Olafur Eliasson Bibliography Artist's Books, Monographs and ...

Olafur Eliasson
Bibliography
Artist's Books, Monographs and Catalogues of Solo Exhibitions
2012
Erosion: A Project for the 2nd Johannesburg Biennale 1997 (Reprint). Concept by Olafur Eliasson. Cape Town and
Johannesburg: Stevenson, 2012.
Leer es respirar, es devenir: Escritos de Olafur Eliasson. Edited by Moisés Puente and Studio Olafur Eliasson.
Barcelona: Editorial Gustavo Gili, 2012.
Life is space 4. Concept by Olafur Eliasson, Graphic Thought Facility and Peter Saville. Edited by Anna Engberg-
Pedersen. Berlin: Studio Olafur Eliasson, 2012.
Olafur Eliasson. Seu corpo da obra. São Paulo: Pinacoteca do Estado, 2012.
Studio Olafur Eliasson: An Encyclopedia. Concept by Olafur Eliasson. Edited by Anna Engberg-Pedersen / Studio
Olafur Eliasson. Cologne: Taschen, 2012.
2011
Olafur Eliasson: Your body of work / Seu corpo da obra. Concept by Olafur Eliasson, Caroline Eggel, and Andreas
Koch. Edited by Jochen Volz. Exhibition catalogue. São Paulo: Edições SESC SP and Associaçao Cultural
Videobrasil, 2011.
Olafur Eliasson: Your rainbow panorama. Edited by Marie Nipper, Martin Enoch, Camilla Kragelund, and Anne Mette
Thomsen. Aarhus: ARoS, 2011.
Ólafur Elíasson: Bílar í Ám / Cars in Rivers. Concept by Crymogea and Olafur Eliasson. Edited by The National
Gallery of Iceland, Reykjavik. Exhibition catalogue. Reykjavik: Crymogea; The National Gallery of Iceland, 2011.
2010
Olafur Eliasson: Din blinde passager. Edited by Christian Gether, Stine Høholt, and Marie Laurberg / ARKEN;
Camilla Kragelund and Helene Lundbye Petersen / Studio Olafur Eliasson. Exhibition newspaper. Ishøj: ARKEN
Museum of Modern Art, 2010.
Olafur Eliasson: Innen Stadt Außen. Edited by Daniel Birnbaum. Exhibition catalogue. Cologne: Verlag der
Buchhandlung Walther König; Berlin: Martin-Gropius-Bau, Berlin, 2010.
Olafur Eliasson & Ma Yansong: Feelings Are Facts. Exhibition catalogue. Beijing: Ullens Center for Contemporary
Art; Shijiwenjing Co., 2010.
Olafur Eliasson: Your Chance Encounter. Concept by Olafur Eliasson, Andreas Koch, and Caroline Eggel.
Exhibition catalogue. Baden: Lars Müller Publishers; Kanazawa: 21 st Century Museum of Contemporary Art, 2010.
TYT [Take Your Time]: Vol. 3: Driftwood. Edited by Olafur Eliasson. Artist’s book. Berlin: Studio Olafur Eliasson,
2010.
2009
Eliasson, Olafur. Los Modelos son Reales. Edited by Carmen H. Bordas and Moisés Puente. Barcelona: Editorial
Gustavo Gili, S.L., 2009.
Olafur Eliasson: Winter Solstice, Equinox, Summer Solstice. Concept by Olafur Eliasson, Caroline Eggel, and
Bettina Pehrsson. Exhibition catalogue. Stockholm: Jarla Partilager, 2009.
TYT (Take Your Time), Vol. 2: Printed Matter. Concept by Olafur Eliasson, Luca Cerizza, Caroline Eggel, Michael
Heimann, and Hendrik Schwantes. Berlin: Studio Olafur Eliasson; Cologne: Verlag der Buchhandlung Walther
König, Köln, 2009.
2008
La Naturalesa de les Coses / La Naturaleza de las Coses / The Nature of Things. Exhibition and catalogue concept
by Olafur Eliasson, with Martina Millà. Coordination by Victoria Izquierdo Brichs. Exhibition catalogue. Barcelona:
Fundació Joan Miró; Girona: Centre Cultural de Caixa Girona - Fontana d'Or, 2008.
Olafur Eliasson & Hans Ulrich Obrist: The Conversation Series; Vol. 13. Edited by Matthew Gaskins. Cologne:
Verlag der Buchhandlung Walter König, Köln, 2008.

Olafur Eliasson: Det indre af det ydre. Concept by Olafur Eliasson. Edited by Malene Ratcliffe. Copenhagen:
Politikens Forlag, 2008.
Olafur Eliasson: Life in Space 3; 09.05.2008. Concept by Olafur Eliasson. Edited by Anna Engberg-Pedersen, Camilla
Kragelund / Studio Olafur Eliasson; organised by Astrid Kühn-Ulrich / Zumtobel AG. Originally published with
Zumtobel Group Annual Report, 2007-08. Annual Report edited by Dietmar Grabher, Christian Hogenmüller, Astrid
Kühn-Ulrich / Zumtobel AG; and Peter Dietz / GFD-Finanzkommunikation. Dornbirn: Zumtobel AG, 2008.
Olafur Eliasson: Your Mobile Expectations; BMW H2R Project. Concept by Olafur Eliasson. Compiled by Martina
Kupiak, Michael Heimann / Studio Olafur Eliasson. Baden: Lars Müller Publishers, 2008.
Studio Olafur Eliasson: An Encyclopedia. Concept by Olafur Eliasson. Edited by Anna Engberg-Pedersen / Studio
Olafur Eliasson. Cologne: Taschen, 2008.
2007
Lavaland: Olafur Eliasson & Jóhannes S. Kjarval. Concept by Helle Behrndt / GL Strand. Edited by Maj
Dannemand, Anne Kielgast, and Lotte Juul Petersen. Exhibition catalogue. Copenhagen: GL Strand, 2007.
Take Your Time: Olafur Eliasson. Edited by Madeleine Grynsztejn. Exhibition catalogue. San Francisco: San
Francisco Museum of Modern Art; London: Thames & Hudson, 2007.
Serpentine Gallery Pavilion 2007: Olafur Eliasson and Kjetil Thorsen. Edited by Caroline Eggel, Anna Engberg-
Pedersen / Studio Olafur Eliasson; Ben Fergusson, Rebecca Morrill / Serpentine Gallery. London: Serpentine
Gallery; Baden: Lars Müller Publishers, 2007.
TYT [Take Your Time], Vol.1: Small Spatial Experiments. Concept by Olafur Eliasson. Edited by Studio Olafur
Eliasson. Berlin: Studio Olafur Eliasson, 2007.
Your Black Horizon Art Pavilion: Olafur Eliasson and David Adjaye. Edited by Eva Ebersberger, Francesca von
Habsburg, and Daniela Zyman. Exhibition catalogue. Cologne: Verlag der Buchhandlung Walter König, Köln,
2007.
Your Mobile Expectations: BMW H2R Project. Concept by Olafur Eliasson. Berlin: Studio Olafur Eliasson, 2007.
2006
Adolphs, Volker. Olafur Eliasson: Remagine; Large Version. Exhibition catalogue. Bonn: Kunstmuseum Bonn,
2006.
Olafur Eliasson: A Laboratory of Mediating Space. Edited by Caroline Eggel and Anna Engberg-Pedersen / Studio
Olafur Eliasson. Exhibition catalogue. Berlin: Aedes am Pfefferberg; Vienna: Österreichische Friedrich und Lillian
Kiesler-Privatstiftung, 2006.
Olafur Eliasson: Caminos de Naturaleza / Paths of Nature. Edited by Antonia Castaño and Paloma Castellanos.
Exhibition catalogue. Madrid: Fundación Telefónica; Madrid: La Fabrica Editorial, 2006.
Olafur Eliasson: Your Colour Memory. Concept by Olafur Eliasson. Edited by Ismail Soyugenc and Richard
Torchia. Exhibition catalogue. Glenside, PA: Arcadia University Art Gallery, 2006.
Olafur Eliasson: Your Engagement has Consequences; On the Relativity of Your Reality. Concept by Olafur
Eliasson. Edited by Caroline Eggel / Studio Olafur Eliasson. Artist’s book / Exhibition catalogue. Baden: Lars
Müller Publishers, 2006.
The Goose Lake Trail (Southern Route): Gæsavatnaleið (Syðri); A Road Conversation between Olafur Eliasson and
Hans Ulrich Obrist. Edited by Studio Olafur Eliasson and Eiðar Art Center. Cologne: Verlag der Buchhandlung
Walther König, Köln, 2006.
The Icelandic National Concert and Conference Centre Reykjavik: 10 th International Architecture Exhibition,
Venice Biennale. Concept by Olafur Eliasson. Edited by Studio Olafur Eliasson. Berlin: Studio Olafur Eliasson;
Reykjavik: Eignarhaldsfélagið Portus Ltd., 2006.
Your House. Concept by Olafur Eliasson. Artist’s book. New York: Library Council of the Museum of Modern Art,
2006.
2005
Lesbók Morgunblaðsins: Jökluserían. Concept by Olafur Eliasson and Frida Björk Ingvarsdóttir / Morgunblaðið.
Special issue. Reykjavik: Morgunblaðið, 12 May 2005.
Olafur Eliasson: Dufttunnel; Ein Projekt für die Autostadt in Wolfsburg / Olafur Eliasson: Scent Tunnel; A Project
for the Autostadt in Wolfsburg. Edited by Caroline Eggel / Studio Olafur Eiasson and Astrid Jentsch. Exhibition
catalogue. Ostfildern-Ruit: Hatje Cantz Verlag, 2005.
The Negotiation Project. A project by Olafur Eliasson and Anri Sala. With video DVD by Anri Sala. Berlin: Studio
Olafur Eliasson, 2005.

2004
At se sig selv sanse: samtaler med Olafur Eliasson. Edited by Anna Engberg-Pedersen and Karsten Wind Meyhoff.
Copenhagen: Informations Forlag, 2004.
Colour Memory and Other Informal Shadows: Olafur Eliasson. Edited by Caroline Eggel / Studio Olafur Eliasson
and Marit Woltmann. Exhibition catalogue. Oslo: Astrup Fearnley Museet for Moderne Kunst, 2004.
Frost Activity: Olafur Eliasson. Exhibition catalogue. Reykjavik: Reykjavik Art Museum - Hafnarhús, 2004.
Olafur Eliasson: Camera Obscura für die Donau. Edited by Kerstin Schmidt / Studio Olafur Eliasson. Kunst im
öffentlichen Raum Niederösterreich, 2004.
Olafur Eliasson: Minding the World. Concept by Olafur Eliasson and Gitte Ørskou. Edited by Caroline Eggel /
Studio Olafur Eliasson and Gitte Ørskou. Exhibition catalogue. Aarhus: ARoS Aarhus Kunstmuseum, 2004.
Olafur Eliasson: Photographs. Edited by Matthew Drutt and Diana Murphy. Exhibition catalogue. Houston: Menil
Foundation, Inc., 2004.
Olafur Eliasson: Your Lighthouse; Works with Light 1991-2004. Concept by Gijs van Tuyl and Holger Broeker.
Edited by Holger Broeker. Exhibition catalogue. Ostfildern-Ruit: Hatje Cantz Verlag, 2004.
2003
The Body as Brain. Concept by Caroline Eggel, Olafur Eliasson, Tomás Saraceno, and Einar Thorsteinn. As part of
the exhibition The body as brain: Projekt Sammlung (1), Kunsthaus Zug, 2003. Berlin: Studio Olafur Eliasson; Zug:
Kunsthaus Zug, 2003.
Funcionamiento silencioso: Olafur Eliasson. Concept by Olafur Eliasson. Edited by Caroline Eggel / Studio Olafur
Eliasson. Artist’s book / Exhibition catalogue. Madrid: Museo Nacional Centro de Arte Reina Sofía, 2003.
Lanzarote Series: Olafur Eliasson. Edited by Rina Carvajal, Roberto Díaz, and Alejandro Krawietz. Exhibition
catalogue. The Government of the Canary Islands, 2003.
Olafur Eliasson: The Blind Pavilion; 50 th Venice Biennale 2003, Danish Pavilion. Concept by Olafur Eliasson,
cyan, Caroline Eggel, Svend Åge Madsen, Gitte Ørskou. Artist’s book / Exhibition catalogue. Copenhagen:
Kunststyrelsen; Ostfildern-Ruit: Hatje Cantz Verlag, 2003.
Olafur Eliasson: Sonne statt Regen. Concept by Olafur Eliasson and Susanne Gaensheimer. Edited by Studio Olafur
Eliasson. Artist’s book / Exhibition catalogue. Munich: Städtische Galerie im Lenbachhaus und Kunstbau München;
Ostfildern-Ruit: Hatje Cantz Verlag, 2003.
Olafur Eliasson: The Weather Project. Edited by Susan May. Exhibition catalogue. London: Tate Publishing, 2003.
2002
Chaque matin je me sens différent, chaque soir je me sens le même. Edited by Angeline Scherf. Artist’s book /
Exhibition catalogue. Paris: Musée d’Art Moderne de la Ville de Paris, 2002.
Olafur Eliasson. Edited by Daniel Birnbaum, Madeleine Grynsztejn, and Michael Speaks. London: Phaidon Press
Limited, 2002.
Olafur Eliasson. Movement Meter for Lernacken. Concept by Olafur Eliasson. Edited by Pat Kalt / Studio Olafur
Eliasson. Berlin: Studio Olafur Eliasson, 2002.
Olafur Eliasson: The Structural Evolution Project. Concept by Olafur Eliasson. Ljubljana: Mala Galerija, 2002.
To the Habitants of Space in General and the Spatial Inhabitants in Particular. Concept by Einar Thorsteinn and
Olafur Eliasson. Edited by Christine Kintisch / BAWAG Foundation. Vienna: BAWAG Foundation Edition, 2002.
2001
My Now Is Your Surroundings: Process as Object. Concept by Olafur Eliasson and Jan Winkelmann. Artist’s book /
Exhibition catalogue. Cologne: Verlag der Buchhandlung Walther König, Köln, 2001.
Olafur Eliasson: Surroundings Surrounded; Essays on Space and Science. Edited by Peter Weibel. Exhibition
catalogue. Neue Galerie am Landesmuseum Joanneum Graz; ZKM Center for Art and Media Karlsruhe; Cambridge,
MA and London: The MIT Press, 2001.
Olafur Eliasson: Your Only Real Thing is Time. Edited by Jessica Morgan. Exhibition catalogue. Boston: Institute of
Contemporary Art; Ostfildern-Ruit: Hatje Cantz Verlag, 2001.
The Mediated Motion: Olafur Eliasson in Cooperation with Günther Vogt. Concept by Olafur Eliasson, Rudolf
Sagmeister, Clemens Schedler, and Eckhard Schneider. Edited by Herbert Abrell and Eckhard Schneider. Kunsthaus
Bregenz; Cologne: Verlag der Buchhandlung Walther König, Köln, 2001.
What is This? Concept by Elias Hjörleifsson and Olafur Eliasson. Berlin: Studio Olafur Eliasson, 2001.
Your Difference & Repetition: Olafur Eliasson. Concept by Olafur Eliasson. Edited by Akiko Miyake and Nobuo

Nakamura. Kitakyushu: CCA Center for Contemporary Art, 2001.
1999
Olafur Eliasson: Your Position Surrounded and Your Surroundings Positioned. Edited by Katrina Brown and Olafur
Eliasson. Exhibition catalogue. Dundee: Dundee Contemporary Arts, 1999.
Sospensione. Concept by Olafur Eliasson. Berlin: Studio Olafur Eliasson; Milan: Emi Fontana, 1999.
1998
Hellisgerði. Concept by Olafur Eliasson. Reykjavik: Reykjavik Art Museum - Kjarvalsstaðir, 1998.
Landscapes with Yellow Background. Concept by Olafur Eliasson. Edited by Olafur Eliasson. Umeå: BildMuseet,
1998.
Users. Concept by Olafur Eliasson. Edited by Tina Petras / Studio Olafur Eliasson. Berlin: Studio Olafur Eliasson,
1998.
1997
Erosion: A Project for the 2nd Johannesburg Biennale 1997. Concept by Olafur Eliasson. Berlin: Olafur Eliasson,
1997.
Olafur Eliasson. Edited by Kunsthalle Basel. Exhibition catalogue. Basel: Kunsthalle Basel; Basel and Muttenz:
Schwabe & Co AG, 1997.

Interviews
2012
Bonami, Francesco. “Olafur Eliasson.” Interview. L’Uomo Vogue, Issue April, 2012: cover, 97-105, 157-160.
Brorman Jensen, Boris. “Move On! An Inteview with Olafur Eliasson.” Conditions. Idependent Scandinavian
Magazine on Architecture and Urbanism, Issue 11&12/2012: 246-253.
Coles, Alex and Anna Engberg-Pedersen, Caroline Eggel, Eric Ellingsen, Frank Haugwitz, Olafur Eliasson,
Sebastian Behmann. Interview. “Studio Olafur Eliasson.” In The Transdisciplinary Studio, vol. 1. Edited by Leah
Whitman-Salkin. Berlin: Sternberg Press, 2012: 167-207.
Finel Honigman, Ana. “The Weatherman.” Interview. I-D, Issue No. 317, 2012: 266.
Frenzel, Sebastian. “Sechs Fragen an Olafur Eliasson.” Monopol, 2012: 18.
Fricke Waldthausen, Johannes. “On Arts and Sustainabillty.” Interview. All you need is… Data? – The DLD
Conference 2012: cover, 76–77.
Pietsch, Hans. “Erleuchtet.” Interview. Art- Das Kunstmagazine, 12 July 2012: http://www.artmagazin.de/szene/52805/olafur_eliasson_interview
2011
Del Rio, Viktor. “Harpa: O La Arquitectura de la Luz / Harpa: or the Architecture of the Light.” Interview. Dardo,
Issue 17, 04/05 2011: cover, 138-141, 220-224.
Grima, Joseph. “Eliasson´s Kaleidoscope.” Interview. In Domus, Issue 950, September, 2011: 25-33.
Hagel, Caia. “Catching the rays in Iceland.” Interview. Azure Magazine, 03/04 2011: 72-74.
Kelly, Kevin. “Dream Boys, Conversation between Olafur Eliasson and Kevin Kelly.” Interview. Production by
Carson Chan. 032c, Issue 21, Summer 2011: cover, 106-115.
Liebs, Holger and Frederick Ottesen. ”Das Gefühl, ohne Sound zu fliegen: Olafur Eliasson und der dänische
Erfinder Frederik Ottesen planen gemeinsam den Bau eines Solarflugzeugs. Ist es Aufgabe der Kunst, die Welt zu
retten? Ein Gespräch.” Interview. Monopol, March 2011: 34-37.
Magnússon, Haukur S. “Is Harpa Just a Façade?” Interview. The Reykjavik Grapevine, Issue 5, May 6 - May 19,
2011: cover, 16-19, 21.
2010
Adorján, Johanna. “Leuchtet Berlin?” Interview. Frankfurter Allgemeine Sonntagszeitung, 2 May 2010, No. 17,
Feuilleton Section: 23.
Azoulay, Ellie Armon. “Through a Prism, Brightly.” Interview. Haaretz, 2 July 2010: B9.
Boese, Daniel and Claudia Wahjudi. “Kunst des Klimawandels.” Interview. Zitty Berlin, No. 9/2010, 22 April 2010:
28-30.
Dell, Matthias and Lisa Jugert. “Man spricht nicht darüber, wenn man kein Geld hat.” Interview. Der Freitag, No.
21, 27 May 2010: 23.
Fitzgerald, Michael. “Nature as culture.” Interview. Art & Australia, Vol. 47, No. 3, Autumn 2010: 404-405. CC
Foster, Kurt. “In Conversation: Olafur Eliasson and Kurt Foster.” In The Real Perspecta 42, The Yale Architectural
Journal, Yale University. Cambridge: The MIT Press, 2010: 177-190.
Jasper, Adam. “Take your time: Olafur Eliasson.” Interview. Sydney Ideas Quarterly, January 2010.
Nakayama, Hideyuki. “Artist Interview: Olafur Eliasson.” Interview. Bijutsu Techo, Vol. 62, No. 934, March 2010:
145-159.
“Olafur Eliasson: The sense of harmony is probably more a sense of uncertainty.” Art iT Asia, February 2010,
http://www.art-it.asia/u/admin_interviews/aLkyUVtIlZb4OPsn25mg?lang=en (last accessed 26 April 2010).
Rokka, Mervi. “Olafur Eliasson.” Interview. Ljuskultur, February 2010: 12-18.
Ross, Trine. “Hvordan fanden er man I verden?” Politiken, Kultur section, 30 November 2010: 1
von Rutenberg, Jürgen. “Betr.: Spiegel-titel.” Interview. Zeit Magazin, No. 17, 22 April 2010: 42-43.
Qpferdach and Dorre, Stefanie. “Ich verlage von den Leuten eine Reibung an der Zeit.” TIP Berlin, No. 9/2010, 15 -
28 April 2010: cover, 3, 4, 26-29.
Searle, Adrian, Jonathan Jones, Charlotte Higgins, and Skye Sherwin. “The Tate Modern at 10.” The Guardian, 4
May 2010, http://www.guardian.co.uk/artanddesign/2010/may/04/tate-modern-10th-anniversary (last accessed 4
May 2010).
Serisier, Gillian. “The Architecture of Olafur Eliasson.” Interview. AR - Architectural Review Australia, April - May
2010: 26-30.
Stilling, Oliver. “’Lad os tale om friktion’ - et interview med Olafur Eliasson.” Interview. Ud & Se, May 2010: 44-
52.
Ventosa, Macarena. “Desmitificando al Artista / De-mystifying the Artist.” Interview, edited by Felicia Appenteng.
Ideas (Spain), IE University, Spring 2010: cover, 6-12.
Weigelt, Nada (dpa). Olafur Eliasson und die Wirklichkeitsmaschine.” Interview. Münsterländische Volkszeitung,

