Government Office, Denham - Department of Finance
Government Office, Denham - Department of Finance
Government Office, Denham - Department of Finance
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PERCENT<br />
FOR ART<br />
SCHEME<br />
<strong>Department</strong><br />
<strong>of</strong> Fisheries &<br />
<strong>Department</strong> <strong>of</strong><br />
Environment and<br />
Conservation,<br />
<strong>Denham</strong> <strong>Office</strong><br />
2012<br />
The new joint <strong>of</strong>fices for the <strong>Department</strong><br />
<strong>of</strong> Fisheries, <strong>Department</strong> <strong>of</strong> Environment<br />
and Conservation and Volunteer Marine<br />
Rescue in <strong>Denham</strong> overlook the Indian<br />
Ocean in a stunningly beautiful part<br />
<strong>of</strong> Western Australia. Environment and<br />
history are subtly linked with<br />
contemporary architecture through<br />
the integrated jarrah screen artwork<br />
on the west façade <strong>of</strong> the building.<br />
For artist Andrew Stumpfel, an intensely<br />
emotional response to the spectacular<br />
environment was inescapable. He<br />
sourced jarrah for the screen from the<br />
southwest <strong>of</strong> the state, inserting into<br />
it old jetty and boat timber from the<br />
<strong>Denham</strong> salvage yard and small, carefully<br />
crafted jewel-like pieces <strong>of</strong> glass.<br />
His approach to the artwork was to balance<br />
the scale <strong>of</strong> the vast land and seascape with<br />
the intensity <strong>of</strong> local colour and vitality.<br />
The inlays, while appearing to be small<br />
abstract paintings, are realistic renderings<br />
<strong>of</strong> patterns taken from fish markings, sea<br />
grass, mother <strong>of</strong> pearl, and flowers. Fish<br />
references specifically include key local<br />
species - with a bias for the juvenile stage.<br />
The jarrah screen is deeply weather<br />
etched, especially on the southern end,<br />
where the winds blow all day. The 300<br />
linear metres <strong>of</strong> timber will s<strong>of</strong>tly grey over<br />
time while the glass inserts will maintain<br />
their intensity for hundreds <strong>of</strong> years.<br />
The glass was produced in a purpose built<br />
studio in collaboration with glass artist<br />
Peter Bowles. Devising the glass effects<br />
to represent the shimmer, intensity<br />
and teeming <strong>of</strong> life in the Shark Bay<br />
area was, Andrew said, a particularly<br />
rewarding phase <strong>of</strong> the project.<br />
ACKNOWLEDGEMENTS<br />
Artists:<br />
Andrew Stumpfel<br />
with Peter Bowles<br />
Title:<br />
Shark Bay Screen<br />
Architect: Woodhead<br />
Art Coordinator: Three-Dimensional<br />
Design & Maggie Baxter<br />
Photographer:<br />
Clients:<br />
Andrew Stumpfel<br />
<strong>Department</strong> <strong>of</strong> Fisheries<br />
& <strong>Department</strong> <strong>of</strong><br />
Environment and<br />
Conservation<br />
Delivery Manager: Christopher Rologas<br />
<strong>Department</strong> <strong>of</strong> <strong>Finance</strong><br />
Building Management<br />
and Works<br />
GOVERNMENT OF<br />
WESTERN AUSTRALIA<br />
<strong>Government</strong> <strong>of</strong> Western Australia<br />
<strong>Department</strong> <strong>of</strong> <strong>Finance</strong>