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FOCUS<br />

Victoria’s monthly magazine of people, ideas and culture January <strong>2012</strong><br />

PM 40051145


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2 January <strong>2012</strong> • FOCUS


contents<br />

January <strong>2012</strong> VOL. 24 NO. 3<br />

STERLING & GASCOIGNE<br />

Certified General Accountants<br />

16 30 32<br />

4 REFLECTIONS OF VICTORIA<br />

Good medicine from local poets and artists.<br />

Leslie Campbell<br />

8 DERAILED<br />

What happened to the plans for commuter rail<br />

Ross Crockford<br />

10 PUT YOUR MONEY WHERE YOUR MUNICIPALITY IS<br />

On January 31, a panel of local experts will talk about new ways<br />

to ensure your savings, RRSPs, and investment dollars help strengthen<br />

our community sustainability and resilience. We offer a preview.<br />

Rob Wipond<br />

14 LRT = TAIL WAGGING DOG<br />

Two competing visions emerge on how to mitigate<br />

climate change at the regional level.<br />

David Broadland<br />

16 TOTALLY VULNERABLE<br />

Megan Dickie’s sculptures critique the status quo.<br />

Christine Clark<br />

30 LOVE, ART AND TRANSFORMATION<br />

Phyllis Serota often tells stories in her paintings. Now she tells the stories<br />

behind the paintings.<br />

Amy Reiswig<br />

32 AT THE TIPPING POINT<br />

Assembly of First Nations National Chief Shawn Ah-in-chut Atleo thinks<br />

the situation at Attawapiskat is one of many signs Canada is at a tipping<br />

point in its relationship with First Nations. The system has failed, says<br />

Atleo: it’s time to “smash the status quo” and start over again.<br />

Katherine Gordon<br />

38 SPRAWL BUSTER<br />

With a vision of environmental and social justice informed by travel and<br />

history, Ben Isitt is keen to shake things up at City Hall and the CRD.<br />

Aaren Madden<br />

40 A NATURAL HISTORY OF CONCRETE<br />

It all starts with ooids. Next thing you know, there’s a parkade.<br />

Gene Miller<br />

44 RE-ENCHANTING OURSELVES WITH THE LOCAL<br />

The story of bees could possibly be the great allegory for our times.<br />

Briony Penn<br />

46 JUST SAY “HELLO”<br />

Confessions from an introvert enroute to a more social <strong>2012</strong>.<br />

Trudy Duivenvoorden Mitic<br />

January <strong>2012</strong> • www.focusonline.ca<br />

editor’s letter 4<br />

readers’ views 6<br />

talk of the town 8<br />

palette 16<br />

arts in January 18<br />

coastlines 30<br />

focus 32<br />

island interview 38<br />

urbanities 40<br />

natural relations 44<br />

finding balance 46<br />

ON THE COVER<br />

“The Spirit of Lekwammen,” at<br />

Songhees Point (called P’alac’as by<br />

the Songhees). Photographed by<br />

Christian J. Stewart. The original<br />

180-foot pole was created by First<br />

Nations carvers, led by Coast Salish<br />

artist Richard Krentz, in 1994, as<br />

part of the Commonwealth Games<br />

commemoration. In 2001 the pole<br />

was cut down to a height of 40<br />

feet after it was deemed a hazard<br />

to float planes approaching the<br />

Inner Harbour.<br />

Alison Gascoigne, CGA Ruby Popp<br />

Ashley Stanford, CGA Kim Sterling, FCGA<br />

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3


handmade just for you<br />

The world-famous Cape Cod Screwball Bracelet utilizes<br />

a unique hidden clasp designed by John Carey. Though<br />

simple and elegant, its production requires painstaking<br />

craftsmanship. Carey’s grandson Alex Carey carries on<br />

the family tradition of crafting artful jewellery, including<br />

customized Screwball Bracelets, in his downtown shop.<br />

jewellery<br />

539 Pandora Ave • www.adorejewellery.ca • 250.383.7722<br />

Old School Woodworks<br />

one-of-a-kind furniture • artistic kitchens & built-ins<br />

commissions welcome<br />

Reflections of Victoria<br />

LESLIE CAMPBELL<br />

Good medicine from local poets and artists.<br />

If there’s a theme to this edition (indeed of <strong>Focus</strong> in general), one that<br />

provides a good direction for the New Year, it is to “go local”—to<br />

contemplate and celebrate the bounty we have in our environs, to<br />

nurture its health, to protect it fiercely.<br />

Briony Penn’s piece, aptly entitled “Re-enchanting ourselves with<br />

the local,” argues that this localizing project is the “the most powerful<br />

antidote to globalization, inequity, corporatization, degradation, poverty<br />

and despair.” She is speaking about it largely in relation to the<br />

natural world, but it applies to virtually every aspect of out lives, from<br />

art through business, food and travel. Rob Wipond’s contribution in<br />

this edition also turns our attention to the power of local in its<br />

discussion about re-directing some of the dollars that go into RRSPs<br />

into local ventures through “community investment funds.”<br />

I was thinking about such matters just before Christmas when I<br />

attended the launch of Framing the Garden, a new book edited by <strong>Focus</strong><br />

regular and just-retired Victoria Poet Laureate Linda Rogers. The 35<br />

poems in the book, all by local writers, are awash with images and<br />

reflections about this place. Indeed the subtitle of the book is “Reflections<br />

of Victoria.” We hear of Garry oak meadows, gulls, rocks, barnacles<br />

and kelp—and of Government Street, Mile Zero, a carver on a sidewalk,<br />

and a blue bridge. And of the human spirit, grief, and cherishing<br />

“Planet Earth” (thanks to P.K. Page). The poets each chose a visual<br />

artwork that inspires or otherwise reflects their words. These too are<br />

by local artists and evoke our experience here, both urban and wild,<br />

personal and political.<br />

Here’s an excerpt from writer Robert Hilles’s poem “Distorted Facts”:<br />

I’m reminded of Victoria<br />

Where in winter, walls of wet rock<br />

Are broken only by a few stubborn red sedums<br />

Bunched with cladonia lichen.<br />

Fifteen foot rhododendrons<br />

Crowd the sides of buildings<br />

And persist in their green despite inches of snow.<br />

editor’s letter<br />

Framing the Garden is a gift to the city and its citizens. Says Linda,<br />

“The purpose of the book was to celebrate a city of artists, whether<br />

they be poets, painters, dancers, musicians or gardeners.” Originally<br />

conceived as a protocol gift for the City, a “legacy project” of her term<br />

as Poet Laureate for the City of Victoria, it was scuttled by the powersthat-be.<br />

“I may have failed bureaucracy,” admits Linda.<br />

But Linda being Linda carried through. She had, after all, already<br />

Tues-Fri 12-5 Sat 12-4<br />

www.oldschoolwoodworks.com<br />

2031 Oak Bay Ave 250-896-8073<br />

Editor: Leslie Campbell Publisher: David Broadland Sales: Bonnie Light<br />

ADVERTISING INQUIRIES: Phone 250-388-7231 Email focuspublish@shaw.ca<br />

EDITORIAL INQUIRIES and letters to the editor: focusedit@shaw.ca<br />

WEBSITE: www.focusonline.ca MAIL: Box 5310, Victoria, V8R 6S4<br />

Copyright © <strong>2012</strong>. No portion of this publication may be reproduced in whole or in part without written<br />

permission of the publishers. The views expressed herein are not necessarily those of the publishers of <strong>Focus</strong> <strong>Magazine</strong>.<br />

Canadian Publications Mail Product Sales Agreement No. 40051145.<br />

4 January <strong>2012</strong> • FOCUS


<strong>Focus</strong> presents: Iyengar Yoga<br />

ADVERTISEMENT<br />

Iyengar yoga is fun and challenging<br />

rounded up the contributors and set her sights on raising funds for<br />

Slangspruit, South Africa school children through book sales. She<br />

just needed a bit of help from her friends, which included publisher<br />

Ekstasis Editions, Island Blue Print, and launch hosts Martin Batchelor<br />

Gallery and Victoria Gin.<br />

It was exciting and inspiring to see the scores of artists and literati<br />

who showed up at the launch, a veritable who’s who of the arts<br />

scene. Missing in action, though, were representatives from the City<br />

of Victoria, unless you count Janet Marie Rogers, one of the book’s<br />

contributors and the new Poet Laureate. (But that hadn’t been officially<br />

announced at that point.)<br />

Linda, who fittingly just won the Broadside Prize (visual artist Eric<br />

Fischl chose her poem “The Grasshoppers’ Silence” to incorporate into<br />

a work of art), part of the Montreal International Poetry Prize, is thrilled<br />

at Janet’s appointment as Poet Laureate. Interviewed about her most<br />

recent book, Unearthed, in <strong>Focus</strong>’ November edition, Janet Rogers,<br />

like her predecessor, is an empowered, righteous woman who insists<br />

on authenticity, and is willing and able to make things happen.<br />

Have no fear: Our tax dollars will get excellent value in this appointment,<br />

as they did with Linda’s. The bargain-basement $2500-per-annum,<br />

three-year appointment requires acting as a sort of ambassador for<br />

the arts, building community through poetry at events, fundraisers,<br />

council meetings, etc.<br />

It would be nice to think that in <strong>2012</strong>, Linda and Janet and the many<br />

other local artists and arts organizations who contribute so much to local<br />

culture and economy would be more supported. But too often they are<br />

the first things to be cut, as if art was an unnecessary, expensive frill.<br />

In reality, supporting local arts is one sure way to build the local<br />

economy without breaking the bank. “BC government’s own data…clearly<br />

demonstrates that for every dollar invested in arts in BC, at least $6 is<br />

returned to BC government coffers within one year.” (www.stopbcartscuts.ca)<br />

A study by Dr Brock Smith of the Peter B. Gustavson School of<br />

Business at the University of Victoria has conservatively pegged the<br />

local economic activity generated by the Greater Victoria arts and<br />

culture sector in 2010 at $127 million in net income (GDP) activity,<br />

“supporting the equivalent of more than 4600 person years of employment,<br />

and almost $18 million in property tax revenue.” (See<br />

www.crd.bc.ca/arts for the report done by the CRD, Victoria Foundation<br />

and other organizations.)<br />

Other studies show the benefits of the arts towards creating a healthier<br />

population (thereby saving health dollars). And it’s worth noting that<br />

the arts sector is one of the greenest industries around.<br />

But despite the empirical evidence of benefits, local arts groups are<br />

struggling, largely due to funding cuts. BC has by far the lowest arts<br />

funding per capita in the country.<br />

Wanna be a great city—or province or nation Build a healthy<br />

local arts community.<br />

www.focusonline.ca • January <strong>2012</strong><br />

Leslie Campbell didn’t mean to spend the day before<br />

<strong>Focus</strong>’ press deadline reading poetry, but it sure<br />

felt good. As Janet Rogers says: “The essence of poetry<br />

is medicine—good things for the spirit and the mind.”<br />

Wishing all <strong>Focus</strong> readers and advertisers more poetry<br />

in <strong>2012</strong>.<br />

Shirley Daventry French teaching Reclining Big Toe Posture.<br />

Looking to make some changes in habits and health for the New Year New<br />

to yoga or looking to try a new style of yoga The Iyengar Yoga Centre of<br />

Victoria has 22 well-trained teachers and offers classes seven days a week<br />

for every age and every body.<br />

Shirley Daventry French, founding member, who turned 80 in October, is respected<br />

world-wide and continues to teach yoga classes, workshops and retreats.<br />

“Yoga is for all of us! No one is too old, too young or too stiff,” says French.<br />

“Iyengar Yoga is fun and challenging and can be viewed as the great equalizer<br />

among yoga styles offered today,”says Wendy Boyer,general manager and teacher<br />

at the Iyengar Yoga Centre.<br />

“Whether you are a first time student or familiar with yoga, you are in good<br />

hands with Iyengar teachers,” says Daventry French. “We teach a progression<br />

of poses to boost mobility, stability, strength and stamina.We have a well-developed<br />

eye!”The Iyengar Yoga Centre of Victoria offers one of the most comprehensive<br />

teacher training programs in North America and certificates issued by the Iyengar<br />

Yoga Association of Canada are respected and accepted world-wide.<br />

The founder of the Iyengar method, BKS Iyengar, says “The effects of yoga practice<br />

are beauty, strength, clarity of speech, calmness of the nerves, increase in<br />

digestive powers and a happy disposition that is revealed in a smiling face.”The<br />

93-year-old master lives in Pune, India, and still practises many hours a day.Victoria<br />

teachers travel regularly to India to study at the Iyengar Institute.<br />

The Iyengar Yoga Centre runs 55 classes a week, including Introductory to<br />

Advanced; Pre-Natal; Family; 50+; Gentle; Special Needs; and Restorative.The first<br />

class is free...choose from any of the regular classes offered seven days a week.<br />

Classes by-donation are being held Saturdays from 11:30-1pm on Jan 7, 14, 28;<br />

Feb 4, 11, 18, 25 to prepare teacher trainees for the Level 2 Iyengar assessment.<br />

If you are looking for a January workshop, Boyer recommends the Heart of<br />

Yoga workshop led by two of Canada’s best Iyengar teachers—Shirley Daventry<br />

French and Ann Kilbertus.“Strengthen your backbends and inversions,” says Boyer<br />

of the January 21-22 workshop. “It is intended for students familiar with yoga,<br />

and will be a mix of standing poses, backbends, forward bends and inversions.<br />

Iyengar Yoga Centre Victoria<br />

202-919 Fort Street (above the Blue Fox Café)<br />

250-386-9642 • www.iyengaryogacentre.ca<br />

Visit us on facebook at www.facebook.com/IyengarYogaCentre<br />

5


eaders’ views<br />

Re: Hunter, Luton and Lucas booted off council, Dec 2011<br />

Thank you for the article by David Broadland writing about Victoria<br />

City council electoral changes. Almost all of my friends and acquaintances<br />

here in Fairfield were unusually concerned with this last election.<br />

Nearly all wanted much more clarity and transparency from the City,<br />

particularly with respect to financial issues. Many of us want a Council<br />

that knows the difference between needs and wants. Canada’s<br />

rough times are far from over, so we must deal only with essential<br />

issues for the near future.<br />

Ron and Alexandra Stewart<br />

One of the major bricks in the City’s platform to sell a new Johnson<br />

Street Bridge was that it needed to be seismically safe. But if Victorians<br />

were asked to vote tomorrow on which project is more pressing as<br />

far as the safety of the city goes, would it be a new bridge, or would it<br />

be a seismically safe Number One Fire Hall<br />

If the Blue Bridge collapses in a major quake as the City fears, or if<br />

the Bay Street Bridge—with its water and gas mains—suffers major<br />

damage, what would be the consequence if the fire hall is buried in<br />

rubble Unfortunately, the question was not asked leading up to the<br />

bridge referendum.<br />

I trust that the City will live up to its pledge to move the decommissioned<br />

rail bridge to Rock Bay, to become part of the waterfront walkway.<br />

Dennis Robinson<br />

Re: Breaking news on the yellow brick road to calamity, Dec 2011<br />

What do I think Journalism and activism go well together at a<br />

time of community, national, and global crisis. Particularly so when<br />

the activism is well considered versus off-the-cuff and for its own<br />

sake. I appreciate Rob Wipond for taking the time to send City council<br />

six pages of discussions and detailed suggestions for the City of<br />

Victoria’s Economic Development Strategy. His writing is always<br />

relevant and clear, and—in my opinion—it is always respectful and<br />

fair. I read his articles in <strong>Focus</strong> every issue and I read every issue of<br />

<strong>Focus</strong> cover to cover. I am grateful to the business people who advertise<br />

in the magazine and I will go out of my way to be their patron<br />

if/when possible. Public conversation in this city would be the poorer<br />

without Rob and the other <strong>Focus</strong> writers.<br />

Julie Graham<br />

Rob Wipond asks his readers to respond to the question: “Are we<br />

satisfied with the news media that we have” That question is easy<br />

to answer: No. Using a detached, “objective” style of reporting, readers<br />

are led to believe that the truth is being represented without bias. But<br />

most readers are sophisticated enough to know that no reporting is<br />

without bias when media need corporate sponsorship in order to<br />

survive. The most honest reporting is done by publications that openly<br />

acknowledge their bias, and like-minded readers seek them out.<br />

Rob Wipond is a reporter whose commitment to investigative<br />

reporting is at least locally recognized and appreciated. It is refreshing<br />

to read about the workings of local policy makers with some insight<br />

into the motivations that make them take the decisions they do.<br />

Rob has done this at the city council level, school board level, environmental<br />

advocacy level…And his voice makes a difference to<br />

the decisions that citizens make when choosing whether or not to<br />

vote for particular politicians or support particular environmental<br />

groups, or to be sceptical about mental illness treatments, or<br />

care protocols for the elderly, to name a few of the topics he has<br />

covered recently.<br />

Rob doesn’t pretend “objectivity” but does a thorough job of interviewing<br />

a range of people in the know and researching documents<br />

to substantiate his claims. This kind of journalism motivates readers<br />

to want to learn more and to do our own investigations to come to<br />

our own conclusions. This is the ideal kind of reporting required in<br />

a truly functioning democracy and I applaud him for it. It is the kind<br />

of journalism that can be found in the Washington Post, the Manchester<br />

Guardian, and even occasionally in the Globe and Mail. I just hope<br />

we don’t lose Rob to one of these well-financed papers that can afford<br />

to print the complexities of truth once in a while.<br />

Starla Anderson<br />

We moved here from Edmonton 10 years ago. I used to work in the<br />

oilsands industry, where I tried to lend my expertise to green the industry<br />

from within. The fact that I’m here suggests how successful that initiative<br />

was. But you see, in Alberta, “left-necks” act versus talk.<br />

Being a long-term supporter of the David Suzuki Foundation, I expected<br />

to find the environment, climate crisis and related issues to be the dominant<br />

concern or focus in Victoria. How wrong that assumption was!<br />

Much of what I’ve heard from politicians at all levels of government<br />

sounds like regurgitated Kleinisms which are basically re-hashed<br />

Bush/Cheneyisms.<br />

Yes, Mr Wipond, we definitely need activist-journalists like you. We<br />

also need to “work” from the inside, because standing outside with<br />

signs doesn’t appear to be going anywhere.<br />

Garry Pigeon<br />

Re: The poppy and the dove, Nov 2011<br />

Thank you Trudy Duivenvoorden Mitic, for your comments about<br />

the militaristic aspects of Remembrance Day events in Canada. I<br />

haven’t worn a poppy for many years; instead I wear a small button<br />

that says, “Honour veterans...no more war.” As each Remembrance<br />

Day goes by, the celebrations seem to focus more on military routines<br />

and the “heroes” of war, which I find alarming. I usually attend the<br />

November 11 assembly at our local school, and although there is<br />

some acknowledgement of the importance of peace, most of the event<br />

centres around the speeches and marching-in of veterans and people<br />

from local military detachments.<br />

For the past 15 years, during the week of November 11, I have<br />

spent several days reading stories about peace to all of the children<br />

in our elementary school. I keep thinking that as the years go by,<br />

maybe we will stop worshipping the uniforms, authority, and power<br />

of past wars, and instead focus on events that specifically promote<br />

peace. So far, that is just a dream—this year saw the biggest assembly<br />

yet at the military cairn in my community, with enough medals on<br />

uniforms to stock a war museum.<br />

Susan Yates<br />

LETTERS<br />

Send letters to: focusedit@shaw.ca<br />

Letters that directly address articles<br />

published in <strong>Focus</strong> will be given preference.<br />

6 January <strong>2012</strong> • FOCUS


<strong>Focus</strong> presents: All Organized Storage<br />

ADVERTISEMENT<br />

Resolution #1: Get Organized<br />

Many people feel that their life is out of<br />

control; they feel stressed and overwhelmed<br />

by too much stuff in their homes,<br />

and are constantly in “reaction mode,” unable to<br />

fully enjoy the present moment. Relationships,<br />

family life,and friendships all suffer.Socializing gets<br />

postponed indefinitely, since it’s hard to find the<br />

confidence to entertain guests in a cluttered home.<br />

If you’ve made a resolution to take control of<br />

your life,the first step is to take control of the clutter—<br />

by organizing and installing storage solutions.Janet Janet Young<br />

Young,a Trained Professional Organizer and owner<br />

of All Organized Storage, believes adequate and appropriate storage is the key to<br />

reducing clutter: “With smaller homes and downsizing, as well as the constant<br />

stream of stuff that enters our lives, we need to maximize the storage we have.”<br />

Since 1997, Janet has established herself as Victoria’s “organization authority.”<br />

Her expertise and comprehensive product lines can help anyone convert a<br />

kitchen, laundry room, bathroom, bedroom or garage/workshop into an attractive,<br />

high-functioning oasis—providing them with a sense of peace and order, not to<br />

mention saving them precious time because things can be found quickly. (Research<br />

shows most people spend an average of an hour a day just looking for things.)<br />

During the past 15 years, Janet has researched and sourced the best organizing<br />

and closet systems available so that she now offers the largest selection in Western<br />

Photo:Tony Bounsall<br />

Custom made cherry wood storage unit with fudge stain.<br />

Just a few of the organizing solutions available at All Organized Storage.<br />

Canada, ranging from locally manufactured green wood storage, melamine, slated<br />

wood shelving,to a sleek modern,adjustable German-made modular organization<br />

system.These come in numerous finishes and can be blended to meet each client’s<br />

individual needs, budget and style.While she provides installation, some lines are<br />

perfect for do-it-yourselfers.<br />

And now,with her new showroom,store and attached warehouse,All Organized<br />

Storage has once again expanded its solutions for those of us keen on introducing<br />

more order into our lives. She is also launching an online store for organizing tools<br />

and accessories in mid-January.<br />

Her store is a veritable treasure chest of affordable, small but life-enhancing<br />

ideas to keep your belongings in check. Organizing “accessories” include shelving<br />

solutions (stacking,rollout,drawer trays) for kitchens,grid boards and tool storage<br />

units for workshops, and for the bedroom, belt and tie racks, clear stacking<br />

boxes, a valet stand, a compact pant trolley and jewellery inserts.<br />

“It may seem small,” says Janet,“but when you open your closet or pantry and<br />

see order, it frees up energy for you to make other changes as well.A beautiful and<br />

well-organized room can start a chain reaction to begin a process of improvement<br />

in all areas of life.What I hear over and over again from my clients is, ‘Why did I<br />

wait so long I wish I had done this sooner!’”<br />

In fact, many of Janet’s clients have started with one room and quickly<br />

become converts, relying on her services for other projects. Designers and builders<br />

often get Janet involved in outfitting houses they are renovating or building.<br />

