like them, is yet another manifestation of the<br />

idea of the community taking care of itself.<br />

The survival of our events is a matter of personal<br />

Circuit<br />

52<br />

Noize


esponsibility. It means we must look out for<br />

ourselves and for our friends. Educate yourself. If you<br />

choose to use substances to enhance your experience,<br />

do so with a conscious mind. When one of your<br />

buddies starts to go down, help him. Don’t just prop<br />

him up in a corner. Keep the love going even if it<br />

means having to leave the throbbing mass to hold<br />

your friend’s hand when he’s feeling sick or too tired<br />

to stand. We are all in this together. Party smart or<br />

the party may end.<br />

Harmony can be reached with inquiries or requestsfor copies<br />

of their brochure by sending email to:<br />

Harmony@artwerx.com.<br />

Circuit<br />

53<br />

Noize


Fight Clubs, Dance Floors,<br />

and the Quest for Magic<br />

by K Mechar<br />

“Now let us sport us while we may . . .”<br />

—Andrew Marvell [1621-1678]<br />

I saw the film Fight Club several days after the big gay circus<br />

known as Black and Blue had come and gone for yet another<br />

year in Montreal. Fight Club is the Brad Pitt vehicle whose<br />

claim to fame, in addition to rumors that<br />

Pitt’s real-life cock is flashed on the screen,<br />

is that it’s one of the bloodiest, most<br />

violent films since. . . well, ever. Black and<br />

Blue’s claim to fame, of course, is that it’s<br />

the biggest — and arguably the best —<br />

dance event on the planet. 1999’s edition,<br />

attracting upwards of 15,000 people, was<br />

held at the mammoth, and crumbling,<br />

Olympic stadium - a testament to the<br />

precariousness of bigness for its own sake.<br />

If you’re scratching your head<br />

wondering what these disparate things<br />

could possibly have in common, consider<br />

the following: both involve consenting<br />

adults engaged in anti-social behavior. In<br />

one case we have boys who like to beat the<br />

bejesus out of each other in the<br />

underground and illegal world of fight<br />

clubs. In the other case, we have boys who<br />

like to pop a pill (or three) and spend an<br />

inordinate amount of time rubbing each<br />

other’s temples on the less clandestine<br />

dance floor. Both have to do with grown<br />

men doing what they please in order to<br />

create something special for themselves<br />

beyond the boundaries of their ho-hum,<br />

day-to-day lives — a magical<br />

metamorphosis amidst our beige, IKEAized,<br />

GAP-ed-out world. And both<br />

contain elements of danger, even the<br />

possibility of death, in the process.<br />

At least two major differences emerge,<br />

however. Fight clubs involve straight men;<br />

Black and Blue is — or was — primarily a<br />

gay phenomenon. Moreover, one is<br />

elevated to the status of “high art”; the<br />

other is subject to severe cultural and<br />

political scrutiny. Without suggesting that<br />

the activities of one group are “better” than the other,<br />

this comparison reveals a number of interesting things<br />

about rituals of male-male bonding, cultures of sport,<br />

and the role of gay men in them. And I think it might<br />

help explain why the Circuit seems so bizarre and<br />

menacing to those who haven’t participated in it.<br />

Some have argued, for example, that Circuit<br />

parties are the gay equivalent of the male sporting<br />

event, something we have either excluded ourselves<br />

from or been pushed out of. We are now making up<br />

for this lost communal bonding on the dance floor,<br />

where we were meant to be in the first place. The<br />

difference, of course, is that the traditional sporting<br />

event is based on observation, where men are witness<br />

to a spectacle of competition rather than part of it.<br />

The Circuit party, on the other hand, is fully<br />

participatory (pending the appropriate abs and pecs).<br />

There is no separation between the watchers and the<br />

watched. We are the spectacle!<br />

This is why the film Fight Club proves so<br />

interesting, though fictitious. It’s the first example of<br />

straight male “sport” that breaks down those barriers.<br />

No longer simply voyeurs, the men involved here are<br />

themselves part and parcel of the event. It is not<br />

without significance, then, that the bonding that goes<br />

on in these events, more so than in traditional sports,<br />

positively reeks of homoeroticism. At one point in the<br />

film, I wanted to scream, “Just fuck him already,<br />

Brad!” It’s as if just below the surface there is an<br />

unspoken longing for male-male intimacy even among<br />

— gasp! — straight men.<br />

Perhaps this is why the Circuit milieu proves so<br />

threatening. The dirty little secret has been revealed<br />

that gay men have created a less competitive, nonviolent<br />

way to bring themselves out of the banal in a<br />

way that straight male culture has thus far not been<br />

able to achieve.<br />

Consider this as well: Black and Blue took place<br />

at a former “Olympic” site, a bastion of straight<br />

Circuit<br />

62<br />

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masculinity and competition. But in turning what is<br />

