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E X H I B I T I O N S<br />

CURRENTLY ON VIEW<br />

ABOVE<br />

Taji Patterson<br />

Gallery Host<br />

Holding On to What's<br />

Inside, 2008<br />

Color pencil, pastel, and<br />

charcoal on paper<br />

CENTER<br />

Cheena Nicole Raiford<br />

Exhibitions Preparator<br />

NṒH, 2007<br />

Woodcut<br />

RIGHT<br />

Anita Pope<br />

Exhibitions Preparator<br />

Stearns Creek, 2009<br />

Inkjet print<br />

Untitled I, 1996<br />

Charcoal on paper<br />

Untitled II, 1996<br />

Charcoal and pastel on paper<br />

Photos by Jake Gillespie for<br />

the <strong>Chrysler</strong> <strong>Museum</strong> <strong>of</strong> <strong>Art</strong><br />

After Hours: Works by the<br />

<strong>Chrysler</strong> <strong>Museum</strong> Staff<br />

Through October 11, 2009<br />

in the Waitzer Community Gallery<br />

Our first-ever staff exhibition echoes the range <strong>of</strong> mediums<br />

on display in the <strong>Museum</strong>’s permanent collection—<br />

paintings, sculptures, photographs, glass, porcelain, prints,<br />

and drawings. The pieces by these 23 employees truly<br />

demonstrate the creative energy and hidden talents <strong>of</strong><br />

those who work here.<br />

Dutch “Golden Age”<br />

Paintings<br />

June 25, 2009 –<br />

January 17, 2010 in the<br />

Kaufman Furniture Gallery<br />

Many <strong>of</strong> the Netherlands’<br />

greatest 17th-century painters are<br />

represented in this intimate<br />

exhibition <strong>of</strong> privately held gems.<br />

Displayed among the fine<br />

antiques are portraits <strong>of</strong> a<br />

wealthy Calvinist couple by<br />

Gerard Ter Borch, a candlelit<br />

morality scene by Godfried<br />

Schalcken, and an expressive<br />

likeness <strong>of</strong> a Haarlem historian by<br />

Rembrandt van Rijn<br />

Self-Portrait With Shaded Eyes, 1634<br />

Oil on panel, 27 7 /8 x 21 3 /4 in.<br />

©IGRAT 2006 LLC<br />

Frans Hals. The highlight is a one-time genre painting <strong>of</strong> a<br />

Russian-garbed man; only recently, after the removal <strong>of</strong> layers<br />

<strong>of</strong> over-painting, has the work been acknowledged as a selfportrait<br />

by Rembrandt van Rijn. This fine assortment is on loan<br />

to the <strong>Chrysler</strong> from a generous collector in New York.<br />

Norfolk and Western Railway Photographs<br />

by O. Winston Link<br />

Through October 18, 2009<br />

in the Kaufman Theatre Lobby<br />

This exhibition displays the power and majesty <strong>of</strong> the steampowered<br />

locomotive as seen through the remarkable eye <strong>of</strong><br />

photographer O. Winston Link. The photographs are drawn<br />

from the collection <strong>of</strong> Susan and David Goode.<br />

O. Winston Link (American,<br />

1914–2001)<br />

Solitude Siding and Train<br />

No. 2, Near Arcadia,<br />

Virginia, 1957<br />

Loan, with intent to give,<br />

from David and<br />

Susan Goode<br />

© O. Winston Link Trust<br />

5

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