25 April 2010, http://www.mvonline.de/aktuelles/kultur/nachrichten/1309373_Olafur_Eliasson_und_die_Wirklichkeitsmaschine.html
(last
accessed 26 April 2010).
Yeoh, Peter and Ricardo Gomes. “The Architecture of Light.” Interview. Glass Magazine, March 2010,
http://theglassmagazine.com/forum/article.asp?tid=864#title (last accessed 6 April 2010).
2009
Ackermann, Tim. “Das Sehen ist eine Konstruktion.” Interview with Olafur Eliasson and Ernst Pöppel. Welt am
Sonntag, 12 April 2009, http://www.welt.de/wams_print/article3543517/Das-Sehen-ist-eine-Konstruktion.html
(accessed 21 April 2009).
Andersen, Marianne Krogh. “Det er sjovt at undersøge kapitalismen.” Interview. Weekendavisen, Kultur section,
No. 53, 31 December 2009: 7.
Beccaria, Marcella. “Reality is negotiable.” Interview in Gianni Colombo. Exhibition catalogue. Edited by Marcella
Beccaria, 92-95. Milan: Skira S.p.A., 2009.
Benner, Torben. “Kunstnere til kamp for krakket kunstfest.” Interview. Politiken, 12 February 2009,
http://politiken.dk/kultur/article647730.ece (accessed 13 February 2009).
Boeri, Stefano and Anniina Koivu. “Olafur Eliasson: Starbrick.” Interview. Abitare, No. 491, April 2009: Cover
image, 11-14. Reprinted in Surface Magazine, 15 th Anniversary Issue, no. 78, 2009: 67-70.
Bonde, Lisbeth. “Kunst står samfundet nært.” Interview. Weekendavisen, Kultur section, 3-7 April 2009: 1.
la Cour, Astrid. “Maerk verden.” Berlingske Tidende, 21 September 2009: 2.
Eliasson, Olafur and Hani Rashid (Asymptote). “On Art, Architecture, Ambience / Über Kunst, Architektur,
Ambiente.” Interview moderated by Elke Krasny in Modelling Space: 10 th Anniversary of Kiesler Foundation
Vienna / 10 Jahre Kiesler Stiftung Wien. Edited by Monika Pessler, 68-99. Vienna: Austrian Frederick and Lillian
Kiesler Private Foundation; Vienna: Schlebrügge.Editor, 2009.
Frijters, Eric and Olv Klijn. “Not How, but Why!” Interview with Olafur Eliasson. In International Concrete Design
Book on Implicit Performance. Edited by Siebe Bakker, 101-108. Brussels: Federation of the Belgian Cement
Industry (FEBELCEM), 2009.
Hein, Jeppe. “A Conversation: Olafur Eliasson and Jeppe Hein; 14 July 2009 on a Plane from Copenhagen to
Berlin.” Interview in Jeppe Hein: Sense City. Exhibition catalogue. Edited by Marie Nipper, 89-93. Aarhus: ARoS
Aarhus Kunstmuseum, 2009.
Holm, Michael Juul. “Interview with Olafur Eliasson.” Interview in The World is Yours: International Samtidskunst
på Louisiana / Contemporary Art. Edited by Michael Juul Holm, Anders Kold and Tine Colstrup. Exhibition
catalogue. Danish and English editions. Humlebæk: Louisiana Museum of Modern Art, 2009: 32-35.
Hoock, Maja. “Aktion vor Intention.” Interview. Art - Das Kunstmagazin, 28 September 2009, http://www.artmagazin.de/szene/22724/olafur_eliasson_hamburg
(accessed 29 September 2009).
Hybel, Kjeld. “Kunsten at Mase et Kunstvaerk.” Interview. Politiken, Kultur Section, 6 December 2009: 6.
Ifversen, Karsten R. S. “Olafur Eliasson tegner bro til København.” Interview. Politiken, Kultur Section, 15 August
2009: 3.
Maerkle, Andrew. “Love and Light at Hara Museum.” Interview. The Japan Times, October 16, 2009: 17.
Meijer, Eric. “Crystalline conundrum.” The Canberra Times, 12 December 2009: 22.
Payne, Andrew. “Sustainability and Pleasure: An Untimely Meditation.” Harvard Design Magazine, No. 30,
Spring/Summer 2009: 79.
Peter, Maja. “Licht hat eine soziale Funktion.” Interview. Du: Das Kulturmagazin, No. 796, May 2009: cover, 32-
43.
Ruthe, Ingeborg. “Künstler mit Ingenieursseele.” Interview. Berliner Zeitung, No. 147, 27-28 June 2009: 3.
Smith, Elizabeth. “Q&A: Olafur Eliasson.” Interview. The Architect’s Newspaper, 19 June 2009,
http://www.archpaper.com/e-board_rev.asp?News_ID=3603 (accessed 6 July 2009).
Spurkland, Marte. “Populaeremesteren.” Interview. DN (DagensNaeringsliv), 13 November 2009: 22-30.
Totaro, Paola. “’Nature has a stunning ability to say things.’” Interview. Sydney Morning Herald, 5 December 2009.
Wesely, Kathrin. “Von der Rückeroberung des Raums.” Interview. Stuttgarter Zeitung, No. 163, 18 July 2009: 25.
2008
Almbjerg, Sarah-Iben. "Kunst til lands og til vands." Interview. Berlingske Magasin, 5 May 2008, Section 2: 4.
Bankale, Sheyi Antony. “BMW H2R Project.” Interview. Next Level, Edition 15, 2008: 70-75.
Czaja, Wojciech. "Der nasse Beweis für die Zeit." Interview. Der Standard, Austria, 12 July 2008: Album A4.
Gebhart, Patricia. "Ein Fetisch Namens Auto." Interview. Ramp, Issue 4, Autumn 2008: 232-235.
Hansen, Julie Hjerl. “Da Olafur Eliasson blev en superstar.” Interview. Dagbladet Information, Denmark, Kultur
section, 18-19 October 2008: 16-17.
Hofleitner, Johanna. “Treffen im Nebel.” Interview. Die Presse: Schaufenster, No. 40, 3 October 2008: 54-57.

Huber, Michael. “Nebelige Fragen zum Dasein.” Interview. Kurier, 9 October 2008: 32.
Joseph, Branden W. “Im Lichte des Spektakels: Über Olafur Eliasson im Museum of Modern Art und P.S.1, New
York.” Interview. Texte zur Kunst, September 2008: 230-235.
Laster, Paul. "Olafur Eliasson." Interview. Artkrush, 25 June 2008, www.artkrush.com/168049 (accessed 30 June
2008).
Merrick, Jay. “Art, Architecture, and Archetypes.” Interview in Outline: Architecture by Schmidt Hammer Lassen.
Edited by Bjarne Hammer, Charlotte Schmidt, Runa Sabroe, Rasmus Kierkegaard, 76-77. Basel/Boston/Berlin:
Birkhäuser Verlag AG, 2008. Reprinted and translated in World Architecture (Beijing), No. 6, 2010: 40-41.
Miessen, Markus. "Conversations." Interview. Icon, Issue 64, October 2008: 179-186.
Obrist, Hans Ulrich. Olafur Eliasson & Hans Ulrich Obrist: The Conversation Series; Vol. 13. Conversation book.
Edited by Matthew Gaskins. Cologne: Verlag der Buchhandlung Walter König, Köln, 2008.
“Olafur Eliasson.” Interview. DPI magazine (Taiwan Edition), Vol. 114, October 2008: 114-117.
"Portikus." Design + Licht: Siteco. Article and Interview. January 2008: Cover, 12-17.
Pulfer, Rachel. “Falling Water.“ Interview. Azure Magazine, June 2008.
Schedlmayer, Nina. “Der Nebelwerfer.” Interview. Profil, No. 41, 6 October 2008: 130-133.
Schlüter, Ralf and Till Briegleb."Meine Kunst ist nicht utopisch." Interview. In Art: Das Kunstmagazin, No. 5, May
2008: 16-27.
Ursprung, Philip, Olafur Eliasson and Anna Engberg-Pedersen. Interviews in Studio Olafur Eliasson: An
Encyclopedia. Cologne: Taschen, 2008.
Vik, Synnøve. “Eliassons institusjoner.” Interview. Billedkunst, June 2008: 1-2.
Wivel, Peter. “På gyngende grund.” Interview. Politiken, 28 January 2008, Kultur section: 2.
Zeyn, Martin. “Olafur Eliasson.” Interview. Kulturjournal - Bayrischer Rundfunk 2 (Germany), 1 June 2008.
2007
Conner, Justin. “Eye See You.” Interview, December-January 2007: 60, 62.
Diry, Roland, Peter Mussbach, Olafur Eliasson, and Sebastian Behmann. “Ein Fluchtpunkt in jedem Zuschauerohr.”
Interview. Ensemble Modern, No. 26, 07/2007: 2-9.
Irwin, Robert, and Olafur Eliasson. “Take your Time: A Conversation.” In Take your time: Olafur Eliasson. Edited
by Madeleine Grynsztejn. Exhibition catalogue. San Francisco: San Francisco Museum of Modern Art; London:
Thames & Hudson, 2007.
Kielgast, Anne and Lotte Juul Petersen. “A conversation with Olafur Eliasson about Lavaland.” In Lavaland: Olafur
Eliasson & Jóhannes S. Kjarval. Edited by Helle Behrndt, Maj Dannemand, Anne Kielgast, and Lotte Juul
Petersen. Copenhagen: Kunstforeningen GL Strand, 2007.
Liebs, Holger. “Museen sind Schlaftabletten.” Süddeutsche Zeitung, No. 189, 18-19 August 2007: 13.
May, Susan. "La Obra Desnuda / Stripped to Essentials." Extracts from an interview between Susan May and Olafur
Eliasson on March 6, 2004. Matador: Culture, Ideas and Trends Magazine; 1995-2022, Volume K, 2007: 196-207,
242.
Mussbach, Peter. "Phaedra." MMM / Monnaie Munt Magazine, September-October 2007: 18-26.
“Olafur Eliasson and Kjetil Thorsen in Conversation with Julia Peyton-Jones and Hans Ulrich Obrist.” In Serpentine
Gallery Pavilion 2007: Olafur Eliasson and Kjetil Thorsen. Edited by Studio Olafur Eliasson and Serpentine
Gallery. London: Serpentine Gallery; Baden: Lars Müller Publishers, 2007. Subsequently printed in: Riba Journal,
No. 114/9, September 2007: 34-44.
Schor, Gabriele. "Yellow Fog." Interview, edited by Caroline Eggel, 214-223. In Held Together With Water: Art
from the Sammlung Verbund, edited by Gabriele Schor. English and German editions. Exhibition catalogue, MAK,
Vienna. Ostfildern: Hatje Cantz, 2007.
2006
Aitken, Doug. “Olafur Eliasson.” Interview. In Broken Screen: 26 Conversations with Doug Aitken; Expanding the
Image; Breaking the Narative. Edited by Noel Daniel, 110-120. New York: D.A.P./Distributed Art Publishers, 2006.
Andersen, Kitt. “Olafur Eliasson. Hvorfor er biler så kedelige?” M/S Berlingske Tidende 4, 12 November 2006: 24-
28.
Blake, Robin. “The Model of a Modern Artist.” Financial Times, 6 November 2006: 10.
Ichihara, Kentaro. “Interview with Olafur Eliasson.” Bijutsu-Tecyo, February 2006: 123-130.
Harms, Ingeborg. “Die Wirklichkeit ist nicht wirklich.” Frankfurter Allgemeine Sonntagszeitung - Feuilleton, 8
October 2006: 33.
Hontoria, Javier. “Arte Protagonistas. Oafur Eliasson.” El Cultural, 1 June 2006: 4-6.
Marziani, Gianluca. “Eliasson: porto il sole dentro Vuitton.” Panorama, 19 October 2006: 260-261.
Miessen, Markus. “Nothing is Real. In conversation with Olafur Eliasson.” build - Das Architekten-Magazin, May
2006: 36-38.

Morais, Maria, and Koerner von Gustorf, Oliver. “Kulturgeschichte statt Naturgeschichte.” db art,
http://www.deutsche-bank-kunst.com/art/06/d/magazin-eliassoninterview.php (accessed 14 May 2008).
Olafur Eliasson: Your Engagement has Consequences; On the Relativity of Your Reality. Concept by Olafur
Eliasson. Edited by Caroline Eggel / Studio Olafur Eliasson. Artist’s book / Exhibition catalogue. Baden: Lars
Müller Publishers, 2006.
The Goose Lake Trail (Southern Route): Gæsavatnaleið (Syðri); A Road Conversation between Olafur Eliasson and
Hans Ulrich Obrist. Edited by Studio Olafur Eliasson and Eidar Art Center. Cologne: Verlag der Buchhandlung
Walther König, Köln, 2006.
Zhen Li. “Olafur Eliasson: Seeing Yourself See.” Interview. Vision Magazine, December 2006: 199-207.
2005
Birnbaum, Daniel: "In Conversation." In Press Play. Contemporary Artists in Conversation. By the editors of
Phaidon Press, 175-190. London: Phaidon Press Limited, 2005. Previously printed In Olafur Eliasson. Edited by
Madeleine Grynsztejn, Daniel Birnbaum, and Michael Speaks. London: Phaidon Press Limited, 2002.
Buren, Daniel. “In Conversation: Daniel Buren & Olafur Eliasson.” Artforum, May 2005: 208-214.
David, Thomas. “Die meisten Dinge sind sehr viel relativer, als wir denken”. du 761 / 10, November 2005: 81-83.
Hofstätter, Amrei. “Olafur Eliasson: The Things That You See but You don’t See.” Belio 017: Nature Issue: 107-
108.
2004
At se sig selv sanse. Samtaler med Olafur Eliasson. Edited by Anna Engberg-Pedersen and Karsten Wind
Meyerhoff. Copenhagen, 2004.
Bessing, Joachim. “Experiencing Space: Olafur Eliasson.” 032c, Issue 8, 2004-2005.
Gilbert, Chris, “Olafur Eliasson.” Interview. In Bomb, No. 88, Summer 2004: 22-29.
Koerner von Gustorf, Oliver. “Es ist wichtig, die Maschine zu zeigen.” db art, http://www.deutsche-bankkunst.com/art/06/d/magazin-eliassonartikel.php
(accessed 14 May 2008).
“Manden der syntes han var hvem som helst.” Euroman, October 2004.
Meehan, Carole Ann. “Olafur Eliasson: The Young Land.” In Vita Brevis. History, Landscape, and Art 1998-2003.
Edited by Jill Medvedow and Carole Anne Meehan. Boston: The Institute of Contemporary Art, 2004.
Stehle, Gregor. “Telephone Interview with Olafur Eliasson, 25 August 2004, Berlin / Karlsruhe.” Interviewstream,
ZKM Center for Art and Media Karlsruhe, http://interviewstream.zkm.de/?p=8 (accessed 6 April 2009).
Stilling, Oliver. “I virkeligheden hvem som helst.” Euroman 128, October 2004: 92-96.
2003
Buchhart, Dieter. “Wie in der Pop Art klaue ich direkt Naturphänomene und wissenschaftliche Darstellungen: Ein
Gespräch mit Dieter Buchhart.” Interview. Kunstforum International 167, November-December 2003: 190-207.
Lixenberg, Dana. “Captain Spectacular.” Interview. Tate Arts and Culture Magazine, September-October 2003,
Issue 7: 58-64.
Obrist, Hans Ulrich. “Olafur Eliasson.” In Interviews: Volume I. Original version. Edited by Thomas Boutoux, 193-
209. Milan: Edizioni Charta, 2003.
Rosenberg, Angela. “Olafur Eliasson: Beyond Nordic Romanticism.” Interview. Flash Art International 36/230,
May-June 2003: 110-113.
2002
Birnbaum, Daniel. “Interview: Daniel Birnbaum in Conversation with Olafur Eliasson.” In Olafur Eliasson. Edited
by Madeleine Grynsztejn, Daniel Birnbaum, and Michael Speaks, 8-33. London: Phaidon Press Limited, 2002.
Fricke-Waldthausen, Johannes. “Natur und Pop.” Quest 5, Summer 2002: 162-165.
Laubard, Charlotte. “L’Œil de Olafur Eliasson.” L’Œil, May 2002: 22-23.
Obrist, Hans Ulrich. “Entretien Olafur Eliasson and Hans Ulrich Obrist.” In Chaque matin je me sens différent:
Chaque soir je me sens le même. Exhibition catalogue. Paris: Musée d’Art Moderne de la Ville de Paris, 2002.
Steels, Luc and Israel Rosenfield. “Human and Artificial Consciousness on the Move.” Janus 12, 2002: 4-10.
2001

Ingvarsdóttir, Fríða Björk. “Ólafur Elíasson: Rymið á Milli Vaentinga og Minnis.” Interview. Lesbók
Morgunblaðsins, Menning / Listir Section, 29 September 2001: Cover, 4-7.
Morgan, Jessica. “Olafur Eliasson.” In Your Only Real Thing Is Time. Edited by Jessica Morgan, 16-23. Exhibition
catalogue. Ostfildern-Ruit: Hatje-Cantz Verlag; Boston: Institute of Contemporary Art, 2001.
2000
Berger, Doris and Barbara Steiner. “Olafur Eliasson.” In Kunstverein Wolfsburg: Jahrbuch Mai 1999-Mai 2000, 3-
13. Wolfsburg, 2000.
Steiner, Rochelle. “Olafur Eliasson: Interview.” In Wonderland. Edited by Mary Ann Steiner, 55-59. Exhibition
catalogue. St. Louis: St. Louis Museum of Art, 2000.
1999
Gedin, Andreas. “Grönt vatten och en bombad kurdisk by.” Moderna Museets Vänners tidskrift 2, 1999: 6-12.
Krogh Jensen, Marianne and Olafur Eliasson. “What We Have in Common Is That We Are Different.” In Olafur
Eliasson: Your Position Surrounded and Your Surroundings Positioned. Edited by Katrina Brown and Olafur
Eliasson, 14-19. Dundee: Dundee Contemporary Arts, 1999.
1998
Hultmann, Kristina. “Olafur Eliasson: Your Compound View.” In Brytningstider: En bok om vår föränderliga värld,
104-109. Stockholm, 1998.
1997
Bonami, Francesco. “Psychological Atmospheres.” Article and Interview. Siksi: The Nordic Art Review (Finland),
Volume XII, No. 3, Autumn 1997: 49-55.