Chris Walker, of Christopher Developments, says All Organized Storage is his closet<br />

vendor of choice for all his custom homes. “Janet has completed a number of<br />

demanding installations for us. Her attention to detail, exceptional planning skills<br />

and customer service have been impressive, to say the least.”<br />

With her new showroom displaying numerous ways from large to small to<br />

transform your home into a well-functioning and beautiful oasis of calm and<br />

order,All Organized Storage can help you keep that resolution to get organized<br />

this year.<br />

All Organized Storage<br />

3370 Tennyson Avenue (near UpTown)<br />

Showroom hours:Tues–Fri, 10–5; Sat 10–3 pm<br />

250-590-6328 • www.AllOrganizedStorage.ca<br />

www.focusonline.ca • January <strong>2012</strong><br />

7


talk<br />

of the<br />

town<br />

Ross Crockford 8 Rob Wipond 10 David Broadland 14<br />

Derailed<br />

ROSS CROCKFORD<br />

What happened to the plans for commuter rail<br />

For a few hours in 2008 and 2009, residents<br />

got an idea of what it would be like<br />

to take a commuter train between Langford<br />

and Victoria.<br />

One Saturday in August, in both those years,<br />

Jim Sturgill ran a 70-passenger VIA Rail “Budd”<br />

car back and forth between Goldstream Avenue<br />

and the old CPR roundhouse in Vic West, as<br />

part of E&N Days, a summer celebration of<br />

the Esquimalt and Nanaimo Railway. “It worked<br />

very well,” says Sturgill, a veteran trainman<br />

who operated locomotives on the E&N for<br />

30 years. During 2008’s one-day test, he made<br />

six round trips, taking about 25 minutes each<br />

way—a challenge for any car driver trying<br />

to reach the same destination by navigating<br />

the stop-and-go traffic on Douglas Street or<br />

Craigflower Road.<br />

In 2009, Sturgill made seven round trips,<br />

carrying 680 people. “There were so many<br />

people wanting to take the ride,” he recalls.<br />

“Four teenagers got on the train at Langford,<br />

and I asked them if they were going to E&N<br />

Days. ‘Oh no,’ they said, ‘we’re just doing this<br />

so we can catch a bus to the Mayfair shopping<br />

centre. We wish a train like this was running<br />

all the time.’”<br />

Back then, that wish looked certain to become<br />

a reality. In 2006, Canadian Pacific donated<br />

the E&N to the brand-new Island Corridor<br />

Foundation, and ideas flourished along the<br />

tracks. In January 2008, a group of officials<br />

from Victoria, Esquimalt, View Royal and<br />

Langford called Communities For Commuter<br />

Rail (C4CR) released a study showing that an<br />

hourly train service would cost $16 million<br />

to build, and $2 million a year to operate—a<br />

sum requiring lower per-rider subsidies than<br />

BC Transit's buses. Riders would pay $5.<br />

In the November 2008 municipal election,<br />

Langford and Colwood asked voters if they<br />

wanted the BC and federal governments to fund<br />

the E&N, and BC Transit to provide commuter<br />

rail; 93 percent said Yes. Two days later, an allparty<br />

finance committee of the provincial<br />

government said the E&N and commuter<br />

rail should be a capital spending priority. Victoria<br />

mayor-elect Dean Fortin chimed in: “Commuter<br />

rail from Langford to downtown Victoria is an<br />

idea whose time has come.”<br />

PHOTO: DALLAS AREA RAPID TRANSIT<br />

VIA’s old Budd cars are being used for commuter service—in Texas<br />

Then it fizzled. In June 2010, consultants<br />

hired by the province to study the E&N’s<br />

viability issued reports stating it would cost<br />

$123 million to rehabilitate the entire line [TO<br />

COURTENAY], and at least $69.5 million for<br />

Victoria-Langford commuter rail, with new<br />

stations and trains—slamming the brakes on<br />

any immediate prospect of provincial investment.<br />

The ICF tried to get a pilot commuter<br />

service running that autumn, but the BC Safety<br />

Authority demanded new assessments of all<br />

24 crossings between Langford and Victoria,<br />

even though VIA had used the same route for<br />

decades. The following spring, Victoria councillors<br />

voted rail permanently off the new<br />

Johnson Street Bridge. And all the while, BC<br />

Transit poured time and money into its $950-<br />

million plans to electrify the region with<br />

Uptown-centred Light Rail Transit.<br />

Now the E&N is in a perilous state. Last<br />

March, VIA’s Budd cars stopped running<br />

because of poor track conditions, and in<br />

November, VIA shipped the cars off the island.<br />

The province has said it will give the ICF $7.5<br />

million for track improvements, but only if<br />

the federal government does too—and the<br />

feds’ decision may hinge on a just-completed<br />

assessment of the E&N’s bridges, including<br />

the huge span erected in 1910 across<br />

Goldstream’s Niagara Canyon. Many fear that<br />

if the bridges don’t pass, the E&N is doomed.<br />

But would that automatically kill commuter<br />

rail Maybe not.<br />

The fact is, we’ve invested considerable<br />

sums in the tracks already. CRD Parks says 30<br />

percent of the $14 million it’s put into the<br />

E&N Rail Trail has gone to rail infrastructure,<br />

such as its new Four-Mile Bridge over the<br />

Island Highway. Langford has concentrated<br />

new developments around the tracks, including<br />

its new Eagle Ridge recreation centre. And<br />

Esquimalt and the province have spent $5<br />

million on the rail crossing at Admirals Road,<br />

the potential site of a station for hundreds<br />

of people working across the street at CFB<br />

Esquimalt and Victoria Shipyards.<br />

The key, rail advocates say, is to build up a<br />

commuter service incrementally, which would<br />

be far less expensive than the all-at-once, “platinum<br />

or nothing” mentality of the LRT plan.<br />

8 January <strong>2012</strong> • FOCUS


“<br />

I DON’T UNDERSTAND THE LRT PROPOSAL. It doesn’t make sense<br />

to me... With the E&N, we could use the track that’s existing, and spend<br />

a few dollars to upgrade it. It’s mind boggling to me that that wouldn’t<br />

be the first thing we would do.” —Jim Hartshorne<br />

“Municipal operations is totally different from<br />

a provincial-scale, BC Transit way of doing<br />

things,” says Geoff Pearce, the chair of C4CR,<br />

and Langford’s former clerk-administrator.<br />

“We do what’s necessary, and if something<br />

doesn’t work, we fix it and then we go on.<br />

What we envisaged with commuter rail, starting<br />

small and growing, was quite different from<br />

what the Ministry of Transportation or BC<br />

Transit says, which is, ‘You’ve got to put in<br />

$60 million up front.’”<br />

That incremental approach has worked elsewhere.<br />

Cash-strapped and desperate for transit,<br />

several American cities have converted old<br />

freight railways over to commuter service:<br />

one example is New Jersey’s River Line, which<br />

uses diesel-powered vehicles that roll into<br />

downtown Camden like streetcars. Another<br />

example, even closer to our circumstances,<br />

comes from Texas: in 1994, Dallas’s transit<br />

authority bought 13 Budd cars from VIA (used<br />

ones cost as little as $100,000) and started<br />

running them on a bankrupt freight line for a<br />

commuter service called the Trinity Railway<br />

Express. Today, TRE carries 9,800 daily passengers<br />

on new trains, and has loaned its Budd<br />

cars to build up a new commuter line in nearby<br />

Denton County.<br />

Local commuter rail does face challenges<br />

beyond finding vehicles and money. C4CR’s<br />

$16-million scheme depended on rail coming<br />

across the Johnson Street Bridge—and so far,<br />

the City of Victoria has refused to investigate<br />

whether the new bridge could have rails embedded<br />

in its roadway (an idea pushed by this author),<br />

fearing increased costs and construction delays.<br />

“It’s going to take somebody to say, ‘Hey,<br />

this is important enough, we’ll put in $30,000<br />

to help Victoria look at that alternative. And<br />

let’s do it now rather than later,’” says Pearce,<br />

who wants to see the CRD create a regional<br />

funding formula for rail on the bridge.<br />

There’s also the question of which entity<br />

would run the commuter service. Southern<br />

Rail, which is currently contracted by the Island<br />

Corridor Foundation to operate the E&N,<br />

doesn’t have passenger insurance. Pearce says<br />

VIA would be the logical choice, if it brings<br />

back its Budd cars, and can be persuaded that<br />

connecting Langford and Victoria meets its<br />

intercity mandate. Alternatively, a whole new<br />

intermunicipal service could be created, or<br />

the rail system could be operated by the CRD<br />

or BC Transit.<br />

Unfortunately, the last two bodies currently<br />

seem entranced by LRT. The CRD board, the<br />

regional transit commission, and some local<br />

politicians have already endorsed BC Transit’s<br />

shiny $950-million plan—without much worrying<br />

about whether austerity-preaching federal and<br />

provincial governments will actually pay for it,<br />

or already-public opposition from the CRD<br />

Taxpayers’ Association and businesses afraid<br />

of losing two car lanes along Douglas Street.<br />

The LRT fantasy may also cost us opportunities<br />

that are staring us right in the face.<br />

Langford’s Westhills development has set aside<br />

$1 million for a commuter-rail station, and<br />

a park-and-ride system connecting it to buses.<br />

But there’s a time limit, and if rail doesn’t materialize<br />

by the end of 2013, Westhills will spend<br />

that money on other infrastructure.<br />

Jim Hartshorne, the prime project consultant<br />

for Westhills and president of the Westshore<br />

Developers’ Association, sat on BC Transit’s<br />

community-liasion panel for LRT. “And I can<br />

tell you: I don’t understand the LRT proposal.<br />

It doesn’t make sense to me. It is, in my opinion,<br />

doomed for failure,” Hartshorne says, even<br />

though the LRT plans include Westhills. “We<br />

will have to spend millions just to acquire<br />

rights-of-way, and design a system for a billion<br />

dollars that doesn’t appear to have a population<br />

that could support it. With the E&N,<br />

we could use the track that’s existing, and<br />

spend a few dollars to upgrade it. It’s mindboggling<br />

to me that that wouldn’t be the first<br />

thing we would do.”<br />

Ross Crockford is a director<br />

of johnsonstreetbridge.org<br />

and the author of Victoria: The<br />

Unknown City.<br />

www.focusonline.ca • January <strong>2012</strong><br />

9


talk of the town<br />

During her presentation at the Community<br />

Social Planning Council of Greater<br />

Victoria’s recent annual general meeting,<br />

economic development expert Nicole Chaland<br />

brought out a perspective-shifting number:<br />

$360 million.<br />

That’s how much Greater Victoria residents<br />

invested last year in Registered Retirement<br />

Savings Plans (RRSPs)—enough to effectively<br />

double last year’s growth in Greater Victoria’s<br />

entire gross domestic product. Yet instead of<br />

boosting our economy or helping improve<br />

our community, most of that enormous wealth<br />

of ours was simply drained away into globalized<br />

mutual funds.<br />

If we could create some sort of local pool<br />

for RRSPs, Chaland said, “What we’d be doing<br />

is capturing money that’s already being invested,<br />

and we’d be making sure it’s invested locally.”<br />

And that, says Community Social Planning<br />

Council director Rupert Downing, is what<br />

he’s setting out to do in the wake of Chaland’s<br />

feasibility report on community investment<br />

funds (CIF).<br />

“This is a very exciting opportunity,” says<br />

Downing, who envisions such funds helping<br />

develop local affordable housing.<br />

“There is a capital gap,” explains Downing.<br />

“The availability of subsidies [from governments]<br />

and mortgages from banks or credit<br />

unions doesn’t cover the full cost of developing<br />

market rental housing.” What we need,<br />

he says, is “patient capital,” where loans are<br />

relatively cheap and investors don’t need or<br />

expect to pull their money out in a hurry—<br />

like with RRSPs.<br />

The Community Social Planning Council<br />

(often called the Community Council) recently<br />

coordinated meetings between BC provincial<br />

government representatives and their counterparts<br />

in Nova Scotia, where such community<br />

investment funds are already in operation,<br />

discussing tweaks to RRSP and venture capital<br />

tax credits that could facilitate the process here.<br />

“The funds that work need a tax incentive,”<br />

says Downing. “That’s the optimum.”<br />

A Cape Breton community investment fund<br />

has already captured two percent of their local<br />

RRSPs—if we could merely equal that here,<br />

that’d be $7.2 million annually.<br />

Put your money where your municipality is<br />

ROB WIPOND<br />

On January 31, a panel of local experts will talk about new ways to ensure your savings, RRSPs, and investment dollars<br />

help strengthen our community sustainability and resilience. We offer a preview of some of the ideas they’ll address.<br />

Left to right: Nicole Chaland, Lisa Helps, Stephen Whipp, Rebecca Pearson, Rupert Downing<br />

Community investment funds around North<br />

America generally focus on supporting locallyowned<br />

businesses but, because of their broader<br />

mandate to foster overall community development,<br />

they usually come with an additional<br />

focus on improving local environmental sustainability,<br />

social justice, economic resilience and<br />

self-reliance. So aside from affordable housing<br />

developers, Downing points to City Harvest<br />

(an urban farming cooperative), City Green<br />

Solutions (a home-energy retrofitting nonprofit),<br />

and Community Micro Lending (a<br />

provider of small loans to new entrepreneurs)<br />

as examples of the kinds of companies which<br />

often fall between the cracks when trying to<br />

raise conventional loan capital, but which<br />

could be readily helped through a CIF.<br />

The Community Council is gathering a<br />

steering group to begin developing the business<br />

plan and legal framework for a regional<br />

community investment fund. So to anyone<br />

with business, financial, tax, legal or marketing<br />

expertise willing to do a little pro-bono work,<br />

says Downing, “We’d be very pleased to hear<br />

from them.” Downing will be speaking about<br />

the initiative at an upcoming community<br />

investment forum sponsored by Transition<br />

Victoria, Vancity and <strong>Focus</strong>. Along with<br />

Chaland, Downing, and new Victoria councillor<br />

Lisa Helps, who is a director of<br />

Community Micro Lending (see <strong>Focus</strong>, April,<br />

2010), several other speakers will outline<br />

additional options for redirecting your dollars<br />

back into our local community.<br />

One of those speakers will be Vancity<br />

community business banking account manager<br />

Rebecca Pearson.<br />

“Just by banking with Vancity, you are<br />

investing in community,” notes Pearson,<br />

explaining that credit union regulations require<br />

virtually all of Vancity’s $14.5 billion in assets<br />

to be invested in British Columbia. And most<br />

of that, she says, stays in the Lower Mainland<br />

and Southern Vancouver Island.<br />

“On top of that, we are focusing on community<br />

impact,” she adds. “So we’re not just<br />

investing locally, but we’re also making an<br />

effort to invest in the building blocks of a<br />

sustainable economy.”<br />

Pearson points to the Root Cellar Village<br />

Green Grocer, Dockside Green, and the<br />

Victoria Car Share Co-op as examples of<br />

progressive local enterprises with which Vancity<br />

has been involved.<br />

But exactly where your savings are invested<br />

is often not under an individual’s direct control,<br />

and so some Vancity members remain frustrated<br />

by the credit union’s investments in<br />

more conventional or less ethical businesses.<br />

Pearson says Vancity is developing options for<br />

those people, too.<br />

“The most interesting thing that we’re<br />

working on right now for more direct connections<br />

between your dollars and where they<br />

get locally invested is the Resilient Capital<br />

Program,” says Pearson. Just starting up now<br />

in Victoria, but with a pilot project underway<br />

in Vancouver, the program gathers investors<br />

who can contribute $50,000 or more into a<br />

multimillion dollar pool. “Their money<br />

will be made available to social enterprises to<br />

help build resilient communities.”<br />

In Vancouver, Vancity’s Resilient Capital<br />

Program recently helped support a major<br />

expansion to a non-profit that runs women’s<br />

shelters, and a revisioning of Save on Meats<br />

as a multifaceted social enterprise benefiting<br />

its impoverished Downtown Eastside neigh-<br />

10 January <strong>2012</strong> • FOCUS


ourhood through a restaurant serving all<br />

income levels, accessible work opportunities,<br />

and a rooftop vegetable garden.<br />

“We’re still looking for depositors,” says<br />

Pearson. And to entrepreneurs with great ideas<br />

for improving local resilience, she adds, “We’re<br />

looking simultaneously for investment opportunities<br />

on the Island.”<br />

That’s good news to Stephen Whipp, an<br />

ethical investment advisor with Manulife<br />

Securities Incorporated and vice-president of<br />

the Westshore Chamber of Commerce, who’ll<br />

also be speaking at the forum. Whipp says he<br />

constantly hears from prospective clients with<br />

a hunger for ethical investment opportunities<br />

that are specifically local.<br />

“One issue that comes up over and over and<br />

over is people want to help,” says Whipp.<br />

“[Investors ask] ‘How do I help Other than<br />

growing my own food, other than cutting back<br />

on how much I drive or increasing how much<br />

I use transit, how do I make my community a<br />

better place’”<br />

Due to regulations to protect us from scams,<br />

however, licensed brokers and investment<br />

advisers like Whipp are restricted to recommending<br />

opportunities that are listed on<br />

mainstream capital markets. So instead, Whipp<br />

provides financial and business advice to “put<br />

tools in the toolbox” that help people do their<br />

own “due diligence” when they examine local<br />

investment opportunities. Another approach<br />

Whipp suggests people explore is community<br />

“investment clubs,” an ad hoc version of a<br />

community investment fund where small<br />

groups of people get together to share the costs<br />

and efforts of doing such due diligence.<br />

But these are makeshift solutions which<br />

shouldn’t have to continue this way, argues<br />

Whipp. He hopes growing public demand will<br />

push governments, regulators, and investment<br />

firms with sufficiently large expert infrastructures<br />

to more proactively facilitate targeted,<br />

ethical, community investment opportunities.<br />

“I think the credit unions have an ability to<br />

make a huge play in this area,” comments<br />

Whipp. “That in itself may make others pay<br />

attention to it.”<br />

AT THE OTHER END OF THE SPECTRUM,<br />

of course, some would argue that trying to<br />

make money from money, while participating<br />

within a global financial system that’s arguably<br />

Invest Your Money<br />

IN LOCAL CHANGE<br />

A forum on present and future options for<br />

putting savings, RRSPs and investment dollars<br />

into local, sustainable, ethical businesses to<br />

build a more self-reliant economy<br />

Nicole Chaland, Sustainability Solutions Group, Program<br />

Director for Simon Fraser University Certificate Program for<br />

Community Economic Development<br />

Converging Global Crises and the Benefits of Local<br />

Investment Models for Businesses and Communities<br />

Stephen Whipp, CFP, Senior Financial Advisor with Stephen<br />

Whipp Financial and Manulife Securities Incorporated, specializing<br />

in Socially Responsible Investing and Financial Planning<br />

Challenges and Possibilities for Ethical, Local Investing<br />

Rupert Downing, Executive Director of the Community Social<br />

Planning Council of Greater Victoria, former director of<br />

the Canadian Community Economic Development Network<br />

Building Affordable Housing and Social Enterprises with<br />

Community Investment Bonds<br />

Rebecca Pearson, MBA, Account Manager, Vancity Community<br />

Business Banking<br />

Invest in Community Impact through Banking Locally<br />

John Ehrlich, Owner/manager of Alderlea Farm & Cafe,<br />

and Farmer at TLC's Keating Farm in Duncan<br />

Food Security through Community Supported Agriculture<br />

Lisa Helps, City of Victoria Councillor, Executive Director of<br />

Community Micro Lending<br />

"We need each other to flourish": Small Investments, Big<br />

Paybacks through Local Investments<br />

ADMISSION FREE<br />

7 pm Tuesday, January 31, <strong>2012</strong><br />

Ambrosia Conference Centre<br />

638 Fisgard St. Victoria, BC<br />

sponsored by Transition Victoria, Vancity and <strong>Focus</strong> <strong>Magazine</strong><br />

