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Richard Renaldi - The Nicolaysen Art Museum

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<strong>Richard</strong> <strong>Renaldi</strong><br />

Western Lives<br />

American culture has become singularly obsessed by<br />

the lurid spectacle surrounding the banal mechanics of<br />

everyday life. Through endless reality-based television,<br />

behind-the-scenes exposés on the inner torments and<br />

tantrums of notorious celebrities, there seems to be a<br />

boundless need to be filled in looking at the foibles and<br />

differences of others while comparing them to ourselves and<br />

our daily, predictable routines. What should be private is<br />

played out in public in a continuous visual loop. Much of this<br />

culture glut is an obvious overload of images needing to<br />

processed, sorted, and forgotten. Who has time to look at<br />

others, to really look, when surface and quick judgments<br />

of people are all that matters in such a world Difference,<br />

whether cultural, racial, or political, is cause for extreme<br />

divisiveness rather than the opposite of looking for<br />

common ground in order to bridge perceived gaps. In the<br />

end, it is quite quaint and homespun in its simplicity—we<br />

really are all human underneath and worth stopping to<br />

gaze at to really see and acknowledge. Maybe there is a<br />

storythere,somethingoutsideournarrowrealmofexperience<br />

that will cause us to open up and stretch our boundaries<br />

to possibly connect with another. Beyond that, what is<br />

there that is most precious and worth striving for<br />

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