now a baseball field into a gigantic dance floor, we<br />

have, for a brief, shining moment, returned the art of<br />

sport to its ancient Greek roots - the tradition that<br />

actually encourages men to touch each other. The<br />

irony is exacerbated when we realize that, in a culture<br />

where “sport” is tantamount to goal-oriented activity,<br />

the word sport is also a verb meaning “to amuse<br />

oneself with some pleasant pastime,” or more<br />

appropriately in this context, “to frolic.” The Circuit<br />

is a reminder of this forgotten element, a Dionysian<br />

flavor that will never be achieved when masculinity is<br />

stripped of its playfulness and sensuality.<br />

Does the Circuit reveal, then, a cultural<br />

transformation in rituals of male bonding Well, not<br />

exactly. But it is interesting to note that, like so much<br />

else in this culture, straight men are following our<br />

lead. At events like Black and Blue — and some afterhours<br />

clubs I know — buffed and shirtless straight<br />

boys now mingle with the buffed and shirtless fags.<br />

To our frustration, it’s becoming very difficult to tell<br />

who’s who, and which end is up, so to speak.<br />

Of course, when one of us dares to approach,<br />

most of these straight boys cling to their girlfriends as<br />

if she were a life-preserver in the Big-Queer-Sea,<br />

making this less than revolutionary. But change for<br />

the better is afoot, a partial dismantling of barriers<br />

that most certainly does not occur, say, at that other<br />

big dance phenomenon, the rave scene. We did not<br />

invent the dance floor; we have simply intensified its<br />

frenzy with a more open celebration of the body. And<br />

straight boys want to get in on the act.<br />

Lest we get too enamored of our own hipness,<br />

here’s the downside of the comparison. When watching<br />

Fight Club, I sensed that the means used to combat<br />

this intolerable sense of the banal - this human, all too<br />

human condition of emptiness - gave these men the<br />

appearance of being even more pathetic than they<br />

already were. I thought to myself: “Good for them!<br />

This is exactly what I would like them to be doing:<br />

taking on each other and leaving the rest of us alone. If<br />

their lives are so empty they need to resort to brutal<br />

violence to create some magic, then so be it. But count<br />

me out, thanks.” Further, when the violence fails to<br />

materialize into any concrete self-transformation, the<br />

film gets even more violent. In other words, the<br />

“solution” seems to be more of the same.<br />

Does this ring a tinkerbell for you<br />

with the experiences and criticisms of the<br />

Circuit Anyone who has experimented<br />

with magic-inducing psychopharmacological<br />

substances knows too well<br />

that momentary and uncomfortable twinge<br />

of embarrassment when the high wanes<br />

and the realization hits that - Oh my God!<br />

- in your moment of glory you must have<br />

looked, in the eyes of the drug-free, as<br />

pathetic as the psyched-out revelers appear<br />

to you now. It is that line you cross from<br />

reality to chemically-enhanced hyperreality<br />

and back to something not quite<br />

real - that moment when you realize it was<br />

just a game, and someone has pulled your<br />

plug.<br />

And as with all groups, extremes of<br />

(self) destruction can be found here among<br />

the Circuit boys. When last weekend’s<br />

drugs didn’t quite do the trick, the answer<br />

for many is simple: more drugs. This is no<br />

doubt why we have constructed yet another<br />

set of categories to differentiate ourselves:<br />

those who do the Circuit and those who<br />

don’t. Like my reaction to the men in the<br />

film, many gay men would like the Circuit<br />

boys to simply go away. Given the<br />

immensely sad cases we have all witnessed<br />

on and off the dance floor, can we really<br />

blame them<br />

Herein lies the lesson: if fight clubs did<br />

exist, it is likely they would not be treated<br />

with the same scrutiny as the Circuit party.<br />

Since the onset of AIDS, and even before,<br />

we have had to be more ready and willing<br />

to defend our sexual and cultural practices<br />

against an inquiring, and at times, hostile<br />

world. But instead of dismissing this as<br />

simple homophobia, I am glad the Circuit<br />

is subject to such criticisms. For, unlike the<br />

world of traditional male sports, the<br />

criticism forces us to be conscious of what<br />

we are doing, why we are doing it, and for<br />

whom. If you lack such consciousness,<br />

perhaps you need to listen to some of those<br />

Circuit critiques.<br />

Circuit<br />

63<br />

Noize


Just the Music<br />

by Thomas L Stoodley<br />

I hope your New Year’s celebration was as splendid as mine. I<br />

danced and danced as the end of a year, a decade, and a century<br />

passed. While dancing into the new “millennium”, I heard some<br />

great, hot, new tunes as well as some classics which took me<br />

back to moments I have had both on and off the dance<br />

floor over the last year as well as the passing<br />

decade. So let me tell you about them, as<br />

well as other great music selections coming<br />

your way.<br />

Singles in Review<br />

If you find yourself humming the lines<br />

to Amber’s “Sexual”, get ready to start<br />

singing along to her newest effort. “High<br />

Above The Clouds”, the second single off<br />

her current album, is sure to get you joining<br />

in the chorus. I had fallen in love with this<br />

one the first time I heard it a few months<br />

back. Be sure to check out my favorite mix<br />

by BK Dano, as well as Jonathon Peter’s<br />

banging club mix.<br />

Recently signed to TommyBoy<br />

Records, UK duo, Catapila have a hot<br />

single climbing up the charts. “Void (I<br />

Need You)”, comes complete with U.S.<br />

mixes by none other than Mr. Junior<br />

Vasquez himself. Junior’s mix is truly one<br />

of his best works to date, fitting in with<br />

such classics as his interpretations of<br />

Whitney’s “Step By Step”, and Kylie’s “Too<br />

Far”. This one is sure to become both a<br />

club and Circuit hit.<br />

Moving on, what can one say about<br />

Donna Summer’s “Love Is The Healer”<br />

There are quite a few mixes to choose from,<br />

but please pay attention to the ThunderPuss<br />

2000 Remix. This tune has a fun, campy,<br />

yet very well-delivered message by our<br />

favorite disco queen.<br />

You may not know the name Satoshi<br />

Tommiie, but you know his work. He has<br />

been part of the Def mix team for some<br />

time now, working with David Morales and<br />

Frankie Knuckles on many projects and<br />

remixes. Satoshi has produced an album of great dance<br />

songs. “Inspired”, recently released in France, is one of<br />

those songs. It is a beautiful, melodic scorcher featuring<br />

the vocal talents of Diane Charlemage. Diane’s soft,<br />

caressing voice catches the theme of this song with such<br />

ease. And if that’s not enough, the strings, flute and<br />

chords will inspire you to sing along.<br />

We have not heard from the Eurythmics in quite<br />

some time now, but they’re back and rocking the house<br />

again. With remix honors given by Club 69’s Peter<br />

Rauhofer and ThunderPuss 2000, “17 Again” is bound<br />

to be heard on dance floors everywhere. Mr. Rauhofer<br />

has re-invented his style once again, transforming this<br />

into the sound of the future. His mix combines his<br />

usual brilliance of banging percussion with some of the<br />

better elements of trance. In other words, there’s a<br />

melody.<br />

“Here I Am”, the first single off the forthcoming<br />

album, “Here I Am, the Bobby D Ambrosio<br />

Collection”, is a sure-fire winner. With the vocal talents<br />

of newcomer Kelli Sae, and the production wizardry of<br />

Mr. Ambrosio, this single is bound to be a biggie for<br />

those that just love the lush, classic, vocal house music<br />

of the last decade. And tell me if this voice does not<br />

remind you of one Circuit diva, Dina Carroll.<br />

For those who loved the crooning of Olive’s Ruth-<br />

Ann on such classics as “Outlaw” and “You’re Not<br />

Alone”, she has returned as the guest vocalist on the<br />

newest single from Enigma. With clear vocals, a real<br />