Articles and Contributions
2012
Bang, Anna. “Olafur Eliasson: Little Sun.” Volt Magazine, 12 July 2012: http://www.voltcafe.com/home/?p=14138
Biddulph, Rory. “The Other Point of View.” Canned, no. 3. 2012: 28–29.
Clark, Nick. “Little Sun: Art created to improve lives by Olafur Eliasson.” The Independent, 12 July 2012:
http://www.independent.co.uk/arts-entertainment/art/news/little-sun-art-created-to-improve-lives-by-olafur-eliasson-
7939104.html
Eliasson, Olafur. “Art Project: Green river (1998) and The New York City Waterfalls (2008). In Bridges over
Troubled Waters. Edited by Marleen Wynants and Goedele Nuyttens. Brussel: Vubpress Brussels University Press,
2012: 17-24.
Gray, Louise. “Little Sun launched at Olympics Festival could bring light to millions around the world.” The
Telegraph, 12 July 2012: http://www.telegraph.co.uk/sport/olympics/london-2012-festival/9395352/Little-Sunlaunched-at-Olympics-Festival-could-bring-light-to-millions-around-the-world.html
Hannula, Mika. “Talo Meren Rannalla/A Hous by the See”. Arkkitehti / Finnish Architectural Review, Ark 1/2012,
2012: 62-64.
Higgins, Charlotte. “Olafur Eliasson produces cheap solar lamp for developing countries.” The Guardian, 12 July
2012: http://www.guardian.co.uk/artanddesign/2012/jul/12/olafur-eliasson-cheap-solar-lamp
Jury, Louise. “Tate artist´s new show will help to bring light into lives of millions.” Evening Standard, 12 Juli 2012:
13.
Kubina, Lukas. “Erleuchtung am Kiosk.” Süddeutsche Zeitung, No. 171, Feuilleton, July 26, 2012: 13.
Lachno, James. “Olafur Eliasson launches Little Sun project and Tate Blackouts at Tate Modern.” The Telegraph,
12 July 2012: http://www.telegraph.co.uk/culture/art/art-news/9395022/Olafur-Eliasson-launches-Little-Sunproject-and-Tate-Blackouts-at-Tate-Modern.html
Novak, Anja. “Engaging Environments: The Practice of Robert Smithson and Olafur Eliasson as an Instance of
Environmental Aesthetics.” In Robert Smithson: Art in Continual Movement. Edited by Ingrid Commandeur and
Trudy van Riemsdijk-Zandee. Amsterdam: Alauda Publications, 2012: 20–39.
O’Connor, Ashling. “Artist Is Out of Breath (and Pocket): Olympic Funding Chiefs Reject £1m Conceptual
Project.” The Times, 11 April 2012: 4.
Prüfer, Tillmann. “Mehr Licht!” Zeit Magazin, No. 29, 12 July 2012: 37.
Quack, Gregor. “Spirituelle Sonne, funktionale Sonne.” FAZ, Feuilleton, 14 July 2012:
http://www.faz.net/aktuell/feuilleton/kunst/olafur-eliassons-lampe-little-sun-spirituelle-sonne-funktionale-sonne-
11820626.html
Stahl, Antje. “Power-Flower.” Der Künstler Olafur Eliasson und der Erfinder Frederik Ottesen entwickeln eine
Solarlampe für Afrika. Monopol, July 2012: 17.
Sulcas, Roslyn. “Olafur Eliasson Brings Sunlight Back to Tate Modern.” The New York Times, 12 July 2012:
http://artsbeat.blogs.nytimes.com/2012/07/12/olafur-elaisson-brings-sunlight-back-to-tate-modern/?ref=roslynsulcas
Ullrich, Wolfgang. “Auto, Motor und Kunst.” Art - das Kunstmagazin, August 2012: 66-67.
Urban, Barbara. “”Zwei Leuchttürme für das MDC.” MDC Magazine 03/2012: 80-83.
2011
Agerman Ross, Johanna. “The anti-numbness machine.” Icon, Issue 93, March 2011: 64-69.
Arend, Ingo. “Politikern ein Stipendium anbieten”. TAZ, 2 December 2012: 22.
Barrios, Samuel. “Olafur Eliasson: Panorama Colectivo.” La Tempestad, Vol. 13, Ed. 80, September/October 2011:
61.
Bonavoglia, Andrea. “It’s your time, Olafur Eliasson.” In Pensieri del presente, Annuario Kainos VI. Milan: Edizioni
Punto Rosso, 2011: 271-277.
Braithwaite, Andrew. “Trailer: Kaleidoscopic City.” Azure Magazine, September 2011: 146.
Bundegaard, Christian. “Better Optics.” Arkitektur DK, 06 2011: 38-41.
Cypriano, Fabio. “Arte em trânsito: Dinamarquês Olafur Eliasson inaugura obras em três espaços de SP e dialoga com
locais de passagem.” Ilustrada, 30 September 2011: E1.
Davidts, Wouter. “A grey universe: Tate Modern's Turbine Hall and The Unilever Series.” In Sculpture and the
Museum. Edited by Christopher R. Marshall. Part of the series Subject/Object: New Studies in Sculpture. Surrey,
Burlington: Ashgate 2011: 197-216.
“Die Zukunft ist….” Quotations collected by Hans-Ulrich Obrist. Monopol, March 2011: 32-33.
Eliasson, Olafur. “I modelli sono reali.” In Pensieri del presente, Annuario Kainos VI. Milan: Edizioni Punto Rosso,
2011: 279-281.

Eliasson, Olafur. “The Hekla twilight series.” Untitled 001, The State of the Art. A matter of time, Summer 2011: 8,
48, 89-105.
Esner, Rachel. “Ateliers d’artistes aux XXe et XXIe siècles, du lieu à l’oeuvre.” Perspective, 2011: 602.
Fan, Grace. “A cidade é o limite.” Time Out São Paulo, Issue No. 1, November 2011: 59.
Garcia, Cynthia. “Percepcoes Provocantes.” Casa Vogue, March 2011: 74-77.
“Hier geht’s zum Regenbogen/This Way to the Rainbow.” Md: International designscout for furniture, interior and
design, November 2011: 29.
Haraldsson, Thröstur. “Kultur eller klipfisk.” Weekendavisen, Kultur section, No. 18, 6 May 2011: 3.
Ingeborg, Ruthe. “Der Regenbogenmacher.” Berliner Zeitung, No. 126, 31 May 2011: 23.
“Green River.” Trans, Vol. 18: Politics, 2011: 32-37.
Kaube, Jürgen. “Hammervorschlag.” FAZ, Feuilleton, 5 December 2011: 27.
Kolding Bibliotek – Kunstguide, Kolding: Kolding Bibliotek, 2011: 3.
Kunstmuseum Stuttgart, Die neuen Architekturführer Nr. 167. Edited by Christain Holl. Berlin: Stadtwandel Verlag,
2011, Visual contribution from Olafur Eliasson: 15.
“Kurzberichte aus der Welt des Lichtdesigns.” Professional Lighting Design, No. 77, June/July 2011: 12.
McMahon, Jennifer A.. “Aesthetics Autonomy and Praxis: Art and Language in Adorno and Habermas.”, In
International Journal of Philosophical Studies, Volume 19, Number 2. Edited by Maria Baghramian. London (et.
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Larsen, Flemming. “Vejle sendte bud efter originalen – og fik det.” Vejle Amts Folkeblad, March 2011: 4.
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Kroksnes, Andrea. “Meeting the Wall.” In Visual Art in the Oslo Opera House, Edited by Jørn Mortensen. Oslo:
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McGrane, Sally. “Off the Wall.” Afar, March/April, 2011: 87, 90-91.
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“Northern Lights.” mondo arc, No. 63, October/November 2011: 33-40.
“Olafur Eliasson: Three to Now.” Harvard Design Magazine, No. 34, 2011: 218-225.
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Prieto, Eduardo. “Ars meteorológica: Naturaleza y arquitectura en la obra de Olafur Eliasson.” Arquitectura Viva,
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Politik ist die Kunst des Möglichen. Kunst ist die Politik des Unmöglichen. Stiependienausschreibung für Politiker.
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Salvadeo, Pierluigi.”The spectacular form of interior architecture under the new conditions of urban space.” In
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Séron-Pierre, Catherine.“Henning Larsen Architects: Opéra National; Reykkjavik-Islande.“ AMC: Le Moniteur
Architecture, No. 209, October 2011: cover, 60-67.
Sloterdijk, Peter. Neither Sun nor Death. Los Angeles: Semiotext(e), 2011, Visual contribution from Olafur
Eliasson: cover.
Spahn, Claus. “Gischt aus Glas.” Die Zeit, nr. 35, 25 August 2011: 53.
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Vahland, Kia. “Die Cobra frisst sich durch die Stadt.” Süddeutsche Zeitung, No. 238, 15-16. October 2011: 14.
Wallace, Isabelle Loring. “Technology and the Landscape: Turner, Pfeiffer and Eliasson after the Deluge.” Visual
Culture in Britain, Vol. 12, No. 1, March 2011: 57-75.
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Wright, Tom. “Harpa Concert Hall.” Icon, Issue 101, November 2011: 68-69.
“Your Rainbow Panorama.” Archiworld, Vol. 194, 2011: 196-203.
2010
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Agerman, Johanna. “Exhibition: Feelings are Facts.” Icon, June 2010: 120-121.
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Chen, Louise. “Strength in Numbers: A Preview of the 2010 Setouchi International Art Festival.” Artinfo, 12 July
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“Crystal Glow.” Design Today, August 2010: 68-69.
Dabrowska, Agnieszka. “Na marginesie architektury.” Architektura (Poland), No. 11, 2010: 15.
Debraine, Luc. “La photo à l’oeuvre.” Le Temps, 9 April 2010.
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“Eine Edition von hundert.” In 027 / von hundert, 02-2010: 39.
Eliasson, Olafur. “Breaking the wall to the future. How art can use feelings for time to co-produce space and
society.” In Falling Walls: The International Conference of Future Breakthroughs in Science and Society Berlin 9
November. Edited by Anja Sachse, Daniela Schöler, and Ulrike Schultz. Lüdenscheid/Berlin: seltmann+söhne,
2010: 5, 40-42.
Eliasson, Olafur. “Milk Skin with Grass: Food is Everything, but Everything isn’t always Food.” NOMA: Time and
Place in Nordic Cuisine. London: Phaidon Press, 2010: 6-9.
Eliasson, Olafur. “The Weather Forecast and Now // 2001.” In The Sublime: Documents of Contemporary Art.
Edited by Simon Morley. London: Whitechapel Gallery; Arts Council England, 2010: 123-124.
Eliasson, Olafur. “Your split second house.” Pasajes Arquitectura y Critica, no. 115, 2010: 18
Eliasson, Olafur. “Le Temps dans le Retroviseur.” La Regle du Jeu, 20 th Anniversary issue, October 2010: 321-332.
Eliasson, Olafur. Artforum, Summer 2010: 308-309.
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http://www.edge.org/q2010/q10_10.html (last accessed 25 August 2010).
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Whitechapel Gallery Ventures Limited, 2010: 123-124.
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Ramade, Bénédicte. "Éco-pastille." 02, Issue 45, Spring 2008: 12-14.
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Restorff, Jörg. "Künstler des Jahres: Olafur Eliasson." Kunstjahr, No. 8, 2008: Cover image, 5, 82-93.
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Schjeldahl, Peter. "Uncluttered: An Olafur Eliasson Retrospective." The New Yorker, 28 April 2008.
Schmeller, Johanna. "Eis mit Stil." Die Tageszeitung. 2 June 2008, Kultur section: 16.
Schmid, Karlheinz. "Hundert Euro, die jeder investieren sollte." Informationsdienst Kunst, Germany, 15 May 2008.
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Schoen, Christian. "Reinventing Harbour Cities." LIST Icelandic Art News, 2008: 5-6.
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Simons, Riki. “Artistieke onderneming zonder weerga.” Elsevier (The Netherlands), 20 December 2008: 104-107.
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Stengle, Jamie. "Eliasson's 'Take your time' exhibit in Dallas." The Houston Chronicle, 11 November 2008. Also
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“Stralend Patina.” Magma (The Netherlands), Issue 2, 18 December 2008: 4-5.
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Ursprung, Philip. “Performative Bilder: Eine Buchbesprechung / Echo Objects: A Book Review.” Parkett, No. 84,
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Vogel, Carol. "From a Master of Weather, 4 Waterfalls for New York." The New York Times, 2 June 2008.
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Vogel, Sabine B. "Das Auto kalt machen." Rondo, Der Standard, No. 475, 13 June 2008: 4-5.
Voss, Julia and Niklas Maak. "Die Technik und die Leere." Frankfurter Allgemeine Zeitung, 25 June 2008.
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Werner, Thomas. “Monografie: Studio Olafur Eliasson.” Bauwelt, 22 September 2008.
Westerstad, Elsa. “Master of the Feel-Good Factor.” Forum AID, Issue 4.08, 2008: 92-98.
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"Your House." Interior Note, Japan, No. 01, 2008: 9.
2007
032c. Issue 14, Berlin, Winter 2007-2008.
Akbar, Arifa. "Olafur Eliasson bygger fremtidsbil." Information, No. 206, 5 September 2007: 14-15.
Art - das Kunstmagazin, No. 10, October 2007: 16.
“Artificial Sites: JR & Olafur Eliasson.” Lodown Magazine, Germany, No. 63, October - November 2008: 54-58.
“Avantgarde total: Kunststück im Herzen Londons.” Up’date: Nüssli, November 2007: 1, 6.
Baker, Kenneth. “Installations Lead to Reflection.” San Francisco Chronicle, 8 September 2007: 1, 3.

Beros, Nada. “Druga Priroda / Second Nature.” Oris: Magazine for Architecture and Culture. Volume 9, Number
48, 2007: 18-27.
"Bimlende Crazy Pa de Gode Made." Fyens Stiftstidende, 25 May 2007: 10.
Chien-Ling Lin. "The New Age of Art in Venice: Palazzo Grassi." Dialogue, Issue 110, January-February 2008: 26-
29.
Coles, Alex. "Pavilions." Art Monthly, No. 308, July-August 2007: 1-3.
Diaz, Karla. "Olafur Eliasson: SFMOMA." Flash Art, November-December 2007, Vol XL, No. 257, Reviews
section: 110.
Domus, Issue 902, April 2007: 158-159.
Drewes, Frank F. "Take your Time." Bauwelt, Issue 40-41, 26 October 2007: 5.
Ebner, Jörn. "Schwindelturm im Hyde Park." db / deutsche bauzeitung, October 2007: 6-7.
Enwezor, Okwui. "Best of 2007." Artforum, December 2007: 316-317.
Eriksen, Peter Kirkhoff. "Local career lamp / National career lamp / International career lamp." Karriere, No. 1,
Winter 2007: 22-25, 42-43.
Fischer, Ole W. “Atmospheres - Architectural Spaces between Critical Reading and Immersive Presence.” Field
Journal, Vol. 1, Issue 1: Architecture and Indeterminacy, September 2007, http://www.fieldjournal.org/index.php?page=2007-volume-1
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Frichot, Hélène. "Olafur Eliasson and the Circulation of Affects and Perception." AD Architectural Design, Volume
28, Number 3, May-June 2008: 1, 30-35.
Galilee, Beatrice. Icon, Issue 52, October 2007: 57-58.
Glancey, Jonathan. “Magic circle.” The Guardian, 21 August 2007,
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Helgason, Pröst. "Í skapandi samspili vid borgarbúa." Morgunblaðið, 20 October 2007: 3-5.
Herbert, Martin and Daniel Birnbaum. "The postman rings twice." Artforum, September 2007.
Hur Tae-Woo. "Creator of Artificial Visions." Asiana, October 2007: cover, 0, 2, 4.
Ingvarsdottir, Frida Björk. "Jökulsvelgjaserian." Morgunblaðið, 25 August 2007, Lesbók section: 1-5.
Ingvarsdóttur, Eftir Frida Björk. "Hann er svo örlátur." Morgunblaðið, 7 September 2007: 52.
Ingvarsdóttur, Eftir Frida Björk. "Óvenjulegur, ögrandi og ferskur." Morgunblaðið, 7 September 2007: 19.
Jones, Caroline A. "The Server / User Mode." Artforum, October 2007: 316-324.
Lahr, Peter. “Ein Buch wird zur Skulptur.” Rhein-Neckar-Zeitung, Magazin zum Wochenende, No. 104, 5-6 May
2007.
Lazo, Pablo. "La novela del Pabellón Serpentine." Arquine, No. 41, Autumn 2007: 15.
Lemke-Matwey, Christine. "Vordringen zur Sterblichkeit." Tagesspiegel, 8 September 2007, Kultur section: 25.
Lovins, Armory B. "Exactly Enough Time." The Berlin Journal, No. 15, Fall 2007: cover, 42-46.
Mercader, Aina. “Art contra el principi de la fi.” AVUI (Barcelona), 17 May 2007: 29.
Meyer, Friederike. "Same procedure. Serpentine Pavilion 2007." Bauwelt, Issue 36, 26 October 2007: 2.
Morel, Philippe. “Open Source Urbanism.” Interactive Cities, anomalie digital_arts no. 6: 245
Novak, Laura. "'Objet d'Arctic,' 2007, Artist Known." The New York Times, 24 October 2007.
“Olafur Eliasson + Kjetil Thorsen: Serpentine Gallery Pavilion 2007.” A+U, No. 447, December 2007: 12-23.
Olson, Marisa S. "Olafur Eliasson. Devices for Experience." Planet°, Issue 17, Fall 2007: 26-29.
O'Reilly, Sally. "Time Is on his Side." Art Review, Issue 14, September 2007: 70-75.
Pearman, Hugh. “In the hall of the mountain king: Olafur Eliasson’s Serpentine Pavilion.” Gabion, 2007,
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Quo, July 2007: 14-15.
Rappolt, Mark. "Playing for Time: Il Tempo Del Postino." Art Review, September 2007: 52-61.
Schütz, Elena. “Eye see you in Berlin!: Ein Besuch in einem Kunstlabor.” Protocol: Universität der Künste Berlin;
Studiengang Architektur, No. 2, S/S 2007: 64-67.
“Serpentine Gallery Pavilion 2007.” ArkitekturN, August 2007: 58-63.
Serpentine Summer 2007: Part 2. Edited by Ben Fergusson. London: Serpentine Gallery, 2007, visual contribution
from Olafur Eliasson: 100, 118.
Tröster, Christian. "Großmeister des Naturspektakels." Häuser, March 2008: 8-9.
Ulmer, Brigitte. “Die Kunstmagie-GmbH.” Bilanz 1, 2007: 80-81.
Vidal-Folch, I. “Todo es casi real.” El País, Cultura section, 17 May 2007: 62.
2006
Bartels, Daghild. “Ich habe keine Angst vor Schönheit.” Handelsblatt 144, 28-30 July 2006: 2.
Bialkowska, Ela. "Olafur Eliasson & Tobias Rehberger: Oltre i bunker." Abitare, Issue 458, February 2006: 94-98.
Casciani, Stefano. “Written on Water.” Domus 897 - On Water, special issue, November 2006: 12-21.
Catton, Pia. “Art around Town. A New Take on Window Shopping.” The New York Sun, 10-12 November 2006: 2.
Cheetham, Mark A. “Natural Anxieties: Why Go to a Museum to See the Sun?” The Walrus 3/3, April 2006: 82-87.