FOCUS<br />

www.focusonline.ca • January <strong>2012</strong><br />

11


“<br />

I THINK WE’RE AT AN INCREDIBLE CROSSROADS.<br />

We have a huge opportunity which may never<br />

be there again, to show people that you can do<br />

business in a different way.” —Stephen Whipp<br />

dubious at its core, is inherently antithetical to sustainability, social<br />

justice and community development. From this perspective, ethical<br />

investing is a tiny bandage over the gaping wound that’s brought our<br />

society to the brink of environmental, social and financial collapse.<br />

Yet it’s difficult to deny that Vancity’s $14.5 billion, or Greater Victoria’s<br />

own $360 million annually in RRSPs, are amounts that could have farreaching<br />

and profound societal impacts if directed creatively and progressively<br />

back into their source communities. Those aren’t mere bandage levels<br />

of money. And even if, after some hypothetical apocalypse, we were to<br />

pull out of the global economy altogether through an alternative local<br />

currency, we’d probably still need some infrastructure guided democratically<br />

by members, not unlike a credit union or community investment<br />

fund, to help manage that currency and provide expert guidance on where<br />

to funnel our collective financial resources. So why not explore what’s<br />

possible if we put our financial shoulders to the wheel right now<br />

John Ehrlich, another speaker at the forum, has already shown what’s<br />

possible, even with just a little upfront investment and no complicated<br />

legal or regulatory frameworks.<br />

While family farms are disappearing across Canada, his Alderlea<br />

biodynamic farm near Duncan has been expanding at 30 percent annually<br />

since 2003. This year, 200 families will invest on average $450<br />

each as “shareholders” in exchange for weekly veggie bins. Aside from<br />

being emotionally uplifting to have so many people “committed” to<br />

helping your farm survive, says Ehrlich, this “Community Supported<br />

Agriculture” system improves cash flow, efficiency and marketing.<br />

“The biggest thing is having the money up front, before the season<br />

begins, purchasing seeds and tools and other things,” he explains. “And<br />

we know exactly what to grow and how much to put out for the families<br />

each week.”<br />

Starting a community-supported farm, says Ehrlich, is as simple as<br />

bringing some community members together to help stabilize a farmer’s<br />

livelihood by providing upfront payments for produce at near-retail<br />

rates. But our next regional hurdle is figuring out how to rally enough<br />

local resources to actually purchase land for farming. Ehrlich has been<br />

closely involved with The Land Conservancy’s experiment with Keating<br />

Farm, and will outline those efforts at the forum.<br />

“I think we’re at an incredible crossroads,” summarizes Whipp. “We<br />

have a huge opportunity which may never be there again, to show<br />

people that you can do business in a different way.”<br />

The Community Investment Forum is 7 pm Tuesday, January 31 at<br />

Ambrosia Conference Centre, 638 Fisgard Street. Admission is free. For<br />

more information see “Events” at www.TransitionVictoria.ca.<br />

Rob Wipond discloses that he has $200 invested in<br />

a maintenance and landscaping company through<br />

Community Micro Lending.<br />

12 January <strong>2012</strong> • FOCUS


<strong>Focus</strong> presents: Joseph Barry Martin<br />

ADVERTISEMENT<br />

Take hold of your life—move joyfully toward your dreams<br />

We’ve all experienced it: That burning<br />

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In this new year, forge past the fear and fan<br />

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Maybe you thrill to the idea of the ease and<br />

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Or perhaps you’ve always wanted to leave<br />

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buying into the hype instead of buying your<br />

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Laurie Klassen and Stacey Toews, owners of<br />

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ways it’s going to be such a great thing for you in<br />

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After discovering the farm on a bike ride, Laurie<br />

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making the offer conditional on the sale of their<br />

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“He understands the stress of putting yourself in a<br />

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At their very first open house last summer, no<br />

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to come through here in a few weeks’—and that’s<br />

exactly what happened! It was so helpful that he<br />

had the clarity of why we had called him in the first<br />

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Photo: David Broadland<br />

“<br />

You can create your own reality.<br />

Don’t listen to the market, the media,<br />

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ahead and live your life the way you<br />

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“With me, they trusted that their house would<br />

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your life the way you want to. Do you intuitively<br />

feel it is right to sell Then list to sell now. Make<br />

your dreams come true!”<br />

Laurie has a message for those waiting out the<br />

“down market”before making a move.“I think a few<br />

years ago, we got accustomed to the idea that we<br />

had all this money in the bank, but it wasn’t really<br />

true.The reality is,we have a house,and we can change<br />

that house into a condo or a townhome or a farm<br />

or whatever we like.The numbers are such a shortterm<br />

perspective,so focusing on the pricing is just not<br />

worth it.Would I put myself back on that busy corner<br />

The answer is no,” she says with a laugh.“I’m not<br />

getting any younger!”<br />

She is grateful that Joseph helped assuage the<br />

fears that might have prevented her from fulfilling<br />

her dream of growing food on the scale that the<br />

farm allows. While every square metre of their<br />

suburban spec house’s yard had been made into<br />

an edible garden, it still wasn’t the perfect fit, and<br />

she knew it. “We were not looking around, we<br />

were happy enough where we were, the house<br />

was big enough for us—but it was this niggling<br />

feeling in the back of our minds.” Now, every day,<br />

she looks out the window onto acres of pristine<br />

farmland, wildlife, and wide open sky, and says<br />

that while growing food was her initial inspiration,<br />

the unexpected rewards of their new situation<br />

are affirming over and over again that they made<br />

the perfect move.<br />

Joseph, who jokingly calls himself the “House<br />

Whisperer,” is recruiting people who are excited<br />

to move ahead with their new lives and want to<br />

sell their homes. That’s because he’s now sold a<br />

number of his listings over the last few weeks of<br />

a slow December market—a feat made even more<br />

astounding given the fearful “can’t do” attitude<br />

that is coming at us from all sides. How does he<br />

do it “You must ignore the comments of the<br />

media and others about the current real estate<br />

market. Move from real estate ‘worrier’ to real<br />

estate ‘warrior.’ Be one of those for whom the<br />

market is a ‘perfect fit’ right now. Your ‘in the<br />

zone’ dream home awaits!”<br />

Joseph Barry Martin, Ph.D., REALTOR®, Feng Shui & Prepping<br />

Pemberton Holmes Ltd Real Estate<br />

MLS® 2008 & 2009 Bronze Awards (Top 30%)<br />

Accredited Seniors Agent ASA, National Association of Green Agents and Brokers NAGAB<br />

Office: 250.474.4176 • Cell: 250.361.8167 • Fax: 250.294.3871<br />

Email: josephmartin@shaw.ca<br />

www.JosephBarryMartin.com • www.HouseOfLightHarmony.com<br />

To get local market conditions go to: http://bit.ly/MLSMarketSnapshot<br />

www.focusonline.ca • January <strong>2012</strong><br />

13


talk of the town<br />

True enough. But part of that discussion<br />

would involve carefully working out how much<br />

of that “inevitable urban growth” should take<br />

the form of sprawl: low-density development<br />

on the western edge of the CRD in Colwood<br />

and Langford (or on the Saanich Peninsula).<br />

Such development chews up farmland, Garry<br />

oak meadows, wetlands and Douglas-fir forests,<br />

and then spits out blasted rock, low-density<br />

subdivisions and more cars on the roads, all of<br />

which exacerbates climate change.<br />

Yes, there is a Regional Growth Strategy. But<br />

the RGS is a compromise that allows Langford<br />

and Colwood to sprawl to their borders if they<br />

so choose, even if that’s not in the best interests<br />

of the rest of the CRD or the planet. So<br />

is sprawl in Langford and Colwood inevitable<br />

One aspect of the LRT study released last<br />

spring by BC Transit (and later endorsed by<br />

the CRD Board) that received little public<br />

discussion was this question about the<br />

inevitability of population growth in Langford<br />

and Colwood. Without a much larger population,<br />

there’s no good reason to build LRT<br />

to Langford. So where does the idea come<br />

from that vast sprawl is inevitable<br />

The ridership projections presented in the<br />

BC Transit study (co-authored by SNC-Lavalin,<br />

a company that designs, builds and operates<br />

LRT systems all over the globe) actually<br />

rely heavily on another study delivered to the<br />

CRD in 2009 by the Vancouver planning firm<br />

Urban Futures. That study, A Context for<br />

Change Management in the Capital Regional<br />

District, predicted that over the next 30 years<br />

the population of the CRD would grow by<br />

111,000 with the West Shore receiving 51<br />

percent of that growth. The numbers gath-<br />

This community’s most notable response<br />

to the threat of climate change—BC<br />

Transit’s proposal to spend $1 billion on<br />

light rail transit (LRT) from Downtown to<br />

Langford—has been guided by the belief that<br />

the bulk of population growth in the CRD over<br />

the next several decades will inevitably occur<br />

in Langford and Colwood. The idea is that LRT<br />

will lower the carbon emissions associated with<br />

more people travelling between Langford-<br />

Colwood and the core municipalities (Saanich,<br />

Victoria, Oak Bay, Esquimalt, View Royal).<br />

Although support for LRT has not come<br />

exclusively from politicians aligned with the<br />

NDP, that party’s local elite, including MPs<br />

Denise Savoie and Randall Garrison, MLAs<br />

Rob Fleming, Maurine Karagianis and Lana<br />

Popham, Victoria mayor Dean Fortin and<br />

various municipal councillors, have given the<br />

project its most substantial support.<br />

The current provincial NDP position on the<br />

LRT goes back to just before the 2009 provincial<br />

election when the party flip-flopped on its<br />

previous support for a carbon tax and launched<br />

their low-brow “Axe the Tax” campaign. The<br />

NDP’s regressive position threatened to turn<br />

green voters off and local NDP MLAs no doubt<br />

wanted to reassure those voters they weren’t<br />

going completely Neolithic. So the Victoria<br />

NDP MLAs attacked the Liberals for supporting<br />

LRT in Vancouver but not in Victoria. At the<br />

time, Maurine Karagianis said, “The Campbell<br />

government’s transit plan focuses almost entirely<br />

on projects in the lower mainland while the rest<br />

of BC, including Victoria, has been ignored.<br />

The Capital Region seeks to avoid sprawl by<br />

building an innovative, high quality public transit<br />

system with LRT between downtown and<br />

the western communities.”<br />

At that same time Rob Fleming said, “The<br />

region should stick with its Regional Growth<br />

Strategy and pursue an LRT system between<br />

Downtown and the western communities.”<br />

Fleming seemed to forget that the 2003 Regional<br />

Growth Strategy actually called for bus rapid<br />

transit. So the NDP’s LRT position evolved<br />

not out of any detailed study that made a<br />

rational case for it in this city, but rather as a<br />

strategy that could help in an election. More<br />

recently, in a letter to <strong>Focus</strong>, Fleming wrote,<br />

“The debate that small and large cities in Canada<br />

and around the world are having is about how<br />

to positively link inevitable urban growth with<br />

enhanced economic prosperity that is green<br />

and sustainable. That’s the debate we should<br />

be having in Victoria.”<br />

LRT = tail wagging dog<br />

DAVID BROADLAND<br />

Two competing visions emerge on how to mitigate climate change at the regional level.<br />

Bear Mountain subdivision. An LRT to Langford will mean much more of this.<br />

ered by Urban Futures to define the trends<br />

they thought would play out were heavily<br />

influenced by data from the years 2006-2008—<br />

the height of the building boom in the CRD.<br />

Now an interesting fact about that time is<br />

that there were a number of proposals for highdensity<br />

developments in Langford that would<br />

have been tallied by Urban Futures but that<br />

were later cancelled, or were started but never<br />

completed. Not least among those doomed<br />

projects for which a building permit was obtained<br />

was Robert Quigg’s $1.4 billion 650-unit fourtower<br />

luxury condo/vineyard project on the<br />

east side of the Bear Mountain development.<br />

Quigg apparently killed his project after learning<br />

Bear Mountain had inflated their real estate<br />

sales figures. Other victims of those wildly reckless<br />

times were Bear Mountain’s own 14-storey<br />

Highlander project and the South Skirt Mountain<br />

development. The Bear Mountain and South<br />

Skirt Mountain developments triggered<br />

construction of the $30 million Spencer Road<br />

interchange, now widely known as Stew<br />

Young’s Bridge to Nowhere. That overpass<br />

now sits unfinished—and obviously unneeded—<br />

across the Trans Canada Highway, its only<br />

useful purpose being a monumental warning<br />

to passing drivers about unrealistic projections.<br />

So it was out of this over-wrought period<br />

that Urban Futures’ report, which formed the<br />

statistical backbone of the LRT study, was born.<br />

Urban Futures predicted that as the region’s<br />

population aged, there would be a long-term<br />

shift towards multi-storey housing. They went<br />

on to predict—and who could blame them<br />

given the condo-mania hype that was coming<br />

out of Langford and Colwood at the time—<br />

that over the next 30 years, the West Shore’s<br />

14 January <strong>2012</strong> • FOCUS


share of multi-storey housing would grow<br />

while the core municipalities’ would shrink.<br />

But the last three years have seen the opposite.<br />

The core’s share has held steady while<br />

West Shore’s has steadily declined.<br />

Moreover, Urban Futures noted that its projections<br />

assumed there would be no substantial<br />

changes to any of the municipalities’ policies<br />

around density. The numbers it came up with<br />

didn’t take into account the possibility that,<br />

over time, the City of Victoria could adopt new<br />

policies that would encourage and expedite<br />

dense residential development in and around<br />

the Downtown core. Urban Futures projection<br />

didn’t foresee someone like recently-elected<br />

councillor Ben Isitt coming along and changing<br />

the City’s direction. Isitt has said he will work<br />

to increase the Downtown residential population<br />

and thereby shift future population growth<br />

away from the western periphery of the CRD.<br />

So there are two competing visions emerging<br />

about how to mitigate climate change in terms<br />

of how the region develops.<br />

On one hand you have the tail-wagging-thedog<br />

vision that sprawl in Langford and Colwood<br />

is inevitable, and so transportation infrastructure<br />

should be reshaped in the hope of reducing<br />

the accompanying traffic congestion. The LRT<br />

proposal, which depends heavily on future<br />

growth in Langford and Colwood to make it<br />

viable, plays right into that vision. You accept<br />

sprawl’s deforestation and destruction of rare<br />

ecosystems, the loss of farmland and the immense<br />

emissions price tag of the LRT itself, and hope<br />

that, on balance, you are reducing emissions.<br />

On the other hand you have the dog-waggingthe-tail<br />

vision: the core municipalities develop<br />

new policies that encourage and expedite<br />

denser residential development, which would<br />

then out-compete the West Shore for the lion’s<br />

share of future population growth in the region.<br />

That vision doesn’t need a billion-dollar LRT<br />

to Langford. That vision understands the<br />

proposed LRT would only encourage urban<br />

sprawl and thereby defeat the long-term goal<br />

of reducing carbon emissions by shortening<br />

distances travelled. It encourages denser, more<br />

energy-efficient forms of housing, and avoids<br />

deforestation, destruction of wetlands and<br />

loss of farmland. And more people living closer<br />

to Downtown would strengthen the economic<br />

prospects of businesses there.<br />

Currently, most regional politicians seem to<br />

prefer that the tail wags the dog.<br />

David Broadland is the publisher of <strong>Focus</strong> <strong>Magazine</strong>.<br />

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15


Creative<br />

Coast palette16 the arts in january18 coastlines 30<br />

Totally vulnerable<br />

CHRISTINE CLARK<br />

Megan Dickie’s sculptures critique the status quo.<br />

PHOTO: TONY BOUNSALL<br />

Megan Dickie with “Submission”<br />

In the short video called Ready to Rumble you will see a slim young<br />

woman wearing a form-fitting black dress, tied at the waist, with<br />

black leggings and tall black boots. Her high heels clatter against the<br />

cement floor of a white room as she wrestles with a free-standing and<br />

uncooperative wall of bricks. She is wearing a flesh-coloured leather<br />

Lucha mask, a decorative full-face covering traditionally used in Mexican<br />

wrestling. After hauling the wall up from its prone position on the floor<br />

and struggling to keep it vertical and straight for a few uncertain moments,<br />

the young woman falls beneath the unwieldy weight of the bricks, only<br />

to extricate herself almost immediately. Freed, she crouches beside the<br />

fallen wall, smoothing down its tousled bricks and returning it to its<br />

benign original position.<br />

Meet Megan Dickie: MFA, sessional instructor at UVic, printmaker,<br />

sculptor, video-artist.<br />

While watching Ready to Rumble, Dickie’s first video project,<br />

completed in 2007, you might primarily be struck by the strangely<br />

beguiling visual image. It’s amusing. Not exactly in a laugh-out-loud<br />

kind of way; it’s almost too austere for guffaws and chuckles, but the<br />

incongruity of the set-up is in itself quite arresting.<br />

The ramifications come later, at least for this observer. The archetypal<br />

woman, the fragility and shapeliness of her body, in stark opposition<br />

to the hard brick (which it should be noted is not brick but was made<br />

by the artist from wax), the falling wall and at the end, the womanly<br />

ministrations, the smoothing and the straightening, the returning of<br />

the disturbed to a state of order. It makes one think of Haiti, and of<br />

other terrible forces, both natural and human.<br />

Although the work is not specifically feminist, the clothing is carefully<br />

planned and is meant to demonstrate the validity of the feminine<br />

and to highlight the artist’s own identity as a feminine creature. Her<br />

sculptural projects normally begin with a series of drawings or prints,<br />

and usually end with a video (often taking up to three years to complete<br />

the entire cycle). They all tend to illustrate the way in which the sculpture,<br />

itself can be used. And they always feature the artist dressed to<br />

kill in various interactive poses.<br />

The presentation of the feminine is not incidental; it is a constant.<br />

Dickie says, “ the majority of sculptors are not women, and many sculptors<br />

make work that is solemn and not fun;” work that is perhaps more<br />

concerned with supposedly masculine (or shall we say serious) trends.<br />

As Ms Dickie says herself, “it’s good to bring humour into the work<br />

to draw people in. Then you can point out things that are more significant,”<br />

which she describes as being science, math, architecture and<br />

value systems.<br />

In her newest project, called “Submission,” value systems are under<br />

scrutiny. This is just one of her recent projects; she has several under<br />

way. The other piece under construction in her studio at the moment<br />

is called “The Gleamer” and is a 15-by-15 foot blanket made up of<br />

aluminum triangles and reflects her growing interest in geometry, as<br />

well as—not surprisingly—light. It is also a tongue-in-cheek response<br />

to Buckminster Fuller’s ideas.<br />

Megan is an incredibly hard worker and says, “If I’m not making art,<br />

then I’m gardening or making pasta by hand. I like to be constantly<br />

making things.”<br />

“The Gleamer” will be shown at Calgary’s Stride Gallery in<br />

February, but for the moment it’s “Submission” that is centre stage<br />

and in final preparation for a group show called Throw Down with<br />

five regional artists, which opens at the end of January at the Art<br />

Gallery of Greater Victoria.<br />

16<br />

January <strong>2012</strong> • FOCUS


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“Submission” (video still from Step into the Ring), 2011-12<br />

Leather, vinyl inflatable, lead shot, 42 x 30 x 84 inches<br />

“Submission” is a seven-foot-tall realization of the logo used by<br />

the Canada Council for the Arts. Like much of her sculpture work,<br />

“Submission” is intended to be a full body experience. Dickie explains<br />

that “the work is participatory—it comes alive when people interact<br />

with it.” In this case, her sculpture is made of soft tan leather and leather<br />

stitching, encases a bop bag (of Bozo the Clown fame) so that you<br />

can punch, push and grapple with the piece without ever completely<br />

knocking it down. It always comes right back at you. “Submission” is<br />

fun and beautiful too, but it’s intended as a critique of the Canada<br />

Council’s granting system.<br />

Every year, artists from all over Canada submit applications for grants;<br />

grants that, if received, will help cover the burdensome costs of art<br />

making. Megan Dickie received a grant in 2004; she’s also been rejected<br />

several times, so she understands the impact the Canada Council can<br />

have on an artist’s career and on an artist’s sense of self. She says, “They<br />

control what we value in arts. Receiving a grant adds enormous credibility<br />

to your practice. You feel like you are doing something significant.<br />

If you don’t get it then you feel the opposite, which isn’t necessarily<br />

true. I want to acknowledge that it’s a driving force in the Canadian<br />

art scene. And it’s ok to be critical of the driving force.”<br />

She goes on to say that it’s “not just critiquing granting systems,<br />

but [rather] the relationship we have with them. They are a huge organization,<br />

based in Ottawa, and not very personal. This project is about<br />

creating an intimate relationship with the Canada Council.”<br />

This is what we all want, isn’t it To feel that we have some control<br />

over the governing bodies in our lives, or any force larger and more<br />

powerful than ourselves, for that matter. Often times it’s much easier<br />

to concede defeat, to simply bask in the complacency of powerlessness.<br />

Questioning the status quo is not for the weak at heart; there’s such<br />

potential for ridicule and defamation. Fortunately there are a few artists<br />

and others, people like Megan Dickie, who are willing, as she says, to<br />

make themselves “totally vulnerable.”<br />

Christine Clark is a Victoria-based artist who writes<br />

about artists in Victoria and beyond. See her blog at<br />

http://artinvictoria.com.<br />

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www.focusonline.ca • January <strong>2012</strong><br />