song, and epic uptempo production, “Gravity Of Love”<br />

brings Enigma into the new decade with a vengeance.<br />

In line with the sound of near future, Morrighan’s<br />

“Remember (To the Millennium)” is sure to capture the<br />

hearts of many. From the same producer who brought<br />

us Crescendo’s “Are You Out There”, we have a new<br />

single. With soaring violins, dark moody synths, and a<br />

euphoric voice instructing us to “remember who we<br />

are”, this one should be the anthem of the new decade<br />

and millennium.<br />

Circuit<br />

94<br />

Noize


Albums in Review<br />

As I mentioned earlier, Satoshi Tomiie is no<br />

stranger to the club music scene. We have all danced<br />

to songs this producer/remixer has created or worked<br />

on. It is great to see Satoshi stepping into the spotlight<br />

with a full-length U.S. release due out on Sony Records<br />

very soon. “Full Lick” contains a great collection of<br />

songs no music library would be complete without.<br />

With songs ranging from the gorgeous, lush, classicsounding<br />

vocal anthem “Inspired” to the harder,<br />

banging, club-hit “Darkness”, and on to some<br />

beautiful, down-tempo numbers, there’s something<br />

here for everyone.<br />

We all thought it was part of our past, some of us<br />

don’t openly admit to it, but we all know the words to<br />

at least five Culture Club songs. Don’t deny it, it’s<br />

OK, we love you anyway. I had heard rumors of a new<br />

Culture Club album over a year ago but did not believe<br />

it. Well believe it, it’s here, and it’s fierce. This is<br />

probably the best album from them to date. It’s got<br />

the classic Culture Club feel, but with a deeper sense of<br />

warmth and maturity. Boy’s voice has never sounded<br />

more smooth and connected. Sure, the Boy still sings<br />

about John, but it’s more heartfelt and you yearn to<br />

hold and comfort him. I do believe Boy George is one<br />

of the best undiscovered songwriters of the past decade.<br />

For those of you who love the more moody, afterhours<br />

sounds of the “Body & Soul” craze, or the deep,<br />

smooth stuff you might hear Circuit DJ Susan<br />

Morabito play in some of her late-night sets, you’ll love<br />

the Kevin Yost album, “One Starry Night”. With<br />

smooth percussion, and deep, warm, rich overtones,<br />

this album is great for chilling out. I enjoy it during<br />

more intimate moments, as well as to relax after<br />

arriving home from a night out.<br />

A couple years ago, I discovered an artist who just<br />

blew my mind away. It’s not often you get to hear a<br />

living voice that can easily match the voice of Divas<br />

from the past. Sarah Jane Morris not only has such a<br />

voice, but she also knows how to use it. I don’t like to<br />

throw the big names around, but the only way to<br />

describe this angel’s instrument is to say she is a sister<br />

to such legendary greats Ella Fitzgerald and Sarah<br />

Vaughan. “Fallen Angel”, Sarah’s upcoming, new, fulllength<br />

album, captures a more raw, aggressive side to<br />

this singer/songwriter. Two particular tracks stand out<br />

for me - the ever-soulful “Ever Gonna Make It” and<br />

the haunting “Only To Be With You”.<br />

Compilations in Review<br />

DJ/Monty Q’s<br />

“Circuit Sonic”<br />

If you’re a die-hard Sunscreem fan, then this disc is<br />

for you. It contains a new mix of “Secrets”, with the<br />

remix honors coming from none other than<br />

the voice of Sunscreem, Lucia. This<br />

twinkling vibe mix, with Lucia’s childlike<br />

chanting weaving throughout it will get you<br />

on your feet and humming along.<br />

Bossa Tress......Jazz<br />

When Japan Meets Europe<br />

This import CD is a double disc jazzy<br />

affair. The first disc is more downtempo -<br />

relaxing ambient material that soothes the<br />

mind. Disc 2 contains a midtempo body of<br />

work that goes from ambient jazz to<br />

alternative forms of jazz. Great hanging out<br />

and making out music.<br />

DJ/Producer Julian Marsh<br />

Global Grooves Vol. 1<br />

DJ extraordinaire Julian Marsh has<br />

compiled a body of songs we all love. Julian<br />

seems to understand we want VOCALS,<br />

VOCALS, and more VOCALS. He has<br />

included such floor-fillers as the hard-to-get<br />

CB Milton’s “What About Me”, his own mix<br />

of Boy George’s “When Will You Learn”, as<br />

well as Billie Ray Martin’s newest single,<br />

“Honey”. You’re sure to love this one.<br />

DJ/Susan Morabito<br />

I Love To Dance<br />

Susan has captured her funky, soulful<br />

sound on this disc. She has included some<br />

of those songs which we have come to<br />

expect from her, as well as few harder-tofind<br />

goodies.<br />

DJ/Michael Fierman<br />

Fire Island Classics Vol. 2<br />

This is the second volume in this series<br />

and it promises to be in many collections<br />

across the land. Michael has collected some<br />

of the old classics, as well as some new<br />

classics, which have become part of our Fire<br />

Island experience. I love the way he<br />

compiled them over two discs. The first is<br />

dedicated to “when it was disco”, for the<br />

older stuff, while the second, “the<br />

evolution”, contains the newer material.<br />

Great thinking is all I have to say - and<br />

thanks.<br />

Well, that’s all for now, but be sure to<br />

pick up the next issue - there’s always more<br />

buzz in the dance music world.<br />

Circuit<br />

95<br />

Noize


Circuit Sage<br />

by Michael Lennox<br />

Dear Circuit Sage,<br />

I recently went to stay with friends that live in NYC. Just<br />

before the trip, I realized that I had crabs (as in pubic lice). I<br />

treated myself before I went on the trip, but I know from past<br />

experience that the crabs could easily return. Further, I could<br />

easily infect my friend’s bed sheets or<br />

bath towels. Do you think I am<br />

obligated to inform my host of this<br />

potential problem<br />

-Scratching in Miami<br />

Dear Slut,<br />

I’m so relieved that you clarified the<br />

definition of crabs as pubic lice. At first, I<br />

thought this was a culinary question<br />

regarding seafood.<br />

As in most situations of delicacy, there is<br />

a high road and a low road. The latter is<br />

obviously not to tell and hope for the best.<br />

But keep in mind that in taking that road,<br />

you must ask yourself who you are protecting.<br />

The answer is, of course, yourself. It would<br />

be embarrassing, to say the least, to admit<br />

that you had crabs, and even more so if, for<br />

some reason, your guest contracted them after<br />

your visit. If, perchance, your guest thought<br />

you were hot and found himself beating off<br />

in your dirty sheets as a remembrance of your<br />

visit, you might find that he got more than<br />

he bargained for.<br />

The high road is to tell. I once had<br />

crabs myself (can you believe it!!). I thought<br />

they were gone until a partner of mine<br />

dropped by unexpectedly without calling. I<br />

was thrilled, because I thought he was<br />

coming over to get laid. But, in fact, he was<br />

there to ask me if I had crabs because he,<br />

indeed, had them and was in the process of<br />

contacting his recent partners to make sure<br />

they were in the clear. While I thought mine<br />

were gone, upon closer inspection, we found a<br />

little critter buried contentedly in my pubes.<br />

My friend had brought with him a Rid kit<br />

and proceeded to help administer it. It was<br />

one of the most lovely and intimate experiences I have<br />

ever had with anyone, despite the fact that I was<br />

mortified and humiliated. He had taken the high road<br />

and as a result I was overwhelmed with his gentleness and<br />

care.<br />

I cannot advise you which road to take. The low<br />

road will save you embarrassment. If nothing comes of it,<br />

there is certainly no big deal. The high road will be a<br />

momentarily scary approach, but will leave you with a<br />

strong sense of having done the right thing. The choice is<br />

truly yours. Good luck.<br />

-Circuit Sage<br />

Dear Circuit Sage,<br />

I started dating my current boyfriend more<br />

than six months ago. During those early months,<br />

we were not at all serious about the relationship,<br />

and had the agreement that we could date others.<br />

During that time I attended a Circuit party in<br />

