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This production is supported, in part, by<br />

don<strong>at</strong>ions to The Producers Group. <strong>Dance</strong> <strong>at</strong><br />

<strong>Illinois</strong> gr<strong>at</strong>efully acknowledges these gifts,<br />

which assist performing arts students in their<br />

professional training.<br />

studiodance <strong>II</strong><br />

<strong>Dance</strong> <strong>at</strong> <strong>Illinois</strong> <strong>Series</strong> | <strong>Dance</strong> <strong>at</strong> <strong>Illinois</strong> | <strong>Studio</strong> The<strong>at</strong>re<br />

Thursday, April 22, 2010, <strong>at</strong> 7:30pm<br />

Friday-S<strong>at</strong>urday, April 23-24, 2010, <strong>at</strong> 7pm & 9pm


PROGRAM<br />

<strong>Studio</strong>dance <strong>II</strong><br />

<strong>Dance</strong> <strong>at</strong> <strong>Illinois</strong><br />

Thursday-S<strong>at</strong>urday, April 22-24, 2010<br />

there is a colony in the backyard<br />

Choreography<br />

Sound Designer<br />

Costume Designer<br />

Lighting Designer<br />

<strong>Dance</strong>rs<br />

Acknowledgments<br />

Nibia Pastrana Santiago<br />

Nibia Pastrana Santiago<br />

Amy Rosario and Nibia Pastrana Santiago<br />

Brianna Johnson<br />

Timothy Pauldon<br />

Nibia Pastrana Santiago<br />

Thanks to Juan G. Lugo for sharing his cre<strong>at</strong>ivity, music, and love. Thanks to my parents and my brother<br />

Pablo for their unconditional support and encouragement. Thanks to Timothy Pauldon for his contribution<br />

to this piece. Also, special thanks to Ken Beck.<br />

2 3


I am Cara. This is Mine.<br />

WaKE<br />

Choreography<br />

Cara Newman<br />

Choreography<br />

Sarah Haas<br />

Costume Designer<br />

Cara Newman<br />

Costume Designer<br />

Sarah Haas<br />

Lighting Designer<br />

Brianna Johnson<br />

Lighting Designer<br />

Brianna Johnson<br />

<strong>Dance</strong>rs<br />

Cara Newman<br />

<strong>Dance</strong>rs<br />

Sarah Haas<br />

Acknowledgments<br />

Acknowledgments<br />

I’d like to thank you. Th<strong>at</strong>’s all.<br />

I thank my mother. You are always with me.<br />

4 5


Bushwick<br />

MAY I FEEL SAID SHE.<br />

Choreography<br />

Wedee Kao<br />

Choreography<br />

Grace Courvoisier<br />

Music<br />

Lighting Designer<br />

<strong>Dance</strong>rs<br />

Acknowledgments<br />

“Over the Pond” by The Album Leaf<br />

Devin Carroll<br />

Stephanie Azzaretto<br />

Amanda Gross<br />

Allyson Lai<br />

Julia Radomyski<br />

Brittany Sylwestrak<br />

Thank you to my family and friends for all of their love and support. Special thanks to Nicholas, Ellie, Gracie,<br />

Ryan, and Hopium. Major thanks to my dancers for all of their hard work and dedic<strong>at</strong>ion. Without your<br />

contributions, none of this would have been possible.<br />

Music<br />

Costume Designer<br />

Lighting Designer<br />

<strong>Dance</strong>rs<br />

Acknowledgments<br />

Spoken word: text from Abigail Adams’ letter to John Adams,<br />

March 31, 1776<br />

Grace Courvoisier<br />

Brianna Johnson<br />

Grace Courvoisier<br />

A special thank you to Sara Heller and Anastasia Pappageorge for l<strong>at</strong>e-night breakdowns over toast<br />

and honey; a thank you to my beautiful sisters, Madeleine and Ellory Courvoisier, my parents, Hopium,<br />

and Wedee. Thank you to Linda Lehovec and Charles Cantrell, who have guided me, and protected me<br />

throughout this difficult year of recovery, and Amanda Gross, who has given me everything; her love and<br />

