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EUHeritageTOUR-TourGuide-Basic-EN

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eligious, commercial, political or relating to the law. The<br />

public buildings, used to overlook the decumanus<br />

maximus, the ancient city’s main street. A section of the<br />

street’s original paving is still visible today, and shares<br />

the same route with today’s Via dei Musei, which<br />

constitutes the southern boundary of the San Salvatore-<br />

Santa Giulia complex.<br />

The Republican Santuary<br />

The most ancient religious building dates back to the<br />

second quarter of the 1st century A.D., thus to<br />

Republican times. Archaeological campaigns carried out<br />

since 1823 to the present have made it possible to<br />

define the building’s overall plan. The building<br />

comprised four halls, flanking each other, covered with a<br />

barrel vault and placed on a podium, each with its<br />

independent monumental access. The interior of each<br />

hall was decorated with hellenistic style frescoes, which<br />

can be compared to the frescoes in Pompei showing a<br />

transitional style, showing elements belonging to both<br />

the so-called first and second style. The high quality of<br />

these works suggests these were workmen possibly<br />

coming from Rome itself or from the area surrounding<br />

the Vesuvius.<br />

The Capitolium<br />

The Capitolium, built in 73 A.C., was dedicated to<br />

emperor Vespasian and dedicated to the cult of the socalled<br />

Capitoline Triad (Jove, Juno and Minerva).The<br />

building is characterized by a high podium; the<br />

prominent pronaos is conceived as a continuation of the<br />

lateral portico which act as boundaries of the Temple’s<br />

terrace, the same portica on the southern side, crossed<br />

the decumanus maximus and stretched out this way to<br />

surround the open space constituted by the Forum and<br />

the basilica, the southernmost building in the Forum<br />

complex.The Capitolium, whose architectural elements<br />

belong to the corinthian order, was built using local<br />

limestone; for the paving of the halls imported<br />

polychrome marble was used. The resulting sectilia<br />

floorings, work of great quality and luxury are visible in<br />

the central and in the Western cell. The building was<br />

excavated between 1823 and 1830; its elevation was<br />

partly reconstructed and the Museo Patrio, the city’s first<br />

museum, was placed inside.<br />

The Roman Theater<br />

To the east of Temple lie the remains of the Roman<br />

Theatre, a building used for public spectacles. Here, an<br />

early phase, dating back to the time of Augustus, was<br />

followed by an enlargement during the Flavian period,<br />

which went hand in hand with the erection of the nearby<br />

Capitolium. The cavea held spectators’ seating, and<br />

vaulted corridors to reach the various sectors, and was<br />

built to ensure the hill behind acted as a support.<br />

Between the cavea and the decumanus maximus the<br />

frons scenae was built. This acted as the backdrop<br />

against which the dramatic action unfolded; the lower<br />

levels of the frons scenae, which must have been quite<br />

imposing, still survive to this day thanks to a quantity of<br />

architectural fragments and precious decorations, which<br />

can be dated to the severan period (end of the 2nd<br />

beginning of the 3rd century AD), when this part of the<br />

building was modified and enriched.<br />

After Rome<br />

Except the Republican Sanctuary, which was<br />

superseded by the Capitolium of 73 A.D., all the Forum<br />

buildings remained in use probably up to the 4th century<br />

A.D. As in the case of many other cities, Brescia looses<br />

its function and importance and a long period of<br />

degradation begins. The roman city has originally been<br />

divided according to functions into different sectors, but<br />

now this distinction disappears. As also occurred in the<br />

San Salvatore-Santa Giulia area, here too the total<br />

promiscuity of buildings, burials, and craftsmenlike<br />

activities are in evidence. The single buildings had a<br />

slightly different fate, which partly depended on their<br />

original function and on their monumental form. The<br />

signs indicating a change of function and use are mostly<br />

visible in the western portico of the Capitolium.The<br />

Theatre, on account of its less direct link to the pagan<br />

religion and for its same shape was used to contain<br />

large numbers of people at least up to the Late Medieval<br />

period, and was used as a place for public meetings.<br />

This public meetings area was however quite small<br />

compared to the roman building’s size. The building’s<br />

abandoned areas and neighbouring buildings were thus<br />

deprived of their stone, marble and brick masonry. The<br />

result of these demolitions are large

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