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Plate 1 A Xiang gourd whistle, with plum blossoms heat-engraved by Wang Shixiang. photos from Beijing Pigeon Whistles, Liaoning Education Press, 1999 Plate 2 A Xiang gourd whistle, with partitioned-slit, with chrysanthemums heat-engraved by Wang Shixiang
Page 2: Contents 4 Editorial The Future is
Page 6: Wang Shixiang: Spiritual Resonance
Page 10: cherished by older elites, but whic
Page 14: On Pigeon Whistling Wang Shixiang P
Page 18: straightforward by nature but was i
Page 22: whistle of more than 21 whistles is
Page 28: Heri Dono, Flying Angels (detail),
Page 32: Heri Dono and details from Kuda Bin
Page 36: Heri Dono, Badman (installation), 1
Page 40: Heri Dono, Wayang Legenda (The Shad
Page 44: wayang as both form and content. It
Page 48: animal figures on a background of t
Page 52: Heri Dono, Watching the Marginal Pe
Page 56: their own sets of shadow puppets to
Page 60: CRAFTS: On Scale, Pace and Sustaina
Page 68: • Crafts run on local time, a rhy
Page 74:
Pineapple Ito Lozi
Page 78:
Shangalti Star Koroba
Page 82:
Udoji Roundabout Kiko
Page 86:
from prison of Nelson Mandela and o
Page 90:
Some dealers now ascribe the growin
Page 94:
Figure 5 Diviner’s Skirt, Eastern
Page 98:
Figure 7 Diviner’s Skirt, Eastern
Page 102:
Nadín Ospina, Antique Pieces, 1996
Page 106:
Nadín Ospina, Ritual Vases, 1997 p
Page 110:
Worlds of Differences The people wh
Page 114:
products as a preoccupation with su
Page 118:
Furthermore, we should realise some
Page 122:
Tradition and Transition: A Crafted
Page 128:
made with their hands could sell in
Page 132:
escort their wives to night school.
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But all these uses of traditional c
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and itinerant sales to offer works
Page 144:
difference is marked by the persist
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and consumption remains largely inv
Page 156:
Fragment of a statue of Buddha, twe
Page 160:
students, musicians, dancers and ar
Page 164:
Lara Croft Cambodia has no movie th
Page 168:
One of the Biboki Weavers works at
Page 172:
J.D. ’Okhai Ojeikere is a photogr
Page 176:
Hans van Bentem, Bomb, 2002, crysta
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