17


the arts in january<br />

Continuing to January 2<br />

ALICE IN WONDERLAND<br />

St Luke’s Hall<br />

Alice, the White Rabbit, the Queen of Hearts and others<br />

get the panto treatment by the St. Luke’s Players. 2pm Jan 1-<br />

2 at 3821 Cedar Hill X Rd, $5/$13/$15. 250-884-5484,<br />

www.stlukesplayers.org.<br />

Continuing to January 7<br />

SMALL WORKS<br />

Eclectic Gallery<br />

Featuring smaller pieces by Robert Amos, Pat Martin Bates,<br />

Jenny Waelti-Walters and many other artists. At 2170 Oak<br />

Bay Ave, 250-590-8095, www.eclecticgallery.ca.<br />

January 1<br />

A VIENNESE NEW YEAR’S<br />

Royal Theatre<br />

Participate in a 60-year tradition, started by the Viennese<br />

Philharmonic Orchestra, by spending the first day of the new<br />

year with the Victoria Symphony. 2:30pm at 805 Broughton<br />

St, $35.50-$87.50. 250-386-6121, www.rmts.bc.ca.<br />

January 4<br />

RANDALL ANDERSON<br />

University of Victoria<br />

Hailing from Montreal, multidisciplinary artist Randall<br />

Anderson speaks about the intersection of drawing, painting,<br />

sculpture and performance. 8pm at Room A162 of UVic’s<br />

Visual Arts Building, free. 250-721-6222, www.finearts.uvic.ca.<br />

The Arts Centre at<br />

Cedar Hill<br />

We have<br />

Pottery Classes<br />

for All Ages!<br />

Adult Art Classes<br />

Drawing<br />

Artistic iPad<br />

Creative Watercolour<br />

Acrylic Painting Studio<br />

Watercolour 101<br />

Classes start soon. For details<br />

on dates and times check out<br />

our Active Living Guide<br />

or call 250-475-7121<br />

www.recreation.saanich.ca<br />

January 6-29<br />

JOAN RICHARDSON: EYE THRILL<br />

Xchanges Gallery<br />

Joan Richardson’s abstract colour field paintings bring<br />

disorder to chaos. Opening reception 7pm Jan 6 at 2333<br />

Government St. 250-382-0442, www.xchangesgallery.org.<br />

January 6-February 1<br />

YOUTHFUL EXPRESSIONS V<br />

Goward House<br />

Vibrant works from young artists at Frank Hobbs, Arbutus,<br />

Lambrick Park and Mount Douglas schools. Opening reception<br />

1:30pm Jan 8 at 2495 Arbutus Rd. 250-477-4401,<br />

www.gowardhouse.com.<br />

January 6-February 12<br />

WAX POETIC<br />

Art Gallery of Greater Victoria<br />

Chin Yuen BFA, MA, an international award-winning<br />

Canadian painter, who does encaustic painting and printing,<br />

joins forces with abstract expressionist painter Irma Soltonovich<br />

to offer an artistic exploration of what it means to “wax poetic.”<br />

Opens with reception 6-8pm, Jan 12 at 1040 Moss St, in the<br />

Macey Gallery. 250-381-1688, www.chinyuenart.com and<br />

www.soltonovich.com.<br />

January 6-May 6<br />

THE SALISH WEAVE COLLECTION<br />

Art Gallery of Greater Victoria<br />

Chief AGGV curator Mary Jo Hughes shines the spotlight<br />

on works from Coast Salish artists such as Susan Point, lessLIE<br />

and Luke Marston from the extraordinary, contemporary Coast<br />

Salish art collection of Victoria residents George and Christiane<br />

Smyth, who have lent and donated far and wide to promote<br />

to a broader audience the Coast Salish artists. 1040 Moss St,<br />

regular gallery admission applies. 250-384-4171, www.aggv.ca.<br />

January 9-14<br />

SMUS STUDENT FUNDRAISER<br />

Eclectic Gallery<br />

See story on page 20.<br />

18 January <strong>2012</strong> • FOCUS


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January 11<br />

GALIANO ENSEMBLE<br />

University of Victoria<br />

Yariv Aloni conducts the ensemble as they<br />

perform a program of English suites. 8pm at<br />

UVic’s Philip T. Young Recital Hall, $30/$33.<br />

250-704-2580, www.galiano.ca.<br />

January 12-31<br />

AMAZING SEA STORIES<br />

Maritime Museum of BC<br />

Secrets of the ocean’s depths, featuring<br />

discoveries made by Ocean Networks Canada<br />

and their Venus and Neptune observatories<br />

here in Victoria. Opening reception 1-3pm Jan<br />

12 at 28 Bastion Sq, museum admission applies.<br />

250-385-4222, www.mmbc.bc.ca.<br />

January 13-February 6<br />

ABSOLUTE ABSTRACT<br />

Slide Room Gallery<br />

Three abstract artists and students of Bill<br />

Porteous—Victoria Clarke, Joan Richardson<br />

and Gordon Shukin—offer up work that<br />

ranges from spontaneous expression to experimental<br />

process. Opening reception 7:30pm<br />

Jan 13 at 2549 Quadra St. 250-380-3500,<br />

www.vancouverislandschoolart.com.<br />

January 14<br />

AN AFTERNOON IN VIENNA<br />

St Mary the Virgin<br />

The <strong>2012</strong> Diemahler Chamber Series kicks<br />

off with Diemahler String Quartet, led by<br />

Maestro Pablo Diemecke, former Victoria<br />

Symphony concert master and one of Canada’s<br />

greatest virtuoso violinists. This first of five intimate<br />

concerts will feature Viennese music.<br />

Samples from Diemecke’s latest CD can be<br />

heard at www.pablodiemecke.com. 2:30pm<br />

at 1701 Elgin Rd, $22.50/$25 or all five concerts<br />

for $100, at Ivy’s Books, Cadboro Bay Books<br />

or www.rmts.bc.ca or 250-386-6121.<br />

January 15<br />

CHINESE NEW YEAR GALA<br />

University Centre Auditorium<br />

Ring in the Year of the Dragon with both<br />

modern and traditional performances by Ocean<br />

Rain Chinese Arts Academy, Victoria Society<br />

Of Chinese Performing Arts, Victoria Chinese<br />

Culture Club, and Victoria Chinese Public<br />

School. Presented by the Victoria Chinese<br />

Community Association and the Victoria Chinese<br />

Students and Scholars Association. 7pm at<br />

3800 Finnerty Rd, $8-$15. 250-721-8480,<br />

www.tickets.uvic.ca.<br />

January 15-February 2<br />

SNOW SCUD<br />

Polychrome Fine Arts<br />

A group exhibition of abstract works by<br />

Charles Campbell, Cody Haight, Lance Olsen,<br />

Ingrid Mary Shawn Shepherd and many others.<br />

Opening reception 12pm at 1113 Fort St. 250-<br />

382-2787, www.polychromefinearts.com.<br />

www.focusonline.ca • January <strong>2012</strong><br />

January 16<br />

ENIGMA VARIATIONS<br />

Royal Theatre<br />

Victoria Symphony performs the piece that<br />

cemented Edward Elgar in the classical music<br />

pantheon, as well as two other compositions.<br />

Featuring guest pianist Sara Buechner. 8pm<br />

at 805 Broughton St, $26-$6, student and<br />

senior discounts available. 250-386-6121,<br />

www.rmts.bc.ca.<br />

January 16<br />

PEN IN HAND READINGS<br />

Cook St Village Serious Coffee<br />

Readings by Deborah Willis, Sandy Pool<br />

and Holly Adams. Open mic sign-up 7:15pm,<br />

readings 7:30pm-9pm at 230 Cook St. $3.<br />

250-590-8010.<br />

January 16<br />

STORYTELLERS GUILD<br />

1831 Fern Street<br />

Hear and tell stories. 7:15pm. $5 ($3<br />

students); includes goodies. 250-477-7044.<br />

January 16<br />

OC87: THE OBSESSIVE COMPULSIVE<br />

MAJOR DEPRESSION BIPOLAR<br />

ASPERGER'S MOVIE<br />

Eric Martin Pavilion Theatre<br />

An innovative film that takes you inside<br />

another person's experience of the challenges<br />

of mental illness, but also hope. Plus: Oh<br />

Me 2, a film by and about Canadian bipolar<br />

animation artist Jonathan Amitay and his<br />

psychologist son, Oren. 6:30pm at 1900 Fort<br />

St, free. 250-595-3542, www.moviemonday.ca.<br />

January 17, 24 and 31<br />

SIN CITY IMPROVISED SOAP OPERA<br />

Victoria Event Centre<br />

This ongoing improvised serial tells the<br />

story of a travelling sideshow in the 1930s<br />

dustbowl. Featuring Morgan Cranny, Kirsten<br />

Van Ritzen, Wes Borg and others. 8pm at 1415<br />

Broad St, $12/$15. www.sincityimprov.com,<br />

250-480-3709.<br />

January 17-February 4<br />

RESIDENT STUDIO ARTISTS<br />

Gallery 1580<br />

Marjorie Allen, Irma Argyriou, Maggie Cole,<br />

Malene Foyd, Richard Pawley, Mette Pedersen<br />

and Lynda McKewan. Large and small abstract<br />

paintings, with Foyd’s pottery. 1580 Cook St.<br />

January 18<br />

OPEN CINEMA<br />

Victoria Event Centre<br />

A screening of “Crazy Wisdom,” a documentary<br />

about controversial Buddhist guru<br />

Chogyam Trungpa. Allen Ginsberg considered<br />

him his guru; Thomas Merton wanted to write<br />

a book with him; Joni Mitchell wrote a song<br />

about him. A panel discussion will follow with<br />

the Victoria Shambhala Meditation Centre’s<br />

Leyth Matthews, financial advisor Elizabeth<br />

Hazell and others. Doors 5:30pm, film 7pm<br />

at 1415 Broad St, $10-$20 suggested donation.<br />

250-381-4428, www.opencinema.ca.<br />

Meet us at the Victoria Health Show<br />

“Look younger, be sexier, feel better ... than you’ve ever felt before.”<br />

While this may be the mantra of Victoria’s <strong>2012</strong> Health Show,it’s also what<br />

Diane Regan has been delivering to the customers of Triangle Healing<br />

for years.<br />

This year will mark Triangle’s 23rd year at the Victoria Health Show and they<br />

are as excited about it as ever.<br />

“We love participating in this popular show.We’re able to introduce incredible<br />

products to people who might otherwise have not come across them. It’s a place to<br />

connect with people and help them achieve their health goals.Whether it’s looking<br />

younger,living pain-free,or elevating their<br />

wellness and fitness level,Triangle is uniquely<br />

suited to connect people with solutions,”<br />

says Regan.<br />

One of the stars of this year’s show will<br />

no doubt be the Sonic Vibration Exerciser.<br />

This is a revolutionary product that is taking<br />

the wellness industry by storm.This advanced<br />

system works with sonic vibration to move<br />

blocked energy,increase bone and muscle<br />

mass,remove blockages in your lymphatic<br />

system and increase the potential of the<br />

body’s cells.“We’re hearing about amazing<br />

results from everyone from highly fit athletes<br />

to people who have been coping with<br />

chronic pain for years.Ten minutes a<br />

day on the Sonic Vibration Exerciser gives<br />

a similar cardiovascular, musculoskeletal<br />

and hormonal workout as an hour of exercise,”<br />

explains Regan.<br />

Sonic Vibration Exerciser<br />

Another system that has helped literally hundreds of Triangle’s customers get<br />

relief from pain and discomfort is the Barefoot Science Foot Strengthening System.<br />

This system helps to restore feet to a healthy,pain-free state.Whether you’re suffering<br />

from sore feet (bunions or hammer toe), hips or back pain, Barefoot Science will<br />

help you walk away from pain. “We love fitting people with the Barefoot Science<br />

insoles.It’s such an effective system,people can feel the difference immediately and<br />

we instantly create very happy customers,”says Regan,noting,“the Barefoot Science<br />

insoles are a fraction of the price of orthotics.”Triangle is sweetening that already<br />

good price by offering a $5 in-store coupon for Barefoot Science products at the<br />

Health Show.<br />

Other featured products will include the new German-made Bellicon Mini Trampoline—<br />

one of the best ways to get an indoor whole body workout without putting stress on<br />

your joints.The Circulator Foot Massage Mat will also be on hand.This little mat is the<br />

ultimate stress reliever, improving your health in just two minutes per day.<br />

“We’ll have coupons,and free samples,and a contest to enter along with product<br />

demonstrations,” says Regan. “Our booth is always full of exciting products just<br />

waiting to be touched, tried, and explained.”<br />

Make sure to stop by Triangle Healing’s booth at the Health Show. January<br />

28th and 29th at the Victoria Conference Centre—your one-stop shop for<br />

looking younger, feeling sexier, and better than you’ve ever felt before.<br />

Triangle Healing Products<br />

770 Spruce Avenue,Victoria, BC<br />

250-370-1818 • www.trianglehealing.com<br />

Triangle Healing Products, its owner, its employees do not provide medical advice or treatment.They provide information and<br />

products that you may choose after evaluating your health needs and in consultation with health professionals of your choosing.<br />

19


the arts in january<br />

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To order follow the links<br />

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or call 250.595.6729<br />

January 9-14<br />

VISUAL POETRY WITH SMUS STUDENTS<br />

Eclectic Gallery<br />

THERE IS A GREEK WORD THAT SAYS<br />

it all—Ekphrasis—poets in conversation with<br />

visual artists, the place in the universe where<br />

words and images collide to make beautiful<br />

music that inspires and energizes the Earth.<br />

In this time of war and natural disaster, we<br />

deserve to be led by a new generation with<br />

their heads in the stars, who have been given<br />

permission to use their ability to think and<br />

act beyond the normal limits.<br />

Good teachers teach to the right brain,<br />

where creative thinking links the worlds of<br />

body and spirit, where practical solutions<br />

rise out of abstract ideas. Poet Susan Stenson<br />

and artist Jennifer McIntyre of St Michael’s<br />

University School are cut from cloth made<br />

in the firmament. The student collaboration<br />

that will result in a world handshake was their<br />

idea and the students took their suggestion<br />

with enthusiasm.<br />

Their prints made in response to poetry<br />

written by creative writing students responding<br />

to visual imagery in Stenson’s classroom will<br />

hang in Eclectic Gallery from January 9-14.<br />

John Taylor, Eclectic co-owner with wife Vijaya,<br />

says, “Jennifer McIntyre proposed this collaboration.<br />

We both thought it would be a great<br />

idea to have the exhibit be a fundraiser for<br />

international children’s rights. We personally<br />

feel committed to giving to those less fortunate.<br />

This is an important lesson for SMUS<br />

students as well, and what better way to express<br />

this idea than through art. Art transcends all<br />

boundaries, and allows children to communicate<br />

with others both locally and globally.”<br />

Exposure is not new to SMUS poets who,<br />

along with writing students from Claremont<br />

and Reynolds Secondary Schools have<br />

drawn a lot of positive attention in student<br />

literary competitions.<br />

All the money will go to two charities: War<br />

Child Canada, chosen by the SMUS students,<br />

and Amma, which builds schools in India,<br />

chosen by Eclectic Gallery. The beauty of<br />

raising money to send overseas is that its value<br />

increases in translation and the SMUS students<br />

will see their contributions multiply.<br />

Beyond the satisfaction of creating beautiful<br />

works of art, students will assume the<br />

integrity of spirit that comes from understanding<br />

world family, the politics of poverty,<br />

and an appreciation for marketing what is<br />

precious, the gifts they channel. It is a perfect<br />

partnership. They give knowledge just as they<br />

receive it themselves.<br />

The poem “Stop” by Harrison Kim inspired<br />

Alex Davies’ “Time,” a two-colour reduction<br />

of stasis and movement that is now and<br />

never again, the human condition.<br />

Stop<br />

Clouds surround the clock tower<br />

keeping the town oblivious as men<br />

staring at camel hump roads<br />

waiting for the red bus.<br />

The bus stops at Kensington Road<br />

waits for the tall dark man<br />

who brings with him an old lady:<br />

Time will not wait.<br />

“Time” by Alex Davies<br />

Indeed. Time will not wait for children in<br />

need or for a world in crisis.<br />

Eclectic Gallery is at 2170 Oak Bay<br />

Avenue. Opening is Jan 9, 5-7 pm. 70 prints<br />

with poems will sell for $35 unframed and<br />

$60 framed. —Linda Rogers<br />

(Linda Rogers recently edited Framing<br />

the Garden, a book combining the work of<br />

local poets and artists—see story page 4.)<br />

20 January <strong>2012</strong> • FOCUS


January 18-February 4<br />

THE DROWSY CHAPERONE<br />

Langham Court Theatre<br />

This Tony-winning contemporary Canadian<br />

musical, penned by Bob Martin and Don<br />

McKellar, is a humorous love letter to the jazz<br />

age that tells the story of a lonely man’s<br />

escape from reality. Opens Jan 19 at 805<br />

Langham Ct, $17/$19. 250-384-2142,<br />

www.langhamtheatre.ca.<br />

January 19-21<br />

A SALUTE TO THE RAT PACK<br />

Royal Theatre<br />

Multi-instrumentalist and singer Matt<br />

Catingub reinvigorates celebrated classics<br />

from Frank Sinatra, Dean Martin, Sammy<br />

Davis Jr and others. Expect “I’ve Got You<br />

Under My Skin,” “Ain’t That a Kick in the Head”<br />

and other memorable melodies. 2pm Jan 19<br />

and 8pm Jan 20-21 at 805 Broughton St,<br />

$26-$66, student and senior discounts available.<br />

250-386-6121. www.rmts.bc.ca.<br />

January 21<br />

WORLD DRUMS<br />

McPherson Playhouse<br />

Hand Drum Rhythms presents this concert,<br />

featuring Amadou Kouyate, Weedle Braimah,<br />

Kinobe, Sam “Lobo” Lopez and dozens of<br />

local performers. 7:30pm at 3 Centennial<br />

Sq, $19.75-$24.75. 250-386-6121,<br />

www.drumvictoria.com.<br />

January 21<br />

COUGAR ANNIE TALES<br />

Intrepid Theatre Club<br />

The Other Guys Theatre Company present<br />

a workshop performance of this musical play<br />

by local singer/actress Katrina Kadoski about<br />

the West Coast pioneer Cougar Annie. In the<br />

early 1900s, she trapped over 70 cougars,<br />

homesteaded a rainforest bog, opened a remote<br />

post office, and outlived 4 husbands. Kat Kadoski<br />

lived in Clayoquot Sound for three years caretaking<br />

Cougar Annie’s garden and immersing<br />

herself in the folklore surrounding the legendary<br />

pioneer-settler. 2-1609 Blanshard St (at Fisgard),<br />

250-590-6291, www.intrepidtheatre.com.<br />

January 21<br />

CONTINUUM CONSORT<br />

Lutheran Church of the Cross<br />

Soprano Elizabeth MacIsaac, alongside<br />

Pat Unruh (vielle) and Douglas Hensley (gittern<br />

and lute), perform songs of love by 14th and<br />

15th century French composers. 7:30pm at<br />

3787 Cedar Hill Rd, $10/$15. 250-477-6222,<br />

www.lutheranvictoria.com.<br />

January 22<br />

UNDER THE MANGO TREE<br />

Mary Winspear Centre<br />

This touching semi-autobiographical solo<br />

show about a woman’s journey from Fiji to<br />

Canada first visited Victoria in March 2010,<br />

and is back for another performance in Sidney.<br />

2pm at 2243 Beacon Ave, Sidney, $15. 250-<br />

656-0275, www.marywinspear.ca.<br />

January 22<br />

THE LAUGHING SYMPHONY<br />

Royal Theatre<br />

Norman Foote takes kids on a symphonic<br />

journey that reaches from Beethoven to “Old<br />

MacDonald.” 2:30pm at 805 Broughton St,<br />

$11-$30. 250-386-6121, www.rmts.bc.ca.<br />

January 24-February 26<br />

ON THE EDGE<br />

Belfry Theatre<br />

A world premiere of Michele Riml’s play<br />

documenting a chance encounter between<br />

three very different women. One actress, Susinn<br />

McFarlen, in a tour de force performance, gives<br />

voice to three ordinary souls, challenged by<br />

the world around them. Opens Jan 26 at 1291<br />

Gladstone Ave, $23-$38. 250-385-6815,<br />

www.belfry.bc.ca.<br />

January 25<br />

LAILA BIALI<br />

Hermann’s Jazz Club<br />

Jazz-pop artist Laila Biali returns to Victoria<br />

after a sold out JazzFest performance. The<br />

singer-pianist will perform with George Koller<br />

on bass and Larnell Lewis on drums. 7pm at<br />

753 View St, $22 advance, $25/door. 250-<br />

386-6121, www.jazzvictoria.ca.<br />

January 25<br />

LEGENDS AND FAIRY TALES<br />

Royal Theatre<br />

Enjoy a cup of tea as conductor-in-residence<br />

Giuseppe Pietraroia bring fairy tales like<br />

Hansel and Gretel, Cinderella and Swan Lake<br />

to life with stories and, of course, music. 2:30pm<br />

at 805 Broughton St, $26-$31. 250-386-<br />

6121, www.rmts.bc.ca.<br />

January 26<br />

THE VICTORIA HISTORICAL SOCIETY<br />

James Bay New Horizons<br />

Robert Griffin’s talk, “Feeding the Family:<br />

100 Years of Food and Drink in Victoria,” is<br />

based on his new book that documents the<br />

history of our city’s food suppliers. 7:30pm at<br />

234 Menzies St, www.victoriahistoricalsociety.bc.ca.<br />

January 27<br />

MUSICA ANGELICA<br />

Alix Goolden Hall<br />

This special performance features the<br />

Los Angeles-based early music ensemble<br />

alongside star Canadian soprano Emma Kirkby<br />

and countertenor Daniel Taylor. 8pm at 907<br />

Pandora Ave, $30/$32. 250-386-6121,<br />

www.earlymusicsocietyoftheislands.ca.<br />

January 27-28<br />

HEIDI OF THE MOUNTAIN<br />

Mary Winspear Centre<br />

Triple Threat Musical Productions presents<br />

their take on the classic Swiss tale of Heidi,<br />

Clara and their adventures. 7pm Jan 27 and<br />

2pm Jan 28 at 2243 Beacon Ave, Sidney,<br />

$5/$10. 250-656-0275, www.marywinspear.ca.<br />

www.focusonline.ca • January <strong>2012</strong><br />

21


“ALMOST MIRROR” CHIN YUEN, 10 X 10 INCHES, ENCAUSTIC COLLAGE ON WOOD<br />

January 6-February 12<br />

WAX POETIC<br />

Art Gallery of Greater Victoria<br />

Chin Yuen BFA, MA, an international award-winning Canadian painter, who does encaustic<br />

painting and printing, joins forces with abstract expressionist painter Irma Soltonovich to<br />

offer an artistic exploration of what it means to “wax poetic.” Opens with reception 6-8pm, Jan<br />

12 at 1040 Moss St, in the Macey Gallery. 250-381-1688, www.chinyuenart.com and<br />

www.soltonovich.com.<br />

“WE ALL NEED A WARM PLACE TO REST OUR BONES” LIAM HANNA-LLOYD, 11.5 X 11.5 INCHES, MIXED MEDIA<br />

Throughout January<br />

LIAM HANNA-LLOYD: COLLAGE<br />

Victoria Emerging Art Gallery<br />

Introducing the exceptional collage artist Liam Hanna-Lloyd to VEAG: “The layers of<br />

paper, patterns and paint build the piece outwards to represent time, evoke tactility and to<br />

procure a landscape. The imagery…can come to me in dreams; can be hidden in old photographs,<br />

found within First Nations legends, or simply though experiences.” Also featuring local artist<br />

Carollyne Yardley’s quirky squirrel paintings and new work by Samuel Jan, Logan Ford, Jen<br />

Wright, Pete Kohut and Lisa Rose. 977A Fort St. 778-430-5585, www.victoriaemergingart.com.<br />