support have healed me as a dancer and also as a woman<br />

20-minute intermission<br />

6 7


J, J, Jesus Pieces<br />

$1.06 per gallon<br />

Choreography<br />

Amanda Gross<br />

Choreography<br />

Stephanie Azzaretto and Courtney Bradley<br />

Music<br />

Excerpts from “Asteroid” by Marcus Maloney,<br />

“PS” by The Brooks, and “Restless W<strong>at</strong>ers” by Tortoise<br />

Music<br />

“Shots” by LMFAO, African Arabian L<strong>at</strong>in tabla music<br />

Be<strong>at</strong>boxing by Beardyman<br />

Costume Designer<br />

Amanda Gross<br />

Costume Designers<br />

Stephanie Azzaretto and Courtney Bradley<br />

Lighting Designer<br />

Devin Carroll<br />

Lighting Designer<br />

Devin Carroll<br />

<strong>Dance</strong>rs<br />

Acknowledgments<br />

Amanda Gross<br />

COL Joseph E. Gross IV*<br />

Karl Nerger †<br />

Thank you to all of the beautiful people in my life, especially Drew, Marcus, Grace, Wedee, and Gabriela.<br />

Thank you to Karl for graciously stepping in when I needed him and teaching me a proper military burpee.<br />

Most importantly, thank you to my mom and poppy.<br />

<strong>Dance</strong>rs<br />

Acknowledgments<br />

Stephanie Azzaretto<br />

Courtney Bradley<br />

Thank you to Kaki Viano and Jr. Sanchez for their inspir<strong>at</strong>ion. We would also like to thank our fellow seniors<br />

for taking this journey with us.<br />

*Performing April 23-24<br />

†<br />

Performing April 22<br />

8 9


Strange Fruit<br />

Dharma Bum<br />

Choreography<br />

Brazhal Brewer and Ercelyne McCoy<br />

Choreography<br />

Nico Brown<br />

Music<br />

“Strange Fruit” by Nina Simone<br />

Music<br />

Nico Brown<br />

Costume Designer<br />

Brazhal Brewer and Ercelyne McCoy<br />

Costume Designer<br />

Nico Brown<br />

Lighting Designer<br />

Brianna Johnson<br />

Lighting Designer<br />

Devin Carroll<br />

Spoken Word Artist<br />

Abril Edwards<br />

<strong>Dance</strong>rs<br />

Nico Brown<br />

<strong>Dance</strong>rs<br />

Acknowledgments<br />

Brazhal Brewer<br />

Ercelyne McCoy<br />

Notes<br />

“When I was a little kid in Oregon I didn’t feel th<strong>at</strong> I was an American <strong>at</strong> all.”<br />

Jack Kerouac, The Dharma Bums, 1958<br />

We would like to thank our loving families for supporting our dreams, goals, and aspir<strong>at</strong>ions.<br />

Acknowledgments<br />

Thank you Sara, Renée, and Tere.<br />

Thank you Nick.<br />

10 11


This Space for Rent<br />

Choreography<br />

Sound Designer<br />

Costume Designer<br />

Lighting Designer<br />

<strong>Dance</strong>rs<br />

Acknowledgments<br />

Racy Brand, Laura Brosch, Jessica Cornish, and Chad Miller<br />

Laura Brosch<br />

Racy Brand, Laura Brosch, Jessica Cornish, and Chad Miller<br />

Devin Carroll<br />

Racy Brand<br />

Laura Brosch<br />

Jessica Cornish<br />

Chad Miller<br />

We’d like to thank Barack Obama (except Jessica Cornish), the cast of Star Trek, Conan O’Brien, Snoopy and<br />

Woodstock . . . and Will Schneider. Oh, and we should probably thank our parents.<br />

PROFILES<br />

Stephanie Azzaretto (Choreographer) will receive<br />

her BFA in the spring of 2010 from the U of I. While<br />

<strong>at</strong>tending the University, she had the opportunity<br />

to perform the works of Linda Lehovec, Rebecca<br />

Nettl-Fiol, Jan Erkert, Angeline Fledderman-Miller,<br />

and Angeline Holmes. She was also awarded the<br />

Talented Student Tuition Scholarship. In the summer<br />

of 2008, she was accepted as a summer scholarship<br />

student <strong>at</strong> the Giordano <strong>Dance</strong> Center, and in the<br />

