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Part III: Modes of Parody and Pastiche From Cult to Subculture: Re imaginings of Cult Films in Alternative Music Video .................................................................................................... 124 Brigid Cherry Queering the Cult of Carrie: Appropriations of a Horror Icon in Charles Lum's Indelible ............................................................................................... 138 Darren Elliott Irony Inc.: Parodic-Doc Horror and The Blair Witch Project .......................... 157 Jordan Lavender-Smith Part IV: Transnational Screen Cultures A Marxist's Gotta Do What a Marxist's Gotta Do: Political Violence on the Italian Frontier ................................................................................................ 176 Austin Fisher "Tom Cruise? Tarantino? E.T.? ...Indian!": Innovation through imitation in the Cross-cultural Bollywood Remake ............................................................. 194 Neelam Sidhar Wright "La Television des Professeurs?": Charles Dickens, French Public Service Television and Olivier Twist ..................................................................... 211 Pamela Atzori
Notes on Contributors Cultural Borrowings: Appropriation, Reworking, Transformation ISBN: 978-0956464101 Pamela Atzori is currently a Doctoral student at Aberystwyth University in the Department of Theatre, Film and Television Studies. Her thesis is entitled The Dickens Phenomenon and His Enduring Popularity on International TV Adaptations: The Encounter between Popular Literature and the Universal Screen Cultures it Inspired. She is currently preparing an article for publication in an international multi-disciplinary volume on Charles Dickens. Her main research interests are TV drama (particularly Victorian literary adaptations) and popular television, as well as national European television and cinema in general. Sérgio Dias Branco is researcher in film and philosophy at the New University of Lisbon and an invited member of the film analysis group The Magnifying Class of the University of Oxford. He has taught film and television at the University of Kent, where he is completing a PhD on the aesthetic patterns of television fiction series. His research on the aesthetics of moving images has been presented at Yale University and the University of Glasgow, among others. Sérgio's writing has been published in Refractory -- forthcoming publications include an essay on film noir, and book chapters on Battlestar Galactica, Abel Ferrara's The Addiction, and Guy Maddin's cinema. Brigid Cherry teaches courses on the horror genre, cult film and television, and music in popular culture. She has researched horror film fandom, particularly the female audience, and other cult and fan audiences. She recently published a book on horror cinema with Routledge. Emma Cocker is a writer and Senior Lecturer in Fine Art at Nottingham Trent University. Book chapters include 'Not Yet There: Endless Searches and Irresolvable Quests' in Telling Stories: Countering Narrative in Art, Theory and Film (Cambridge Scholars Press, 2009); 'Over and Over Again and Again' in Classical Myth/Contemporary Art (Ashgate Publishing, 2010) and 'From Passivity to Potentiality: The Dynamic of Stillness' in Stillness in a Mobile World (Library of Sociology Series, Routledge, 2011). Darren Elliott is a doctoral candidate in Media Arts at Royal Holloway and Film Education Coordinator at the University of Hertfordshire. His thesis Queer Horror Film and the Erotic Male Spectacle considers an emerging sub-genre of parodic horror titles that foreground the erotic evisceration of the male body, via the adoption of hypermasculine iconography in a desperate disavowal of the "horrific" conflation of gay masculinity with femininity. He has presented papers at Cine Excess, Brunel University; New Nightmares, Manchester Metropolitan University and Monsters and Monstrosity, Oxford University. Austin Fisher recently received his doctorate from Royal Holloway, University of London, and also holds degrees from the University of Birmingham and Queen Mary, University of London. His PhD thesis, Radical Frontiers: Political Violence in the Italian Western, analyses militant left-wing trends which arose from within the "Spaghetti" Western genre around the time of the 1968 protest movements. i
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