“BLUE MAGIC TEAPOT” BILL BOYD, 5.5 X 7.5 INCHES, CLAY WITH CRYSTALLINE GLAZE<br />

Throughout January<br />

BILL BOYD: NEW CERAMIC WORKS<br />

The Avenue Gallery<br />

Bill Boyd of Galiano Island began making pottery in 1970, in Sweden, where he worked<br />

with several talented potters and taught ceramics. Over time, the Scandinavian influence melded<br />

with an Asian aesthetic, bringing Boyd to his signature work of classic simplicity. Since 2002,<br />

his traditional forms have become the playground for explorations into crystalline glazing; he<br />

is one of the leading names in this challenging, relatively new process that involves growing<br />

zinc-silicate crystals in the glaze at high temperatures. 2184 Oak Bay Ave. 250-598-2184,<br />

www.theavenuegallery.com.<br />

“LIGHTNING” DYLAN THOMAS, 13.75 X 21.25 INCHES, SERIGRAPH EDITION 100<br />

Throughout January<br />

GALLERY ARTISTS<br />

Alcheringa Gallery<br />

Featuring new serigraph releases by Coast Salish artists lessLIE and Dylan Thomas, handpulled<br />

lino prints from Ake Lianga, and more. Shown here is a work by Qwul`thilum (Dylan<br />

Thomas), a young<br />

Coast Salish artist<br />

from the Lyackson<br />

First Nation, originally<br />

from Valdes<br />

Island, whose influences<br />

include Rande<br />

Cook, Art Thompson,<br />

Susan Point and<br />

Robert Davidson.<br />

Alcheringa’s new<br />

website features treasures<br />

from throughout<br />

the Pacific Rim,<br />

including graphic and<br />

three-dimensional<br />

work. 665 Fort St.<br />

250-383-8224,<br />

www.alcheringagallery.com.<br />

22<br />

January <strong>2012</strong> • FOCUS


Coastal Celebration<br />

January 7 – 28<br />

Group Exhibition<br />

Opening Reception January 7, 1– 4pm<br />

Francis Baskerville,Don Berger,Karel Doruyter<br />

Graham Forsythe,April Mackey,Fredwin Perry,<br />

Michael Stockdale,Corrinne Wolcoski<br />

“Warm Arrival”by Corrinne Wolcoski,36 x 60 inches,oil on canvas<br />

606 View Street • 250.380.4660 • www.madronagallery.com<br />

“Journey of an Ancient Soul #23” John McConnell, 30 x 40 inches, oil on canvas<br />

John McConnell, AAI<br />

A Celtic Journey<br />

January 16 - February 25<br />

Reception Monday, January 16, 6 - 8pm<br />

www.eclecticgallery.ca<br />

2170 Oak Bay Avenue • 250.590.8095<br />

handmade gifts from local woods<br />

Live-edge birdseye yellow cedar bowl<br />

Heartwood Studio<br />

bowls and spoons, wooden utensils, urns, lamps and more<br />

Visit the artist in his studio or online:<br />

250-746-5480 • www.heartwoodstudio.ca<br />

or see us at Eclectic Gallery<br />

2170 Oak Bay Avenue<br />

www.focusonline.ca • January <strong>2012</strong><br />

23


the arts in january<br />

“Brilliant!<br />

The festival just keeps<br />

getting better!”<br />

“This festival<br />

isatreasure,agiftto<br />

Victoria.”<br />

IN PARTNERSHIP WITH<br />

FEBRUARY 9-12, <strong>2012</strong><br />

Discover the musical<br />

brilliance of Versailles<br />

and beyond<br />

Marc Destrubé directs the Pacific Baroque<br />

Orchestra and soloists in music by Lully, Couperin,<br />

Rameau, Bach and Telemann<br />

FEATURING: Paolo Pandolfo, (viola da gamba),<br />

Soile Stratkauskas (baroque flute), Byron Schenkman<br />

(harpsichord), Victoria Children’s Choir<br />

and St. Christopher Singers<br />

Details at www.pacbaroque.com<br />

January 27-May 6<br />

THROWDOWN<br />

Art Gallery of Greater Victoria<br />

Five BC artists work in sculpture, video, photography,<br />

drawing and public intervention to address socio-political<br />

issues, economic struggles, to invoke a call to action or an<br />

invitation to play. Featuring Sonny Assu, Gregory Ball, Megan<br />

Dickie, Tyler Hodgins, Alison MacTaggart. (See story about<br />

Megan Dickie, page 16). In addition, a new public project<br />

by Tyler Hodgins, “Sleeping Bag,” will place his temporal<br />

sculptural interventions at various locations throughout<br />

the city during the run of the exhibition. Opening reception<br />

7pm at 1040 Moss St, regular gallery admission applies.<br />

250-384-4171, www.aggv.ca.<br />

January 28<br />

THAT’S JUST CRAZY TALK<br />

Eric Martin Pavilion Theatre<br />

See story om page 28.<br />

January 28-29<br />

CROW PLAYS MENDELSSOHN<br />

Royal Theatre<br />

Gifted BC-born violinist Jonathan Crow and the Victoria<br />

Symphony perform Brahms’ “Symphony No. 1,” Bruckner’s<br />

“Overture in G Minor” and Mendelssohn’s “Violin Concerto.”<br />

8pm at 805 Broughton St, $26-$66, senior and student<br />

discounts available. 250-386-6121, www.rmts.bc.ca.<br />

January 29<br />

JAZZ AT THE GALLERY<br />

Art Gallery of Greater Victoria<br />

See jazz vocalist Joe Coughlin sound off surrounded by<br />

art. Presented by the AGGV and UJAM. 2pm at 1040 Moss<br />

St, $30. 250-384-4171, www.aggv.ca.<br />

Throughout January<br />

IMAGES OF INTERNMENT<br />

McPherson Library, UVic<br />

Paintings by Henry Shimuzu document the artist’s teenaged<br />

years spent in a New Denver internment camp between<br />

1942 and 1946.<br />

Throughout January<br />

SCHOOL OF MUSIC CONCERTS<br />

Philip T. Young Recital Hall<br />

All events free or by donation. Every Friday: Fridaymusic<br />

concerts featuring School of Music students, 12:30pm. Jan<br />

11: Lieder at Lunch presents an exploration of the German<br />

Lied repertoire with Sharon and Harald Krebs and Benjamin<br />

Butterfield, 12:30pm at MacLaurin B307. Jan 14: faculty recital<br />

featuring Eugene Dowling, Tzenka Dianova and Stephen<br />

Brown and the Bastion Jazz Band, 8pm, $17.50/$13.50. Jan<br />

20: Piano students of Eva Solar-Kinderman perform R. Schumann<br />

and Janácˇek, 8pm. Jan 21: Wendell Clanton’s saxophone<br />

class recital, 8pm. Jan 22: Piano students from the studio of<br />

Bruce Vogt performing works by composers from Scarlatti<br />

to Bartók, 2pm. Jan 24: Harald Krebs presents a lecture<br />

entitled “Robert Redeemed: The Beauty of Schumann’s Late<br />

Songs,” with soprano Sharon Krebs, 7:30pm. Jan 27: UVic<br />

Concerto Orchestra performs works by Wagner, Mozart and<br />

more, with soprano Mary-Ellen Rayner, 8pm at University<br />

Centre Auditorium, $17.50/$13.50. Jan 28: faculty recital<br />

featuring Suzanne Snizek (flute), Charlotte Hale (piano), Arthur<br />

Rowe (piano) and Benjamin Butterfield (tenor), 8pm,<br />

$13.50/$17.50. Jan 31: Annual Solo Bach Competition and<br />

Concert, where a jury elects three winners from UVic string<br />

students performing Bach’s suites and sonatas, 7pm.<br />

24 January <strong>2012</strong> • FOCUS


HARVEST<br />

by Ken Cameron<br />

January 25<br />

VCM PRESENTS—JANUARY JAZZ<br />

Alix Goolden Performance Hall<br />

THE JANUARY BLUES WILL BE SENT PACKING WITH AN<br />

upcoming concert featuring jazz maven Brad Turner together with<br />

Gordon Clements and Conservatory of Music colleagues.<br />

Gordon Clements, head of the Jazz Studies Department at the Victoria<br />

Conservatory of Music, has always straddled two musical worlds. His<br />

formal training is in classical music and<br />

the clarinet. But from his teenage years,<br />

he has maintained a high standard of<br />

performing the entire saxophone family<br />

of instruments in numerous Jazz bands.<br />

Playing saxophone for the house band<br />

at the Strathcona Hotel six nights a week<br />

actually helped to finance his Classical<br />

clarinet studies at UVic. “It was kind of<br />

a schizophrenic personality that I had,”<br />

says Clements of those years: “Kind of<br />

Classical by day and Jazz by night. I’ve<br />

always loved that.”<br />

Gordon Clements While many agree that music is a<br />

universal language, Clements knows it<br />

to be a fact, especially in the case of Jazz.<br />

During a trip to Cuba, he introduced<br />

himself to the house band at a Jazz club<br />

he was visiting, and they let him sit in<br />

and play with them. The experience was<br />

exhilarating. As he explains, “We couldn’t<br />

even converse. They didn’t speak any<br />

English at all. I didn’t speak any Spanish,<br />

but we managed to figure out some song<br />

titles, and right away it was a huge success.”<br />

He has since repeated that experience in<br />

a number of different countries and cities.<br />

Brad Turner<br />

There is a special thrill and excitement<br />

to a concert of Jazz music that is not really<br />

found in performances of any other musical genre. This derives in part<br />

from the importance of improvisation in Jazz. It is a chance to be<br />

part of a one-off event; to watch musicians create on the spot. Clements<br />

confirms, “If it’s done right, the improvisation not only reflects the<br />

music and the other musicians on stage, but it also involves the<br />

audience…and the people that I work with and play with would all<br />

agree that bringing our audience to us, to the music, is absolutely fundamental<br />

to what we do.”<br />

Internationally renowned Jazz trumpeter and recording artist<br />

Brad Turner is the guest performer for the event. Clements enthusiastically<br />

concedes that, besides Turner’s virtuosic command of the<br />

trumpet, “he can sit down on drums and piano and make that sound<br />

like his first instrument as well!”<br />

All of the performers taking part in this event are also composers,<br />

so the program will feature many original compositions. It will be<br />

rounded out by other works from The Great American Songbook and<br />

Duke Ellington’s oeuvre. The afternoon of the event, students will have<br />

a chance to participate in a masterclass with Brad Turner.<br />

January Jazz is at 7:30-9:30pm. Adults $25; seniors/students $15. 907<br />

Pandora Ave. 250-386-5311, www.vcm.bc.ca. —Lisa Szeker-Madden<br />

www.focusonline.ca • January <strong>2012</strong><br />

CELEBRATING 20 SEASONS!<br />

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DREAMCOAT<br />

lyrics by Tim Rice, music<br />

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CHICKENS<br />

by Lucia Frangione, music by<br />

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Lewandowski and Jason Bertsch<br />

WINGFIELD’S FOLLY<br />

by Dan Needles, starring<br />

Rod Beattie (Bonus Show!)<br />

THE GIFTS OF<br />

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from O. Henry stories, book &<br />

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<strong>2012</strong><br />

Colin Sheen SeaShine Design David Cooper Photography


“CULTURALLY MODIFIED” KAREL DORUYTER, 30 X 36, ACRYLIC ON CANVAS<br />

January 7-28<br />

COASTAL CELEBRATION<br />

Madrona Gallery<br />

This group exhibition will include exquisite works inspired by our local geography,<br />

including Corrinne Wolcoski’s superb seascapes and Karel Doruyter’s masterful handling<br />

of the rainforest. Also featured are new works from Francis Baskerville, Fredwin Perry, Michael<br />

Stockdale, Don Berger, Graham Forsythe and April Mackey. Opening reception January 7,<br />

1-4pm. 606 View St. 250-380-4660, www.madronagallery.com.<br />

“HANDS AND ROCK REFLECTION” MYFANWY PAVELIC, 9 X 12 INCHES, CHARCOAL/CONTE<br />

Throughout January<br />

MYFANWY PAVELIC ESTATE SALE<br />

Morris Gallery<br />

An exhibit and sale of the last seven pieces from the estate of Myfanwy Spencer<br />

Pavelic. Born in Victoria in 1916, Pavelic was mentored by Emily Carr, who discovered the<br />

young girl’s talent at six years old, and arranged a show of her work when she was 15. In<br />

the ‘40s she lived and painted in New York where she was part of the art scene, before<br />

returning to the Saanich Peninsula. Renowned for her portraits, she painted the likes of Yehudi<br />

Menuhin, Glenn Gould, Pierre Trudeau (his official portrait), and Katharine Hepburn. On Alpha<br />

St at 428 Burnside Rd E. 250-388-6652, www.morrisgallery.ca.<br />

“WINDY DAY” JOHN MCCONNELL, 12 X 24 INCHES, OIL ON CANVAS<br />

January 16-February 25<br />

JOHN MCCONNELL: A CELTIC JOURNEY<br />

Eclectic Gallery<br />

Each painting in John McConnell’s “Journey of an Ancient Soul” series features the image<br />

of a soul travelling from this life to the next, along with the vessel in which it undertakes the<br />

journey. Each image has its own individual personality. For some the journey is easy and calm,<br />

for others it is a difficult and tumultuous experience. The artist never knows the image before<br />

he begins a new work and just follows the painting as it evolves before him on the canvas.<br />

2170 Oak Bay Ave, 250-590-8095, www.eclecticgallery.ca.<br />

UNTITLED, RICHARD RAXLEN<br />

January 13-February 25<br />

RICHARD RAXLEN<br />

Open Space<br />

This co-presentation with MediaNet, entitled “introspective!*√º"ç¥å!, ” looks at the diverse<br />

work created by this local filmmaker, animator and visual artist who has long been a Victoria<br />

staple. Watch for images of Mutt & Jeff, historical footage and well-known literary figures in his<br />

work. His work is idiosyncratic, aesthetically rich, unabashedly hand-crafted, and borderless.<br />

He has produced scores of experimental films, including some award-winning ones. In conjunction<br />

with the exhibition, Open Space will publish a book with essays by Peter Sandmark and<br />

Marilyn Brakhage. Opening reception 5pm Jan 13 at 510 Fort St. 250-383-8833, www.openspace.ca.<br />

January <strong>2012</strong> • FOCUS


“Pots of Flowers” Sylvia Armeni, 7 x 10 inches, fabric collage<br />

Masterworks of Contemporary Aboriginal Art<br />

Canadian Northwest Coast • Papua New Guinea<br />

Solomon Islands • Australia<br />

Visit our new website at:<br />

WWW.ALCHERINGA-GALLERY.COM<br />

or in person at:<br />

665 Fort St. Victoria B.C., Canada Tel: 250-383-8224<br />

Sylvia Armeni<br />

New fabric collages<br />

2184 OAK BAY AVENUE VICTORIA<br />

www.theavenuegallery.com 250-598-2184<br />

www.focusonline.ca • January <strong>2012</strong><br />

27


the arts in january<br />

January 28<br />

THAT’S JUST CRAZY TALK<br />

Eric Martin Pavilion<br />

WRITE WHAT YOU KNOW: IT’S AN ADAGE WE’RE ALL FAMILIAR<br />

with, and one that Victoria Maxwell took to heart when she decided<br />

to write what would become her first play. The topic Her experience<br />

being diagnosed with bipolar disorder, anxiety and psychosis at age 25,<br />

the subsequent five years she spent coming to terms with her disorders,<br />

and her eventual recovery. It was a call<br />

for submissions for KickStart’s disability<br />

arts festival that first motivated her to write.<br />

“I thought, ’Well, if I’m going to do something,<br />

this might be the place to do it, because<br />

there will hopefully be a warm audience<br />

there,” says Maxwell, who worked as an<br />

actor before her diagnosis. “I applied and<br />

more or less said, ‘Hey, I have a book and<br />

I can read excerpts.’ And they said, ‘Great!’<br />

Then I realized shit, I don’t have a book. I<br />

don’t even have excerpts.”<br />

Since then, the self-proclaimed Bipolar<br />

Princess has become a premiere presenter<br />

on issues surrounding living with mental Victoria Maxwell<br />

illness, and has penned four acclaimed onewoman<br />

shows: Crazy For Life, Funny...You Don’t Look Crazy, Head<br />

Over Heels and her most recent, That’s Just Crazy Talk, which is coming<br />

to Victoria on January 28 as a special presentation of Movie Monday.<br />

“I would say it’s probably my most personal, mainly because it<br />

goes into my family history on both my mom and dad’s side,” says<br />

Maxwell. “My other ones were obviously very personal because they<br />

were based on my life, but somehow, I guess because I wasn’t describing<br />

things that had to do with my mom and dad, it didn’t seem quite<br />

as revealing or risky.”<br />

The play has been performed three times as part of a research<br />

project by CREST.BD, or Collaborative RESearch Team on the Psychosocial<br />

Issues of Bipolar Disorder. The project’s goal is to study the impact that<br />

lived-experience theatre presentations can have on attitudes towards<br />

mental illness, both in people living with bipolar disorder and healthcare<br />

providers. While the Victoria performance isn’t part of the research<br />

project, CREST.BD team leader Erin Michalak will be attending the show<br />

and they will be making a presentation about the project during the Eric<br />

Martin Pavilion's psychiatric grand rounds a couple days later.<br />

“There is a lot of lip service to the lived experience being so valuable<br />

in helping people to recover, but it doesn’t really find its way to really<br />

being supported,” says Bruce Saunders, who has been organizing the<br />

Movie Monday film screenings at Eric Martin Pavilion for nearly 20<br />

years. “I’ve been trying from all different angles all the years that I’ve<br />

been doing Movie Monday to try and influence the mainstream professional<br />

community and this is a bright spark for me, to see that someone<br />

is doing it and doing something scientifically and with some credibility<br />

to the mainstream.”<br />

That’s Just Crazy Talk will be performed at 6:30pm Sat, January<br />

28 at the Eric Martin Pavilion Theatre in the 1900 block of Fort<br />

Street. It’s free and open to the public. Visit www.crestbd.ca/events to<br />

register. For more information on Victoria Maxwell, visit www.victoriamaxwell.com.<br />

For more on Movie Monday, visit www.moviemonday.ca.<br />

—Amanda Farrell-Low<br />

28 January <strong>2012</strong> • FOCUS


Throughout January<br />

WILDLIFE PHOTOGRAPHER OF THE YEAR<br />

Royal BC Museum<br />

See the 108 winning images in this 47-year-old international<br />

competition, run by BCC Wildlife <strong>Magazine</strong>, on its only<br />

North American stop. Regular museum admission applies.<br />

675 Belleville St, 250-356-7226, www.royalbcmuseum.bc.ca.<br />

VARIOUS EXHIBITIONS<br />

Art Gallery of Great Victoria<br />

“Collected Resonance,” works by three South Asian<br />

Canadian women, to Jan 8. “Promising Objects,” Alison<br />

MacTaggart uses parameters from the Canadian Intellectual<br />

Property Office to guide this exploration of inventors and<br />

artists and their ongoing desire to find solutions to problems<br />

and ideas, to Jan 15. “The Enduring Arts of China,” decorative<br />

elements and motifs that have been passed down<br />

by Chinese artists for centuries, to May 6. “Emily Carr: On the<br />

Edge of Nowhere,” semi-permanent Emily Carr exhibit. All<br />

at 1040 Moss St. 250-384-4171, www.aggv.ca.<br />

Celebrating Local Artists<br />

Fine Art, Jewelry, Gifts<br />

& Crafts by Local Artists<br />

Great selection of<br />

Gemstones & Findings<br />

2000 Fernwood Road<br />

250.361.3372 • www.shesaidgallery.ca<br />

THE EMERGENCE OF<br />

ARCHITECTURAL MODERNISM II<br />

Legacy Art Gallery<br />

Subtitled “UVic and the Victoria Regional Aesthetic in<br />

the late 1950s and ’60s,” this is the second in a series of exhibitions<br />

and publications exploring the relationships, personalities<br />

and projects contributing to the development of a regional<br />

modernist aesthetic in the post-war Victoria urban landscape.<br />

630 Yates St, 250-381-7645, www.legacygallery.ca.<br />

PHOTO: HUBERT NORBURY<br />

Council Chamber Wing, Pandora St. Entrance<br />

(Wade Stockdill & Armour Architects)<br />

ALL STARS CONTINUED<br />

Dales Gallery<br />

Works by Stephanie Harding, Ira Hoffecker, Bob McPartlin,<br />

Clive Powsey. 537 Fisgard St, 250-383-1552, www.dalesgallery.ca.<br />

Tuesday Nights<br />

NEWCOMBE SINGERS REHEARSALS<br />

St Mary’s Church<br />

This non-audition community choir is on the hunt for<br />

tenor and bass voices, but welcomes all new members.<br />

7:30-9:30pm weekly at 1701 Elgin Rd. 250-480-5087,<br />

www.newcombesingers.com.<br />

Sundays in January<br />

FOLK MUSIC CONCERTS<br />

Norway House<br />

Check website for performers. Open mic at 7:30pm at<br />

1110 Hillside Ave, followed by the featured concert. $5. 250-<br />

475-1355, www.victoriafolkmusic.ca.<br />

Send ARTS-RELATED listings to<br />

focusedit@shaw.ca<br />

by January 10 for events in February.<br />

Placement cannot be guaranteed.<br />

www.focusonline.ca • January <strong>2012</strong><br />

29


coastlines<br />

Love, art and transformation<br />

AMY REISWIG<br />

Phyllis Serota often tells stories in her paintings. Now she tells the stories behind the paintings.<br />