Clewing, Ulrich. “Neugerriemschneider. Olafur Eliasson.” Der Tagesspiegel, 25 March 2006: 24.
Crüwell, Konstanze. "Eliasson leuchtet heim." Frankfurter Allgemeine Sonntagszeitung, 31 December 2006: 52.
Eliasson, Olafur. “Some Ideas About Colour.” In Public 33. Errata. Edited by An Te Liu & Andrew Payne, 50-57.
Toronto, 2006.
Eliasson, Olafur. “The D.I.Y. Colour Timezone Planet.” Spot 33, 2006: 26.
Eliasson, Olafur. “The Mediated Motion.” Archplus 178, June 2006: 60-61.
Frenzel, Sebastian. “Das Kollektiv fährt mit.” TAZ Berlin, 16 January 2006: 23.
Friebe, Inge. “Light Art. Olafur Eliasson.” Professional Lighting Design 50, July-August 2006: 56-59.
Grosz, David. “Gallery-Going. Rejecting Modernism’s Pieties.” The New York Sun, 11 May 2006: 18.
Hofmeister, Sandra. “The Yellow Sun, the Mist and the Perceiving Subject”, Light 54, 2006: 62-66.
“Immersion.” Visual essay in Archplus, Issue 178, June 2006: 60-63, 74-75.
Kimmelman, Michael. “Olafur Eliasson. Your Engagement Sequence.” The New York Times, 12 May 2006: E32.
Maak, Niklas. “The Exhibition Miracle of Berlin.” Europe Endless 11, Summer 2006: 98-99.
McLeod, Scott. “Life in Venice. Physical Sensations at the 51th Venice Biennale.” Prefix Photo 12, April 2006: 36-
37, 53.
McLeod, Scott. “Olafur Eliasson. Your Black Horizon. Always a Little Further, Island of San Lazzarro.” Prefix
Photo 12, April 2006: 53-59.
Mittringer, Markus. “Kiesler, Eliasson und die Folgen.” Der Standard, 8 Juni 2006.
Peick, Morten. “Kunst som kompetence.” Imorgen 6, June 2006: 16-19.
Poschardt, Ulf. “The Big White Out”. 032c, Issue 12, Winter 2006-2007: 92-93.
Quinz, Emanuele. “Les strates de l’interface.” Bilbok. Magazine des errances contemporaines 27, January 2006.
Randeria, Shiraz. "Ice Cage: BMW's Frozen Asset." Intersection Magazine, 2006: 2-3.
Rauterberg, Hanno. “Heiß auf Matisse.” Die Zeit 17, 20 April 2006: 17.
Richter, Peter. "Es werde Licht." BMW Magazin, February 2006: 56-64.
Ruthe, Ingeborg. “Ruhm ist ein Missverständnis.” Berliner Zeitung 157, 8-9 July 2006: 3.
Sausset, Damien. “Dans la lumière d’Olafur Eliasson.” Connaissance des Arts 634, January 2006: 54-59.
Scheyerer, Nicole. “The Wizard of Oz.” Falter 24, 14 June 2006.
Scheyerer, Nicole. “Interview mit Olafur Eliasson: Spectacle für Hypersensible.” Falter 24, 14 June 2006.
Schouwenberg, Louise. “A Change of Climate.” Frame 49, March-April 2006: 68-77.
Schumacher, Manfred. “150 Top of the Art.” Artinvestor 6, February 2006: 72-75.
Shabsis, Clare Stacey. “Olafur Eliasson.” Eyemazing, Issue 8, Fall 2005: 172.
Sloterdijk, Peter. “Immersion.” Archplus 178, June 2006: 74-75.
Sloterdijk, Peter. “The Mediated Motion. Olafur Eliasson.” Archplus 178, June 2006: 60-63.
Sørensen, Anette. “Det islandske lys.” Danske Ark Byg 44, July 2006: 6-8.
Spiegler, Almuth. “Ich bin ein Mainstream-Künstler.” Die Presse, 7 June 2006.
Vienne, Véronique. “Optical Magic.” Metropolis, May 2006: 128-135.
White, Lisa: “The Fifth Dimension.” Provider 2, May 2006: 8-16.
Wittneven, Katrin. “Im reißenden Fluss.” Der Tagesspiegel, 25 March 2006: 24.
Zarin, Cynthia. “Seeing Things. The Art of Olafur Eliasson.” The New Yorker, 13 November 2006: 76-83.
2005
Birnbaum, Daniel. "Dawn 'til Dusk." Artforum International, September 2005: 264.
Criqui, Jean-Pierre. “Olafur Eliasson: Time Vibes Studies.” Les Cahiers du Musée national d’art moderne 90: 3-19.
Eliasson, Olafur. “The Jökla Series,” Lesbók Morgunbla∂sins, Special Issue, 12 May 2005: 2-99.
Goa, Torbjørn. “Lysbærerne. Modernismens Rolle.” Design Interiør 5, November 2005: 60-65.
“Index:2005.” Post Danmark, Frimaerker, Journal 4, 2005: 1.
Krogh Jensen, Marianne and Olafur Eliasson. “Olafur Eliasson - Dekolonisering af Utopia.” Samtidsarkitekten, The
Compatible X. Copenhagen, 2005: 68-71.
Liebs, Holger. “Elfen im Stroboskop.” Süddeutsche Zeitung, 5 December 2005: 17.
Mascheroni, Loredana. “Olafuriade. Eliasson, from Pasadena to Venice.” Domus 884, September 2005: 84-93.
Massey, Doreen. “Travelling imaginations.” Lesbók Morgunbla∂sins, Special Issue, 12 May 2005: 102-103.
May, Susan. “Olafur Eliasson.” A+U (Architecture and Urbanism), No. 422, 05:11, 8-9.
Poirier, Matthieu. “Dynamogénie: Olafur Eliasson; Systèmes Polysensoriels.” Techniques & Architecture, No. 481,
December 2005 - January 2006: 112-116.
Schoof, Jakob. “Seeing Yourself Seeing. Olafur Eliasson.” Daylight & Architecture 1, Autumn 2005: 2-6.
Schor, Gabriele. “Diesseits des Regenbogens.” Neue Zürcher Zeitung, 25 November 2005: 25.
Spinelli, Claudia. “Alles frisch.” Weltwoche 49, December 2005: 81.
Verhagen, Marcus. “Welcome to the Olafur Eliasson Show: On Art and Illusion.” Modern Painters, January 2005:
100-103.
von Taube, Annika. “Light Perceptions.” Translated by Christina Knight. Sleek, Autumn 2005: 70-75.

2004
Bessing, Joachim. “Experiencing Space: Olafur Eliasson.” 032c 8, 2004-2005.
Colin, Anne. “Olafur Eliasson: the Nature of Nature as Artifice.” Artpress Magazine, September 2004: 34-39.
Diehl, Carol. “Northern Lights.” Art in America, No. 9, October 2004: 108-115.
Eliasson, Olafur. “Innesto d’arte / Art Graft.” Image essay. Domus, no. 868, March 2004:110-116.
Kimmelman, Michael. “The Sun Sets at the Tate Modern.” The New York Times, 21 March 2004, Section 2: 30.
Kimmelman, Michael. “Illusion and Reality Cozy Up at Tate Modern.” The New York Times, 19 March 2004.
Kimmelman, Michael. “Putting the Spectator at the Center,” International Herald Tribune Online, 16 March 2004.
Lesbók Morgunblaðsins, Iceland, contemporary art issue, 27 March 2004.
Leydier, Richard. “Un autre monde découverte de l’art contemporain islandais / Art in Iceland: Another World.” Art
Press, No. 304: 28-33.
Meyer, James. “No More Scale: The Experience of Size in Contemporary Sculpture.” Artforum, Summer 2004: 220-
228.
“Power 100: #29, Olafur Eliasson.” Art Review Magazine, November 2004: 73.
Rapkin, Maickey. “Art.” Details Magazine, August 2004: 44.
Wifel, Henrik. “Måder at se på.” Nordisk Tidskrift 80/4, 2004: 299-308.
Wilson, Michael. “Olafur Eliasson, Menil Collection (Preview).” Artforum, May 2004: 85.
2003
“Actualidad.” Lapiz: Revista mensual de arte 21, 2003: 160-163.
Allen, Timothy. The Independent, 16 October 2003: front cover.
Artist 338, July 2003: 121.
Birnbaum, Daniel. “Olafur Eliasson: The Weather Project. (Best of 2003: 10 Top Tens).” Artforum International,
December 2003: 114-115, 124.
Bode, Peter M. “Schönheit durch Recycling.” Art 2, February 2003: 115.
“Brief encounters.” The Guardian, 17 October 2003: 29.
Burton, Johanna. “Olafur Eliasson: Tanya Bonakdar Gallery.” Artforum International, September 2003: 224.
Cooke, Rachel. “The brightest and the best.” The Observer Review, 19 October 2003: 9.
Coomer, Martin. “Reign predicted.” Time Out London, 3-10 September 2003.
Díaz, Linn. “Olafur Eliasson.” ArtInvestor: Kunst und Markt, January 2003: 66-68.
Diez, Renato. “Olafur Eliasson a Londra: Forme dell'immaginazione.” Arte, October 2003: 134-141.
Eliasson, Olafur. “Tre tekster.” Kritik: Tidsskrift for litteratur, forskning, undervisning 36 /164, 2003: 1-7.
Engberg, Bente. “I østen stiger solen op.” Weekendavisen, Kultur section, No. 43, 24-30 October 2003: 1.
“Exhibitions.” The Guardian (Guide), 11-17 October 2003.
Feinstein, Roni. “Report from Miami: Expanding Horizons.” Art in America, December 2003: 48-59.
“5 Best Artists.” The Times: Weekend Review, 11 October 2003.
Gibbons, Flachra. “Tate Modern Awakes to Dane's Rising Sun.” Guardian, 16 October 2003.
“Give Me Sunshine.” The Guardian Weekly, 30 October - 5 November 2003: 20.
Glover, Michael. “Free Spirits Cross No New Frontiers.” The Independent Review, 16 June 2003.
“Goings on about Town: Olafur Eliasson.” The New Yorker, 26 May 2003: 20.
Gronlund, Melissa. “New York: Tanya Bonakdar Gallery-Olafur Eliasson.” Contemporary 55: 73.
Hauffen, Michael. “Olafur Eliasson: Sonne statt Regen.” Kunstforum International 165, June-July 2003: 334-335.
Hoffmann, Justin. “Olafur Eliasson im Kunstbau München.” Kunst-Bulletin, 6 June 2003: 69-70.
Hornung, Peter Michael. “Her kommer solen.” Politiken, Section 2, 5 January 2004: 1-2.
Hübl, Michael. "Dänemark: Olafur Eliasson." Kunstforum International, No. 166, August-October 2003: 241-243.
Johnson, Ken. “Art in Review: Olafur Eliasson.” The New York Times, 23 May 2003: E36.
Johnson, Ken. “In full View: Andrea Rosen Gallery.” The New York Times, 1 August 2003.
Kimmelman, Michael. “Cramming It All in at the Biennale.” The New York Times, 26 June 2003: E1.
Krenz, Marcel. “Olafur Eliasson: Tanya Bonakdar.” Flash Art International 36/231, July-September 2003: 65-66.
“Kunstkompass: Die 100 Grössten.” Capital: Das Wirtschaftsmagazin 23, 2003: 149-150.
Leitch, Luke. “A Tate Sunset.” Evening Standard, 15 October 2003.
Levin, Kim. “Voice Choices.” The Village Voice, 7 May 2003: 7.
Levin, Kim. “Power Vacuum.” The Village Voice, 23 June 2003.
Lorch, Catrin. “La Biennale di Venezia.” Kunst-Bulletin 7/8, July/August 2003: 22-27.
Morris, Roderick Conway. “Heat and Promise at the Venice Biennale.” International Herald Tribune, 17 June 2003.
“Microclimate.” Art Monthly, June 2003.
“Northern Stars.” Vogue, October 2003.
“Olafur Eliasson.” Contemporary 50, 2003: 27
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“Olafur Eliasson.” V Magazine, September-October 2003.

Piccoli, Cloe. “Olafur Eliasson.” Arte 1, 2003: 42-52.
Ratnam, Niru. “These Dreams: Artwork by Olafur Eliasson and Doug Aitken.” I-D Magazine 237, November 2003:
134-141.
Reynolds, Nigel. “A Giant Neon Sun Fills Tate Space.” The Daily Telegraph, 16 October 2003: 15.
Román, Juan Carlos. “El artista que espera a que la naturaleza realice la obra de arte.” Arte y Parte, No. 43,
February-March 2003: 58-65.
Rosenberg, Angela. “Olafur Eliasson: Beyond Nordic Romanticism.” Flash Art International 36/230, May-June
2003: 110-113.
Rosenberg, Karen. “Room with a View.” The Village Voice, 14 May 2003: 49.
Saltz, Jerry. “After Shock.” Village Voice: Voice Choices, 5-11 November 2003: 86.
Searle, Adrian. “Reflecting on Sublime Smoke and Mirrors.” The Guardian, 16 October 2003: 12.
Simons, Paul. “Art Show Puts Weather Anoraks in Their Element.” The Times, 16 October 2003.
S. M. “Dänemark (General meeting of art).” Art 6, June 2003: 19.
Smee, Sebastian. “The Artist who Paints with the Weather.” The Daily Telegraph, 30 September 2003.
Sommer, Tim and Dirk Reinartz. “Der grosse Jahrmarkt.” Art 8, August 2003: 10-29.
Sundell, Margaret. “Birth Canal.” Time Out New York, Issue 406, 10-17 July 2003.
Sundell, Margaret. “Second Nature: Olafur Eliasson and Phillipe Parreno Put a Cinematic Spin on the Nature-
Versus-Culture Debate.” Time Out New York 399, 22-29 March 2003.
“The Five Best Exhibitions.” The Independent Review, 15 October 2003.
“The Five Best Shows in London.” The Independent, 11-17 October 2003.
“The Unilever Series: Olafur Eliasson.” Cort Newspaper, October 2003.
Tøjner, Poul Erik. “Faenomenerne findes.” Louisiana Magasin, No. 9, May 2003: Inner covers, 16-20.
Vetrocq, Marcia E. “Venice Biennale: 'Every Idea But One.'” Art In America, September 2003.
Vogel, Carol. “Heat Upstages Art at the Venice Biennial.” The New York Times, 16 June 2003.
Ward, Ossian. “The Weather Man.” ArtReview 5, June 2003: 54-59.
Waxman, Lori. “New York Critics Picks: Olafur Eliasson.” Artforum.com, 6 June 2003.
Wulffen, Thomas. "Utopia Station." Kunstforum International, No. 166, August-October 2003: 194-209.
2002
Alberge, Dalya. “Tate Hires Artist with a Big Natural Talent.” The Times, 11 November 2002.
Birnbaum, Daniel. “Where is Painting Now?” Tate: International Arts and Culture 1, September-October 2002: 60-
63.
Blind Spot 21, Summer 2002.
Blom, Ina. “Jenseits des Atmosphärischen.” Parkett 64, May 2002: 24-31.
Bodker, Kirsten. “Tate Modern Hires Danish Artist.” Efterborsen, 27 November 2002.
Boyce, Roger. “Neither Here Nor There: Mirror Mirror at Mass MoCA.” Art New England, February-March 2003:
16-17, 74.
Boyer, Charles-Arthur. “Olafur Eliasson.” Art press 280, June 2002: 80-81.
Bretault, Geraldine. “Beaux Arts: What is Art Today?” 2002 Edition: 116-119.
Brooks, Adam. “Light Opera; Robert Greene.” Art Forum International, April 2002: 114-115.
Camhi, Leslie. “Cleaning the Mirror.” The Village Voice, 4 September 2002.
Colard, Jean-Max. “Avis de tempête.” Les Inrockuptibles, 3 April 2002: 84-85.
Corrigan, Susan.“The Beauty of Nature is Always beyond Our Control.” i-D 218, March 2002: 226-235.
Damianovic, Maia. “Olafur Eliasson: Musée d’Art Moderne de la Ville de Paris: Parigi.” Tema celeste, Issue 91,
May-June 2002: 86, 94.
Ebony, David. “Art Fairs Energize New York Scene.” Art in America, April 2002: 35-37.
Eliasson, Olafur. “La stanza dei colori/The Room of Colours.” Ottagon 155, November 2002: 62-63.
Fricke-Waldthausen, Johannes. “Natur und Pop.” Quest 5, Summer 2002: 162-165.
Giuliano, Mike. “Photographers Enlarge on Bechers’ Earlier Works.” The Baltimore Sun, 11 January 2003.
Hall, David. “Head Games.” The Memphis Flyer 682, 14-20 March 2002.
Hornung, Peter Michael. “Vor mand i Venedig.” Politiken, 2 nd Section, 24 March 2002: 3.
“Icelandic artist.” Romeike Ltd, 27 November 2002.
Johnson, Ken. “'Thin Skin'; 'The Fickle Nature of Bubbles, Spheres and Inflatable Structures'.” The New York Times,
29 March 2002: E37.
Kinsella, Eileen. “Wise Buys: Experts Suggest Great Values in Today's Art Market.” Artnews, Summer 2002: 146-
153.
Laubard, Charlotte. “L’Œil de Olafur Eliasson.” L’Œil, May 2002: 22-23.
Levin, Kim. “Voice Choices: Air.” The Village Voice, 22 January 2002: 68.
Mc Breen, Ellen. “Olafur Eliasson.” Art Monthly 257, June 2002: 35-37.
Mohal, Anna. “Olafur Eliasson im Musée d’Art Moderne.” Kunst-Bulletin, 5 May 2002: 55.
Morgan, Jessica. “Gartensozialismus.” Parkett 64, May 2002: 18-48.

“Olafur Eliasson: Iceland Series.” Blind Spot, Issue 21.
Østerby, Annette. “Etnographic Mapping: Olafur Eliasson.” Arken Bulletin, 2 January 2002: 22-25.
“Pass notes no. 2, 094: Olafur Eliasson.” Guardian, 21 November 2002.
Richard, Frances. "Olafur Eliasson: Bonakdar Jancou Gallery." Artforum, January 2001: 136.
Rondeau, James. “The Mobility of the Real: Olafur Eliasson is Now.” The Hugo Boss Prize 2002: 37-49.
Saltz, Jerry. “Another Opening, Another 85 Shows: Rays of Light.” The Village Voice, 22 January 2003.
Schäfer, Robert. “Grüne Architektur.” Architektur & Wohnen, October/November 2002: 132-140.
Sorbello, Marina. “Olafur Eliasson: neugerriemschneider: Berlino.” Tema celeste 88/89, January-February 2002: 95.
Steels, Luc, and Israel Rosenfield. “Human and Artificial Consciousness on the Move.” Janus 12, 2002: 4-10.
Troncy, Éric. “Olafur Eliasson: Fait la pluie et le beau temps.” Beaux-Arts 215, April 2002: 58-63.
“Your natural denudation inverted.” Harper's Magazine, June 2002: 30.
Wivel, Henrik. “Lysfald.” Weekendavisen, Kultur section, 18-24 October 2002: 3.
Zdanovics, Olga. “Reviews Midwest: Ann Arbor.” Art Papers Magazine 26/2, March-April 2002: 46-47.
2001
Allen, Jane Ingram. “Putting the Viewer First: Olafur Eliasson.” Sculpture (USA) 20, 8 October 2001: 28-33.
Bers, Miriam. “Berlino: dal neopop alla crossculture.” Tema Celeste, Issue 83, January-February 2001: 70-75.
Birnbaum, Daniel. “Olafur Eliasson. (Best of 2001: 10 Top Tens).” Artforum International, December 2001: 98-99.
Camhi, Leslie. “And the Artist Recreated Nature (or an Illusion of It).” The New York Times, 21 January 2001,
Art/Architecture Section: 43.
Century, Testino, Mario. “Mario Testino’s Art Index.” V Magazine, May-June 2001.
Chen, Aric. “Spatial Transcendence.” Dutch, March-April 2001: 48.
Eakin, Hugh. “Magic Kingdom.” Art News 100, 11 December 2001: 116-117.
Eliasson, Olafur. “Think with me about your Extension of Now.” Cabinet: A Quarterly Magazine of Art and
Culture, 3, Summer 2001: 64–65.
Engler, Martin. “Olafur Eliasson im ZKM.” Kunst-Bulletin 7/8, July-August 2001: 44-45.
Heartney, Eleanor. “Olafur Eliasson at Bonakdar Jancou.” Art in America, February 2001: 135.
Hughes, Jeffrey. “St. Louis: Contemporary Art at SLAM.” New Art Examiner, May-June 2001: 32-33.
Hunt, David. “Olafur Eliasson.” Flash Art International 34/216, January-February 2001: 111-112.
“The iceman cometh,” i-D, April 2001: 7.
Jones, Kristin M. “Olafur Eliasson.” Frieze 59, May 2001: 96-97.
Loschwitz, Gesa. “Landschaften im Kunsthaus Bregenz: Ausstellung ‘The Mediated Motion’ von Olafur Eliasson.”
Garten + Landschaft 111/5, 2001: 7.
Luna Córnea 21/22, 2001: 6.
“Olafur Eliasson.” Apparat: The Magazine of Reykjavik Collection 4, Fall-Winter 2001: 216-231.
“Olafur Eliasson im Kunsthaus.” Kunst-Bulletin, 5 May 2001: 47-48.
Richard, Frances. “Olafur Eliasson.” Artforum International, January 2001: 136.
Sherman, Mary. “Olafur Eliasson.” Art News 100, 4 April 2001: 147.
Sherman, Mary. “Special Effects; Olafur Eliasson Brings his Versions of Natural Phenomena to the ICA.” Boston
Herald, 6 February 2001.
Silver, Joanne. “Unnatural Wonders.” Boston Herald, 26 January 2001.
Temin, Christine. “Icelandic Circles Ring the ICA.” The Boston Globe, 27 January 2001: F1, F5.
Unnützer, Petra. “Olafur Eliasson: Surroundings Surrounded: ZKM Karlsruhe.” Kunstforum International 156,
August-October 2001: 422-423.
“What's Next.” 032c, Winter 2001-2002: 44-45.
2000
Archer, Michael. “Over the Edges.” Art Monthly 236, May 2000: 33-35.
Artner, Alan. “Playing with Perception.” Chicago Tribune, 11 June 2000.
Berg, Ronald. “Wer wird Millionär?” Zitty, Number 20, 2000: 56.
Camper, Fred. “Nature Containers.” Chicago Reader, 4 August 2000: 36-37.
Carrier, David. “Pittsburgh Carnegie International.” The Burlington Magazine 142/1163, February 2000: 128-129.
“100 artists of the Year 2000.” Very New Art, 2000: 13-16.
Decter, Joshua. “Panorama 2000.” Flash Art International 33/210, January-February 2000: 43, 112.
Eliasson, Olafur. “Spiralpavillon: 2000.” Louisiana Revy 41, 1 September 2000: 70-71.
“The German Open: Wolfsburg.” Flash Art International 33/210, January-February 2000: 43.
Gohlke, Gerrit. “Panorama und Revierkampf.” BE Künstlerhaus Bethanien Berlin, 6 September 2000: 21-26.
Grasskamp, Walter. “Kunst in der Stadt.” Frame 2, March-April 2000: 60-67.
“Grönt för utsläpp I Strömmen.” Dagens Nyheter, 2 September 2000: A1.

