LANDSCAPE ARCHITECTS - scape - Landscape architecture and ...
LANDSCAPE ARCHITECTS - scape - Landscape architecture and ...
LANDSCAPE ARCHITECTS - scape - Landscape architecture and ...
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Yanan Green Space.<br />
labour. They can easily be tempted to move to<br />
the cities where wages <strong>and</strong> living st<strong>and</strong>ards are<br />
higher. Neither does China have a shortage of<br />
hard working, entrepreneurial <strong>and</strong> independently-minded<br />
people. Besides their own families<br />
<strong>and</strong> friends, money is high on most people’s list<br />
of priorities. It is quiet normal for these workers<br />
to live literally on the building site, in barracks,<br />
<strong>and</strong> move on to the next site when the work is<br />
finished. Building is a continuous process: in<br />
Beijing <strong>and</strong> Shanghai the sound of construction<br />
can be heard ringing out from the brightly lit<br />
sites throughout the night.<br />
The rapid changes taking place in China are<br />
going h<strong>and</strong> in h<strong>and</strong> with a major social<br />
upheaval. The old districts in the big cities, the<br />
hutongs in Beijing <strong>and</strong> the lilongs in Shanghai,<br />
are being swept away <strong>and</strong> replaced by new developments.<br />
In these alleyway districts, with their<br />
tightly-knit social <strong>and</strong> economic networks, the<br />
houses are grouped around patios <strong>and</strong> courtyards<br />
linked together by narrow alleys. Much of<br />
the social life in these districts takes places<br />
outdoors. For many of the inhabitants these<br />
close social networks make the primitive conditions<br />
in these crowded districts – with their tiny<br />
living quarters which often lack private toilet<br />
facilities – far more preferable to the comforts of<br />
the anonymous high-rise flats. But this is not<br />
reflected in the government-controlled media.<br />
In the Shanghai Daily you will find only gushing<br />
praise for the new developments being built for<br />
the 2010 World Expo, while more than ten thous<strong>and</strong><br />
families are being evicted from their homes<br />
to make way for them. The censors do not allow<br />
open criticism of these projects for ‘progress<br />
<strong>and</strong> improvement’.<br />
Faceless cities<br />
The West is the model for progress. Fashion is<br />
Western; even the billboards are dominated by<br />
white Western models. In the new China,<br />
customs <strong>and</strong> traditions hardly seem to matter<br />
anymore. The old ways, such as practising t’ai<br />
chi on the street or in the park before work, are<br />
still followed by the older generations, but are of<br />
little interest to the younger generation. Even<br />
traditional Chinese <strong>architecture</strong> <strong>and</strong> town planning<br />
seem to have been marginalised. Architects<br />
are flown in from Europe to design whole new<br />
districts on the Western model.<br />
In taking this route China is not doing justice<br />
to its own rich architectural tradition. This disregard<br />
for China’s own values <strong>and</strong> customs – its<br />
people’s very identity – is threatening to disrupt<br />
the social fabric. Beijing <strong>and</strong> Shanghai are<br />
already being called ‘faceless cities’, <strong>and</strong> the first<br />
calls have been made to preserve a few alleyway<br />
districts for posterity. In this respect the growing<br />
tourist industry in China’s main cities may be<br />
their salvation. Besides excursions to the Forbidden<br />
City <strong>and</strong> Tiananmen Square (Gate of Heavenly<br />
Peace), a visit to Beijing is not complete<br />
without a tour of one of the alleyway districts,<br />
where new tourist bars are springing up all the<br />
time. Paradoxically enough, transforming a<br />
traditional alley into a street full of bars may just<br />
be the way to save the hutong. There is also<br />
increasing interest in the more recent heritage,<br />
as evidenced by the NEW 798 area in Beijing.<br />
This industrial complex, built in the 1950s by<br />
the Russians <strong>and</strong> designed by East German<br />
architects in the Bauhaus style, was on the list for<br />
clearance. However, in 2002 the area was taken<br />
over by a group of artists <strong>and</strong> is now a lively<br />
neighbourhood of galleries, studios, restaurants<br />
<strong>and</strong> cafes. The communist slogans of the period<br />
– ‘Long Live Chairman Mao’ – which cover the<br />
walls throughout the complex are a tangible<br />
reminder of China’s history <strong>and</strong> form a striking<br />
backdrop to the contemporary works of art.<br />
Chinese toys<br />
It is remarkable how quickly the Chinese have<br />
put their own stamp on the building boom. The<br />
building projects completed in Beijing <strong>and</strong><br />
Shanghai a few years ago are still marred by<br />
Zhu Jia Jiao, or Cambridge Watertown.<br />
numerous flaws. At first sight they seem to be<br />
quite impressive reproductions, but closer<br />
inspection reveals the failings of the builders.<br />
The detailing in a project like Sa Na Wei La Villa<br />
Park, a gated community designed by the<br />
Chinese firm Turen<strong>scape</strong>, is well below st<strong>and</strong>ard.<br />
The drainage is poorly designed throughout, as<br />
if it was decided to add the drainpipes at the last<br />
minute when construction was already well<br />
underway – a defect that also plagues the previously<br />
mentioned Anting district. The buildings<br />
in Sa Na Wei La Villa Park are also aging quickly.<br />
The development is rather like a Chinese toy: it<br />
looks attractive at first sight, but does not st<strong>and</strong><br />
up well to heavy use.<br />
The projects now under construction, though,<br />
are up to the same st<strong>and</strong>ard as new buildings in<br />
Europe. The phase of minor but nevertheless<br />
obtrusive flaws is over, <strong>and</strong> the building designs<br />
are particularly well suited to their environment.<br />
In the German theme town of Anting, in the<br />
area surrounding the new South Station <strong>and</strong> in<br />
the new Zhu Jia Jiao district (Cambridge Water<br />
Town) near Shanghai no expense has been<br />
spared on the public spaces. The outdoor areas<br />
have been carefully designed using high quality<br />
materials (brick pavers, Chinese granite setts)<br />
Sa Na Wei La Villa Park.<br />
38 ’SCAPE 1 / 2006 1 / 2006 ’SCAPE 39