Phyllis Serota<br />

In chilly midwinter, golden monarch butterflies approach and even<br />

settle on Victoria artist Phyllis Serota’s father. This frozen imaginary<br />

moment lives in a large canvas in Serota’s sitting room and tells a<br />

very private story of reconciliation and forgiveness—a long-sought<br />

breakthrough regarding the man who, years ago, beat his daughter<br />

so regularly that the family joked about Daddy breaking her glasses<br />

every Tuesday night.<br />

Relaxing in front of this painting in her Oak Bay home is the warmsmiling<br />

Phyllis Serota, now far from the west side of Chicago where<br />

she grew up in a Jewish family under what she calls the “contradiction<br />

PHOTO: TONY BOUNSALL<br />

of love and terror” that was her father. The only reason I know the<br />

story of this painting, and what it means to see her laugh beneath it,<br />

is because she told me—and not just me. While she has been telling<br />

stories in her paintings for years, Serota now bravely takes readers into<br />

the world behind her work with a new book, Painting My Life: A Memoir<br />

of Love, Art and Transformation (Sono Nis, October 2011).<br />

Serota has been a fixture in Victoria’s visual arts scene for over 35<br />

years, and not just as a painter working away in isolation but involved<br />

in the community. Her work has been shown at galleries in Victoria,<br />

Vancouver (including the Vancouver Holocaust Education Centre),<br />

Edmonton, Washington and Oregon, and she has been involved with<br />

Open Space Gallery, the Emily Carr Institute of Art and Design, and<br />

the Victoria Holocaust Remembrance and Education Society. Serota’s<br />

work is currently held in many private collections, including local institutions<br />

such as UVic and the Art Gallery of Greater Victoria, as well as<br />

at the Canadian Museum of Civilization.<br />

While readers will learn that Serota, born in 1938, took classes at<br />

the Art Institute of Chicago, at Malaspina College and eventually graduated,<br />

at the age of 41, with a BFA from the University of Victoria, and<br />

while we see over 100 colour reproductions of Serota’s work, the book<br />

is not specifically about her paintings. Rather, it is about the person and<br />

the people behind them—everything that has gone into the art of living<br />

her life. What she writes regarding her series of Holocaust paintings<br />

serves also as a good description of the artistic and humanistic<br />

project of this book: “I also recalled Tikkun Olam (a Hebrew concept<br />

of repairing the world), and the idea that you can’t heal a wound unless<br />

you clean it out by looking at it carefully.”<br />

Serota tells me that the very fact of the book is surprising to her, but<br />

the jump in genre, the transformation of painter to author, has not<br />

proven too much of a stretch since both art forms are ways of personal<br />

storytelling. While she’s been writing in various ways since she was 10<br />

years old, Serota says her textual family chronicling began in earnest<br />

when she was invited to join a memoir-writing group. “Everything<br />

comes from this little moment of saying yes,” she muses.<br />

Some sections of this 230-page book originated years ago as part<br />

of that memoir-writing group, but many were newly written specifically<br />

for this publication. And Serota’s prose, perhaps not surprising<br />

for a painter, is vivid and visual, extraordinarily detailed yet still conversational.<br />

One can see, smell and practically taste her family dinners,<br />

feel the air on her back porch or the rush of people dancing. Every character<br />

in her life’s drama is delineated with care—the way her very<br />

beloved mother cleaned the red-and-grey tile kitchen floor every day<br />

on her hands and knees, laying newspaper on it while it dried; the way<br />

her Aunt Rosie and Uncle Jake ground horseradish with a small machine<br />

at the back of their fish store. In one of the book’s many reflective<br />

moments, Serota writes: “I believe it’s important to get very specific<br />

about your life. Then it becomes universal.”<br />

“Writing wasn’t hard,” Serota laughs. “I’m a good talker.” There is<br />

a lot of laughter during our meeting. But also, and for the first time in<br />

my experience as an interviewer, there were tears I had to fight. Not<br />

because of painful topics or difficult personal revelations such as the<br />

30 January <strong>2012</strong> • FOCUS


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THIS IS A PROFOUNDLY GENEROUS BOOK, one in which<br />

the author does nothing less than make a gift of her family,<br />

of herself. From that perspective, it is a humbling read.<br />

family violence, but from a very deep sense of gratitude. This is a<br />

profoundly generous book, one in which the author does nothing less<br />

than make a gift of her family, of herself. From that perspective, it is<br />

a humbling read.<br />

In some ways, to tell too much about her life here would be cheating<br />

you from the pleasure of reading about Serota for yourself in these 29<br />

short chapters. So I will say<br />

that it is raw, funny and disarmingly<br />

open as she shares both<br />

beautiful and brutal moments,<br />

all pointing to that theme<br />

of transformation: growing<br />

up in and away from a childhood<br />

of both violence and<br />

love; becoming a wife and<br />

mother; the move to sexual<br />

openness and drugs in a hippie<br />

BC coastal community;<br />

divorce and discovering the<br />

gay scene in Victoria in the<br />

1970s; the issue of definitions—rejoining<br />

the Jewish<br />

community she had<br />

temporarily left or feeling<br />

comfortable calling herself<br />

an artist or a lesbian (“There’s another work of art, at the computer,” she<br />

tells me, beaming and pointing to Annie, her partner now of 38 years).<br />

“I have no time for BS anymore,” the resilient Serota tells me. “There’s<br />

not enough openness in the world; there’s so much pretense all the<br />

time. There’s nothing better than when we can just be ourselves.” The<br />

book also conveys a deep sense of the freedom that comes from so truly<br />

and publicly being yourself for all to see.<br />

“I always feel exposed when I have a show, and I thought I would<br />

feel worse than I do about exposing myself like this in the book,” she<br />

admits. “I thought it would be terrible. But at the launch”—at the Art<br />

Gallery of Greater Victoria—“I felt just so much love coming from<br />

so many people,” she exults, somewhat humbled herself. As the old<br />

saying goes, you get what you give.<br />

As the new year symbolically offers the opportunity for personal transformation,<br />

Serota’s is a beautiful example to follow in terms of deciding<br />

to live reflectively, give generously of oneself and share without shame.<br />

It makes you wonder what a work of art all our lives could be.<br />

www.focusonline.ca • January <strong>2012</strong><br />

Writer, editor and musician Amy Reiswig is reminded<br />

of what unexpected gifts may come into your life and<br />

the lives of those around you when you flatten your<br />

fears by saying “yes.”<br />

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who peek in the large windows of the 4400-square-foot facility on<br />

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on their faces.<br />

Whether it’s grooming, obedience training, boarding, or day care, Nirvana Pet<br />

Resort has the caring, experienced staff to guarantee top-notch care for your pet.<br />

Owner Chris Anctil, a certified obedience instructor who has worked in the<br />

veterinary field for over 12 years, opened<br />

Nirvana because of her passion for animals<br />

(her own include a Miniature Poodle, a<br />

Miniature Australian Shepherd and a<br />

Lagotto Romagnolo, a rare and ancient<br />

breed of dog).<br />

Chief groomer Jessica Elrod is another<br />

passionate animal lover—she owns two<br />

Poms, a Sheltie, and a Border Collie,<br />

along with several pet birds.She is comfortable<br />

with any animal, from cats and dogs<br />

to birds, rodents and exotics.<br />

Says Chris, “Our philosophy on<br />

grooming is that it’s not a production<br />

line.We take our time, especially with<br />

babies or nervous animals, so that it’s a<br />

positive experience from the start.”<br />

Among Jessica’s talents are hand stripping<br />

for terrier breeds.This helps maintain<br />

a proper coat. “She’s a perfectionist,”<br />

says Chris, proudly.<br />

Customer Mrs. Maureen Ross has<br />

been taking her 12-year-old Cairn Terrier<br />

Bobby to Nirvana for the past year, and<br />

is “so impressed. I’ve never seen as good<br />

a job,” she says.“They can’t do enough Chris Anctil with Mickey<br />

for you; it’s just delightful.”<br />

Both Chris and Jessica breed and show dogs so they know show cuts if that is<br />

what the client wants, but they do mostly comfortable pet cuts. “We recognize<br />

that people are putting their pet in the hands of someone they don’t really know.<br />

We understand how that feels.We take pride in treating every dog as if it’s our<br />

own,” says Chris.<br />

This applies to the daycare as well, which is roomy enough for the dogs to get<br />

lots of indoor exercise chasing balls or using the slide (an entertaining sight!).<br />

The wooden floor is easier on their joints than concrete. Staff keep the dogs<br />

physically and mentally stimulated and know how to curb territorial or possessive<br />

behaviour before disagreements occur. Small dogs have a fun space of their<br />

own, though each dog is evaluated as to where it will most happily fit, and no<br />

breeds are discriminated against.<br />

“Daycare is one of the best ways to teach puppies how to socialize—and to<br />

build confidence in any dog,” says Chris, pointing out that dogs are pack animals<br />

so isolation doesn’t suit them.<br />

Chris also offers obedience training. She knows what she’s doing and after<br />

eight 45-minute classes, your dog will be a model of good manners.<br />

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31


focus<br />

reporting from the frontlines of cultural change<br />

At the tipping point<br />

KATHERINE GORDON<br />

Assembly of First Nations National<br />

Chief Shawn Ah-in-chut Atleo thinks<br />

the situation at Attawapiskat is one<br />

of many signs Canada is at a tipping<br />

point in its relationship with First<br />

Nations. The system has failed, says<br />

Atleo: it’s time to “smash the status<br />

quo” and start over again.<br />

PHOTO: FRED CATTROLL<br />

32 January <strong>2012</strong> • FOCUS


National Chief Ah-in-chut Atleo was speaking at a philanthropy<br />

conference in Toronto last October when stark images of<br />

families in Attawapiskat, Ontario, living in uninsulated tents<br />

without power or running water, started flashing across Canadian<br />

television screens.<br />

As Canadians learned that dozens of reserves across the country<br />

share Attawapiskat’s Third World conditions, Atleo told conference<br />

delegates that Canada is at a moment of reckoning in its relations<br />

with First Nations. “Since contact between European settlers and<br />

indigenous peoples in Canada,” said Atleo, “there has been a constant<br />

and aggressive erosion of First Nations economies, laws and ways of<br />

life. Statistics tell a tragic tale of communities with the highest youth<br />

suicide rate in the world, a rate of TB infection 30 times the national<br />

average, an education gap that will take over two decades to close<br />

and the reality that our children are more likely to end up in jail than<br />

to graduate from high school. This is completely wrong,” raged Atleo.<br />

Three months earlier, now-retired federal Auditor General Sheila<br />

Fraser had unleashed a scathing report on the state of First Nations<br />

communities in Canada, lashing out at the federal government for<br />

the appalling conditions on many Indian reserves. Canada had failed<br />

to implement numerous recommendations she had made over the<br />

years on ways to improve the lives and well-being of people living in<br />

First Nations communities in any way that had led to significant<br />

change. If anything, reported Fraser, conditions were worse.<br />

Unless the federal government works with First Nations to rise<br />

to this challenge, concluded Fraser sombrely, “living conditions may<br />

continue to be poorer on First Nations reserves than elsewhere in<br />

Canada for generations to come.”<br />

Atleo agrees wholeheartedly. He believes it’s time for bold action:<br />

“We’re at a tipping point. We have to unlock the full potential of First<br />

Nations, and sever the shackles of the Indian Act. The current system<br />

is failing,” he says unequivocally. “It’s time to smash the status quo.”<br />

Fighting for the children<br />

On a blustery west coast day in December, I spoke to Atleo by telephone<br />

from Ottawa. Atleo, 47, is from Ahousaht in Nuu-chah-nuulth<br />

territory on Vancouver Island. He sighed wistfully when I described<br />

the slashing rain and wind outside. Moving to Ottawa in July 2009 to<br />

undertake his three-year term as National Chief meant leaving behind<br />

his beloved West Coast. Except for fleeting visits with his wife Nancy<br />

to see their two children, Tara, 23, who will graduate from Vancouver<br />

Island University next month, and Tyson, 25, the youngest councillor<br />

ever elected to Ahousaht Council, Atleo is rarely home these days.<br />

But Atleo couldn’t turn the opportunity down. He was also tailormade<br />

for the position. Atleo had already served two terms as the<br />

AFN’s Regional Chief in BC. With an M.Ed in Adult Learning and Global<br />

Change from Sydney’s University of Technology in Australia, accounting<br />

and financial qualifications from California’s Stanford University, and<br />

extensive experience in treaty negotiations and human resource issues<br />

in Canada, Atleo is also no slouch on First Nations policy issues. An articulate,<br />

pleasant and diplomatic man, he is universally well-regarded in<br />

non-First Nations circles, and was invited to be Vancouver Island University’s<br />

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33


“I do for your investments<br />

what health clubs<br />

do for your body”<br />

“<br />

IT’S CLEAR FROM THE HISTORICAL RECORD that the intent of the treaties<br />

was that First Nations would always be full participants in designing a future<br />

for Canada together with the Crown.”—National Chief Shawn Ah-in-chut Atleo<br />

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Chancellor in 2009, the first indigenous individual<br />

in the province to attain such a position.<br />

He is also not afraid to call a spade a spade.<br />

In a recent editorial in the Globe and Mail,<br />

Atleo bluntly stated: “Our collective failure<br />

to address the long and lamentable list of<br />

challenges affecting First Nations means First<br />

Nations lurch from crisis to crisis with governments’<br />

responses motivated, to paraphrase<br />

Canada’s former auditor-general, more by<br />

headlines than by actually achieving change.”<br />

Atleo doesn’t mince words in person, either.<br />

Of working with the federal government, he<br />

says: “Sometimes it feels like pushing sand<br />

uphill. But this is a fight for our children,”<br />

he continues passionately. “We can’t afford<br />

to lose another generation.”<br />

A fundamental transformation<br />

Atleo has a novel but simple plan to change<br />

the status quo: hitting “the reset button” on<br />

the relationship between Canada and First<br />

Nations. “It’s critical, as the former Auditor-<br />

General pointed out, that the federal government<br />

makes a significant shift in how we work together.<br />

It’s time for it to stop imposing solutions on<br />

First Nations, go back to original principles<br />

and start working with us as real partners.”<br />

When Atleo talks about hitting the reset<br />

button, he means it quite literally. “We should<br />

return to the beginning, to the kind of relationship<br />

between First Nations and the Crown<br />

that was forged in the earliest days of Canada,<br />

in the treaties that were struck when Canada<br />

was first settled,” he says. The spirit and intent<br />

of those treaties have never been properly<br />

implemented: if they had been, things would<br />

look very different today.<br />

When Canada was formed as a country,<br />

explains Atleo, First Nations were, of course,<br />

already here. They had aboriginal rights and<br />

title in their territories, and where treaties<br />

were struck, rights under those agreements.<br />

Those treaty rights were reciprocal rights in<br />

a two-way partnership between equals,<br />

and that was how First Nations interpreted<br />

them. “If you want an example of that, you<br />

just have to look at the War of 1812 in which<br />

First Nations fought shoulder to shoulder<br />

with Canadians. We were allies in a treaty<br />

relationship with Canada. We were all treaty<br />

people—the people of Canada had signed<br />

up to those treaties just as much as First<br />

Nations people had, so we fought together<br />

to protect all of our rights.”<br />

In other words, treaty rights were always<br />

intended to be a two-way street, a sharing of<br />

the wealth of the land and its resources and<br />

providing mutual support for rights, culture<br />

and heritage. “It’s clear from the historical<br />

record that the intent of the treaties was that<br />

First Nations would always be full participants<br />

in designing a future for Canada together<br />

with the Crown.”<br />

But it hasn’t been that way since. The<br />

concept’s been forgotten, says Atleo, or worse,<br />

willfully hidden by governments. Instead, a<br />

history has prevailed of ignoring First Nations’<br />

inherent rights and unilateral control of their<br />

lives by governments. Far from working with<br />

First Nations as partners, governments<br />

step over their treaty and aboriginal rights<br />

as if they weren’t there.<br />

“That has led to a 100-year-old Indian Act<br />

that no one likes and no one can figure out<br />

how to get rid of, to endless conflict, and ultimately<br />

to the soul-destroying situation you<br />

see on reserves like Attawapiskat. It’s all based<br />

on ‘Ottawa knows best.’ It doesn’t make<br />

anything better. As the Auditor General<br />

pointed out, it’s made things worse. Unilateral<br />

decision-making and imposed solutions don’t<br />

work and never have.”<br />

Things are no better in BC. “Here, the land<br />

question remains a burning issue to resolve,<br />

but it needs to be done from a place that<br />

recognizes that First Nations have rights, and<br />

those rights must be reconciled.” As things<br />

stand, however, treaty offers are dictated by<br />

government policy developed behind closed<br />

doors, and there is little appetite on the part<br />

of government to recognize aboriginal rights.<br />

“That’s why you see Hulq’umin’um being<br />

forced to go to the Inter-America Commission<br />

to hear their land claim. Where else do they<br />

go if the federal government is acting as both<br />

judge and jury in their territory on these<br />

issues” The fact that the IAC decision will<br />

not bind Canada, or whether Hulq’umin’um<br />

will succeed in its claim, are almost irrelevant<br />

at this point: “I think the fact that the IAC<br />

even agreed that the case should be heard<br />

suggests there is something that desperately<br />

needs to be addressed here.”<br />

34 January <strong>2012</strong> • FOCUS


www.focusonline.ca • January <strong>2012</strong><br />

35


Will Atleo’s plan make any difference<br />

It certainly sounds like it’s worth a shot. After all, as Atleo points<br />

out, the paternalistic structure of the Indian Act isn’t serving First<br />

Nations well and the federal bureaucracy required to implement it<br />

is costing the Canadian taxpayer billions in operational expenses.<br />

No-one’s happy about the impoverished state of First Nations’ social,<br />

cultural and economic well-being.<br />

But calls for change are nothing new. The records documenting<br />

failed efforts to shift the relationship over the last three decades litter<br />

the filing cabinets of government departments. Attempts to scrap<br />

the Indian Act, including Atleo’s own call for its elimination, haven’t<br />

got anywhere so far, and a year after Canada finally signed up to the<br />

United Nations Declaration on the Rights of Indigenous Peoples,<br />

there has been no substantive shift in government policy to reflect<br />

its provisions.<br />

In BC the treaty process, touted as the way to a better future, is on<br />

shaky ground. Many First Nations have given up on the process.<br />

Vancouver Island’s Hulq’umin’um Treaty Group has resorted to taking<br />

its land claims to the Inter-America Commission to seek justice (see<br />

Briony Penn’s story “Pensions on Trial” in the November 2011 issue<br />

of <strong>Focus</strong>) and last October Sophie Pierre, Chief Commissioner of the<br />

BC Treaty Commission, introduced the Commission’s 2011 Annual<br />

Report by stating that unless there is significant progress by the time<br />

the twentieth anniversary of the process rolls around in September<br />

<strong>2012</strong>, it’s game over.<br />

So what’s different about what Atleo has in mind—and will his<br />

approach make any difference to communities like Attawapiskat<br />

Lorne Brownsey, who divides his time these days between Victoria,<br />

Hornby Island and Mexico, retired from his post as provincial deputy<br />

minister of Aboriginal Relations and Reconciliation in January 2011.<br />

Prior to that, he was the federal government’s executive director of<br />

its Vancouver Treaty Negotiation Office. Brownsey is unequivocal in<br />

his views about Atleo’s approach: “National Chief Shawn Ah-in-chut<br />

Atleo has identified the only path to reconciliation between First<br />

Nations and the rest of Canada.”<br />

Like Atleo, Brownsey believes that prosperity comes from a<br />

place of partnership. “That will never be achieved through endless<br />

disputes about who has what rights where. Governments and citizens<br />

must recognize existing treaty and aboriginal rights and move<br />

forward to conclude arrangements on how these rights, and responsibilities,<br />

can be given contemporary context.”<br />

Atleo has no doubt that the approach he passionately believes in<br />

will make a difference. “The old unilateral system has proved<br />

itself to be unworkable. But where you have shared vision and reconciliation,”<br />

he says firmly, “and agreements that recognize rights and<br />

support them, you empower health, well-being, good governance<br />

and independence. You don’t see terrible poverty and hear arguments<br />

about accountability. That’s how it used to be in First Nations.<br />

It can be again.”<br />

Atleo also points out that it is not just the economic and cultural health<br />

of communities like Attawapiskat, but of all of Canada, that requires a<br />

new approach to reconciliation with First Nations. “First Nations are<br />

the youngest, fastest-growing population at a time when the Canadian<br />

labour force is aging. Studies show that closing the education and employment<br />

gaps for our people would contribute as much as $400 billion to<br />

the national economy, and save at least $115 billion in government<br />

expenditures. It can be done, but it has to be done with First Nations at<br />

the table sharing the decision-making on how to get there.”<br />

PHOTO: FRED CATTROLL<br />

“<br />

STUDIES SHOW THAT closing the<br />

education and employment gaps<br />

for our people would contribute<br />

as much as $400 billion to the<br />

national economy, and save at<br />

least $115 billion in government<br />

expenditures. It can be done, but<br />

it has to be done with First Nations<br />

at the table sharing the decisionmaking<br />

on how to get there.”<br />

—National Chief<br />

Shawn Ah-in-chut Atleo<br />

We are all treaty people<br />

Atleo is optimistic about the potential for significant movement<br />

on the part of the federal government. A Joint Action Plan announced<br />

in June last year, covering governance, education, economic development<br />

and negotiations, resulted from intensive discussions between<br />

Atleo and Prime Minister Stephen Harper. The agenda for the first<br />

meeting under the Joint Action Plan, scheduled for January 24, is<br />

focused on what action is required to put the relationship back on its<br />

original foundation.<br />

“We need to scrap the old policies, and jointly design a framework<br />

that will work for all of the parties. The prime minister will be there,<br />

and that’s appropriate. This discussion has to start at the top.”<br />

Lorne Brownsey agrees: “As the National Chief and many others<br />

have rightly noted, we can’t afford the social, moral or economic<br />

cost of not meeting this challenge.” As a former insider, he is more<br />

sceptical than Atleo about the federal government’s willingness to<br />

embrace the concept: “Unfortunately, the government of Canada<br />

has become an increasingly reluctant partner in the process of reconciliation<br />

in British Columbia and elsewhere. Hopefully, the January<br />

meeting signals its willingness to step up to the table and help reenergize<br />

or, as the National Chief puts it, reset a relationship of<br />

mutual prosperity.”<br />

Atleo remains confident, despite the scepticism. “We need to understand<br />

that if we can reach agreement on this issue,” he reiterates, “that<br />

will benefit every Canadian, not just First Nations. After all,” he<br />

reminds us, “we’re all treaty people.”<br />

Accepting the latter concept, says Atleo, is fundamentally important<br />

to improving the relationship between First Nations individuals<br />

and other Canadians. “I think if we start to understand that we are<br />

36 January <strong>2012</strong> • FOCUS


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all treaty people in Canada—every one of<br />

us, even the newest immigrant—that will<br />

shift us to the place we need to be. We’re<br />

all partners, and we all benefit when every<br />

First Nation is as prosperous as every other<br />

Canadian community. The path to that is<br />

joint action to support our rights and wellbeing.<br />

That’s where the understanding needs<br />

to be,” he says.<br />

“I believe there is a shift occurring,” he<br />

adds. “I read one report indicating millions<br />

of Canadians can trace their heritage to the<br />

indigenous peoples of North America. Those<br />

stories often used to be left in the family<br />

woodshed, but now they’re coming out<br />

again. That suggests to me people are growing<br />

closer to each other again and are starting<br />

to be proud of Canada’s First Nations’<br />

heritage,” he says happily. “It also tells me<br />

Canadians are embracing the concept that<br />

we’re all here to stay.”<br />

We need to move boldly<br />

For Atleo, in the end the most important<br />

thing is making life better for the children<br />

and desperate communities he sees almost<br />

every day in his job. “The children in our<br />

communities have been getting the message<br />

for too long that people don’t care about<br />

them,” he says. “I know there is fear about<br />

taking bold steps like this. I acknowledge that<br />

fear. But we need to move boldly. We need<br />

to tell the children we do care, by our actions,<br />

and we need to do it together,” he says.<br />

“That way we can not only stem the tide<br />

of despair and suicide but unleash the potential<br />

of these young people. Imagine what that<br />

would be like for Canada. That’s the hope<br />

I have. That’s what’s driving me.”<br />

A former lands claims negotiator, Katherine Gordon<br />

is a Gabriola Island resident. Her upcoming<br />

sixth book explores the connections between<br />

culture and self through the stories of young<br />

Aboriginal Canadians who discuss their lives as<br />

British Columbians of First Nations heritage.<br />

www.focusonline.ca • January <strong>2012</strong><br />

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37


this<br />

place<br />

island interview 38 urbanities 40 natural relations 44 finding balance 46<br />

Sprawl buster<br />

AAREN MADDEN<br />

With a vision of environmental and social justice informed by travel and history,<br />