following summer she was invited to particip<strong>at</strong>e in<br />

the Invited Artists Program for River North <strong>Dance</strong><br />

Chicago. She is also a recipient of the Mark Morris<br />

Shadow Program. Stephanie has loved her time here<br />

<strong>at</strong> the U of I and is looking forward to the future and<br />

wh<strong>at</strong>ever it may bring.<br />

Courtney Bradley (Choreographer) is a senior dance<br />

major. She has performed in works by Rebecca<br />

Nettl-Fiol, Linda Lehovec, Jan Erkert, and Angeline<br />

Holmes, among others. Currently, she is working on<br />

her senior thesis for completion in May 2010. Upon<br />

gradu<strong>at</strong>ion, she plans on moving to LA to pursue her<br />

passion for hip hop.<br />

Brazhal Brewer (Choreographer) is currently<br />

a third-year student here <strong>at</strong> the U of I, where<br />

she double majors in dance and health (with a<br />

concentr<strong>at</strong>ion in behavior change). Brazhal has a<br />

vers<strong>at</strong>ile background in dance. Dancing since the<br />

age of two, she has trained in ballet, jazz, modern,<br />

pointe, African, and many more. She has trained<br />

with <strong>Studio</strong> One <strong>Dance</strong> Conserv<strong>at</strong>ory in Chicago,<br />

the Ballet Chicago Company, the Joffrey Strobel<br />

Program, Gallery 37, and the Alvin Ailey Company<br />

in New York City. Brazhal enjoys sharing her passion<br />

of dance with others. This is her choreographic<br />

debut with Ercelyne McCoy, showing her work<br />

through <strong>Dance</strong> <strong>at</strong> <strong>Illinois</strong>. Brewer aspires to not<br />

only teach dance but also become a movement/<br />

dance therapist. <strong>Dance</strong> <strong>at</strong> <strong>Illinois</strong> has opened many<br />

choreographic doors and opportunities for Brazhal<br />

to find her own voice through dance expression.<br />

Nico Brown (Choreographer) is a senior in the<br />

stage management program. This is his final show<br />

<strong>at</strong> <strong>Illinois</strong>, and he is thankful to share his work with<br />

those who have guided him so much. Next stop:<br />

New York City.<br />

Grace Courvoisier (Choreographer) is a<br />

junior working toward her BFA in dance as an<br />

undergradu<strong>at</strong>e <strong>at</strong> the U of I on the Talented Student<br />

Scholarship. A n<strong>at</strong>ive of Las Vegas, Nevada, she<br />

has appeared in works <strong>at</strong> Krannert Center including<br />

Laurie Carlos’ Map Light, and she appeared in the<br />

reconstruction of the Bill T. Jones/Arnie Zane <strong>Dance</strong><br />

Company’s D-Man in the W<strong>at</strong>ers in 2007.<br />

Amanda Gross (Choreographer) is a junior with<br />

<strong>Dance</strong> <strong>at</strong> <strong>Illinois</strong> and is working on a minor in<br />

sociology. This year she was seen in Nicholas Duran’s<br />

in the offing, Rebecca Nettl-Fiol’s In the Storm<br />

of Roses, and Hope Goldman’s Truth and Beauty<br />

Bombs. She is on scholarship under the Talented<br />

Student Award. She is also the co-president of the<br />

RSO Intern<strong>at</strong>ional Impact and will be volunteering<br />

this summer with the Street Children program in<br />

New Delhi, India.<br />

Sarah Haas (Choreographer) is a Chicago-based<br />

dance artist currently pursuing her gradu<strong>at</strong>e degree<br />

<strong>at</strong> the U of I. She was a Linkup artist in residence<br />

<strong>at</strong> Links Hall in Chicago for one year and an artist<br />

in residence <strong>at</strong> the Doghaven Center for the Arts<br />

12 13


in Three Oaks, Michigan, for two months. She has<br />

received favorable mention in the Chicago Tribune,<br />

was broadcast on channel 23 by New Chinese<br />

Media, has been honored twice as a Chicago Reader<br />

Critic’s Choice, and was recently a fe<strong>at</strong>ured studio<br />

artist in The News-Gazette.<br />

Wedee Kao (Choreographer) is currently a junior<br />

studying dance and music <strong>at</strong> the U of I. This past<br />

February, Wedee performed in Astral Convertible<br />

(Re-Imagined), a piece th<strong>at</strong> was choreographed by<br />

Trisha Brown in 1989 and re-imagined by K<strong>at</strong>hleen<br />

Fisher. He also performed in a new work by Rebecca<br />

Nettl-Fiol entitled In the Storm of Roses. Wedee<br />

recently performed in Hope Goldman’s trio, Truth<br />

and Beauty Bombs. He is currently a recipient of the<br />

Talented Student Scholarship, and since 2008 he has<br />

received the Lydia E. Parker B<strong>at</strong>es Scholarship for<br />

high academic achievement in the arts. Last spring,<br />

Wedee was awarded the Emerging Choreographic<br />

Voice Award for his piece Triip (2009) th<strong>at</strong> was<br />

performed <strong>at</strong> <strong>Studio</strong>dance <strong>II</strong>.<br />