Groertz, Thomas. “100000 Mark für junge Kunst.” Art 10, October 2000: 94-95.
Hawkins, Margaret. “Olafur Eliasson.” Chicago Sun-Tribune, 10 June 2000.
Hess, Barbara. “Nase im Wind: Olafur Eliasson: ‘Surroundings Surrounded:’ Neue Galerie am Landesmuseum
Joanneum, Graz.” Texte zur Kunst, Issue 10/39, September 2000: 143-147.
Jothady, Manisha. “Olafur Eliasson: Surroundings Surrounded: Neue Galerie Graz.” Frame 3, July-August 2000:
137.
Jowitt, Deborah. “Merce’s Major Events.” Village Voice 21, November 2000: 83.
Koplos, Janet. “Job Koelewijn and Olafur Eliasson at De Appel.” Art in America, February 2000: 151.
Kunz, Sabine. “Olafur Eliasson: Installationen aus Luft und Licht.” Art 3, March 2000: 62-67.
Leffingwell, Edward. “Carnegie Ramble.” Art in America, March 2000: 86-93, 142.
Levin, Kim. “Turning the Gallery Inside Out: Natural Wonder.” Village Voice, 14 November 2000: 77.
Lübbke, Maren. “Olafur Eliasson: Surroundings Surrounded.” Camera Austria 71, 2000: 61.
“Olafur Eliasson: Your Now Is My Surroundings.” Time Out New York 269, 16–23 November 2000.
“Olafur Eliasson.” The New Yorker, 20 November 2000: 21.
“Olafur Eliasson.” Bijutsu Techo, Vol. 52, No. 782, January 2000: 13-16.
Prandi, Lucia. “Over the Edges: the Street Corners of Gent.” Tema Celeste: 111.
Rondeau, James and Thomas Hirshorn. The Art Institute of Chicago. 2000.
Sandquist, Gertrud. “Olafur Eliasson.” Afterall, no. 2, 2000: 107-110.
Schulze, Karin. “Erfolg ist ein großer fremder Vogel.” Financial Times Deutschland, 31 March 2000.
Siegel, Katy. “1999 Carnegie International.” Artforum, January 2000: 105-106.
Smith, Roberta. “Olafur Eliasson.” New York Times, 17 November 2000: E41.
Spiegl, Andreas. “Olafur Eliasson: Non-Trueness as the Nature of Theatre.” Afterall, Issue 2, 2000: 97-106.
Thorsteinn, Einar. “Nokkur n´yleg verk eftir Ólaf Elíasson.” Avs arkitektúr verktækni og skipulag 2/3, 2000: 90/91.
Wailand, Markus. “Olafur Eliasson: Neue Galerie: Graz.” Frieze 54, September-October 2000: 127-128.
Wiensowski, Ingeborg. “Olafur Eliasson.” KulturSPIEGEL, 4 April 2000: 26.
Wiensowski, Ingeborg. “Plopp: plopp.” SPIEGELreporter, 4 April 2000: 138.
1999
Árnason, Gunnar. “Olafur Eliasson’s Work Is Both Visually Arresting and Intellectually Intriguing.” Nu: The
Nordic Art Review, 1 January 1999: 84-85.
Arning, Bill. “Carnegie Dilly.” Time Out New York 218, 25 November - 2 December 1999.
Ásgeirsson, Bragi. “Þrívíð Rúmfraedi.” Morgunblaðið, 16 September 1998.
Brenson, Michael, and Madeleine Grynsztejn. “Fact and Fiction.” Artforum International, September 1999: 67-70.
Bretault, Géraldine. “Nature as Experience.” Beaux Arts, December 1999: 114-117.
“Carnegie International 1999/2000.” Essay by Madeleine Grynsztejn: 32-33, 102, 170.
Cotter, Holland. “Update on Berlin since the Wall.” The New York Times, 12 November 1999: B37.
Dannatt, Adrian. “The Old Masters of Tomorrow.” The Art Newspaper, December 1999.
Eliasson, Olafur and Mika Hannula. “Berliner Romanze.” Neue Bildende Kunst, 9 July 1999: 46-51.
Fortes, Márcia. “XXIV São Paul Biennial.” Frieze 44, January-February 1999: 87-88.
Gedin, Andreas. “Grönt vatten och en bombad kurdisk by.” Moderna Museets Vänners tidskrift 2, 1999: 6-12.
Hannula, Mika. “To Focus a Show in the Far North on Eccentricity Takes Guts.” Nu: The Nordic Art Review, 1
February 1999: 82.
Hohmann, Silke. “Transparenz als Prinzip.” Journal Frankfurt 13, 1999: 38.
Huther, Christian. “To the People of the City of Euro: Kunstverein Frankfurt/Main.” Kunstforum International 147,
September-November 1999: 417-418.
Johnson, Ken. “Turning the Museum into a Vast Menora.” The New York Times, 1 January 1999.
Kunstprojekte im Haus der Deutschen Wirtschaft: Wegweiser zu den Dauerinstallationen, zum Kunstraum und zur
Sammlung des Kulturkreises der deutschen Wirtschaft im BDI e.V. in Berlin. Berlin: Kulturkreis der deutschen
Wirtschaft im Bundesverband der Deutschen Industrie e.V., 1999: 5-7.Ø
Leffingwell, Edward. “Report from São Paulo: Cannibals All.” Art in America, May 1999: 46-55.
Lind, Maria. “Raumnachbildung und Erfahrungsräume: einige Überlegungen zur Ortsbezogenheit in der
Gegenwartskunst.” Parkett 54, December 1998-January 1999: 186-190.
Sandbye, Mette. “Fra det skjulte”, Weekendavisen, September 1999: 4.
Meyer, Christian and Mathias Poledna. Sharawadgi Felsenvilla, 1999.
Miles, Christopher. “Olafur Eliasson: Marc Foxx.” Artforum International, March 1999: 119.
Olafur Eliasson: Sospensione. Copybook on occasion of the Venice Biennale, containing photos and sketches of the
newly installed fire extinguisher built after the fire in the opera. Venice: Biennale Venice, 1999.
Phillips, Christopher. “Art for an Unfinished City.” Art in America, January 1999: 62-69.
Potter, Chris. “Carnegie International.” Pittsburgh City Paper, 3 November 1999.
Shearing, Graham. “Reviewing the Carnegie International.” Tribune Review, 28 November 1999.
Turner, Elisa. “Photos Capture People Estranged from their Surroundings.” The Miami Herald, 10 January 1999: 8I.

Verwoert, Jan. “Berlin Biennale.” Frieze 44, January-February 1999: 91-92.
Weh, Vitus H. “Sharawadgi, Felsenvilla, Baden.” Kunstforum International 143, January-February 1999: 410-411.
Williams, Eliza. Zoo, 1999: 158-159.
Winkelmann, Jan. “Olafur Eliasson: Op het ijs bij 37°C.” Metropolis M. 1, February/March 1999: 42-45.
Wulffen, Thomas, et al. “Berlin Biennale.” Kunstforum International 143, January-February 1999: 290-310.
1998
Arning, Bill. “Camera Shy.” Time Out New York, Issue 165, 19-26 November 1998.
Ásgeirsson, Bragi. “Fyrirbrigði.” Morgunblaðið, 16 September 1998.
Babias, Marius. “Love Parade der Künste.” Zitty, Issue 20, 1998: 54-60.
Berrebi, Sophie. “Nuit Blanche: Musée d’Art Moderne de la Ville de Paris.” Frieze, Issue 40, May 1998: 88-89.
Birnbaum, Daniel. “Openings: Olafur Eliasson.” Artforum International, April 1998: 106-107.
Cameron, Dan. “The New Melting Pot.” Flash Art International, Issue 31/202, October 1998: 90-92.
Eliasson, Olafur, and Barbara Steiner. “Gegen die Zeit gehen.” Kunst-Bulletin, January/February 1998: 10-17.
Freitag, Michael. “Berlin Biennale.” Neue Bildende Kunst 6, December/January 1998: 18-25.
Grant, Simon. “Olafur Eliasson: Poetry in Motion.” Tate: The Art Magazine, Issue 19, Winter 1998: 12.
Greenberg, Sarah. “La Biennale e pop e tecno, omeopatica e new-age” Il Giornale dell’Arte, nr. 171, November
1998: 16.
Haye, Christian. “The Iceman Cometh.” Frieze, Issue 40, May 1998: 62-65.
Haye, Christian. “Om Olafur Eliasson.” Paletten 59/233, April 1998: 24-25.
Hohemeyer, Jürgen. “Die Haupstadt flackert.” Der Spiegel, nr. 41, 1998: 288-289.
Knott, Marie Luise. “Der große Ventilator”. Berliner Zeitung, nr. 282, December 1998: 22.
Levin, Kim. “Voice Choices: Short List.” The Village Voice, 2 June 1998: 86.
“Ólafur Elíasson Synir Í MoMA”. Morgunblaðið, 5 November 1998.
Metzger, Rainer. “Berlin Biennale”. Noema, January – March 1998: 118.
Reindl, Uta M. “Interferencias: Sala de Exposiciones del Canal de Isabel II. Madrid.” Kunstforum International,
Issue 141, July-September 1998: 434-435.
Ross, Trine. “Braget i Berlin.” Politiken, 1998. n/a.
Stange, Raimar. “Olafur Eliasson.” Artist Kunstmagazin 35, April 1998: 30-33.
Tietenberg, Annette. “Lustschreie auf der Rutschbahn der Karriere.” Frankfurter Allgemeine Zeitung, nr. 228,
October 1998: 46.
Volk, Gregory. “Olafur Eliasson: Fire and Iceland.” Art News 97, April 1998: 200.
Winkelmann, Jan. “Olafur Eliasson.” Art/Text 60, 1998: 44-49.
Wulffen, Thomas. “The Berlin Show” Kunstforum International 142, October-November 1998: 364-367.
1997
Christofori, Ralf. “Die natürliche Ordnung der Dinge: Olafur Eliasson in der Kunsthalle Basel.” Neue Bildende
Kunst, Issue 7, February 1997: 99-100.
Mitchell, Charles Dee. “Report from Santa Fe: New Narratives.” Art in America, November 1997: 42-47.
Reust, Hans Rudolf. “Olafur Eliasson: Basel Kunsthalle.” Artforum International, Summer 1997: 146.
1996
Bonami, Francesco. “Olafur Eliasson.” Flash Art International, Issue 29/188, May-June 1996: 105.
Herbstreuth, Peter. “Schauder des Glücks.” Der Tagesspiegel, 25 June 1996: 18.
Levin, Kim. “Galleries.” The Village Voice, May 1996.
Rapko, John. “Glow at New Langton Arts.” Art Week, July 1996: 20.
Schneider, Christiane. “Olafur Eliasson: neugerriemschneider: Berlin.” Frieze 26, January-February 1996: 77-78.
Smith: C. “Olafur Eliasson at Tanya Bonakdar.” Art in America, December 1996: 92-93.
Smith, Roberta. “Enter Youth, Quieter and Subtler.” The New York Times, 17 May 1996.
1995
Karcher, Eva. "Natur wird wieder Erlebnis." Art - das Kunstmagazin, May 1995: 62.
Metzel, Tabea. “Olafur Eliasson.” Zitty 25, 1995: 132.

1994
Nielsen, Tone O. "Islandsk arv." Politiken, 12 December 1994.

Anthologies and Catalogues of Group Exhibitions
2012
7. Berlin Biennale der Zeitgenössischen Kunst, Forget Fear. Edited by Artur Zmijewski and Joanna Warsza.
Exhibition Catalogue. Berlin: KW Institute for Contemporaty Art and Verlag der Buchhandlung Walther König,
2012: 394–395.
Art Is Not What You Think It Is. Edited by Donald Preziosi and Claire Farago. Chichester: Vieley-Blackwell
Publishing, 2012: 159, 162-163.
Gegenwartskunst, 1945 – Heute im Städel Museum. Edited by Martin Engler und Max Hollein. Ostfildern: Hatje
Cantz Verlag, 2012: 203.
Inside the Work. Documentation 13 Year KUB. Edited by Eckhard Schneider. Cologne: Verlag der Buchhandlung
Walther König, 2012: 128- 141, 479, 484, 492.
Narrative Architecture. Edited by Miriam Swiftt. Chichester: John Wiley & Sohns: 96.
New Nordic – Arkitektur & Identitet. Edited by Kjeld Kjeldsen, Jeanne Rank Schelde, Michael Asgaard Andersen
and Michael Juul Holm. Copenhagen: Louisiana Museum of Modern Art, 2012: 28–31, 168.
Sense of Place, European Landscape Photography. Edited by Liz Wells. Munich/ London/New York: Prestel
Verlag, 2012: 66-69.
Taken by Surprise: Cutting-Edge Collaborations between Designers, Artists and Brands. Edited by Robert Klanten,
Sven Ehmann, and Anna Sinofzik. Berlin: Gestalten, 2012: 6, 20–21.
Talking Images, Munich Re Art Collection. Edited by Susanne Ehrefried. Munich: Munich Re, 2012: 87.
Utopia & Contemporary Art. Exhibition catalogue. Edited by Christina Gether, Stine Høhlt, Marie Laurberg. Arken:
ARKEN Museum of Modern Art; Ostfildern: Hatje Cantz Verlag, 2012: 10, 17.
2011
4 th Moscow Biennale of Contemporary Art, Rewriting Worlds. Exhibition catalogue. Moscow: Institut for
Contemporary Art, 2011: 68-69.
50 Contemporary Artists You Should Know. Edited by Brad Finger; Christiane Weidemann. Munich: Prestel Verlag,
116-119.
50 zeitgenössische Künstler, die man kennen sollte. Edited by Brad Finger and Christiane Weidemann. Munich/
London/New York: Prestel Verlag, 2011: 116-119.
Art Works: Deutsche Bank Collection. Catalogue. Frankfurt am Main: Deutsche Bank, 2011: 228-229.
Barrett, Terry. Criticizing Art: Understanding the Contemporary. New York: McGraw-Hill, 2010: 68-69.
Danser da vie. Art et danse de 1900 á nos jours. Exhibiton catalogue. Paris: Centre George Pompidou, 2011: 150-
151.
Defining Contemporary Art – 25 years in 200 pivotal artworks. London: Phaidon Press Limited, 2011: 136, 137,
234, 244, 330, 331, 419, 450.
Einar Þorsteinn Hugvit. Exhibition catalogue. Concept by Guðmundur Oddur Magnússon, Pétur H. Ármannsson.
Hafnarborg, menningar og listamiðstöð Hafnarfjarðar. Hafnarfjörður, 2011.
Entre Chien et Loup / Works from the Meana Larrucea Collection. Edited by Guillermo Paneque. Exhibition
catalogue. Bilbao: Iberdrola, 2011: 80-82.
“Flux, Signs, Symbols.” In La morada del hombre. Edited by Colección Martin Z. Margulies. Barcelona: Colección
Martin Z. Margulies, 2011: 146-155, 159.
Inviaibleness is Visibleness. International Contemporary Art Collection of a Salaryman – Daisuke Miyatsu.
Exhibition catalogue. Edited by Jiu-Jen Shin. Taipei: Taipei Culture Foundation/Museum of Contemporary Art:
218-221.
Jalving , Camilla. Værk som handling. Performativitet, kunst og metode. Museum Tusculanums Forlag,
Copenhagen: 121-133.
Habitus in Habitat III. Synaesthesia and Kinaesthetics. Nature, Science and the Arts. Edited by Joerg Fingerhut,
Sabine Flach and Jan Söffner. Bern: Peter Lang, 2011: 69-86.
Jørgensen, Ulla Angkjær and Bodil Marie Stavning Thomsen.”The Body As ‘The Place of a Passage’: On the
Spatial Construction of Time in Olafur Eliasson’s Installations.” In Globalizing Art. Negotiating Place, Identity and
Nation in Contemporary Nordic Art. Edited by Bodil Marie Stavning Thomsen and Kristin Ørjasæter. Aarhus:
Aarhus Press, 2011: 87-104.
Litos Grafera. Exhibition catalogue. Edition Copenhagen. Denmark: Art Centre Silkeborg; Norway: Stavanger Art
Museum, 2011: 36-37.
Masters, Christopher. Windows in Art. London and New York: Merrell, 2011: 20–21.
Museum Boijmans Van Beuningen: jaarverslag 2010. Rotterdam: Museum Boijmans Van Beuningen, 2011: 144.
Natürlich Kunst! Kunst und Natur. Edited by Barbara Stieff. Munich: Prestel Verlag, 2011: 71.
Neue Realitäten; Fotografik: von Warhol bis Havekost. Exhibition catalogue. Edited by Julia Frohnhoff. Köln:

Wienand Verlag: 24.
Objects of Devotion and Desire. Exhibition catalogue. New York: The Bertha and Karl Leubsdorf Art Gallery,
Hunter College, 2011: 28-29.
Obrist, Hans Ulrich: Everything You Always Wanted to Know About Curating. But Were Afraid to Ask. Berlin/New
York: Sternberg Press, 2011: 22, 25, 38.
Phenomenal: California Light, Space, Surface. Edited by Robin Clark. University of California Press: Berkeley et
al., 2011: 73.
Renewed: The Israel Museum, Jerusalem; Campus Renewal Project. Edited by James S. Snyder. Jerusalem: The
Israel Museum, 2011: 40-44.
Screen/Space. Edited by Tamara Trodd. Manchester/New York: Manchester University Press, 2011: 188-191.
See yourself sensing: Redefining human perception. Edited by Madeline Schwartzman. London: Black dog
publishing, 2011: 12-23.
Serpentine Gallery Pavillions. Edited by Philip Jodidio. Cologne: Taschen Verlag, 2011: VIII.01-31.
Setouchi International Art Festival. Edited by Motoki Sakai; Sakai Hensyu. Exhibition catalogue. Tokyo: Bijutsu
Shuppan-sha, 2011: 65, 255.
Update Your Reality. Conference catalogue. Munich: Hubert Burda Media.
Waelder, Pau. “Breaking the Frame: Inside the White Cube.” In Pasajes: Viajes por el híper-espacio / Passages:
Temporary Architecture Now! Edited by Philip Jodidio. Cologne: Taschen 2011: 142-145.
Travels in Hyperspace. Exhibition catalogue. Bijón: Fundación La Laboral, Centro de Arte y Creacißon Industrial;
Cologne: Verlag der Buchhandlung Walther König, 2011: 54-57, 86-89.
Weiche Displays: Projektionen auf Rauch, Wolken und Nebel. Edited by Gunnar Schmidt. Berlin: Verlag Klaus
Wagenbach, 2011: 120-126, 140.
Wiehager, Renate. “Olafur Eliasson.” In Private/Corporate VI: The Juan & Patricia Vergez Collection, Buenos
Aires, in dialogue with the Daimler Art Collection, Stuttgart/Berlin; April 16 – September 11, 2001. Berlin: Daimler
Contemporary, 2011: 26-27.
Wir sind alle Astronauten. Edited by Marta Herford und Markus Richter. Exhibition catalogue, Herford: Marta
Herford, 2011: 139-142.
Wunderkammermusik. Die Sammlung der Kunsthalle Bremen. 1994–2011 und darüber hinaus. Eine Introspektive.
Edited by Katja Riemer, Andreas Kreul. Cologne: DuMont Verlag, 2011: 305, 712.
Yu-un obayashi collection 2006-2010. Tokyo: Takeo Obayashi, 2011: 23, 168, 172, 220.
2010
Seeing With Eyes Closed. Exhibition catalogue. Edited by Elena Agudio; Ivana Franke. Berlin: Association of
Neuroesthetics, 2010: 56-61.
Vogt 10. Event catalogue. Zurich: VOGT Landscape, 2010: 6, 60.
An Unfolding Gift: The Pier Arts Collection. Exhibition catalogue. London: Thames & Hudson Ltd, 2010: 138-139.
Kunst Sammlung Nordrhein Westfallen. Edited by Cornelia Heisnig; Alissa Krusch. Exhibition catalogue.
Düsseldorf: K20 Grabbeplatz, 2010: 19.
21 st Century: Art in the first decade. Edited by Miranda Wallace. South Brisbane: Queensland Art Gallery / Gallery
of Modern Art, 2010: 114-115.
Ars Itineris: El Viaje en el Arte Contemporáneo. Edited by Sociedad Estatal de Conmemoraciones Culturales.
Exhibition catalogue. Madrid: Sociedad Estatal de Conmemoraciones Culturales (SECC), 2010: 158-161.
Art: From Cave Painting to Street Art; 40,000 Years of Creativity. Edited by Stephen Farthing. New York: Universe
Publishing, 2010: 505.
Biennale Internationale Design Saint-Étienne. Saint-Étienne: Cité du Design Éditions, 2010: 188-189, 325.
Bild für Bild / Image by Image. Exhibition catalogue. Edited by Kurt Wettengl. Dortmund: Museum Ostwall; Paris:
Centre Pompidou, 2010: 93-95.
Boetzkes, Amanda. “Olafur Eliasson and the Periphery of Vision.” In The Ethics of Earth Art, 131-143. Minneapolis
/ London: University of Minnesota Press, 2010.
Bubb, Martine. La Camera obscura: Philosophie d’un Appareil. Paris: L’Harmattan, 2010: 280.
Bundegaard, Christian. “Art and Kaleidoscope / Kunsten og Kalejdoskopet.” In Middelfart Savings Bank:
Architecture and the Workplace / Middelfart Sparekasse: Arkitekturen og arbejdspladsen. Edited by Christian
Bundegaard, 182-197. Middelfart Sparekasse, 2010.
Chroma: Design, Architecture & Art in Color. Edited by Barbara Glasner and Petra Schmidt. Basel / Boston /
Berlin: Birkhäuser Verlag AG, 2010: 37, 186, 219, 268, 310.
Contemporary Art in the Israel Museum, Jerusalem. Edited by Suzanne Landau. Jerusalem: The Israel Museum,
2010: 80-81, 266.