Ben Isitt is keen to shake things up at City Hall and the CRD.<br />

As we sit in the warm, wood-panelled glow of Ben Isitt’s partially<br />

renovated kitchen, it becomes clear he has wasted no time<br />

embracing his new positions as Victoria city councillor and<br />

CRD board member. Six days after the civic election, he has already<br />

pored over the 2008 orientation manual for new councillors, last year’s<br />

finances, and this year’s operating budgets for both the City of Victoria<br />

and the CRD. He’s met with numerous community and business groups,<br />

colleagues and the mayor. He is, he says, “trying to get my head around<br />

the numbers, seeing the whole range of projects and policies that are<br />

being undertaken right now.”<br />

As he comes up to speed, he searches for ways to “see some savings<br />

and make some changes to address social and environmental goals.”<br />

In their bottom lines, he believes, the City and the Region District have<br />

to account for not only economic concerns, but social and environmental<br />

ones as well. And though he allows that this is happening to<br />

some degree, Isitt plans to bring that lens to every single issue that<br />

crosses his desk. “There is no other option in the 21st century than to<br />

integrate social justice and the environment into every decision we<br />

make,” he declares.<br />

Isitt’s family moved to Victoria from Winnipeg when he was in high<br />

school, where he remembers arguing for socialism over capitalism in<br />

a debate class. Though he found himself in the vast minority, something<br />

clicked. Then, at 18 years of age, he backpacked solo through<br />

Canada and the United States and witnessed abject poverty for the first<br />

time. “Certainly in the large North American cities, seeing the gap in<br />

wealth crystallized my commitment to social change,” he says. He has<br />

since been to over 51 countries, and is planning an overland adventure<br />

from Shanghai to Singapore, hopefully with his now-five-year-old<br />

daughter. However, he smiles, “I will have to see how that fits in the<br />

City council agenda.”<br />

While feeding his love of cultural diversity and the unique human<br />

relationships that emerge on any journey, these days Isitt’s travels are<br />

in the service of his academic research. He studies and has taught the<br />

history of social movements in British Columbia and Canada and is<br />

now a research fellow at UVic, pursuing a PhD in law that examines<br />

the relationships between social movements and the state. “It’s a reflection<br />