Ercelyne McCoy (Choreographer) is a junior dance<br />

major <strong>at</strong> the U of I. She has trained with the Gallery<br />

37 all-city dance ensemble, the Joffrey Ballet Strobel<br />

Step-Up Program, Mayfair, and the ETA Cre<strong>at</strong>ive<br />

Arts Found<strong>at</strong>ion. This is her choreographic debut<br />

<strong>at</strong> the U of I, partnering with Brazhal Brewer and<br />

spoken word artist Abril Edwards. Her dream is to<br />

one day own her own dance company.<br />

Cara Newman (Choreographer) is a junior dance<br />

major <strong>at</strong> the U of I. She is an avid tapper, talker,<br />

doodler. I am Cara. This is Mine is a piece of work.<br />

Nibia Pastrana Santiago (Choreographer) was born<br />

in Puerto Rico and gradu<strong>at</strong>ed with a BA in dance<br />

and women’s studies from the University of Puerto<br />

Rico. Currently, she is a first-year gradu<strong>at</strong>e student<br />

with <strong>Dance</strong> <strong>at</strong> <strong>Illinois</strong> and is pursuing a minor in<br />

L<strong>at</strong>ina/L<strong>at</strong>ino studies.<br />

Cynthia Oliver (Concert Director) joined the<br />

UI dance faculty in August 2000. She cre<strong>at</strong>es<br />

performance collages th<strong>at</strong> move from dance to word<br />

to sound and back again toward a contemporary<br />

dance the<strong>at</strong>re. A Bronx-born, Virgin Island-reared<br />

performer, she incorpor<strong>at</strong>es the textures of<br />

Caribbean performance with African and American<br />

aesthetic sensibilities. Oliver has been awarded<br />

and/or commissioned by numerous n<strong>at</strong>ional<br />

found<strong>at</strong>ions and performance venues. In 1996,<br />

she received a New York <strong>Dance</strong> and Performance<br />

(“Bessie”) Award for her evening-length work<br />

De<strong>at</strong>h’s Door. In 2000, she was named Outstanding<br />

Young Choreographer by reviewer Frank Werner in<br />

the German magazine Ballet Tanz. In 2004, Oliver<br />

collabor<strong>at</strong>ed with the German filmmaker Marcus<br />

Behrens of the European Arts Channel Canal Arte to<br />

adapt her evening-length work AfroSocialiteLifeDiva<br />

(ASLD) to film. ASLD aired on Arte in France, Italy,<br />

and Germany in fall 2005 and on 3s<strong>at</strong> in Germany,<br />

Austria, and Switzerland in spring 2006. In 2009,<br />

she was nomin<strong>at</strong>ed for a Cal Arts Alpert Award.<br />

Oliver has danced with The<strong>at</strong>re <strong>Dance</strong> Inc. and<br />

the Caribbean <strong>Dance</strong> Company of St. Croix, Virgin<br />

Islands, as well as with independent choreographers<br />

and companies in New York, such as the David<br />

Gordon Pick Up Co.; Prowess <strong>Dance</strong>Arts Collective;<br />

Ron K. Brown/Evidence, A <strong>Dance</strong> Company; and,<br />

most recently, the Bebe Miller Company. As an<br />

actor, she has performed in Ntozake Shange’s A<br />

Photograph: Lovers in Motion; a number of Laurie<br />

Carlos’ works, including the “Bessie” Award-winning<br />

White Chocol<strong>at</strong>e for My F<strong>at</strong>her; and works by Greg<br />

T<strong>at</strong>e and Ione. In addition to her performance<br />

credits, Oliver holds a PhD from the Department<br />

of Performance Studies <strong>at</strong> New York University’s<br />

Tisch School of the Arts. Her scholarly work focuses<br />

on performance in the Anglophone Caribbean,<br />

particularly the US Virgin Islands. Her book Queen<br />

of the Virgins: Pageantry and Black Womanhood in<br />

the Caribbean has been recently published by the<br />

University Press of Mississippi (2009).<br />

Emily Brainerd (Technical Director) is in her first<br />

year of pursuing an MFA in scenic technology <strong>at</strong> the<br />

U of I. Prior to this, she spent four years working<br />

as the technical director <strong>at</strong> Iowa St<strong>at</strong>e University in<br />

Ames. She has also worked as a shop supervisor<br />

<strong>at</strong> the American Players The<strong>at</strong>re in Spring Green,<br />