Montreal and met a cute guy. I subsequently visited<br />

him once and stayed with him in Montreal. We<br />

then made plans for him to visit me in New York.<br />

He is now holding non-refundable tickets to come<br />

and visit me. He’s made it quite clear that he has<br />

limited funds and this will be his one vacation of<br />

the year. Since making these plans, things have<br />

gotten much more serious between me and the guy<br />

that I was originally dating. In fact, I would now<br />

call us serious boyfriends. Should I tell Mr.<br />

Montreal that he can’t come visit I guess I could<br />

allow him to visit but let him know that sex will no<br />

longer be a part of the agenda. Given the past<br />

history, though, I don’t think my boyfriend would<br />

be comfortable with that either. What should I do<br />

-Confused in NYC<br />

Dear Polygamist,<br />

Sounds like a hot three-way in the making.<br />

First, it is important to note that you are not<br />

Circuit<br />

96<br />

Noize


esponsible for Mr. Montreal’s limited funds,<br />

vacation plans, or his expectations of what<br />

will happen between the two of you. This<br />

does not preclude sympathy nor does it give<br />

you free reign to be an asshole. Standing in the<br />

face of your truth is the most important<br />

element here, with both gentlemen.<br />

As far as your boyfriend is concerned, I<br />

would suggest honesty with him about the<br />

situation with the added explanation of what<br />

boundaries you are willing to set with the<br />

visitor. If he is uncomfortable with that, that,<br />

too, is not your business, but your boyfriend’s.<br />

If he does not trust you or is very<br />

uncomfortable with the situation (a modicum<br />

of uncomfortableness is to be expected), I<br />

would say that you have an issue with your<br />

boyfriend that will need to be addressed<br />

because it will surely come up again in other<br />

situations.<br />

Indeed, you should, and as soon as<br />

possible, explain to Mr. Montreal that you are<br />

seriously involved and that your connection on<br />

his visit will under no circumstances be<br />

sexual. If he is not able to handle the change,<br />

then he needs to make other arrangements at<br />

his own expense, both financial and<br />

emotional.<br />

You may not be able to please everybody<br />

in this situation and the bottom line is that it<br />

is not your business to do so. Start by telling<br />

the truth to both people involved and see what<br />

comes up. Do this simultaneously. You will<br />

not be able to figure out what to do in a<br />

vacuum. You will need the input from each<br />

of them to discover the next step to take.<br />

What I would like to see happen is Mr.<br />

Montreal to visit, to take care of his own<br />

vacation needs, to accept a non-sexual<br />

friendship between the two of you, and,<br />

perhaps, even the three of you enjoying some<br />

fun times together.<br />

Most importantly, when you set up a<br />

boundary, be prepared to stick to it.<br />

-Circuit Sage<br />

We need your questions! You can email hem to<br />

circuitsage@circuitnoize.com. Circuit Sage is<br />

Michael Lennox, Los Angeles based Dream<br />

Interpreter and Life Coach currently pursuing his<br />

Doctorate in Psychology.<br />

Reach him at 310-585-8302.<br />

Circuit<br />

97<br />

Noize


This is a story about a boy<br />

and his dog. I’m the dog.<br />

It begins with Friday night plans to join my<br />

esteemed friend and the proprietor of The<br />

Celebrity Lounge (a club that’s so exclusive its<br />

nonexistent, but still your friends will brag that<br />

they belong).<br />

The dear boy and I had plans to meet in<br />

Manhattan during his recent visit from Babylon<br />

By The Sea - South Beach. It promised to be a<br />

weekend of merriment and debauchery - filled<br />

with bacchanal behavior so sinful and carnal - we<br />

could hardly wait to start denying it. “You did<br />

what With him Well who paid for the<br />

donkey” That sort of stuff.<br />

Then Saturday morning, the news hit the<br />

Trinitron. John F. Kennedy, Jr. and company<br />

were missing, and the family was gathering at<br />

Hyannis Port. Having my own compound to<br />

maintain before dashing off to Gotham, I was not<br />

transfixed, not hanging on every tidbit of<br />

misinformation from third string acquaintances<br />

trying speculate what the family matriarch might<br />

be saying to the grief-stricken surviving cousins.<br />

Physically unfortunate Uncle Ted, out of focus<br />

of jester, but too much “Din Da Da” and its “off<br />

with her head”. Please (Sorry Kevin.)<br />

Manhattan, whose similarities with Great<br />

Britain end with the description; “an island,” is a<br />

true sovereign nation. The surrounding<br />

boroughs: territory of the crown. Beyond the<br />

Hudson The world is still flat, carried by four<br />

elephants that stand on a turtle. (I believe the<br />

turtle’s name is Camille Paglia. I argue this<br />

constantly with my friend Atlas; he only looks at<br />

me, and shrugs).<br />

Those of us who live beyond the moat are<br />

considered daring serfs who toil in unfertile fields<br />

and in fear of being pillaged by dark lords of the<br />

underworld. This is also true, only we call it<br />

suburbia and the dark lords Republicans.<br />

So anyway, as I was walking up tenth avenue<br />

late Saturday Night on my way from Roxy to<br />

Twilo I was thinking about JFK, Jr. Suddenly it<br />

was colder and I was feeling older. Could it be<br />

because of this man that got away I admit I was<br />

thinking about it more than I thought necessary,<br />

not the JFK, Jr. thing, but the levels of class and<br />

privilege we establish in our minds about those<br />

with beauty and success in a major metropolitan<br />

city.<br />

Greetings from<br />

behind a TV talking head who lisps more than<br />

Christopher Lowell when teaching how to<br />

bedazzle a toaster cozy.<br />

I paid my respects by turning off the<br />

television.<br />

Still, it got me thinking on the grand<br />

presumption. The Kennedy family. Our royal<br />

family. Americans have been longing for a<br />

monarchy from the very minute we broke away,<br />

and nowhere is this truer than within urban gay<br />

social structure. The only difference here is that<br />

gay men have chosen to memorialize the tea party<br />

in very different ways.<br />

I really doubt there were any gay brethren at<br />

the actual first revolt in Boston Harbor. Can you<br />

imagine how long that would have taken Sorting<br />

out the herbal teas and superior blends for<br />

themselves I can hear them hissing, “Not the<br />

Earl Gray, for Chrissakes, just dump the shitty<br />

orange pekoe!”<br />

Windsor Castle for us is New York. The<br />

immediate New York gay royal family is not a<br />

divine one, by birth or marriage. Membership is<br />

determined by body, ability to DJ, size of<br />

apartment or accessibility to dealers. A pretty<br />

good drag routine will get you into the position<br />

Circuit<br />

98<br />

Noize<br />

And just as this country has watched dear<br />

John-John grow up (he hated that name, except<br />

in bed), there is one particular person I have<br />

watched in New York. Okay, I have watched<br />

several. I can’t say that any of them have actually<br />

grown up, but I watch them all the same. It’s not<br />

like the stalking you think it is, although our<br />

dating battle cry here in Amish Country has<br />

always been, “Don’t quit until you get the<br />

restraining order.” It’s more like wistful<br />

admiration, blended generously with an intense<br />

carnal lust.<br />

When I got to Twilo, Lancaster’s native son<br />

Junior Vasquez was venting at the turntable.<br />

As Junior revved up to knock the stylus once<br />

again, I decided to escape to the bathroom. I<br />

admit I was peeved. Being one of those loathed<br />

serfs from way out west beyond the Hudson, of<br />

course I paid full cover charge. Junior’s a<br />

hometown boy, so for his accomplishments alone,<br />

he will always have my unconditional love.<br />

Moreover, dance music is dance music, and its<br />

not going to change my life, but at that moment,<br />

I would have rather listened to a tape loop of<br />

“Happy Birthday To You” than suffer another<br />

minute of incoherent noise.