Context 21 _ Ausgabe Sachsen-Anhalt. Edited by Prof. Hellmut Schwarz, Mervyn Whittaker. Berlin: Cornelsen
Verlag, 2010: 31.
Contemporary Painting in Context. Edited by Anne Ring Petersen, Mikkel Bogh, Hans Dam Christensen and Peter
Nørgaard Larsen. Copenhagen: Museum Tusculanum Press, 2010: 185, 187-189.
Cowboys Stadium: Architecture, art, entertainment in the twenty-first century. New York: Rizzoli International
Publications, Inc., 2010: 82-83, 104-105.
De lo Mecánico a lo Termodinámico: por una Definición Energética de la Arquitectura y del Territorio. Edited by
Javier García-Germán. Part of the series Compendios de Arquitectura Contemporánea. Barcelona: Editorial Gustavo
Gili, SL, 2010: 92.
Eliasson, Olafur. Blurb on the back of Tree of Codes, by Jonathan Safran Foer. London: Visual Editions, 2010.
Eliasson, Olafur. “Co-producing Reality.” In Where do we go from here?: Papers from the Louisiana Seminar.
Edited by Henning Dam Nielsen and Michael Juul Holm, 28-35. Published on the occasion of the COP15 Climate
summit, the exhibition The World is Yours and the symposium Where do we go from here? at Louisiana Museum of
Modern Art. Esbjerg: Louisiana Museum of Modern Art, 2010.
Eliasson, Olafur. “Eine Textcollage.” In Rudolf Steiner und die Kunst der Gegenwart. Edited by Markus Brüderin
and Ulrike Groos, 110-120. Exhibition catalogue, Kunstmuseum Wolfsburg, 2010, and Kunstmuseum Stuttgart,
2011. Cologne: DuMont Buchverlag; Wolfsburg: Kunstmuseum Wolfsburg, 2010.
Eliasson, Olafur. “Le temps dans le rétroviseur.” In La Règle du Jeu à 20 Ans. Edited by Maria de França; directed
by Bernard-Henri Lévy. Paris: La Règle du Jeu, 2010: 321-333.
Eliasson, Olafur. “The Weather Forecast and Now // 2001.” In The Sublime. Edited by Simon Morley, 123-124.
Documents of Contemporary Art Series. London: Whitechapel Gallery; Cambridge, MA: The MIT Press, 2010.
Flach, Sabine. “Spiegelverhältnisse: Hans Werner Henze; Phaedra.” In Also singen Wir: 60 Beiträge zur
Kulturgeschichte der Musik. Edited by Dirk Naguschewski and Stefan Willer. Berlin: Zeitschrift des Zentrums für
Literatur- und Kulturforschung Berlin.
Frederik VIII’s Palace: Restoration - Rebuilding - Artistic Decoration. Edited by Mads Falbe-Hansen. Copenhagen:
Slots- og Ejendomsstyrelsen , Aristo Bogforlag, 2010: 55, 282-295.
Karasek, Christina. Immaterielle Farbräume: Lichtkunst im musealen und urbanen Kontext. Graz: Grazer
Universitätsverlag, 2010: 222-224, 230-231.
Kunst til de Kongelige. Exhibition catalogue. Køge: KØS, Museum for kunst I det offentlige rum / Museum of Art
in Public Spaces, 2010: 28-29.
Light Art in Italy 2010. Edited by Francesca Dell’Amore. Santarcangelo Di Romagna: Maggioli Editore, 2011: 54-
55.
LINEA: Vom Umriss zur Aktion. Exhibition catalogue. Zug: Kunsthaus Zug; Ostfildern-Ruit: Hatje Cantz Verlag,
2010: 14.
Luise. Die Inselwelt der Königen / Luise. The Queen’s Island World. Exhibition guide. Berlin-Brandenburg: Stiftung
Preussische Schlösser und Gärten, 2010: 62.
Maak, Niklas. Neuroästhetik und ästhetische Freiheit. Kunsthochschule Mainz, 2010.
Magli, Patrizia. “Sculture di luce.” In Quando è Scultura. Edited by Cristina Baldacci and Clarissa Ricci, 135-151.
Milan: et al. S.r.l., 2010.
Mind Your Behavior: How Architecture Shapes Behaviour. Exhibition catalogue. Copenhagen: 3XN; Copenhagen:
Dansk Arkitektur Center, 2010: 52-53.
Moskow, Keith & Robert Linn. Small Scale: Creative Solutions for Better City Living. New York: Princeton
Architectural Press, 2010: 220-223.
New Geographies 3: Urbanisms of Color. Edited by Gareth Doherty. Cambridge: Harvard University Press, 2010:
96-105.
Nishizawa, Ryue. Dialogue between the museum. Tokyo: Shueisha Shinsho, 2010: 147-180.
Notes on Participatory Art: Toward a Manifesto differentiating it from Open Work, Interactive Art and Relational
Art. Edited by Gustav Almenberg. Milton Keynes: AuthorHouse, 2010: 159-160.
“Olafur Eliasson.” In Zumtobel Group Annual Report / Geschäftsbericht 2009/10. Dornbirn: Zumtobel AG, 2010:
154-167.
“Olafur Eliasson + Kjetil Thorsen: Serpentine Gallery Pavilion 2007.” In Architecture Highlights Vol. 3. Edited by
Hu Yanli, He Jiaxin. Hong Kong: ShangLin A&C Limited, 2010: 314-315.
Pasajes: Viajes por el híper-espacio; Obras de la Colección Thyssen-Bornemisza Art Contemporary / Passages:
Travels in Hyperspace; A Selection of Works from the Thyssen-Bornemisza Art Contemporary Collection. LABoral
Centro de Arte y Creación Industrial, 2010: 36-37, 54-55, 86-89.
Peter J. Lassen. Haarby: Montana A/S, 2010: 16, 114-119, 227.
Pirovano, Stefano. Forma e Informazione: Nuove Vie per l’Astratto nell’Arte del Terzo Millenio. Milan: Johan &
Levi Editore, 2010: 123-125.
Podium for observation / Podium voor observatie. Edited by Jane Huldman, Arno van Roosmalen. Den Haag:
Stroom den Haag, 2010: 4, 6, 17, 27.
Promises of the Past: A Discontinuous History of Art in Former Eastern Europe. Exhibition catalogue. Edited by
Christine Macel, Natasa Petersin. Paris: Centre Pompidou; Zurich: JRP/Ringier, 2010: 176.
RuhrKunstMuseen: Die Sammlung / RuhrArtMuseums: The Collection. Edited by RuhrKunstmuseen. Ostfildern:

Hatje Cantz Verlag, 2010: 175.
San Francisco Museum of Modern Art: 75 Years of Looking Forward. Exhibition catalogue. Edited by Janet Bishop,
Corey Keller, Sarah Roberts. San Francisco Museum of Modern Art, 2010: 290-291, 411.
Sobel, Sarah. “Space Takes Time: The Work of Olafur Eliasson.” In Architecture & The Body, Volume 10, No. 1,
Spring 2010. Washington, DC: The American Institute of Architects, 2010: 26-35.
Ten Years and Beyond: The Collection of the Fondazione per l’Arte Moderna e Contemporanea – CRT for Tuirn
and Piedmont. Edited by Marcella Beccaria, Elena Volpato. Berlin: Archive Books, 2010: 212-213.
Ursprung, Philip. “What holds the Earth together in its inmost Sphere Nature, Art and Society in the Work of
Steiner, Beuys and Eliasson.” In Rudolf Steiner: Alchemy of the Everyday. Edited by Mateo Kries and Alexander
von Vegesack. Exhibition catalogue. Weil am Rhein: Vitra Design Museum, 2010: 260-271.
Utopic Curating. Arken Bulletin 2010, Volume 5. Edited by Christian Gether, Stine Høholt, Camilla Jalving, Signe
Marie Ebbe Jacobsen. Ishøj: ARKEN Museum of Modern Art, 2010: cover, 12, 14-15, 50-53.
Visual Catalog: Greg Lynn’s Studio; At the University of Applied Arts Vienna. Edited by Kristy Balliet and Brennan
Buck. New York: SpringerWien, 2010: 29.
Wilson, Stephen. Art + Science Now. London: Thames & Hudson Ltd, 2010: 105.
Zaccagnini, Carla. “Olafur Eliasson.” In Through: Instituto Inhotim. Edited by Adriano Pedrosa and Rodrigo Moura,
286-293. Belo Horizonte: Instituto Inhotim, 2009.
Zwischenzonen: La Colección Jumex, Mexico; 16.10.09-07.03.10. Edited by Fundación / Colección Jumex.
Exhibition catalogue. Ecatepec de Morelos: Fundación / Colección Jumex; Vienna: MUMOK Museum Moderner
Kunst Stiftung Ludwig Wien, 2010: 80-83.
2009
Museum Cruise. Exhibition catalogue. Edited by Fudo Misato; Kibi Kumiko;Yoshioka Emiko. Kanazawa: 21 st
Century Museum of Contemporary Art. 2009: 13, 16, 23.
TED Twenty Five. Conference catalogue. Long Beach: Performing Arts Centre. 2009.
50 Moons of Saturn: T2 Torino Triennale. Exhibition catalogue. Rivoli-Torino: Castello di Rivoli Museo d’Arte
Contemporanea; Torino: Fondazione Sandretto Re Rebaudengo; Torino: Fondazione Torino Musei; Milan: Skira
Editore S.p.A, 2009: 145-176.
200 Artworks - 25 Years: Artists’ Editions for Parkett. Edited by Mark Welzel. Exhibition catalogue. Kanazawa:
21 st Century Museum of Contemporary Art; Zürich / New York: Parkett Publishers, 2009: 138-139.
A. P. Møller Skolen. Edited by Mads Møller. Schleswig: A. P. Møller und Ehefrau Chastine Mc-Kinney Møllers
Stiftung für allgemeine Zwecke und Arkitektfirmaet C. F. Møller, 2009.
Beyond Architecture: Imaginative Buildings and Fictional Cities. Edited by Robert Klanten and Lukas Feireiss.
Berlin: Gestalten, 2009: 49.
At Fortælle Svend Åge Madsen: Toogtyve Genspejlinger. Edited by Lars Green Dall. Århus: Forlaget Klim, 2009:
cover.
Boros Collection / Bunker Berlin. Edited by Boros Foundation. Ostfildern-Ruit: Hatje Cantz, 2009: 46-47, 56-57,
72-73, 92-95, 116-117, 152-153, 156-157, 170-171, 176-177, 194-199.
Collection Musée d'Art Contemporain de Lyon. Edited by Thierry Raspail and Hervé Percebois. Lyon: Musée d'Art
Contemporain de Lyon; Milan: 5 Continents Editions, 2009: 170-171, 618.
Die Grosse Bertelsmann Lexiothek: Chronik des Jahrhunderts; 2008. Text and editing by Beatrix Gehlhoff, Petra
Schuldt, Ernst Christian Schütt, and Redaktionsbüro AWG, Hamburg. Gütersloh: Bertelsmann Lexikon Institut /
Wissenmedia GmbH, 2009: 386-387.
Bessler, Gabriele. Wunderkammern. Berlin: Dietrich Reimer Verlag GmbH, 2009: 139, 154.
Bonham-Carter, Charlotte, and David Hodge. The Contemporary Art Book. Edited by Johanne Wort. London:
Carlton Books Ltd, 2009: 72.
Eliasson, Olafur. “457 Words on Colour.” In Better than Grey: a Serious Consideration of Colour. Exhibition
catalogue. Suffolk: Bury St. Edmunds Art Gallery, 2009: 11.
Eliasson, Olafur. “Queridos Todos; Querido Visitante.” Translated by María Jesús Rivas. Previously published in
The Mediated Motion, Kunsthaus Bregenz, 2001. In Naturaleza y Artificio: El Ideal Pintoresco en la Arquitectura y
el Paisajismo Contemporáneos. Edited by Iñaki Ábalos, 221-225. Barcelona: Editorial Gustavo Gili, SL, 2009.
Eliasson, Olafur. “Los Modelos son Reales.” Translation by Moisés Puente. Luvina, Universidad de Guadalajara,
no. 56, Autumn 2009: I-XVI. Originally published in Los Modelos son Reales (Barcelona: Editorial Gustavo Gili,
S.L., 2009).
Eliasson, Olafur. “Verdner af Idag / Worlds of Today.” In Ib Geertsen: Mobiler. Edited by Pernille Taagaard
Dinesen and Jens Eik Sørensen, 48-49. Exhibition catalogue. Aarhus: ARoS Aarhus Kunstmuseum, 2009.
EM2N: Sowohl als auch. Edited by Ilka & Andreas Ruby. Exhibition catalogue. Zürich: gta Verlag, ETH Zürich,
2009: 30.
Erlkönig / Prototypes. Edited by Autostadt GmbH. Cologne: DuMont Buchverlag GmbH & Co.: 2009.
Experiment Marathon: Hans Ulrich Obrist & Olafur Eliasson. Edited by Emma Ridgway. Reykjavik: Reykjavik Art
Museum / Listasafn Reykjavíkur; London: Koenig Books; London: Serpentine Gallery, 2009.
Festkrift i billeder fra udstillingen "Happy Birthday" ARoS Aarhus Kunstmuseum 150 år, Aarhus: ARoS Aarhus

Kunstmuseum, 2009.
For Øjeblikket 1: Samtidskunst til Billedkunst C. Copenhagen: L&R Uddanelse.
Forty Are Better Than One: Edition Schellmann 1969-2009. Edited by Jörg Schellmann. Munich / New York:
Schellmann Art Production, 2009: 96-97.
Frank, Patrick. Prebles’ Artforms: An Introduction to the Visual Arts. 9 th edition. Upper Saddle River, New Jersey:
Pearson Prentice Hall, 2009: x, 195.
Future Images. Edited by Mario Cresci. Milan: 24 ORE Motta Cultura srl, 2009: 86-89.
Hara, Kenya. White / Weiss. Two editions in English and German. Baden: Lars Müller Publishers, 2009.
Herzogenrath, Wulf. “Die Erstreckung des Raumes.” In Im Norden. Inner booklet, “Olafur Eliasson.” Oldenburg:
Landessparkasse zu Oldenburg, 2009.
Gütersloher Grün: Ein Streifzug durch Parks und Grünanlagen zum 100. Stadtpark-Jubiläum. Gütersloh: Stadt
Gütersloh, 2009: 66-67.
Icelandic Art Today. Edited by Christian Schoen and Halldór Björn Runólfsson. Ostfildern: Hatje Cantz Verlag,
2009: 26-27.
Inhotim. Edited by Raquel Novais and Thais Herdy. Belo Horizonte: Instituto Inhotim, 2009: 64-65.
Jodidio, Philip. “Olafur Eliasson.” In Architecture Now! 6. Cologne: Taschen, 2009: 9, 134-143,491.
Katzberg, Michael. Cultures of Light: Contemporary Trends in Museum Exhibition. Amsterdam: Amsterdam School
for Cultural Analysis, Universiteit van Amsterdam, 2009: 44-48.
La Invención de lo Cotidiano. Exhibition catalogue. Centro Historicó: Museo Nacional de Arte; San Antonio:
Instituto Nacional de Bellas Artes y Literatura; Ecatepec de Morelos: Fundaciión/Collección Jumex, 2009: 174.
Metropole: Ressourcen / Metropolis: Resources, Volume 2. Hamburg: International Building Exhibition IBA
Hamburg; Berlin: Jovis Verlag GmbH: 98.
Nordic Talking: 4 ½ Years in Studio with Kjetil Thorsen. Edited by Kjetil Thorsen, Ursula Ender, and Petra
Cemusca. Innsbruck: Institut für Experimentelle Architektur.Hochbau; Vienna: Springer Verlag, 2009: 39.
Occasions: Josep Lluís Mateo. Edited by Josep Lluís Mateo and Marta Poch. Barcelona: Actar, 2009: 113.
Private View. Edited by Wendelin Renn. Exhibition catalogue. Villingen-Schwenningen: Städtische Galerie
Villingen-Schwenningen, 2009.
Rotating Views #1: Astrup Fearnley Collection / Rotasjoner #1: Astrup Fearnley Samlinen. Edited by Gunnar B.
Kvaran, Hanne Beate Ueland, Grete Aabu. Exhibition catalogue. Oslo: Astrup Fearnley Museet for Moderne Kunst,
2009: 36-37.
Sara Hildénin Taidemuseo: Flash! - Valoa Ja Liikettä. Exhibition catalogue. Tampere: Sara Hildénin Taidemuseo,
2009: 26-33.
Schaub, Mirjam and Jochen Volz. “Olafur Eliasson.” In Thyssen-Bornemisza Art Contemporary: The Collection
Book. Edited by Eva Ebersberger and Daniela Zyman, 138-151. Vienna: Thyssen-Bornemisza Art Contemporary;
Cologne: Verlag der Buchhandlung Walther König, 2009.
Schmidt, Petra, and Nicola Stattmann. Un/Folded: Paper in Design, Art, Architecture and Industry. Basel / Boston /
Berlin: Birkhäuser Verlag, 2009: 60-61.
Schröter, Jens. 3D: Zur Geschichte, Theorie und Medienästhetik des Technisch-transplanen Bildes. Munich:
Wilhelm Fink Verlag, 2009: 222-229.
Singer, Fanny and Alice Waters. “Take your time.” In 40 Years of Chez Panisse: The Power of Gathering. Edited by
Alice Waters. New York: Clarkson Potter/Publishers, 2011: 216-217.
Slash: Paper Under the Knife. Edited by Martina d’Alton. Exhibition catalogue. New York: Museum of Arts and
Design; New York: Harry N. Abrams, Inc., 2009: 100-103.
Snøhetta Works. Edited by Snøhetta. Baden: Lars Müller Publishers, 2009: 22-23, 208.
Spacecraft 2: More Fleeting Architecture and Hideouts. Edited by Robert Klanten and Lukas Feireiss. Berlin:
Gestalten, 2009: 236-237.
Textile Architecture / Textile Architektur. Edited by Sylvie Krüger. Berlin: Jovis Verlag GmbH: 42.
The Judith Rothschild Foundation Contemporary Drawings Collection: Catalogue Raisonné. Edited by Libby
Hruska. Exhibition catalogue. New York: The Museum of Modern Art, 2009: 122.
The Kaleidoscopic Eye: Thyssen-Bornemisza Art Contemporary Collection. Edited by Araki Natsumi, Tagomori
Miho, Sasaki Hitomi, and Oyamada Yoko. Exhibition catalogue. Tokyo: Mori Art Museum, 2009: 46-47.
The World is Yours: International Samtidskunst på Louisiana / Contemporary Art. Edited by Michael Juul Holm,
Anders Kold and Tine Colstrup. Exhibition catalogue. Danish and English editions. Humlebæk: Louisiana Museum
of Modern Art, 2009: 32-35.
Tøjner, Poul Erik. “Olafur Eliasson.” In Nyerhvervelser / New Acquisitions 2007-2008. Exhibition catalogue.
Humblebaek: Louisiana Museum of Modern Art, 2009.
Transitory Objects. Edited by Johannes Porsch and Daniela Zyman / Thyssen-Bornemisza Art Contemporary.
Exhibition catalogue. Cologne: Verlag der Buchhandlung Walther König: 7-8.
Updating Germany: 100 Projekte für Eine Bessere Zukunft. Edited by Friedrich von Borries + Matthias Böttger,
Raumtaktik. Exhibition catalogue, 11th Architecture exhibition, Venice Biennale, 2008. Ostfildern: Hatje Cantz,
2008: 272-275.
Ursprung, Philip. “Narcissistic Studio.” In The Fall of the Studio: Artists at Work. Edited by Wouter Davidts and
Kim Paice, 163-183. Antennae Series No. 1. Amsterdam: Valiz, 2009.

