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94 - Devon Folk

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Reviews<br />

DART SONGS<br />

Blue Jewel<br />

HD01<br />

Listen to the debut album by Blue Jewel and you<br />

will no doubt be fascinated, intrigued perhaps,<br />

but certainly impressed with the amazing<br />

instrumentals, particularly with Steve Bank’s<br />

lead ddle.<br />

The intrigue would come from hearing the CD<br />

with just the title as a guide to content. One can<br />

see the relevance in some songs, like the delightful<br />

setting of John Maseeld’s poem which begins<br />

I Must Go Down To The Sea Again, and the<br />

Stoke Gabriel Wassail, but other songs, mostly<br />

composed by Steve, and most of the instrumentals<br />

do require reference to the sleeve notes to<br />

appreciate fully the subtlety and imagination that<br />

has gone into this themed album.<br />

The low voice, almost chant like, on Yew seems<br />

strange on rst hearing but is highly appropriate<br />

when one realises it is the 1,000 year old tree<br />

talking. The Glenn Miller kind of big band<br />

sound is also most tting to Memory Tree, a song<br />

about the initials of an American G.I, carved on<br />

a tree near Galmpton. Interesting history, too, is<br />

expressed in the account of a 15th century battle<br />

at Blackpool Sands. The only song for which the<br />

lyrics and sleeve notes still left me puzzled as to<br />

the action was Madre De Dios.<br />

I really enjoyed the instrumental pieces. From<br />

All Aboard, a medley of three nautically named<br />

Elizabethan tunes to the peaceful Flood & Ebb<br />

and the Baltic Wharf medley, all are brilliantly and<br />

atmospherically played. Particularly imaginative<br />

in concept are Moonlight Smolt, with the celtic<br />

harp and alto ute (played by guest musicians<br />

Luc Walpot and Jo Gosling) and the Duchess of<br />

Death suite, with the foreboding brass opening<br />

followed by intricate ddle work in the chase<br />

effectively creating a mystery worthy of Agatha<br />

Christie’s Greenway House on the Dart.<br />

Steve Banks, Pat Butterly & Elliott Blackler of<br />

Blue Jewel and their guest musicians have created<br />

a memorable and enjoyable album.<br />

Colin Andrews<br />

MAN WALKS INTO A PUB<br />

Robb Johnson<br />

IRR077<br />

Man walks into a pub - so what I was distinctly<br />

unimpressed with the sheer ordinariness of this<br />

album. Mediocre lyrics about commonplace<br />

situations, forgettable tunes, and competent but<br />

unimaginative guitar accompaniment - I couldn’t<br />

nd anything to enthuse about. Even the sleeve<br />

notes contained yet more doggerel and generally<br />

bore little relationship to the songs on the CD.<br />

According to his website, Robb, who is a<br />

resident singer at Hove <strong>Folk</strong> Club, has achieved<br />

some national and international acclaim for his<br />

songwriting, with some of his compositions<br />

having been taken up by other artists. I can’t<br />

imagine this album doing much to enhance his<br />

reputation as a singer/songwriter, but he probably<br />

goes down well when he walks into a pub with his<br />

guitar.<br />

Colin Andrews<br />

39

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