Celebrity<br />

Loungeby<br />

Kerry Hettinger


Then it happened. I looked up from doing<br />

that prisoner-of-war shuffle you must apply if<br />

you want to get anywhere in a jammed and<br />

packed New York nightclub and I saw him, across<br />

the crowded room. This was certainly turning<br />

into some enchanted evening. I felt like Emile,<br />

the plantation owner, and he, my Ensign Nellie<br />

Forbush. To my left, what I thought would be<br />

my two Portuguese children, but they looked like<br />

they were actually fucking on the banquette. Just<br />

behind me, I cast the three hundred pound<br />

security-slob as Bali Hai itself.<br />

The Portuguese players moaned. I made a<br />

mental note to remind them that if they’re going<br />

to be incestuous, at least let’s videotape it and sell<br />

it on the Internet.<br />

You like You buy”<br />

The girl moaned, “Dites moi, pourquoi, la<br />

vie est belle.” “Why is life beautiful,” she asked<br />

I’d say that, because at that moment in front of<br />

me across the lobby, stood my own equivalent to<br />

John Fitzgerald Kennedy, Jr., crown prince of the<br />

New York gay royal family. ‹ber Stud. Master of<br />

Wit. I have admired this guy for nearly four<br />

years.<br />

Now, this guy looks nothing like Jackie’s boy,<br />

mind you, he’s much better. His name is not<br />

very identifying in its commonality and I do not<br />

want to disgruntle him into never speaking to me<br />

again, so let’s just call him: Chris. He plays the<br />

boy... I play one of those corgies that poor, dear,<br />

dead Diana’s captors loved more than her.<br />

But, Chris, in no way, to my knowledge,<br />

considers himself New York royalty. I do. And for<br />

good reason.<br />

His build is the stuff we all shoplifted men’s<br />

exercise magazines for when we were twelve.<br />

Conjure if you will, the perfect features of all<br />

those escorts during the debutante ball scene in<br />

Rich Man, Poor Man, throw in several hard years<br />

at the gym, and you’re getting warm.<br />

How trite, but how true, it is, after all, his<br />

mind. Chris’s is one or two steps ahead of mine,<br />

he is quick on the draw (with words mind you)<br />

and can turn ten funny phrases to my one (if you<br />

think this is funny, what with me pouring out my<br />

heart and all to you unappreciative tweaked little<br />

bastards). Wit to me is a powerful aphrodisiac.<br />

Oh, and here’s a trait that sets him off from all<br />

those others —he’s employed! I acknowledge the<br />

fact that I’m going off like Kim McAfee on<br />

Conrad Birdie, but you’ll just have to indulge me.<br />

Since that first day when I met him, Chris<br />

has always been full of friendly nonsensical banter<br />

and repartee. He has also managed to confound<br />

me, given his beauty, to more than just stop and<br />

air-kiss hello, but often he will recline across me<br />

in the same chair for an extended “How do you<br />

do” Okay, I admit that the first time this<br />

happened I thought it was a lap dance and I tried<br />

Circuit<br />

100<br />

to tip him, but I’m always battling low selfesteem<br />

(that’s the dog part - for those enjoying<br />

audience participation say, What is it<br />

Lassie, Grandpa in a K-hole). I could never for<br />

the life of me figure out why such a divine<br />

creature of the day and night, would have<br />

anything to do with me, the Legend of Sleepy<br />

Hollow, but he always would.<br />

Fuck the bathroom. Like an embassy staffer<br />

trying to catch the last helicopter out of Saigon in<br />

‘75, I darted upstairs to the lounge and found<br />

my prey headed right toward me. My knees got<br />

weak, my vision started to tunnel, and I could<br />

barely hear the music. Is this the effect this<br />

stunning boy has on me each time I see him<br />

No. I immediately realized that I must remember<br />

never to trust anyone who insists “I swear, I know<br />

which bottle is in which pocket.” It wasn’t Chris,<br />

it was “K!”<br />

I forsook the niceties of small talk, partly<br />

because I wasn’t feeling much like Jane Austin<br />

these days, and partly because I have a standard<br />

greeting I have used with Chris since I met him;<br />

“Wanna fuck”<br />

Actually, I said, “When are we going to<br />

fuck”<br />

“Tuesday” he answered, not missing a beat<br />

and sweeping his arm around me.<br />

I told him that in my left pocket (I can<br />

remember) I had just the thing to move that date<br />

closer and he agreed. The astonishing thing was<br />

that my offer was based solely on communal<br />

living principles instilled in me by my friends -<br />

you share. Despite my promise of no strings<br />

attached to the bounty before him, Chris was still<br />

interested in Tuesday come early. My Cinderella<br />

moment had arrived.<br />

He danced with his ex, and shocking me<br />

once again, met me in the lobby area just as<br />

promised. Believe me, I’ve waited pathetically for<br />

more losers to meet me somewhere in a club. I<br />

make Beckett’s Waiting For Godot seem like a<br />

quick one act comedy.<br />

Directly outside Twilo, at the curb and being<br />

guarded by five jealous doorman, was my pride<br />

and joy on wheels, a 1969 Buick Wildcat dick<br />

magnet convertible. Royal blue, with factory mag<br />

wheels and a boot for the top. For any straight<br />

readers, there’s a 435 V-8 under the hood. For<br />

our gay readers, let’s just say its pretty.<br />

Chris loved the car. I may not live within the<br />

walled city but I know what the little princes<br />

love. To demonstrate how swell I am, I even let<br />

him drive this stand-in for my gilded coach.<br />

To his dismay, Chris didn’t attract any dick<br />

while waiting in the car. I explained that this was<br />

summer and the other royals were probably up<br />

north at their own version of Balmoral - The Big<br />

Cup. We didn’t bother to check it out, but<br />

instead raced home, the anticipation, nearly<br />

Noize


Up close, celebrity<br />

is not distinguishable<br />

from the status quo<br />

(unless it’s Cher, then<br />

you still have the surgery<br />

scars for clues).<br />

driving me mad.<br />

Well, let me tell you, the “four year<br />

handshake” as he so wittingly put it, was worth<br />

every second of the wait. If I never expected to<br />

see him again, I would tell you everything in<br />

detail, but I do, so I won’t. Chris is just one great<br />

feast of lip-smacking-finger-licking-tastygoodness.<br />

How great Let’s just say I would do<br />

him on the Thanksgiving table in front of my<br />

mother, while balancing the cranberry sauce and<br />

pickle dish on my ass. My Mom still asks me<br />

when I’m getting married, so you know that’s<br />

saying a lot.<br />

As for exactly what happened, all in all, it<br />

was your garden variety, dance with no steps<br />

between the sheets. No toys. No real fetishes. It<br />

was, perhaps, the best sex I have ever had.<br />

Mountains moved, rivers boiled, HOURS passed.<br />

Oh, and he videotaped it.<br />