of the academic job market,” he says of his decision to become<br />

“a double-doc” (his first is in history).<br />

He has been active in the NDP and ran for mayor twice previously,<br />

once in 2002 and again in 2005 as an NDP-backed candidate with a<br />

strong second showing behind incumbent Alan Lowe. He sought a<br />

council seat this time to accommodate demands of work and fatherhood,<br />

and to gain experience for future aspirations, which he will<br />

determine farther into his first term, he suggests.<br />

Seeing the results of civic policies world-wide has taught Isitt what<br />

kind of city he wants to help create. In Heidelberg, Germany, hundreds<br />

of years of industrial development (not to mention war) have done<br />

little to hinder the natural beauty of the medieval town and its envi-<br />

PHOTO: TONY BOUNSALL<br />

Ben Isitt<br />

rons. Contrast that with Athens, Greece, where ancient hills and mountains<br />

are paved over with concrete and housing, or Vladivostok, Russia,<br />

where privatization has brought rampant and unchecked development<br />

of “condos for the rich.” It taught him “the good life should be<br />

within everyone’s reach. In all the countries I have been to, there is<br />

more than enough wealth. So it becomes a question of how resources<br />

38 January <strong>2012</strong> • FOCUS


“<br />

I DON’T BELIEVE IN THE MAXIM of ‘growth at any cost.’ Citizens and<br />

public office holders have to push back against that mentality and ensure<br />

future growth happens in existing built-up areas, because once we pave<br />

over our paradise, it’s very hard to get it back.” —Councillor Ben Isitt<br />

are being distributed or not distributed to keep<br />

the good life out of reach for people.”<br />

For Isitt (who was nicknamed “Che” by one<br />

reporter in 2005), the good life is one in which<br />

we take care of each other and the environment.<br />

Isitt sums it up in the platform he ran<br />

on: a “fair, safe and green” Victoria.<br />

One of his first steps toward fairness will<br />

be convincing his council colleagues to support<br />

a $25 housing levy at the CRD level similar<br />

to the ten-dollar-per-year parks levy implemented<br />

ten years ago. It would spread the<br />

burden beyond the City of Victoria and “raise<br />

about four million dollars annually, which<br />

could then be used to leverage federal and<br />

provincial money to build everything from<br />

new co-op housing to supportive housing for<br />

the hardest to house,” he explains.<br />

The latter includes those dealing with addictions,<br />

and a safe injection site is a must to<br />

mitigate health and safety concerns for them<br />

and their neighbours. “Victoria needs to apply<br />

very quickly for an exemption from Health<br />

Canada to open a safe consumption site like<br />

Vancouver’s InSite,” he insists. “We have to<br />

treat addiction as a health issue, rather than a<br />

policing issue,” he says, adding, “I know many<br />

police officers share my view.”<br />

Urban sprawl is another problem Isitt intends<br />

to tackle. In 2007 he wrote a 32-page report<br />

on the Bear Mountain development that<br />

provided a history of how the controversial<br />

project had come into being. That report subsequently<br />

helped gel opposition to the hilltop<br />

development. In 2008 he took an active role<br />

in protests to stop the Spencer Road Interchange,<br />

which has now been sitting unfinished for over<br />

three years.<br />

While many share his concerns on sprawl,<br />

he warns, “There are groups in this community<br />

who would like to pursue more Bear<br />

Mountains. One of my major priorities at the<br />

CRD level is to prevent that from happening…If<br />

you look at all of the low-lying buildings<br />

and parking lots between Downtown and<br />

Uptown, there is a huge area there where<br />

we could densify with low-rise buildings<br />

and mixed-use development. We could house<br />

tens of thousands of people without going one<br />

inch further into our farmlands or forested<br />

lands. That’s just a policy choice.”<br />

If this drives some business away, he says,<br />

“so be it. Other, more forward-thinking developers<br />

will fill their boots. I don’t believe in the<br />

maxim of ‘growth at any cost.’ Citizens and<br />

public office holders have to push back against<br />

that mentality and ensure future growth happens<br />

in existing built-up areas, because once we<br />

pave over our paradise, it’s very hard to get it<br />

back. I sat in a CRD meeting the other day,<br />

and some of the other directors and planners<br />

do these gymnastics trying to justify why the<br />

development makes sense. I want to bring a<br />

common-sense approach to it. There’s more<br />

than enough land to build on without having<br />

to destroy these finite natural attributes and<br />

undermine food security,” says Isitt.<br />

On transportation issues, Isitt has recently<br />

written that he supports “commuter rail between<br />

downtown Victoria and the Western<br />

Communities (and eventually Cobble<br />

Hill/Duncan). I think the best location for<br />

resuming rail operations quickly is to use<br />

the existing E & N corridor, which would help<br />

to contain costs while avoiding the issue of<br />

cars vs trains (as is the case with the proposal<br />

for LRT along Douglas and the Trans-Canadian<br />

Highway).” He also wants the new Johnson<br />

Street Bridge to be “structurally capable of<br />

accommodating track and passenger trains.”<br />

As one of three new faces at the council table<br />

this term, Isitt feels the tide shifting toward<br />

policies like these. That’s partly why he’s hit<br />

the ground running. “There’s a real window<br />

of opportunity we can seize to start making<br />

some substantive changes in how the City and<br />

Region operate,” he says. “I certainly don’t<br />

want to miss this opportunity.”<br />

Aaren Madden salutes all<br />

councillors, new and returning,<br />

for their commitment to our<br />

city. She also hopes, next<br />

time, there will be more than<br />

26 percent of eligible voters<br />

at the polls!<br />

Dr. Maria Payne Boorman<br />

Naturopathic Physician<br />

Offering food<br />

sensitivity testing<br />

1726 Richmond Ave 250.598.3314<br />

www.hawthornehealthcentre.com<br />

The art and science of healing and prevention<br />

Dispute resolution support<br />

for your parenting, your<br />

family and your workplace.<br />

• MEDIATION<br />

• DECISION<br />

MAKING<br />

SUPPORT<br />

• PARENTING<br />

CO-ORDINATION<br />

PATRICIA<br />

LANE<br />

C. Med, LL.B<br />

Lawyer*/Mediator<br />

250.598.3992<br />

*denotes Law Corporation<br />

Salts<br />

Made Here<br />

Eco Fashion and<br />

Fitness clothing<br />

designed and<br />

produced locally<br />

561 Johnson St, Unit 105 (Paperbox Arcade by Baggins)<br />

www.SaltsClothing.com<br />

www.focusonline.ca • January <strong>2012</strong><br />

39


urbanities<br />

A natural history of concrete<br />

GENE MILLER<br />

It all starts with ooids. Next thing you know, there’s a parkade.<br />

Fossilized ooids<br />

Hellerwork works!<br />

“As a sculpter working in large stone, I put my body<br />

into compromising positions.Jane O’Keeffe has brought<br />

me back into alignment. I have renewed energy and<br />

strength! Your body is your best friend; invest in it!”<br />

—Maarten Shaddelee<br />

Jane O’Keeffe<br />

Certified CranioSacral &<br />

Hellerwork Practitioner<br />

250-661-6409<br />

Jaw and neck problems, whiplash, sciatica, vertigo, headaches<br />

E L E L<br />

www.aypsite.org<br />

EASY LESSONS FOR ECSTATIC LIVING<br />

What’s underfoot The question<br />

holds professional interest for<br />

geologists and mineral explorers<br />

and, I suppose, for folks who think hell is down<br />

instead of Calgary in winter; though Jon Stewart<br />

recently quipped on the Daily Show, “hell is<br />

watching eight straight hours of Fox News.”<br />

Think about it: we do a lot of digging and<br />

a lot of extracting—everywhere we can find<br />

riches to pluck. Adam, you’ll remember,<br />

was himself made from dust—earth itself; and<br />

Lilith, Eve’s precursor, from filth and sediment,<br />

as told in that collection of extra-biblical<br />

myths, the Midrashim. And as the Book of<br />

Common Prayer has it: “Dust thou art, and<br />

unto dust thou shalt return.”<br />

We’re deeply connected to the material<br />

beneath our feet. Literally, it’s in our bones.<br />

These matters have taken on currency and<br />

urgency because the planet is roiling: weather<br />

systems, ocean systems, land-based ecosystems,<br />

freshwater systems, soil systems. We<br />

don’t have rain, floods, tremors, high tides<br />

and big waves; increasingly, we have metaphors.<br />

There is the scientific thought that by releasing<br />

all that mineral energy underground with our<br />

extracting, drilling, blasting and fracking we<br />

are undoing Earth’s efforts, over millions of<br />

years, to balance the carbon budget.<br />

We have freed the genie from the bottle.<br />

We have woken something underground.<br />

Things are getting biblical.<br />

Locally, we believe we have more a tradition<br />

of gardening, husbandry and agriculture<br />

than a history of scraping, digging or delving.<br />

Still, sometimes, walking through sombre<br />

coastal woodlands in Gowlland Tod Park and<br />

other places, you can find incongruous weathered<br />

ruins of concrete foundations and low<br />

walls, and the occasional rusted remains of<br />

industrial machinery or piping. The crumbling<br />

vestige of ancient Mayan royal tombs Gun<br />

emplacements Martians<br />

At the bottom of Butchart Gardens, beyond<br />

the sunken garden which itself is a reclaimed<br />

limestone quarry, for example, still stands the<br />

tall brick chimney that expelled the heat and<br />

smoke from a cement works. Below, in the<br />

quiet coves of Tod Inlet, are remnants of<br />

the infrastructure that enabled vast quantities<br />

of this milled cement to be barged<br />

elsewhere—rotting wood pilings, paved staging<br />

areas now forested over, massive steel U’s<br />

sunk in concrete to secure marine ropes. And<br />

across Finlayson Arm sits the industrial remains<br />

of Bamberton—initially a friendly competitor<br />

of the Butchart operation, later merged with<br />

it to form BC Cement, itself later merged to<br />

40 January <strong>2012</strong> • FOCUS


<strong>Focus</strong> presents: Victoria Hospice<br />

ADVERTISEMENT<br />

A thrift boutique with a difference<br />

OUR CIVILIZATION NOW IS MADE<br />

of the stuff: most of our buildings,<br />

almost all of our roads, transportation<br />

and big energy infrastructure, and a<br />

couple of breakfast cereals I’ve tried.<br />

form Ocean Cement, in turn a division of the<br />

Leheigh Heidelberg Group, third largest global<br />

cement producer. Must be something binding<br />

about cement....<br />

Cement—I oversimplify as only the amateur<br />

can—is heated, pulverized (milled) limestone<br />

mixed with some other minerals. Wikipedia<br />

tells us that limestone is “a sedimentary rock<br />

composed of grains; however, most grains<br />

in limestone are skeletal fragments of marine<br />

organisms such as coral or foraminifera. Other<br />

carbonate grains comprising limestones are<br />

ooids, peloids, intraclasts, and extraclasts.<br />

These organisms secrete shells made of aragonite<br />

or calcite, and leave these shells behind<br />

after the organisms die.”<br />

I think it was John Wayne who said: “The<br />

only good ooid is a dead ooid.”<br />

Pour water on cement and something magical<br />

happens: the grains reach out to hold<br />

hands...tightly. Add sand and aggregate—small<br />

stones of various sizes—and the result is concrete.<br />

Our civilization now is made of the stuff: most<br />

of our buildings, almost all of our roads, transportation<br />

and big energy infrastructure, and<br />

a couple of breakfast cereals I’ve tried.<br />

While it’s impossible to know the number<br />

of exploratory digs in promising locations in<br />

and around the region, there is no missing<br />

the legacy of successful operations: enormous<br />

limestone pits now flooded; raw hillside gashes<br />

exposing a vertical hundred feet of the planet’s<br />

sandy history; and the still-lunar expanse of<br />

the so-called Construction Aggregates Producer’s<br />

Pit in Colwood, bisected by Metchosin Road.<br />

Though now recently decommissioned, it has<br />

been “in production” since 1919 (most of the<br />

cement-related activity in these parts dates<br />

from about that time) and in its day met local<br />

needs and also sent countless barge-loads of<br />

sand and gravel to the Mainland and Washington<br />

State. After 80 years, it’s fair to guess that<br />

there’s more Victoria in Seattle than meets<br />

the eye. Who knows Maybe the Pike Place<br />

Market is ours, all ours!<br />

If I have my science right, the friction and<br />

scraping from the formation and movement<br />

of continental glaciers ground up, then picked<br />

www.focusonline.ca • January <strong>2012</strong><br />

Sally Crickman,Aileen Headon, Lou Green, Lisa McFarland, Jennifer Harley<br />

We want to become a household name,”<br />

says Lisa McFarland, supervisor of the<br />

Victoria Hospice Thrift Boutique. Lisa says<br />

the boutique does have many regular customers who<br />

will routinely pop in after work as they know that new<br />

items are always coming in.The boutique is known for<br />

its high-end, designer and vintage ladies clothes, as<br />

well as fashion jewellery and small household items,<br />

many of them collectible.And<br />

the best part, of course, is that<br />

100 percent of the profits go<br />

directly to Victoria Hospice, to<br />

support quality end-of-life care.<br />

The history of the Victoria<br />

Hospice Thrift Boutique is evidence<br />

of volunteerism in motion says<br />

Major Gifts Officer,Tom Arnold.<br />

Six years ago,Hospice volunteer<br />

Penny Peck returned from a<br />

conference in Vancouver where<br />

she had attended a session on<br />

thrift stores,very excited to establish<br />

such a shop here in Victoria.With the encouragement<br />

of Victoria Hospice staff, Penny gathered a volunteer<br />

team, got a friend to donate the use of a garage to<br />

store collected items and,in 2005,the Victoria Hospice<br />

Thrift Boutique opened at 1315 Cook Street.<br />

A team of upwards of 40 volunteers,ranging in age<br />

from 18 to 88, keeps the boutique running under<br />

the leadership of manager Pat Moench. Right from<br />

the start, Penny’s vision was to be true to the idea of<br />

a boutique, selling only quality items that are clean<br />

and in good shape or even new.<br />

Perhaps you’ve just received some items to donate.<br />

If you got some Christmas gifts that weren’t quite right<br />

for you,consider donating them to the Thrift Boutique<br />

Photo:Tony Bounsall<br />

to give them a more suitable home—and at the same<br />

time benefit Victoria Hospice. Do you have pieces of<br />

broken gold jewellery sitting in your drawer The Thrift<br />

Boutique will convert these items into cash that goes<br />

directly towards palliative care programs and services.<br />

Silent auctions, held almost monthly, are a distinctive<br />

and very popular feature at the Victoria Hospice<br />

Thrift Boutique. Donated items that are particularly<br />

high-end or collectible are<br />

appraised (by another volunteer!),<br />

and set aside for the<br />

silent auction.Auction items<br />

are posted on the website, but<br />

bidders must come into the<br />

store to bid. Lisa says extra<br />

volunteers are always needed<br />

for the exciting and busy closing<br />

time for each silent auction.<br />

Are you getting married in<br />

<strong>2012</strong> Keep an eye on the Thrift<br />

Boutique as they make plans<br />

for a special event in the New<br />

Year to sell 60 brand new wedding and bridesmaid<br />

dresses that were recently donated.<br />

The Thrift Boutique grosses about $250,000 a year<br />

to support end-of-life care at Victoria Hospice. If you<br />

like to shop and you want your shopping dollars to<br />

make a difference, or if you have some quality items<br />

that need new homes, consider the Victoria Hospice<br />

Thrift Boutique.<br />

Victoria Hospice Thrift Boutique<br />

250-361-4966<br />

1315 Cook Street (at Yates)<br />

www.VictoriaHospice.org<br />

41<br />

Photo:Tony Bounsall


up and pushed, vast amounts of rocky material<br />

which was then deposited selectively, based<br />

on land contour, during the melting glacial<br />

retreat. As well, material travelling down longago<br />

rivers collected in various places, while<br />

the rivers themselves moved on or chose other<br />

courses. Visit the mile-square Colwood sand<br />

deposit, or the cliffs of sand that form the<br />

current Sayward Hill and Trio Gravel Mart<br />

near Mattick’s Farm in Cordova Bay, or the<br />

enormous landlocked Butler Brothers sand<br />

and gravel pit near the intersection of Keating<br />

Cross Road and Oldfield. The meandering<br />

paths of extinct rivers Some long-ago delta<br />

A million years of glacial dripping<br />

Or, as a more authoritative, if less euphonious,<br />

online source puts it:<br />

Most of the surficial sediments in BC owe their<br />

origin to processes active during the last few million<br />

years (Quaternary).<br />

During the Late Wisconsinan (25,000-10,000<br />

years ago), much of the province was covered by<br />

a network of coalescing ice caps, valley, trunk, piedmont<br />

and cirque glaciers collectively termed the<br />

Cordilleran Ice Sheet. At this time, changes in base<br />

level resulting from isostasy and eustasy promoted<br />

sediment erosion and deposition. Subsequent climatic<br />

warming witnessed the decay of the ice sheet through<br />

active retreat and in situ melting. Sediment trapped<br />

in the ice consequently underwent active deposition<br />

beneath and adjacent to the melting glaciers;<br />

hence, deposits associated with deglaciation tend<br />

to reflect rapid and episodic events.<br />

Want a second opinion Here’s a rhapsody<br />

from the BC Ministry of Energy and Mines<br />

Quaternary Geological Map of Greater Victoria:<br />

Quaternary deposits in Greater Victoria overlie<br />

an irregular glacially-scoured bedrock surface.<br />

The depth to bedrock can vary from zero to as much<br />

as 30 metres within the space of a city block.<br />

Pre-Vashon sediments occur principally in the<br />

central and eastern parts of Saanich Peninsula, where<br />

they are up to 60 metres thick and have commonly<br />

been sculpted into a series of north-trending drumlinoid<br />

ridges and crag-and-tail features.<br />

The Vashon till is overlain by the Capilano sediments,<br />

which were deposited at the close of the<br />

Fraser Glaciation when sea level was higher than<br />

present. The principal units of the Capilano sediments<br />

in the Victoria area are the Victoria clay and<br />

the Colwood sand and gravel.<br />

The Colwood sand and gravel is a glaciofluvial<br />

outwash and deltaic deposit that occurs at the surface<br />

over much of Colwood and Langford. The maximum<br />

known thickness of the Colwood sand and gravel<br />

is 30 metres.<br />

I’ve copied so much of this material because<br />

I’ve been dying to use “drumlinoid” in a column<br />

and also because I intend to casually drop<br />

“glaciofluvial” into my cocktail banter and use<br />

“crag and tail” as a pick-up line. (Oh, get the<br />

disapproving expression off your face. You<br />

know you’re going to name your next two<br />

kittens Isostasy and Eustasy.)<br />

But I digress.<br />

The most common use for cement is in the<br />

production of concrete. Concrete is a composite<br />

material consisting of aggregate (gravel and<br />

sand), cement, and water. When water is mixed<br />

with Portland cement, the product sets in a<br />

few hours and hardens over a period of weeks.<br />

Science can tell us how cement cements. It has<br />

nothing to say about why it chooses to, why<br />

it dedicates itself to this purpose.<br />

Portland cement—so named because its<br />

colour resembled Portland Stone—was first<br />

produced about 160 years ago in England and<br />

Germany. The first cement production in<br />

Victoria came in the early 1900s courtesy of<br />

Robert Butchart at Tod Inlet and subsequently,<br />

in 1912, from the Portland Cement Construction<br />

Company of London, managed locally by Mr.<br />

H.K.G. Bamber. Both were drawn to Victoria<br />

because of the rich deposits of limestone. In<br />

the early part of the century, Victoria was the<br />

Portland cement supplier for much of the<br />

Pacific Northwest.<br />

Water, sand, and ground-up exoskeletons.<br />

We owe a significant part of our local<br />

wealth and industrial legacy to the turbulent<br />

extremes of natural systems, and the<br />

suicidal, unplanned self-sacrifice of a zillion<br />

ooids. Ain’t nature grand<br />

I’m not suggesting you stay off the sidewalks<br />

out of respect for the departed, or<br />

trying to introduce morbidity into your future<br />

Sunday drives; but if you had any lingering<br />

doubts about the absolute connectedness of<br />

everything, or lack the grounds for a fundamentally<br />

pantheistic view of existence,<br />

consider, the next time you see the raw earth<br />

exposed: you pass, your flesh melts, your<br />

calcified bones remain. Eventually, you may<br />

live again, as a parkade.<br />

This much I promise: and unto dust you<br />

shall return, you ooid, you.<br />

Gene Miller is the<br />

founder of Open Space<br />

Arts Centre, Monday<br />

<strong>Magazine</strong>, and the<br />

Gaining Ground<br />

Sustainable Urban<br />

Development Summit.<br />

In January, free latex pillows with the<br />

purchase of an In Bed Organic Latex<br />

Mattress. Also: 20% off dhurri rugs from $69.<br />

Hearth ECO Home<br />

2348 Beacon Ave, Sidney • 778-426-2762<br />

www.HearthEcoDesign.ca<br />

Charming, hand-carved wooden "spirit houses"<br />

from Thailand bring magic and whimsy to<br />

your home. Browse a large selection<br />

of these intricate miniature dwellings.<br />

Best of Both Worlds Imports<br />

2713 Quadra Street • 250-386-8325<br />

42 January <strong>2012</strong> • FOCUS


It’s a BBQ, an oven, a smoker and a stove. The<br />

award winning COBB weighs just 4 KG, runs on a<br />

handful of briquettes and can be used anywhere.<br />

Best of Both Worlds Imports<br />

2713 Quadra Street • 250-386-8325<br />

www.bestofbothworldsimports.com<br />

Luggage Rack<br />

Custom closets and organizing accessories.<br />

All Organized Storage Ltd<br />

3370 Tennyson Avenue (near UpTown)<br />

Showroom hours: Tues–Fri, 10–5; Sat 10–3 pm<br />

www.AllOrganizedStorage.ca • 250-590-6328<br />

Come and have a look at our<br />

extensive selection of furniture,<br />

home décor, and garden items.<br />

Design Source Warehouse<br />

553 Hillside Ave • 721-5530<br />

www.designsourcewarehouse.com<br />

great finds for your home<br />

Radiant Health Sauna with CarbonFlow<br />

heating—the latest far-infrared technology from<br />

Japan—at a price lower than most competitors.<br />

Low monthly payments OAC<br />

Triangle Healing Products<br />

770 Spruce Avenue • 250-370-1818<br />

www.focusonline.ca • January <strong>2012</strong><br />

For a kitchen—or entertainment centre—to suit<br />

your dreams, budget, and space,<br />

talk with Sven Grosse.<br />

CDF Woodworks<br />

250-884-3211<br />

www.kitchenwoodworks.com<br />

glo (Green Living Organics) chunky cable knit<br />

throw with ribbed borders adds warmth to any bed<br />

or armchair. 50" x 60". Assorted colours.<br />

The Good Planet Company<br />

764 Fort Street • 250-590-3500<br />

www.goodplanet.com<br />

43


natural relations<br />

Re-enchanting ourselves with the local<br />

BRIONY PENN<br />

The story of bees could possibly be the great allegory for our times.<br />

It is a gorgeous Friday morning just outside<br />

of Bellingham. A flock of trumpeter swans<br />

are grazing in the fields, and I am with a<br />

large human flock hanging on every word<br />

of a hip young bee dude with a wicked sense<br />

of humour and two props—a collection of<br />

native bees and a bunch of sticks drilled<br />

with nest holes. The event is called Protecting<br />

Native Pollinators and there are farmers,<br />

students, scientists, teachers, grannies and<br />

young men jostling to learn the difference<br />

between a sweat bee and leafcutter bee; which<br />

native plants are best for bumblebees; and how<br />

to encourage mason bees (which mostly consists<br />

of doing nothing and being messy).<br />

The organizers from the Xerces Society,<br />

dedicated to the conservation of insects, weren’t<br />

anticipating quite so many people from so<br />

many corners of this region on both sides of<br />

the borders, and they tell me that there are no<br />

signs of the interest waning.<br />

Restoring and re-enchanting ourselves with<br />

the local and the native are becoming the most<br />

powerful antidote to globalization, inequity,<br />

corporatization, degradation, poverty and<br />

despair—of which there is no short supply. It<br />

is a simple mantra: stay local and support native<br />

in whatever you do and the structural foundations<br />

of inequity will begin to crumble, the<br />

water will flow, the meadow flowers will bloom,<br />

the neighbours will chat, and the birds and the<br />

bees will fill our lives again with music, food<br />

and sensuous times.<br />

As we buzzed our way through the workshop,<br />

briefly exploring why there are disappearing<br />

pollinators (no mean feat), then moving on to<br />

solutions, I had a thought. The story of bees<br />

could possibly be the great allegory for our<br />

times—the rise and fall of one worldview and<br />

the restoration of another, older one.<br />

Take the characters first. The antagonists<br />

are largely humourless financiers who direct<br />

operations from their tall glass towers and<br />

send impoverished indentured labour to work<br />

long hours applying chemicals to genetically<br />

modified crops in ugly landscapes. As hedgerows<br />

and the last patches of habitat for our native<br />

pollinators—the bees, birds and butterflies—<br />

are wiped out, agro-industry has resorted to<br />

mono-pollinating with European honeybees.<br />

Mono-anything doesn’t work, and the poor<br />

Mason bee<br />

overworked honeybees are now going down<br />

like flies (which they are not, flies have one<br />

pair of wings, bees have two). Viruses, the new<br />

synthetic pesticides, and general malaise from<br />

mall culture have caused colony collapse<br />

disorder in half of the hives already. There<br />

aren’t enough bees surviving to pollinate North<br />

America’s crops, so the industrialists have<br />

taken to importing bees from Australia (in<br />

China they hire children at $2/day to hand<br />

pollinate). But even the economists know that<br />

it all ends in tears. (And perhaps even the US<br />

Department of Agriculture, which has declared<br />

conserving pollinators a national priority due<br />

to the severity of the issue and allocated $30<br />

million this year to subsidizing restoration of<br />

lands back to pollinator preserves.)<br />

The protagonists in this story are hip young<br />

bee dudes like our presenter. This is a guy<br />

raised by a Dakotan farming family. He’s one<br />

of a breed of independent researchers who<br />

have proven that a farm makes more money<br />

(not to mention all the other advantages) if<br />

one-third or more of the land is put back into<br />

native habitat. This is because native pollinators<br />

greatly increase yield, productivity and<br />

pest management. And because the cost of all<br />

the chemicals and jetsetting bees around is<br />

rising at an exponential rate.<br />

The hip bee dude—whose name, by the<br />

way, is Eric Mader—has like many of his generation,<br />

discovered the correct formula for<br />

communication to the disenfranchised 99<br />

percent—make it real, make it funny, make it<br />

local and make it a party, bro’. He talked about<br />

the various collective successes, like converting<br />

a pesticide-drenched blueberry farm in the<br />

middle of Michigan to a pollinator preserve<br />

(wildflower meadow) that also grows blueberries<br />

with a 30 percent increase in yield, or<br />

transforming his own working-class yard in<br />

Portland to an oasis that swarms with native<br />

blossoms, bees and girls.<br />

Now take this same story, with a different<br />

set of characters, north and west to the heart<br />

of native blueberry country where the bees<br />

and butterflies still thrive—Fish Lake in the<br />

Chilcotin. The antagonist this time is Taseko<br />

Mines with the biggest mining proposal in<br />

North America—New Prosperity Mine. Last<br />

month, Taseko failed to win their injunction<br />

against the Xeni Gwet’in First Nation for<br />

blocking their road, and the consequences are<br />

huge for resource extractors in this province.<br />

The protagonist is Marilyn Baptiste,<br />

the new breed of hip young chief of the Xeni<br />

Gwet’in First Nation. She can catch a wild<br />

trout or tame a wild horse with the same<br />

skill as she wins over a court to stop Taseko’s<br />

application for exploration at Fish Lake.<br />

The case was won on the basis that the blueberry,<br />

trout and pollinators in the area would<br />

be threatened.<br />

From Bellingham to Fish Lake, the story<br />

is the same. Protagonists everywhere can<br />

win with their simple calls to a past ethic of<br />

the common good and the interconnectedness<br />

of life. What has changed from the<br />

old days is that the consequences for losing<br />

the wild are deadly, increasingly illegal, and<br />

decreasingly academic.<br />

Most of our food relies on the preservation<br />

of the wild, directly or indirectly. If we fail<br />

with diversifying the pollinators, then we start<br />

losing our food and we die in droves. Simple.<br />

There is no technological fix, nor global domesticated<br />

commodity species, nor silver bullet<br />

shot by a white knight to solve the problem,<br />

only the diversified efforts of the many at the<br />

local level.<br />

This is Mother Nature’s most basic kickback.<br />

And it’s an easy solution to sell since the<br />

story also brings us back to discovery, action,<br />

beauty, companionship and joy. That is what<br />

the Occupy Movement has discovered and that<br />

is why they are so dangerous to the status quo.<br />

Also add on, for more good news, the<br />

increasing intolerance of the public for divideand-conquer<br />

tactics by the vested interests<br />

44 January <strong>2012</strong> • FOCUS


<strong>Focus</strong> presents: Stephen Whipp<br />

ADVERTISEMENT<br />

A new approach to money in the New Year<br />

IT IS A SIMPLE MANTRA: stay local<br />

and support native in whatever you<br />

do and the structural foundations<br />

of inequity will begin to crumble,<br />

the water will flow, the meadow<br />

flowers will bloom, the neighbours<br />

will chat, and the birds and the bees<br />

will fill our lives again with music,<br />

food and sensuous times.<br />

in the status quo and the mainstream media’s<br />

role in exacerbating that division. Readers got<br />

angry last month when the media headlined<br />

a questionable and relatively minor Gitxsan<br />

First Nation deal with Enbridge while sidelining<br />

the real story—that over 130 nations spanning<br />

the province were now signed on to<br />

the ban against pipelines and tankers.<br />

As a result, the issue backfired spectacularly<br />

and brought these tactics under the spotlight<br />

where they belong. The media erred in<br />

not checking the facts about alleged negotiator<br />

Mr Derrick, his ability to represent the Gitxsan<br />

nation and his connections with industry,<br />

before leading with his story; but their biggest<br />

mistake was in misjudging the public mood<br />

on this issue.<br />

Closer to home, that public mood was<br />

reflected in Nanoose where residents challenged<br />

the government and TimberWest for<br />

trying to divide and conquer the locals and<br />

First Nations over the logging of one of the<br />

last patches of Crown old-growth Douglas fir.<br />

Worldview is shifting because it has to.<br />

Back in the field with the farmers, trumpeter<br />

swans, scientists, bumblebees, teachers, grannies,<br />

blueberries and cool dudes, I look around and<br />

feel mildly hopeful for this new year.<br />

For your new year’s resolution, pledge to<br />

protect or return any little patch you can back<br />

to native habitat for bees and butterflies.<br />

Google Xerces Society or The Land Conservancy<br />

of BC for their pollinator programs.<br />

Briony Penn cultivates wild<br />

bees on her wild piece of land<br />

by doing nothing—which<br />

she does very well.<br />

www.focusonline.ca • January <strong>2012</strong><br />

In an era in which the government seems disinclined<br />

to take bold action to address climate change,<br />

you can now support—and make money from—<br />

corporations which are doing just that.“Corporations<br />

are supposed to be the bad guys, but some of them<br />

are doing more than the Peter Kents of this world,”<br />

says Certified Financial Planner Stephen Whipp in the<br />

aftermath of the Durban conference.<br />

Whipp has been working with socially responsible<br />

investments for 14 years after shifting away from more<br />

mainstream investing.“That shift,”says Whipp,“rejuvenated<br />

me as a person.Being able to help people use<br />

the wealth they have to impact the world they live in,<br />

I find very exciting.”He says the challenges of the past<br />

few years,“have given us the opportunity to become<br />

more financially literate and to take some control back.”<br />

Yet socially responsible investing is not about philanthropy.“Even<br />

in this economy,”says Whipp,“clients<br />

look at their statements and their eyes light up; they<br />

are making money,even while following their values.”<br />

Indeed they are making money.A majority of largecap<br />

SRI funds outperformed the S&P 500 over 10<br />

years.That’s likely because companies that are progressive<br />

and thinking about the environment and governance<br />

issues tend to be better managed—and therefore<br />

more profitable, which is reflected in their stock price.<br />

“Mutual funds that are managed for ESG [environmental/social/governance]<br />

criteria engage in constant<br />

oversight and dialogue with the companies in their<br />

portfolios,” says Whipp.“And if disagreements can’t<br />

be resolved, motions are brought to the AGM and<br />

shareholders get to vote their values.”This is influencing<br />

the way many corporations behave.<br />

The discussions Whipp has with his clients make<br />

investing come alive for them. “We talk about the<br />

actions companies are taking to better their communities<br />

or change their practices on the environmental<br />

or social justice front or around executive compensation.”<br />

Such discussions are key, because before<br />

Stephen and his team can develop a financial or estate<br />

plan,they must first understand their values.“We need<br />

to know what makes you tick and what helps you sleep<br />

at night.”With so many SRI vehicles,including stocks,<br />

bonds,mutual funds and private equity now available,<br />

it’s easy to develop a diversified portfolio based on<br />

one’s values and risk tolerance.<br />

Clients Aase and Michael Lium-Hall wrote to Stephen<br />

saying: “You prompted us to think differently and to<br />

create a different relationship with our money…[Money]<br />

has now become a tool for us to change the world.”<br />

Aase,who owns Leka,a new clothing design shop on<br />

Fort Street,describes Whipp’s approach as “accessible<br />

and collaborative,” someone whose “perspective is<br />

always clear and educated.”<br />

That trust is echoed by clients Lorraine and Bruce<br />

Hardy,who told Whipp,“We have a real sense of trust<br />

Photo:Tony Bounsall<br />

Stephen Whipp<br />

that what you are doing is not just right for us but<br />

right for the world…I must say as someone who is<br />

fairly skeptical of people who call themselves green,<br />

you have convinced us that you do walk the talk.”<br />

Whipp also helps individuals and couples with<br />

values-based estate planning.Assuming you have<br />

assets left at death, what do you want done with<br />

them “It’s not something that should be put off until<br />

after retirement,” says Whipp, who keeps up on the<br />

latest legislation. “There are certain strategies that<br />

you will be better off implementing earlier in life.”<br />

If you want your money to work profitably on behalf<br />

of your values, call Stephen Whipp to set up a confidential<br />

financial or estate plan or to learn more about<br />

socially responsible investment funds.<br />

Stephen Whipp offers a 2-hour course at Royal Roads<br />

University—Financial Planning to Build Wealth,<br />

Manage Risk & Build a Better World—on January 28,<br />

10 am-noon. Register at www.royalroads.ca. He’ll<br />

also speak on a panel on “Invest Your Money in Local<br />

Change,” 7 pm Tuesday, January 31, <strong>2012</strong> at Ambrosia<br />

Conference Centre, 638 Fisgard Street. Free.<br />

Stephen Whipp, CFP<br />

Senior Financial Advisor<br />

Manulife Securities Incorporated<br />

250-405-3550<br />

www.stephenwhipp.com<br />

Manulife Securities Incorporated is a Member of the Canadian Investor Protection Fund.<br />

The opinions expressed are those of the author and may not necessarily reflect those of Manulife Securities Incorporated.


finding balance<br />

Just say “hello”<br />

TRUDY DUIVENVOORDEN MITIC<br />

Confessions from an introvert enroute to a more social <strong>2012</strong>.<br />

Ihad a good friend in high<br />

school who could connect<br />

with anyone. She had kind<br />

eyes, a beautiful smile and, as<br />

she would say about herself, the<br />

gift of the gab. She could speak<br />

about anything—within reason<br />

of course, this being high school—<br />

and unfailingly sprinkled her<br />

stories with the kind of self-deprecating<br />

humour that solicits the<br />

endearment of others. She cared<br />

about people and was comfortable<br />

socializing outside of her<br />

age and peer group.<br />

I envied her. I was, by nature,<br />

more of a sourpuss—well, not<br />

really, but I probably came across<br />

that way. I was shy and awkward<br />

and burdened with the curse of<br />

the blush. Even worse, my face<br />

would involuntarily pinch into<br />

a frown whenever I concentrated,<br />

a social impediment I wasn’t<br />

even aware of until years later<br />

when my young children would<br />

interrupt my reading or writing<br />

with an alarmed, “Why are you<br />

angry, Mommy”<br />

Given these quirks of personality,<br />

you’re probably not surprised to learn that I never really became<br />

adept in the social art of reaching out. For many years it felt awkward to<br />

say hello in passing to people I barely knew, and the timing always seemed<br />

off. An acquaintance spotted at my local Thrifty’s was apt to send me<br />

scooting my cart over to the next aisle because, you see, my hair was a<br />

mess and my jeans were ratty since I was dashing in just long enough to<br />

pick up milk and bread. Well, it wasn’t that bad but I must confess to once<br />

or twice digging deep amongst the frozen foods just to avoid a casual chat<br />

for which I had no energy on that particular day.<br />

My kids are teaching me to be better. Even as youngsters they<br />

were charming and gregarious. They could spot an acquaintance from<br />

a mile away and would insist we go to say hello. Even now they seem<br />

to know everyone in their age group and many of my generation as<br />

well. (This I credit to public speaking learned in school, a stint of scutwork<br />

in the retail industry and maybe a gene or two from their father.)<br />

I’m both proud and envious of them, and over the years they’ve bolstered<br />

my own resolve to do a better job of “connecting” in my community.<br />

Social aptitude is not a trivial skill and it can be learned, according<br />

to Howard White, an ordinary man who worked his way up to a vicepresidency<br />

with the Nike Corporation. In his essay, “The Power of<br />

Hello,” he relates how and why he developed the habit of always<br />

greeting any and all co-workers<br />

with a warm hello and genuine<br />

interest. “It’s not just something<br />

I believe in; it’s become a way<br />

of life,” he wrote. “I believe that<br />

every single person deserves to<br />

be acknowledged, however small<br />

or simple the greeting.”<br />

White learned the lesson early<br />

from his mother and has let it<br />

guide him through life. “I speak<br />

to everyone I see, no matter where<br />

I am,” he writes. “I’ve learned<br />

that speaking to people creates<br />

a pathway into their world, and<br />

it lets them come into mine, too.”<br />

In some ways that might sound<br />

like New Age fluff, but consider<br />

the alternative—to walk past<br />

people with your head held down<br />

and eyes to the ground so that<br />

the day is just one long protracted<br />

tunnel of isolation, a social ailment<br />

that burdens legions of us despite<br />

our texts and tweets and fingertip<br />

access to everything going on in<br />

the world.<br />

I’ll never be a gregarious<br />

person, and because social isolation<br />

is a particular hazard in my<br />

line of work, I have to guard against becoming a loner—even more so<br />

because I find reclusion appealing at a certain level. To be outgoing is<br />

hard work for me but it’s also enriching and almost always well received.<br />

I’m learning to ask about families and children and to remember the<br />

particular threads of connection from one chance meeting to the next.<br />

(Remembering, now there’s another challenge…) I’m trying not to<br />

daydream while trudging up a Cordova Bay hill in the morning so as<br />

to better appreciate the people I meet along the way.<br />

For me the territory and its bumps are as old as childhood and as<br />

new as yesterday but I’m resolved to continue making progress.<br />

It’ll help to call my old friend for a few updated tips, and to avoid<br />

wearing my concentrating face in public. It also helps to know that<br />

<strong>2012</strong> looks to be an especially good year for self-improvement.<br />

ILLUSTRATION: APRIL CAVERHILL<br />

Despite her good intentions Trudy Duivenvoorden Mitic<br />

doesn’t expect to become an extrovert overnight or<br />

anytime soon.<br />

46 January <strong>2012</strong> • FOCUS


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www.focusonline.ca • January <strong>2012</strong><br />

47

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