Wisconsin. Her previous credits <strong>at</strong> the U of I include<br />

Killer Joe and The Marriage of Figaro.<br />

Devin Carroll (Lighting Designer) is making his<br />

design debut <strong>at</strong> Krannert Center. He previously<br />

has been the assistant lighting designer for the<br />

Department of The<strong>at</strong>re productions of Anon(ymous)<br />

and Necessary Targets. He has previously designed<br />

<strong>at</strong> the Athenaeum The<strong>at</strong>re in Chicago for an original<br />

musical called A Son <strong>at</strong> the Front. He has also<br />

worked in the Armory Free The<strong>at</strong>re on numerous<br />

occasions, most recently as the lighting designer<br />

for The First Celestial Adventures of Mr. Antipyrine.<br />

For the last few summers, Devin has worked as a<br />

counselor, carpenter, and electrician for a middle<br />

school the<strong>at</strong>re camp. However, this summer he will<br />

be working as a production intern for the Jacob’s<br />

Pillow dance company in Becket, Massachusetts.<br />

René Chadwick (Hair/Makeup Master) came to<br />

the U of I in 2004. She has designed professionally<br />

for the Nashville Ballet Company, Nashville and<br />

<strong>Illinois</strong> Shakespeare Festivals, Celebr<strong>at</strong>ion The<strong>at</strong>re<br />

Company, American Negro Playwright The<strong>at</strong>re,<br />

Epiphany <strong>Dance</strong> Company, Hope Summer<br />

Repertory The<strong>at</strong>re, and UI-based Summer <strong>Studio</strong><br />

The<strong>at</strong>re Company. René’s academic design credits<br />

include works for the U of I, the University of Utah,<br />

Tennessee St<strong>at</strong>e University, Belmont University,<br />

Tennessee’s Governor’s School for the Arts, and<br />

Middle Tennessee St<strong>at</strong>e University.<br />

Daniel R. James (<strong>Dance</strong> Production Manager)<br />

enjoys his second career in the arts after working in<br />

the maritime business as a sailor, tugbo<strong>at</strong> oper<strong>at</strong>or,<br />

and steamship agency accountant. He has designed<br />

lighting for dance, stage, and performance art<br />

around the country since 1990. Before coming to<br />

the U of I, James had been the lighting designer,<br />

technical director, and stage manager for the<br />

Department of <strong>Dance</strong> and Choreography <strong>at</strong> Virginia<br />

Commonwealth University in Richmond. He is one<br />

of the founding members and served as lighting<br />

designer for the Sojourn The<strong>at</strong>re Company of<br />

Portland, Oregon. After a hi<strong>at</strong>us of four years,<br />

James returned to the We<strong>at</strong>hervane The<strong>at</strong>re in<br />

the White Mountains of New Hampshire for the<br />

summer 2004 season. He has returned each year<br />

since as the resident lighting designer. He has<br />

14 15


Production staff<br />

designed lights <strong>at</strong> the We<strong>at</strong>hervane for productions<br />

of West Side Story, Sweeney Todd, Miss Saigon, The<br />

Producers, Proof, Doubt, The Full Monty, and many<br />

more in altern<strong>at</strong>ing repertory. He has a BA in dance<br />

ethnology from San Francisco St<strong>at</strong>e University and<br />

an MFA in technical the<strong>at</strong>re/lighting design from<br />

Virginia Tech.<br />

Brianna Johnson (Lighting Designer) is a secondyear<br />

MFA lighting design candid<strong>at</strong>e. She got her BA<br />

in the<strong>at</strong>re design from Alma College, where she had<br />

the opportunity to design many shows for the<strong>at</strong>re,<br />

dance, and concerts. At the U of I, she has designed<br />

Anton Chekhov’s Three Sisters, Hip-Hop Project:<br />

Insight into the Hip-Hop Gener<strong>at</strong>ion, Gum, More<br />

Than They Th<strong>at</strong> W<strong>at</strong>ch for the Morning (an Oscar<br />