Now before any of you think, “Geez, I could<br />

have skipped reading this and just waited for the<br />

movie.” Guess again. It is for my eyes only, or at<br />

least it is until he ignores me rudely next time I<br />

see him, pretending we barely know each other.<br />

Then you can rush $12.95 plus $4.00 shipping<br />

and handling to Archival Films, PO Box 345,<br />

Intercourse, Pa 17801 and see him moan as he<br />

takes every inch of my tool like the dirty little<br />

pussy boy he is. Oops.<br />

I have it to look back on as proof that it<br />

really happened. For one fine moment I had<br />

been to the Ball and danced with the prince. Like<br />

the immortal line from The Rainmaker, now at<br />

least I can’t say I’ve never been asked.<br />

Friends I left at Twilo came pounding on the<br />

door right around the final curtain call, so I<br />

squired the good boy Chris to his apartment like<br />

Moondoggie and Gidget back from doing the<br />

nasty in the dunes. Just as I was to pull away<br />

from the curb, Chris turned and leaned over,<br />

kissing me again. A truck went by at that<br />

moment but I swear I heard him say, “...and you<br />

Scarecrow, I shall miss you most of all.” I looked<br />

to the sky for a rainbow. A bird shit on the<br />

windshield.<br />

Upon my return to my friend’s place, I burst<br />

through the door doing my best Joey Arias doing<br />

Circuit<br />

101<br />

Billie Holiday singing “What A Night, What A<br />

Guy, What A Kiss.” The squirrels and doves<br />

outside joined in, just like in a Disney movie, but<br />

my friend insists on singing contra-alto, so<br />

against my forced falsetto, it sounded like<br />

something Miss Holiday would have recorded<br />

while on heroin.<br />

Just like the boys from South Park, I think I<br />

learned something that day.<br />

Up close, celebrity is not distinguishable<br />

from the status quo (unless it’s Cher, then you<br />

still have the surgery scars for clues). The only<br />

difference between Cinderella in rags and a<br />

brush, and Cinderella in silk with a tiara, is<br />

costuming. This is a great truth of life, along with<br />

the fact that Striesand was too old to play Yentl.<br />

The images you form in your mind and<br />

project onto others are dispelled or reinforced by<br />

experience and you realize in a moment that<br />

members of the beautiful people society get their<br />

hearts broken as much as you, whether it’s the<br />

gay Manhattan chapter, or the one in Hyannis<br />

Port. He’s not going door to door with a glass<br />

slipper, yet I have discovered that I have as much<br />

to offer this guy, or any other for that matter.<br />

Maybe even more.<br />

Yet being so unfamiliar with nocturnal success<br />

of this nature, it brings to mind the old adage;<br />

“Be careful what you wish for, you just might get<br />

it.”<br />

And then you might only want more.<br />

Sometimes you get more - along with a<br />

mountain of debt and herpetic sores, but that’s<br />

only if what you’re wishing for was born and<br />

raised in Georgia. Sometimes you don’t. And<br />

when it comes up rotten, I take comfort in<br />

remembering that although Meade won the<br />

battle, it is General Pickett’s disastrous but noble<br />

charge that we still revere and honor today.<br />

It’s not bad being the dog. Lassie never ran<br />

away, Old Yeller always came back, and Rin-Tin-<br />

Tin always got his man.<br />

Never give up, and by all means keep<br />

wishing and trying. The alternative is to<br />

compromise and live in silent despair. And that<br />

my boys, is not what I would ever want for you.<br />

Or your dog.<br />

Noize


Anal Sex<br />

by John R. Ballew, M.S., L.P.C.<br />

Anal sex is often seen as the definitive gay act. Sure, straight<br />

men have butts, but far fewer of them have explored this<br />

erogenous zone, and fewer still would admit it. Compared with<br />

heterosexual guys, gay men tend to be more familiar with their<br />

prostrates. We are much more likely to associate this little<br />

gland with pleasure rather than<br />

embarrassment during physical exams.<br />

Some research suggests that our prostrates<br />

are healthier, too.<br />

Just the same, there is a certain sense<br />

of mystery about our sphincters. Unless<br />

you are seriously flexible, you’ve probably<br />

not seen this part of your body directly<br />

yourself. Your partner or boyfriend or<br />

even a casual trick probably has a clearer<br />

picture of what you look like down there<br />

than you do yourself. (Hint: buy a small<br />

mirror and enjoy the view.)<br />

There are other reasons why butt<br />

holes are powerful, pleasurable and even<br />

mystical. According to psychoanalytic<br />

theory, gaining control over this part of<br />

our bodies is the way young children begin<br />

mastering their environment — by<br />

pleasing mom and dad at diaper-changing<br />

time. This little ring of muscle (two rings,<br />

actually) starts to take on a sense of<br />

importance about that time.<br />

The anal sphincter has lots of nerve<br />

endings capable of great delight when<br />

massaged or probed by someone who<br />

knows what he is doing. Deeper inside, the<br />

nerve endings aren’t so well educated.<br />

Nerve endings inside the rectum mostly<br />

signal “full” or “empty.” Therefore, the<br />

pleasure some men get from a large cock is<br />

likely to be psychological, unless that big<br />

fella is rubbing against the prostate.<br />

Some of us learn to hold these<br />

muscles very tight indeed. To call someone<br />

a “tight ass” is to call them stressed-out,<br />

rigid and controlling. One reason anal sex<br />

is so pleasurable is that it requires us to<br />

relax these overly-tight muscles. You can<br />

have the rest of your body relaxed and still have a tense<br />

sphincter. Relax the sphincter, though, and you’re not<br />

likely to find much physical tension anywhere else in<br />

the body.<br />

Odd, then, that anal sex has often held a sense of<br />

the forbidden about it. Sexism and homophobia make<br />

anal sex a taboo in Western culture. Homophobes<br />

often misunderstand anal sex as somehow passive and<br />

“feminine.” This is ridiculous, of course. We all know<br />

lots of masculine men who prefer to be the receiver<br />

when it comes to fucking. And men who enjoy taking<br />

in their partner’s cock are often anything but passive!<br />

Many gay men find that the experience of anal sex<br />

has a spiritual element to it. If you think of sex as an<br />

exchange of energy, male sexual energy is typically<br />

hard, driving and forceful. (Think of ejaculation.)<br />

Taoists call this energy yang.<br />

Anal sex is perhaps the primary way men can<br />

cultivate the corresponding energy, called yin. It is easy<br />

to misidentify yang as male energy and yin as female.<br />

This is sexist oversimplification. Yin is soft, yielding,<br />

receptive, enfolding. In our culture, these are attributes<br />

that don’t always come easily to men. Men who<br />

“bottom” in anal sex can be perceived to be feeding<br />

their yin energy. Sex becomes a way of balancing<br />

energy and creating wholeness. Healthy anal sex is<br />

good for you.<br />

If your ideas about anal sex don’t include concepts<br />

like softening and enveloping, it may be because most<br />

of us don’t know any better. Where did you learn<br />

about anal sex Did it come up in sex ed classes in<br />

junior high Not likely, I’m afraid. Did Dad talk with<br />

you about your butt hole when he discussed the birds<br />

and the bees Doubtful. Probably one gay man in a<br />

thousand has had a healthy conversation about anal<br />

sex with a parent or teacher. In addition, there is<br />

something of a prejudice against penetration among<br />

some gay men. Fantasies to the contrary, most men are<br />

not very skilled at helping inexperienced men learn to<br />

Circuit<br />

104<br />

Noize


enjoy being entered.<br />

Most of us learn about anal sex through either<br />

erotic videos or on-the-job training. The problem<br />

with this is that the teaching partner isn’t always<br />

patient or well-informed. And porn flicks rarely<br />

include much in the way of foreplay, moving from<br />

kissing to penetration as quickly as possible. Written<br />

porn is even less helpful, usually implying that<br />

penetration hurts like hell at first, only to be<br />

transformed into horny delight as the thrusting<br />

continues.<br />

There is a lot of misinformation out there. One<br />

recently published sex manual for gay men seems to<br />

suggest that if anal penetration is difficult, the<br />

partners involved should just keep at it; the muscles<br />

will fatigue and entry will be easier. Some men use<br />

drugs or numbing ointments to make penetration<br />

easier. These men are either trying too hard — and<br />

likely will hurt themselves — or they are learning to<br />

treat their bodies like machines. These are not loving<br />

acts. They are forms of violence against our<br />

own bodies. The truth is we cannot love<br />

our whole selves if we do not learn to love<br />

our holes.<br />

Anal sex is too often portrayed as all<br />

about penetration, conquest and power. It<br />

is too infrequently presented as learning to<br />

savor the subtle sensations and mysteries of<br />

our bodies.<br />

Next time, we’ll take a look at why<br />

some men find such an erotic charge<br />

around barebacking and what is sometimes<br />

called “transgressive sex.”<br />

John R. Ballew, M.S., is a licensed professional<br />

counselor in private practice in Atlanta. He<br />

specializes in issues related to coming out,<br />

sexuality and relationships, spirituality and<br />

career. He can be reached via the web at<br />

www.bodymindsoul.org or at (404) 874-8536.<br />

Circuit<br />

105<br />

Noize


Alone, I move out from the shadows<br />

to the center of the dance floor. My jeans<br />

are weighted low across my hips, a halfempty<br />

bottle of water pressed firmly against<br />

my backside. I feel his sweaty presence<br />

surface on my skin. He has a passionate,<br />

yet hardened, caress. The faintly pungent<br />

scents of leather and sweat emanate from<br />

his grip. Callused hands press me tightly<br />

against the warm center of his thighs. Two<br />

fingers slide effortlessly between a belt loop<br />

on either side of my hips. Two, large,<br />

strong thumbs press against my skin,<br />

instructing me from side to side.<br />

In this heightened state of being, the<br />

slightest gesture prevails - the cock of a<br />

head, the ever-inviting smile, the faintest<br />

tremor.<br />

I travel the length of his arm, gliding<br />

up his bicep, my palms returning flat<br />

against the rock hard edge of his triceps.<br />

intensify into a wild, hot torque of flesh.<br />

For one split second, my eyes open,<br />

sweat dripping from my brow, and dart<br />

outward across the crowded floor. Peter<br />

pulls into view, his own tight muscular<br />

frame pressed firmly between two men.<br />

The grin on his face is at once sheepish,<br />

perhaps envious Our eyes instinctively<br />

meet and, without a single word needed, he<br />

throws me a quick “thumbs-up” before<br />

slipping back into his own private shadow.<br />

The groove is dark, bass-heavy, steady,<br />

and dare I say it, throbbing<br />

The faint fluttering above my groin<br />

tightens as I imagine it is my own hands<br />

traveling the length of my torso and waist,<br />

my own hot embrace pressed tightly to my<br />

side. I trace every texture and curve of my<br />

skin, suddenly acutely aware of my own<br />

body, of its limitations and restraints, the<br />

way it bends and turns, the way it smells,<br />

A Private<br />

His body tapers to a single inviting beat,<br />

his hips thrust me forward and deeper into<br />

the crowd, back into the shadows.<br />

A certain excitement awakens.<br />

I close my eyes in quiet abandon,<br />

concerned less with who this stranger is<br />

and more with the sheer masculinity of the<br />

moment - the strength of his hands, the<br />

pressing warmth of his chest against my<br />

back. In sweaty synchronization, in a<br />

glittering heated sheen, we glide from side<br />

to side. All eyes, it seems, turn in our<br />

direction, peering out from under caps and<br />

beneath masks.<br />

The groove travels between us, its<br />

rhythm pulling us together, igniting us into<br />

a rock hard one. I’m loving the music,<br />

really feeling its flow, completely immersed<br />

in the tribal drums and awash in the<br />

sounds and smells around me as they<br />

the way each hypnotic beat rushes right<br />

through me. It is myself that I am<br />

instructing, my body filling with the scents<br />

and sights of the dance floor.<br />

The groove reasserts itself in a<br />

commanding crescendo.<br />

I try and turn to face my unseen<br />

stranger, but I am met with firm resistance.<br />

He is in control. This is his moment. He<br />

wants me to surrender to his dance. I<br />

understand and, for now, I accept.<br />

Brandon is the Global Groove Guy. He is featured on<br />

every CD cover of Centaur Entertainment’s monthly<br />

CD series, which presents the best new dance music from<br />

around the world. Each CD is continuously mixed by a<br />

rotating line-up of your favorite DJs. Brandon is<br />

photographed exclusively by renowned image-maker,<br />

David Morgan. Each month, in the CD liner notes and<br />

on centaurmusic.com, Brandon writes about different<br />

facets of the dance music experience.<br />

Circuit<br />

106<br />

Noize


Shadow<br />

Dance<br />

by Brandon


Taking a Bullet<br />

by J Chris<br />

“Can you smell it” he whispers in my ear, plunging the clear<br />

plastic device deep into my nose. Colored beams from the<br />

spinning lights above reflect off his heavy chest, glossed wet<br />

with sweat, and a mark resembling a biohazard label spins<br />

wildly on his shoulder. Then it fades into the intense barrage of<br />

lights cascading from above. My hand<br />