Wilde adapt<strong>at</strong>ion for the Armory Free The<strong>at</strong>re), and<br />

most recently the 2009 Fall <strong>Dance</strong> Finals.<br />

Joshua Kaiser (Stage Manager) is a junior in the<br />

stage management program <strong>at</strong> the U of I. This is his<br />

first stage management position, and he is honored<br />

to be sharing it with K<strong>at</strong>ie Lichtenstein. Joshua has<br />

worked as an assistant stage manager on opera,<br />

dance, and the<strong>at</strong>re productions <strong>at</strong> Krannert Center,<br />

and he will be stage managing <strong>at</strong> the Interlochen<br />

Center for the Arts this summer.<br />

K<strong>at</strong>ie Lichtenstein (Stage Manager) is a senior<br />

in the BFA program and is proud to be spending<br />

her last production <strong>at</strong> Krannert Center sharing the<br />

booth with her friend and colleague Josh Kaiser.<br />

Throughout her developing experience in dance<br />

production, including work <strong>at</strong> Jacob’s Pillow, the<br />

American College <strong>Dance</strong> Festival Associ<strong>at</strong>ion, and<br />

almost every <strong>Studio</strong>dance show in the last three<br />

years, K<strong>at</strong>ie has learned th<strong>at</strong> dance is where her<br />

heart lies. She hopes to continue her work in the<br />

dance world as she plans to move to Chicago in the<br />

fall.<br />

Elizabeth Parthum (Sound Designer) is a first-year<br />

MFA sound design student <strong>at</strong> the U of I. Originally<br />

from Chesterfield, Virginia, she completed her<br />

undergradu<strong>at</strong>e degree <strong>at</strong> DeSales University in<br />

Allentown, Pennsylvania. She recently worked as<br />

the sound designer for Killer Joe and assisted on<br />

sound design for The Crucible and A History of the<br />

American Film.<br />

Julie Rundell (Properties Master) has been the<br />

assistant properties director since 1990. Before<br />

coming to Urbana, she worked <strong>at</strong> the<strong>at</strong>res in North<br />

Carolina, Michigan, Massachusetts, and Wisconsin.<br />

Occasionally, her work can also be seen in Chicago.<br />

She has a BFA from the North Carolina School of the<br />

Arts.<br />

Annaliese Weber (Costume Design Consultant) is<br />

a second-year MFA candid<strong>at</strong>e in costume design.<br />

She received her BA in the<strong>at</strong>re from Longwood<br />

University in Farmville, Virginia. Her most recent<br />

designs include Always . . . P<strong>at</strong>sy Cline, The Golden<br />

Age of Broadway: A Cabaret, and Broadway Today:<br />

A Cabaret <strong>at</strong> the Post Playhouse Summer Rep in<br />

Crawford, Nebraska. Other costume design credits<br />

include Three Days of Rain <strong>at</strong> the Armory Free<br />

The<strong>at</strong>re and Yonder Mountain and The Longwood<br />

Writers Show, both <strong>at</strong> Longwood University. She<br />

has also served as an assistant costume designer for<br />

Annie Get Your Gun and Hello, Dolly! <strong>at</strong> the Post<br />

Playhouse and for Hip-Hop Project: Insight into the<br />

Hip-Hop Gener<strong>at</strong>ion, Three Sisters, and Roméo et<br />

Juliette <strong>at</strong> the U of I.<br />

Concert Director<br />

<strong>Dance</strong> Production Manager<br />

Stage Managers<br />

Assistant Stage Manager<br />

Technical Director<br />

Lighting Designers<br />

Sound Designer<br />

Properties Master<br />

Costume Design Consultant<br />

Hair/Makeup Master<br />

<strong>Dance</strong> Department Video Coordin<strong>at</strong>or<br />

<strong>Dance</strong> Assistant Stage Manager<br />

Stage/Properties Running Crew<br />

Costume Running Crew<br />

Lighting Board Oper<strong>at</strong>or<br />

Sound Board Oper<strong>at</strong>or<br />

P<strong>at</strong>ch Board Oper<strong>at</strong>or<br />

Video Running Crew<br />

Cynthia Oliver<br />

Daniel R. James<br />

Joshua Kaiser<br />

K<strong>at</strong>ie Lichtenstein<br />

Ari Wartell<br />

Emily Brainerd<br />

Devin Carroll<br />

Brianna Johnson<br />

Elizabeth Parthum<br />

Julie Rundell<br />

Annaliese Weber<br />

René Chadwick<br />

Joseph Hutto<br />

Kelsey Middleton<br />

Jessica Cornish<br />

Amanda Gross<br />

Allyson Lai<br />

Brittany Sylvestrak<br />

Melissa Pillarella<br />

He<strong>at</strong>her Smith<br />

Kristen Walterman<br />

Sanda Saveanu<br />

K<strong>at</strong>hryn Williams<br />

Nora Tonge<br />

Nichole Johnson<br />

Stephen West<br />

16 17

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