presses deeper into his jeans pocket, where<br />

I’ve deposited a small slip of paper with<br />

my name and number scrawled. I attempt<br />

to repeat his name in my mind, but I only<br />

draw a blank as the fine white powder<br />

begins ceasing my brain. He smiles, and a<br />

blur of names fills my mind - Mike, Tom,<br />

Dan, Frank. I close my eyes and we grasp<br />

hands tightly in a primal dance of<br />

moisture, light, music and ecstasy. A rush<br />

of heat overwhelms me followed by an<br />

eerie calmness that deadens my senses.<br />

Lyrics from the loudspeakers muffle and<br />

drift until silence falls.<br />

Startling me from my slumber, the<br />

telephone rings, bolting me upright.<br />

Comforting sounds of my home have<br />

replaced the pounding hard house music. I<br />

sit upright momentarily, undressed down<br />

to my briefs, but then I collapse backward<br />

resuming my docile role atop the<br />

comforter. I’m home. I don’t want to be<br />

awake, and I feel like crap.<br />

Listening to my messages later,<br />

miscellaneous images from the night enter<br />

and exit my mind. The messenger’s<br />

congested voice sounds familiar, “Hey Jim,<br />

this is Shawn from the bar. I don’t know if<br />

you remember that bump I shared with<br />

you last night, but I managed to get you<br />

home and to your bed. Sorry we<br />

didn’t get to play or anything. Hell, even a<br />

goodnight kiss would’ve been nice, but<br />

you kinda fell out. Oh well, it’s<br />

probably for the best. Sounds like I’ve<br />

caught a nasty cold anyway. I’ll call again<br />

later.” I save his message and try to recall<br />

the night’s events. “Well, at least we didn’t<br />

do anything, but why do I feel so achy” I ask myself,<br />

now convinced that I, too, am getting sick.<br />

Jim, like thousands of gay men, routinely enjoys<br />

Saturday nights at his local dance club. Often that<br />

means men, music, drugs and sex - and all the stress<br />

that goes along with these activities. MedEvent<br />

founder Chris Mann, a doctor of sports medicine, has<br />

spent the past two years traversing the Circuit<br />

organizing gay-friendly, party-knowledgeable forces to<br />

provide first aid for those who have overindulged.<br />

Between assists, Dr. Mann has had plenty of time to<br />

witness typical dance floor behaviors. From this, he<br />

began drawing conclusions about the role of drug<br />

paraphernalia - primarily bullets and bumpers - in the<br />

transmission of bacteria and viruses.<br />

“It’s a mindless blood on blood transport that we<br />

haven’t been thinking about,” says Dr. Mann, referring<br />

to sharing bullets. “It could transmit all kinds of<br />

diseases, including HIV.”<br />

Dr. Mann began discussing this issue among gay<br />

health authorities in San Francisco last spring. At the<br />

time, the significance that bullets play in disease<br />

transmission raised some initial concern among the<br />

leaders, he says. Dr. Mann decided to spearhead a<br />

campaign to educate and encourage behavioral change<br />

among those who use powder drugs, such as cocaine,<br />

ketamine and crystal methamphetamine. When<br />

snorted, these powders can dry out the nasal passages<br />

and cause bleeding, either directly or from irritation<br />

caused by blowing the nose. Exchanging even small<br />

amounts of blood via a device such as a plastic “bullet”<br />

or “bumper” may lead to transmission of infectious<br />

diseases such as hepatitis B, hepatitis C, and the<br />

common cold.<br />

“When we got to thinking about it, the practice<br />

of sharing bullets was going on in the dark, hundreds<br />

of times on dance floors, and nobody was really<br />

thinking about what they were doing,” Dr. Mann says.<br />

“This could potentially transmit all the sexually<br />

Circuit<br />

110<br />

Noize


transmitted diseases, including hepatitis and HIV. It’s<br />

actually a pretty risky behavior when you think about<br />

taking blood from someone you don’t know, and<br />

you’re snorting into your absorbent nasal passages.<br />

Even if you don’t get HIV, you may get any number<br />

of infections, be they viral or bacterial.”<br />

The Centers for Disease Control cites shared<br />

straws for snorting cocaine as a transmission route for<br />

hepatitis and other infectious diseases. According to<br />

Dr. Mann, infectious disease specialists have<br />

established a 1-in-400 infection rate associated with<br />

HIV transmission from bloody mucosa to bloody<br />

mucosa.<br />

While there have been no known cases where<br />

bullets or bumpers have been specifically cited as the<br />

carrier of the HIV virus, Dr. Mann points out that<br />

few individuals are open with their physicians<br />

regarding drug usage. In addition, he notes that few<br />

in the health care industry are aware of the possible<br />

significance that drug use could have on the spread of<br />

disease. Physicians are not likely to make the<br />

correlation of the possibility of infection on the dance<br />

floor. “The medical community is totally ignorant to<br />

this behavior,” Dr. Mann says.<br />

Worse than bullets, bumpers have a shape that<br />

lends to further insertion into the nose, Dr. Mann<br />

says. “They’re especially dangerous, because their tips<br />

are not as rounded as bullet tops. Bumpers are<br />

designed to be inserted in the nose, like a nasal<br />

sprayer. They go up the nose further,” he says. “Using<br />

a key and holding it to the end of your nose is much<br />

safer.”<br />

“Obviously, the most desirable option<br />

is to not use drugs, but this isn’t a practical<br />

approach,” he says. “I recommend that you<br />

keep your bullet to yourself. Or try to wipe<br />

it off, and make sure it’s clean if you’re<br />

sharing a bullet. Know the medical history<br />

of the person with whom you’re sharing or<br />

use something else to do the drugs.”<br />

Dr. Mann hopes that, gradually,<br />

behavior on the dance floor and at parties<br />

will change, but he realizes that a long road<br />

lies ahead.<br />

Besides Dr. Mann, there are few<br />

known authorities, but he credits Craig R.<br />

Waldo, Ph.D., a research specialist with the<br />

UCSF Center for AIDS Prevention Studies<br />

and the UCSF AIDS Research Institute, as<br />

another source of information. Dr. Mann<br />

praised Waldo for his interest in this<br />

relatively new area of disease transmission<br />

via drug paraphernalia. But, the fight, he<br />

contends, remains a one-man battle.<br />

“Right now, there aren’t many<br />

resources, and the best thing to do is spread<br />

the word to change your dance floor<br />

habits,” says Dr. Mann. “If you’re going to<br />

party, do it safely. And if you use a bumper<br />

or bullet, use it just for yourself.”<br />

Dr. Mann welcomes input from those who have<br />

information or statistics on this behavior. He also<br />

welcomes mail at drmann11@aol.com or<br />

MedEvent, 601 Caduceus, Euless, TX 76053.<br />

Circuit<br />

111<br />

Noize

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