Was ist gute Kunst? Edited by Wolfram Völcker. Ostfildern: Hatje Cantz Verlag, 2009: 69, 71.
Weschler, Lawrence. Seeing is forgetting the name of the thing one sees: Over Thirty Years of Conversations with
Robert Irwin. Expanded edition. Berkeley: University of California Press, 2009.
Youniverse: Bienal de Arte Contemporáneo de Sevilla. Edited by Fundación BIACS. Exhibition catalogue. Sevilla:
Fundación BIACS, 2009: 312-313.
2008
2Move: Video Art Migration. Edited by Mieke Bal and Miguel Á. Hernández-Navarro, 176-177. Exhibition
catalogue, Traveling Exhibition. Murcia: CENDAC, 2008.
Arte Contemporanea: Scenari e Materiali. Special edition by il Gruppo Editoriale L'Espresso S.p.A., 94. Milan: La
Biblioteca di Repubblica-L'Espresso, 2008.
Art Now: Vol. 3. Editied by Hans Werner Holzwarth, 148–151. Cologne: Taschen.
Basting, Barbara. Kunst für Bauten, Kunst für Bürgerinnen und Bürger. Edited by Stadt Zurich, Amt für
Hochbauten. Zürich: Stadt Zurich, Amt für Hochbauten, 2008: 172.
Beccaria, Marcella. "Olafur Eliasson." In The Castle: The Collection. Edited by Michele Abate, 228-231. Exhibition
catalogue, Castello di Rivoli Museum of Contemporary Art, Torino. Milan: Skira Editore S.p.A., 2008.
Best of Austria: Eine Kunstsammlung. Exhibition catalogue. Linz: Lentos Kunstmuseum Linz; Weitra: publication
PNº1, Verlag für Literatur, Kunst und Musikalen, 2008: 104, 107.
Birnbaum, Daniel. The Hospitality of Presence: Problems of Otherness in Husserl's Phenomenology. Second
edition. Berlin: Sternberg Press, 2008.
Blickmaschinen oder wie Bilder entstehen: Die zeitgenössische Kunst schaut auf die Sammlung Nekes. Edited by
Nike Bätzner, Werner Nekes and Eva Schmidt. Exhibition catalogue. Siegen: Museum für Gegenwartskunst Siegen;
Budapest: Mücsarnok / Kunsthalle Budapest; Sevilla: Centro Andaluz de Arte Contemporáneo, 2009: 163-164, 170-
171, 279.
CCA project 05.1997 - 03.2007. Edited by Akiko Miyake. Kitakyushu: Center for Contemporary Art, CCA
Kitakyushu, 2007: 104-105.
Crary, Jonathan. "Olafur Eliasson: Visionary Events." In Danskjävlar - a Swedish Declaration of Love. Exhibition
catalogue. Copenhagen: Kunsthal Charlottenborg, 2008.
Das Sehen sehen. Neoimpressionismus und Moderne. Signac bis Eliasson. Edited by Matthias Haldemann, cover
image, 126, 127, 129, 172-175. Exhibition catalogue. Zug: Kunsthaus Zug; Ostfildern: Hatje Cantz Verlag, 2008.
Engelhard, Günter. "Olafur Eliasson." In DZ Bank Sammlung im Städel Museum / DZ Bank Collection in the Städel
Museum, 79-81. Edited by Luminita Sabau. Texts by Hubert Beck, Günter Engelhard, et al. Ostfildern: Hatje Cantz
Verlag, 2008.
L'Effet Papillon, 1989-2007. Geneva: Centre d'Édition Contemporaine, 2008.
Formulas for Now. Formulated by Hans Ulrich Obrist. London: Thames & Hudson, 2008: 47.
Full House: Kouri-Kokoelma Ja Minimalistisia Seikkailuja Amerikasta / The Kouri Collection and American
Minimalist Adventures. Edited by Satu Metsola and Arja Miller. Exhibition catalogue. Kiasma, Finland: Museum
of Contemporary Art Kiasma, 2008: 56-63.
Gärtner, Barbara. "The weather project." In Stations: 100 Meisterwerke Zeitgenössischer Kunst. Edited by Amélie
von Heydebreck, 152-153. With video CD. Cologne: DuMont Buchverlag, 2008.
Gletscher Dämmerung: Klimawandel und die Folgen. Edited by Sabine Adler and Robert Schmitt, 20-23. Eres
Stiftung, Munich. Immenstadt: Graphische Betriebe Eberl Gmbh, 2008.
Heavy Metal: Die unerklärbare Leichtigkeit eines Materials / On the Inexplicable Lightness of a Material. Edited by
Dirck Luckow. Exhibition catalogue, Kiel: Kunsthalle zu Kiel, 2008: 53, 220.
Jensen, Mette Jerl. Mur Sten: Forudsaetninger, Problemer, Muligheder. Copenhagen: Cinark; Det Kongelige
Danske Kunstakademi, Kunstakademiets Architektskole: 68-71.
Katalog 2008 / Catalog 2008. Edited by Beate Styri, Anneli Torgersen, and Mari Aarre. Oslo: KORO - Kunst i
Offentlege Rom / Public Art Norway, 2008: 28.
Kania, Elka. “Olafur Eliasson.” In Number One: Destroy, She Said; Julia Stoschek Collection. Edited by the Julia
Stoschek Foundation e.V., Dusseldorf, 163-167. Exhibition catalogue, Julia Stoschek Collection, Düsseldorf.
Ostfildern: Hatje Cantz Verlag, 2008.
Katalog 2007 / Catalog 2007. Edited by Anneli Torgersen, Dag Wiersholm, and Hilde Herming. Oslo: KORO -
Kunst i Offentlege Rom / Public Art Norway, 2007: 78-79.
Kunst und Klima / Art and Climate: Moralische Fantasien / Moral Imagination. Edited by Dorothee Messmer and
Markus Landert, 80-83. Exhibition catalogue, Warth: Kunstmuseum des Kantons Thurgau. Nürnberg: Verlag für
Moderne Kunst, 2008.
Lost Paradise – The Angel's Gaze. Edited by Juri Steiner and Armin Kerber. Exhibition catalogue, Zentrum Paul
Klee, Bern. Ostfildern: Dr. Cantz'sche Druckerei, 2008.
M/M (Paris). Live Recorded Delay: An Archive of Il Tempo del Postino. Edited by Charles Arsène-Henry.
Exhibition catalogue, Manchester Opera House, 2007. Berlin: Sternberg Press, 2008.
Mark, Lisa Gabrielle. "Olafur Eliasson." In This is Not to Be Looked at: Highlights from the Permanent Collection

of the Museum of Contemporary Art, Los Angeles. Senior Editing by Jane Hyun. Los Angeles: Museum of
Contemporary Art, 2008.
Nordiske Stemninger - vor tids landskabsfotografi / Nordic Moods - landscape photography of our time. Edited by
Christian Gether and Marie Louise Helveg. Exhibition catalogue. Ishøj: ARKEN Museum for Moderne Kunst,
2008: 36-39.
Ny Dansk Kunst / New Danish Art. Edited by Torben Zenth. Copenhagen: Kopenhagen Publishing, 2008: 336, 422-
431.
Outline: Architecture by Schmidt Hammer Lassen. Edited by Bjarne Hammer, Charlotte Schmidt, Runa Sabroe,
Rasmus Kierkegaard. Basel/Boston/Berlin: Birkhäuser Verlag AG, 2008: 76-77, 80-83.
Paixóns Privadas, Visións Públicas: Coleccións D.O. Galicia. Exhibition catalogue. Vigo: Museo de Artre
Contemporánea de Vigo: 154.
Plessi in Erlangen: Die Erlangen Arcaden und der Digital River. Mainz: Chorus Verlag für Kunst und
Wissenschaft; Essen: mfi Management für Immobilion AG, 2008: 60, 62.
Precisions. Edited by Ákos Moravánszky and Ole W Fischer. Berlin: Jovis Verlag, 2008: 36-41.
Revolutions - Forms That Turn. Edited by Carolyn Christov-Bakargiev. Exhibition catalogue, 2008 Biennale of
Sydney. Victoria: Thames & Hudson Australia, 2008: 145.
Smith, Elizabeth A.T. "The Comprehensivist: Buckminster Fuller and Contemporary Artists." In Buckminster
Fuller: Starting with the Universe. Edited by K. Michael Hays and Dana Miller, 60-75. New York: Whitney
Museum of American Art, in association with Yale University Press, New Haven and London, 2008.
Stafford, Barbara Maria. Echo Objects: The Cognitive Work of Images. Chicago / London: The University of
Chicago Press, 2007: cover,132-134.
True North. Exhibition catalogue, 36-39. Berlin: Deutsche Guggenheim; Ostfildern: Hatje Cantz Verlag, 2008.
U-TURN: Kvadriennale for Samtidskunst / Quadriennial for Contemporary Art. Exhibition catalogue. Initiated by
Kunstradet / Danish Arts Council. Copenhagen: U-TURN, 2008: 133, 170.
Ulrich Obrist, Hans. "Olafur Eliasson." Interview. In In Conversations, 217-226. Paris: Manuella Éditions, 2008.
Wahrheit ist, was uns verbindet. Edited by Matthias Bormuth and Monica Meyer-Bohlen. Image essay by Olafur
Eliasson. Exhibition catalogue, Carl von Ossietzky Universität Oldenburg. German and English editions. Bremen:
H.M. Hauschild GmbH, 2008.
We Europeans?: Media, Representations, Identities. Edited by William Uricchio. Changing Media, Changing
Europe Series, Vol. 6. Bristol: Intellect Books; Chicago: Intellect Books, 2008: cover.
Zeitblick. Ankäufe der Sammlung Zeitgenössischer Kunst der Bundesrepublik Deutschland 1998-2008. Edited by
Der Beauftragte der Bundesregierung für Kultur und Medien. Exhibition catalogue, Martin-Gropius-Bau, Berlin,
2008-09. Köln: DuMont Buchverlag, 2008: 147, 150-151.
Zoom in Zoom out: Z33 Contemporary Art & Design Projects collected; 29/10/2006-28/09/2008. Hasselt: Z33,
Zuivelmarkt 33; Gent: MER. Paper Kunsthalle, 2009: 41.
2007
1940s to Now: Guggenheim Collection. Edited by The Solomon R. Guggenheim Foundation, 228-229. Exhibition
catalogue. Melbourne: National Gallery of Victoria, 2007.
2move: Video Art Migration. Edited by Mieke Bal and Miguel Á. Hernández-Navarro. Murcia: Cendeac, 2008: 176-
177.
Art in action: Nature, Creativity and Our Collective Future. Edited by Raoul Goff et al. , 16-17. San Rafael: Earth
Aware Editions, 2007.
Blom, Ina. On the Style Site: Art, Sociality, and Media Culture. Berlin: Sternberg Press, 2007: 116-123, 217, 236-
237.
"Das Sehen des Selbst." Art for Innovation: Stuttgart 2007. Edited by Zentralabteilung Anlagen und Bauten der
Robert Bosch GmbH, 42-45. Stuttgart: Robert Bosch GmbH, 2007.
Eckmann, Sabine and Lutz Koepnick. Window Interface. With contribution by Anne Fritz. Exhibition catalogue, 60,
68-69. St. Louis: Mildred Lane Kemper Art Museum, Washington University, 2007.
Eliasson, Olafur. “Having Hreinn in Mind.” In Hreinn Fridfinnsson. Exhibition catalogue, 24-25. London:
Serpentine Gallery; Reykjavik: Reykjavik Art Museum; Cologne: Verlag der Buchhandlung Walther König, 2007.
Fast Forward: Contemporary Collections for the Dallas Museum of Art. Edited by María de Corral and John R.
Lane. Exhibition catalogue, Dallas Museum of Art, 2007. Dallas: Dallas Museum of Art; New Haven / London:
Yale University Press, 2007: 300-301.
Findings on Ice. Edited by Hester Aardse & Astrid van Baalen, 44-49. Amsterdam: Pars Foundation; Baden: Lars
Müller Publishers, 2007.
Fortunate Objects: Selections from the Ella Fontanals-Cisneros Collection / Objetos Afortunados: Selección de la
Colección Ella Fontanals-Cisneros. Exhibition catalogue. Milan / New York: Charta Books Ltd.; Miami: Cisneros
Fontanals Art Foundation (CIFO), 2007: 60-63.
FOTO.KUNST. Edited by Lucie Binder-Sabha and Silvia Köpf, 99-101. Klosterneuburg/Wien: Edition Sammlung
Essl, 2007.
futuresystems: rare momente. Exhibition catalogue, 14-15, 23, 34-37. Linz: Lentos Kunstmuseum; Vienna:

Schlebrügge.Editor, 2007.
Gehen. Bleiben; Bewegung, Körper, Ort in der Kunst der Gegenwart. Edited by Volker Adolphs and Philip Norten,
178-181. Ostfildern: Hatje Canz Verlag; Bonn: Kunstmuseum Bonn, 2007.
Gianni Colombo: Il Dispositivo Dello Spazio. Edited by Giorgio Bigatti. Exhibition catalogue. Milan: Rotonda di
via Besana; Skira Editore, 2006: 13.
Hollensteiner, Walter. "Portikus." In Kunst lehren / Teaching art. Edited by Heike Belzer and Daniel Birnbaum,
207-213. Frankfurt am Main: Staatliche Hochschule für Bildende Künste, Städelschule; Köln: Verlag der
Buchhandlung Walther König, 2007.
"I can only see things when I move". Positionen zeitgenössischer Kunst auf Paper. Edited by Katharina Hoins et al.,
8. Dresden: Kupferstitch-Kabinett, Staatliche Kunstsammlungen Dresden; Munich / Berlin: Deutscher Kunstverlag,
2007.
Inhotim Centro de Arte Contemporânea. Collection catalogue. Belo Horizonte, 2007.
Kunstmaschinen Maschinenkunst / Art Machines Machine Art. Edited by Katharina Dohm et al., 56-63. Heidelberg:
Kehrer Verlag Heidelberg; Frankfurt: Shirn Kunsthalle Frankfurt; Basel: Museum Tinguely, 2007.
Loreck, Hanne. "Mode als Zeichnung im Raum - Streiflichter." In Räume der Zeichnung. Edited by Angela
Lammert et al., 223-243. Berlin: Akademie der Kunste; Nürnberg: Verlag für moderne Kunst, 2007.
Models, 306090 Books Volume 11. Edited by Emily Abruzzo, Eric Ellingsen and Jonathan D. Solomon. Preface by
Olafur Eliasson, 18-25. New York: 306090, Inc., 2007.
Obrist, Hans Ulrich. "Olafur Eliasson: From Exhibition Space to Architectural Space." In DLD 2007: Book for
Friends. Edited by Robert Jacobi, 206-209. Munich: DLD (Digital, Life, Design), 2007. Previously in: Colour
Memory and Other Informal Shadows: Olafur Eliasson. Edited by Studio Olafur Eliasson and Marit Woltmann.
Oslo: Astrup Fearnley Museet for Moderne Kunst, 2004.
Obrist, Hans Ulrich. “What Eliasson and Fridfinnsson teach us.” In Distance. Edited by Koji Mizutani, 126-133.
Tokyo: Infas Publications, 2007.
Maurer, Simon. "Olafur Eliasson." Welt-Bilder 2 / World Images 2. Edited by Helmhaus Zürich. Exhibition
catalogue, Helmhaus Zürich. Nürnberg: Verlag für moderne Kunst Nürnberg, 2007.
Meister, Carolin. "Konvulsivische Natur: Olafur Eliassons Phänomenotechnik." In Vermessen: Landschaft und
Ungegenständlichkeit. Edited by Werner Busch and Oliver Jehle, 13-31. Zürich/Berlin: Diaphanes, 2007.
Nature Design. Edited by Angeli Sachs and Museum Für Gestaltung Zürich, 132-135. Exhibition catalogue. Baden:
Lars Müller Publishers, 2007.
Natural metaphor. An Anthology of Essays on Architecture and Nature. Edited by Joseph Lluis Mateo, 112-123.
Barcelona/New York: Actar, 2007.
Oris 48. Edited by Vera Grimmer, 18-27. Zagreb: Arhitekst, 2007.
Space for Your Future. Exhibition catalogue, Museum of Contemporary Art, Tokyo. Tokoname: INAX, 2007.
Wanas: 20 th anniversary. Edited by Marika Wachtmeister. Exhibition catalogue. Knislinge: The Wanas Foundation,
2007: 57, 59.
2006
Anstoss Berlin, 74-75. BerlIn Haus am Waldsee, 2006.
Arte All’Arte: Art Quality Sustainability. San Gimignano: Associazione Arte Continua, 2006.
Bjerge I Dansk Kunst - fra Willumsen til Parfyme. Exhibition catalogue, 58-59. Herning: Herning Kunstmuseum,
2006.
Bühne des Lebens - Rhetorik des Gefühls. Stage of Life - Rhetorics of Emotion. Exhibition catalogue, 134. Munich:
Städtische Galerie im Lenbachhaus München, 2006.
Constructing New Berlin. Exhibition catalogue, 86-89, 134. Phoenix: Phoenix Art Museum, 2006.
Der erste Blick. Die Sammlung GAG. Exhibition catalogue, 50-51. Weimar: Klassik Stiftung Weimar, 2006.
Eliasson, Olafur. “The Madagascar Hall series.” Image essay in Miniatur und Panorama: Vogt
Landschaftsarchitekten; Arbeiten 2000-2006. By Günther Vogt. Baden: Lars Müller Publishers, 2006: 496-525.
Ellipse Foundation Contemporary Art Collection. Exhibition catalogue. Cascais: Ellipse Foundation Contemporary
Art Collection, 2006.
Fantastic Politics. Art in Times of Crisis / Fantastisk politikk. Kunst i turbulente tider. Exhibition catalogue, 116-
119. Oslo: Nasjónalmuseet for Kunst, Arkitektur og Design, 2006.
FASTER! BIGGER! BETTER! Signierte Werke der Sammlungen im ZKM / Museum für Neue Kunst. Edited by
Gregor Jansen and Peter Weibel, 100-101. Cologne, 2006.
Eye on Europe. Prints, Books & Multiples / 1960 to Now. Edited by Deborah Wye and Wendy Weitman. New York:
The Museum of Modern Art, 2006.
Vitamin Ph. New Perspectives in Photography. London, 2006: 84-87.
Hans Ulrich Obrist, ...dontstopdontstopdontstopdontstop. New York/Berlin, 2006: 99-103.
Intensive Science. Exhibition catalogue, 10-12. Paris: La Maison Rouge, 2006.
L’art moderne et contemporain. Edited by Serge Lemoine, 304-305. Paris, 2006.
Nr. 1 - Dansk hiphopkultur siden 1983. Edited by Rune Skyum-Nielsen. Copenhagen: Informations Forlag, 2006:

31.
One Year Celebration. A Poster Project. Edited by Peter Huyghe. Gent, 2006.
Schifferle, Judith: “Olafur Eliasson.” In The UBS Art Collection: Fotographie. Edited by The UBS Art Collection in
collaboration with Katja Vobiller. Zürich: UBS AG, 2006: 68-75.
Skaalanihe. Shiftscale. Sculpture at the Extended Field. Exhibition catalogue. Tallinn: Kumu Art Museum, 2006.
Testigos / Witnesses. Exhibition catalogue. NMAC Foundation, 2006: 86-89.
The air is blue. Insights on art & architecture: Luis Barragán Revisited. Edited by Hans Ulrich Obrist and Pedro
Reyes, 50-53. Mexico: LAR / Fernando Romero, 2006.
The Expanded Eye: Sehen - entgrenzt und verflüssigt. Exhibition catalogue, 206. Zurich: Kunsthaus Zürich, 2006.
Visuell – Blind Date. Neuerwerbungen der Sammlung Deutsche Bank. Exhibition catalogue, 31, 208. Galerie
Kunstforum Seligenstadt, 2006.
2005
Lichtkunst aus Kunstlicht. Licht als Medium der Kunst im 20. und 21. Jahrhundert. Light art from artificial light.
Light as a Medium in 20th and 21st Century Art. Edited by Peter Weibel and Gregot Jansen. Exhibition catalogue.
Karlsruhe, 2005-2006.
Always a Little Further. Exhibition catalogue, 94-99. La Biennale di Venezia, 51. International Art Exhibition.
Venice 2005.
Arte All’Arte 10. Arte Architettura Paesaggio. Exhibition catalogue. San Gimignano: Arte Continua, 2005: 42-47.
Bienalja e Tiranës 3: Tabu Molisëse; 5 Episode / Tirana Biennale 3: Sweet Taboos; 5 Episodes. Tirana: Tirana
Biennale, 2005: cover, 60-63, 371.
BTG? 4: Bridge the Gap? 4. Exhibition catalogue. Edited by Akiko Miyake and Hans Ulrich Obrist. Kitakyushu:
Center for Contemporary Art CCA Kitakyushu, 2006: 26-27, 60-61.
Castello di Rivoli, 20 Anni d’Arte Contemporanea. Milan 2005: 314-315.
Expérience de la durée. Exhibition catalogue. Lyon: Biennale de Lyon, 2005: 126-129.
Hannula, Mika - Suoranta, Juha -Vadén, Tere. Artistic Research - Theories, Methods and Practices, published by
Academy of Fine Arts, Helsinki, Finland and University of Gothenburg / ArtMonitor, Gothenburg. Sweden 2005:
130-136.
Here Comes the Sun. Exhibition catalogue. Stockholm: Magasin 3 Stockholm Konsthall, 2005.
Kunstwegen: Der vechte Folgen / De vecht Volgen. Edited by Roland Nachtigäller. Nordhorn: Kunstwegen EWIV,
2005.
Making Things Public: Atmospheres of Democracy. Edited by Bruno Latour and Peter Weibel. Karlsruhe: ZKM |
Center for Art and Media Karlsruhe; Cambridge, Massachusetts and London, England: The MIT Press, 2005: 258-
259.
Material Time, Work Time, Life Time. Exhibition catalogue, 26-33. Reykjavik: Reykjavik Arts Festival, 2005.
No. 1: First Works by 362 Artists. Edited by Francesca Richter and Matthew Rosenzweig. New York:
D.A.P./Distributed Art Publishers, Inc., 2005: 125.
EN / OF 001-030. Schriftenreihe Museum Kurhaus Kleve – Ewald Mataré-Sammlung Nr. 28. Edited by Robert
Meijer, Guido de Werd. Published by Freundeskreis Museum Kurhaus und Koekkoek – Haus Kleve e.V.. Frankfurt
am Main: Revolver books, 2005: 57, 66-67.
Ny Dansk Kunst. Copenhagen: Kopenhagen Publishing / Shooting Gallery Press, 2006: 88-91.
Schultz-Möller, Regina. “Olafur Eliasson: Your space embracer; Einsteinturm.” In Einstein Spaces: Neun
Kunstprojekte in Berlin, Potsdam und Caputh. Berlin: Einstein Forum, 2005: 73-78.
Ursprung, Philip. “Im Smog der Globalisierung: Olafur Eliassons ‘The weather project.’” In Werke im Wandel?:
Zeitgenössische Kunst zwischen Werk und Wirkung. Edited by Lars Blunck, 107-122. Munich: Verlag Silke
Schreiber, 2005.
Wolkenbilder. Die Erfindung des Himmels. Exhibition catalogue. Aarau: Aargauer Kunsthaus, 2005.
2004
Að flytja fjöll. Production by Inga Jónsdóttir. Exhibition catalogue. Árnesinga: Listasafns Árnesinga, 2007: 30-31.
Architecture Now! 3 / Architektur heute / L’Architecture d’Aujourd’hui. Edited by Philip Jodidio. Cologne: Taschen,
2004: cover, 2, 178-182.
Bewegliche Teile. Formen des Kinetishcen. Basel: Kunsthaus Graz am Tinguely, 2004-2005: 204-205.
Caci. Collection catalogue. Inhotim: Centro de Arte Contemporanea, 2004.
ein-leuchten. Edited by Daniela Zyman, 57-63. Exhibition catalogue. Vienna: Museum der Moderne Salzburg, 2004.
Eliasson, Olafur. Transcript of presentation. Art Basel Conversations. Basel: Art 35 Basel, 2004: 76.
Invisible. Exhibition catalogue, 128-133. Siena: Palazzo delle Papesse Centro Arte Contemporanea, 2004.
Landscape and Memory, Exhibition catalogue. Centro Atlántico de Arte Moderno. 2004.
Limelette, Contemporary Photographs. Edited by Von Group Lhoist Collection, Limelette, 2004: 144-147.

Los usos de la imagen. Exhibition catalogue, 186-188. Buenos Aires: La Colleción Jumex, 2004.
Medvedow, Jill and Carole Anne Meehan. “Vita: History, Landscape, and Art 1998-2003.” Boston: Institute of
Contemporary Art; Steidl, 2004.
Parkett - 20 Years of Artists’ Collaborations. Exhibition and catalogue edited by Mirjam Varadinis, with Eveline
Schmid. Exhibition catalogue, Kunsthaus Zürich, 2004-05. Zürich / New York: Parkett Publishers, 2004: 23, 109,
192-193, 199.
Recherche - entdeckt! Bildarchive der Unsichtbarkeiten. Edited by Andreas Bauer with Ludwig Seyfarth, 202-215.
Exhibition catalogue. Esslingen: 6 Internationale Foto-Triennale, 2004.
Sánchez, Alberto. “Olafur Eliasson. In Colección de Fotografía Contemporánea de Telefónica. Exhibition
catalogue. Edited by Olivares y Asociados, S.L., 115-121. Madrid: Fundación Telefónica, 2004.
Sensi contemporanei in Campania dalla 50tesima Esposizione Internazionale d’Arte della Biennale di Venezia,
Exhibition catalogue. Edited by Francesco Bonami with Molly Nesbit, Hans Ulrich Obrist, Rirkrit Tiravanija. Bari,
2004: 31.
The Encounters in the 21st Century: Polyphony - Emerging Resonances, Exhibition catalogue, 32-33. Kanazawa:
21st Century Museum of Contemporary Art, 2004-05.
Turbulenz: Portikus Projekte 2001-2004. Edited by Jochen Volz. Frankfurt am Main: Portikus, 2004: 104-105.
Werke aus der Sammlung Boros. Edited by Götz Adriani, 72-93. Exhibition catalogue. Stuttgart: Museum für Neue
Kunst | ZKM Karlsruhe, 2004.
2003
After the Observatory. Exhibition catalogue. New York: Paula Cooper Gallery, 2003.
Coysh, Louise. “Olafur Eliasson.” In The Straight or Crooked Way: Curating Experience. Exhibition catalogue, 63-
68. London: Royal College of Art, 2003.
Dreams and Conflicts: The Dictatorship of the Viewer; 50th International Art Exhibition; La Biennale di Venezia.
Edited by Francesco Bonami and Maria Luisa Frisa. Exhibition catalogue. Venice: La Biennale di Venezia, 2003:
340, 348-349, 520-521, 627.
Eggel, Caroline. “Ohne einen Glaspalast ist das Leben eine Last.” In No Art = No City! Stadtutopien in der
zeitgenössischen Kunst/Urban Utopias in Contemporary Art. Edited by Florian Matzner et al., 43-45. Exhibition
catalogue. Bremen: Städtische Galerie im Buntentor; Ostfildern-Ruit, 2003.
Einbildung: Das Wahrnehmen in der Kunst/Imagination: Perception of Art. Edited by Peter Pakesch, 78-79.
Exhibition catalogue. Graz: Kunsthaus Graz; Cologne, 2003.
Eliasson, Olafur. “Museums are Radical.” In Jahresring 50. Jahrbuch für moderne Kunst. Edited by Marjorie
Jongbloed et al., 180-185. Cologne, 2003.
Eliasson, Olafur. “Quasi Brick Wall: Pared de ladrillos quasi.” In Fundación NMAC 2002/2003. Exhibition
catalogue, 22-27. Fundación NMAC, Montenmedio Arte Contemporáneo; Vejer de la Frontera, 2003.
History of Modern Art, 5th Edition, 763. London: Laurence King Publishing Ltd., 2003.
Imperfect Innocence: The Debra and Dennis Scholl Collection. Edited by Diana Murphy, 70-71. Exhibition
catalogue. Baltimore: Contemporary Museum, Baltimore; Lake Worth: Palm Beach Institute of Contemporary Art,
2003.
Jakobsen, Lise, and Gitte Ørskou. “Olafur Eliasson.” In Dreams and Conflicts: The Dictatorship of the Viewer: La
Biennale di Venezia: 50th International Art Exhibition. Exhibition catalogue, 520-521. Venice: 50 Biennale Venice,
2003.
Kopplin, Bärbel. “Olafur Eliasson.” In Münchens neue Altstadt: Schäfflerhof-Fünf Höfe. Munich 2003: 32-33.
Kretzschmar, Iris. ”Spiel mit dem einfallenden Sonnenlicht.” In Hybride Zonen: Kunst und Architektur in Basel und
Zürich/Hybrid Zones: Art and Architecture in Basel and Zurich. Eds. Sybille Omlin and Karin Frei Bernasconi.
Basel 2003: 138-139.
Obrist, Hans Ulrich. “Olafur Eliasson.” In Interviews: Volume I. Edited by Thomas Boutoux, 193-209. Milan, 2003.
Rent-a-Bench. Exhibition catalogue. Kolding: Trapholt Museum, 2003: 19, 75.
See History 2003: Eine Sammlung wird ausgestellt. Edited by Dirk Luckow, 17. Exhibition catalogue. Kiel:
Kunsthalle zu Kiel der Christian-Albrechts-Universität, Schleswig-Holsteinischer Kunstverein Kiel, 2003.
Subjective Realities, Refco Collection of Contemporary Photography, 2003.
Svjetlina: Djela iz Thyssen-Bornemisza Zaklade za suvremenu umjetnost/Brightness: Works from the Thyssen-
Bornemisza Contemporary Art Foundation. Exhibition catalogue, 30-33. Museum of Modern Art; Dubrovnik, 2003.
The Fifth System: Public Art in the Age of “Post-Planning.” Exhibition catalogue, 55-65. The 5th Shenzhen
International Public Art Exhibition.
Tirana Biennale 2. Exhibition catalogue. Tirana: Biennale Tirana, 2003.
2002
Archer, Michael. Art Since 1960. New edition, 240. New York, 2002.

Ars Photographica: Fotografie und Künstlerbücher. Edited by Anne Thurmann-Jajes, 166. Exhibition catalogue.
Neues Museum Weserburg; Bremen, 2002.
Art Now: 137 Artists at the Rise of the New Millenium/137 Künstler zu Beginn des 21. Jahrhunderts/137 artistes au
commencement du 21ème siècle. Edited by Uta Grosenick and Burkhard Riemschneider, 132-135. Cologne, 2002.
Art Now: 137 Artists at the Rise of the New Millennium. Edited by Uta Grosenick and Burkhard Riemschneider,
132-135. Cologne, 2002.
Die schönsten Schweizer Bücher / Les plus beaux livres suisses 2002. Zürich: Bundesamt für Kultur, 2002: section 1
in 1 st section; page 20 in 2 nd section.
Clausen, Barbara. “Olafur Eliasson.” In Thin Skin. The Fickle Nature of Bubbles: Spheres: and Inflatable Structures.
Edited by Independent Curators International. Exhibition catalogue, 32-33. New York: AXA Gallery; Scottsdale:
Scottsdale Museum of Contemporary Art; Gemeentemuseum Helmond; Chicago: McAllen International Museum,
Chicago Cultural Center; Edward A. Ulrich Museum of Art, Wichita State University. Wchita: Boise Art Museum,
2002.
Dialoghi Europei d’arte: Città di Napoli. Edited by Anna Casotti, 75-92. Exhibition catalogue. Naples: Castel
dell’Ovo and Castel Nuovo; Milan, 2002.
Diamanti: Arte. storia. Scienza. Exhibition catalogue, 44-45. Scuderie del Quirinale; Rome, 2002.
Eliasson, Olafur. “Lo único que tenemos en común é que somos diferentes.” In XXVII Bienal de Arte de
Pontevedra: Narrando: espacios: tiempos: historias. Exhibition catalogue, 54-57, 206-207. Pontevedra: Pazo da
Cultura de Pontevedra, 2002.
Eliasson, Olafur. “Seeing you Sensing.” In Bridge the Gap? Edited by Akiko Miyake & Hans Ulrich Obrist, 49-57.
On occasion of the conference “Bridge the Gap?”, CCA Kitakyushu, 2001. Cologne: Verlag der Buchhandlung
Walther König; Kitakyushu: Center for Contemporary Art, CCA, 2002.
EVN Sammlung: Ankäufe 2000-2002. Edited by EVN AG, 16. Maria Enzersdorf, 2002.
Formanek, Verena. “‘Your Spiral View’ von Olafur Eliasson.” In Claude Monet … bis zum digitalen
Impressionismus. Exhibition catalogue, 226-235. Riehen: Fondation Beyeler; Munich, 2002.
Golart Stiftung München 1997-2001. Munich, 2002.
Katalog 32. Statens konstråd 2002. Edited by Susanne Eriksson, 12-15, 64-67. Stockholm, 2003.
No Return. Exhibition catalogue, 128-129. Städtisches Museum Abteiberg; Mönchengladbach, 2002.
Oluf Høst i dialog med nutiden. Edited by Anna Krogh and Jens Erik Sørensen. Exhibition catalogue, 25. Aarhus:
Kunstmuseum Aarhus, 2002.
“Qu’est-ce que l’art?/What Is Art Today?” Beaux-Arts Magazine, special issue. Paris 2002: 116-119.
Radar: Electronic Integration. Exhibition catalogue, 14-15. Copenhagen; Malmö, 2002.
Rondeau, James. “The Mobility of the Real: Olafur Eliasson Is Now.” In The Hugo Boss Prize 2002: Francis Alÿs,
Olafur Eliasson, Hachiya Kazuhiko, Pierre Huyghe, Koo Jeong-a, Anri Sala. Exhibition catalogue, 37-49. New
York: Solomon R. Guggenheim Museum, 2002.
Schoen, Anne. ”Olafur Eliasson.” In Künstler: Kritisches Lexikon der Gegenwartskunst, 58, no 11, 2nd quarter.
Munich, 2002.
Španjol, Igor. ”Rhythmical Images.” In Galerija Škuc 1999/2000. Edited by Gregor Podnar. Exhibition catalogue.
Ljubljana: Galerija Škuc, 2002: 94-95.
The Object Sculpture. Exhibition catalogue, 146-149. Leeds: Henry Moore Institute, 2002.
2001
6th Carribean Biennial. Exhibition catalogue. The Golden Lemon, St. Kitts. Dijon 2001, no page numbers.
Arts in Transit: 2000-2001 Catalog. Edited by Arts in Transit, Bi-State Development Agency. St. Louis, 2001: 6-9.
Aubette: Het verlangen naar een (andere) plaats. Exhibition catalogue, 30-33. Museum Dhondt-Dhaenens; Deurle,
2001.
Cavallucci, Fabio and Pier Luigi Tazzi. ”Refreshing.” In La Biennale di Venezia: 49. Esposizione Internazionale
d’Arte: Platea dell’umanita. Exhibition catalogue, 306-307. Venice: Biennale Venice, 2001, vol. 1.
Eliasson, Olafur. “457 Words on Color.” In Bridge the Gap? Programme Book. Edited by Miyake Akiko et al., 76-
77. Kitakyushu: CCA Center for Contemporary Art, 2001.
Eliasson, Olafur. “Die einzige Sache, die wir gemeinsam haben, ist, dass wir verschieden sind.” In Public Art: Kunst
im öffentlichen Raum. Edited by Florian Matzner, 443-445. Ostfildern-Ruit, 2001.
En pleine terre: Eine Wanderung zwischen Landschaft und Kunst: Spiral Jetty und Potsdamer Schrebergärten.
Exhibition catalogue. Museum für Gegenwartskunst Basel der öffentlichen Kunstsammlungen Basel und der
Emanuel Hoffmann-Stiftung. Basel, 2001.
Everything Can Be Different. Exhibition catalogue. Ann Arbor: Jean Paul Slusser Gallery, University of Michigan
School of Art and Design; Memphis: Art Museum, University of Memphis; Baltimore: Maryland Institute College
of Art; New York, 2001.
Form Follows Fiction/Forma e finzione nell’arte di oggi. Edited by Jeffrey Deitch. Exhibition catalogue. Turin:
Castello di Rivoli, Museo d’Arte Contemporanea; Milan 2001.
Freestyle: Werke aus der Sammlung Boros. Exhibition catalogue, 82-98, 154. Leverkusen: Museum Morsbroich;

Cologne, 2001.
International Triennale of Contemporary Art Yokohama 2001. Edited by Makabe Maori and Mikami Yutaka.
Exhibition catalogue, 30-31, 200-201. Yokohama, 2001.
Kunstwegen: Das Reisebuch: Kunst. Natur und Geschichte im deutsch-niederländischen Vechtetal. Edited by Martin
Köttering and Roland Nachtigäller, 244-249. Nordhorn, 2001.
Neue Welt. Edited by Nicolaus Schafhausen, 40-41. Exhibition catalogue. Frankfurt/Main: Frankfurter Kunstverein,
2001.
Reust, Hans-Rudolf. “Olafur Eliasson.” In Black Box: Der Schwarzraum in der Kunst. Edited by Ralf Beil, 108-113.
Exhibition catalogue. Kunstmuseum Bern; Ostfildern-Ruit, 2001.
Trummer, Thomas. “Olafur Eliasson: Cartographic Series: 2000.” In The Waste Land: Wüste und Eis:
Ödlandschaften in der Fotografie. Edited by Thomas Trummer, 128-135. Exhibition catalogue. Zentrum für
zeitgenössische Kunst der Österreichischen Galerie Belvedere; Atelier Augarten; Vienna, 2001.
2000
de Corral, María. “Olafur Eliasson: Deus ex machina.” In ForwArt: A Choice. Exhibition catalogue, 28-33. BBL;
Brussels, 2000.
Christofori, Ralf. "The Vitality of Non-Orthogonal Abstraction," In Raumkörper. Basel: Kunsthalle Basel, 2000.
Crary, Jonathan. “Olafur Eliasson.” In Amnon Barzel, Targetti Artlight Collection 2000. 148-153.
Eliasson, Olafur. “synaesthetics.” In TRANS>arts:cultures: media #8. Santa Monica. 92-107.
The Greenhouse Effect. Edited by Ralph Rugoff and Lisa G. Corrin, 52-53. Exhibition catalogue. London:
Serpentine Gallery, 2000.
Matzner, Florian. “Erwünschte Momente: Kunst und Stadt in den 90er Jahren.” In Unerwünschte Momente:
Moderne Kunst im Stadtraum. Edited by Walter Grasskamp, 3rd edition, 171-192. Munich, 2000.
Organising Freedom: Nordisk 90-talskonst/Nordic Art of the 90’s. Edited by David Elliott, 50-53. Exhibition
catalogue. Stockholm: Moderna Museet, 2000.
Over the Edges. Book of pictures no. 13. Exhibition catalogue, 86-89. SMAK Stedelijk Museum voor Actuele
Kunst; Gent, 2000.
Panorama 2000: Kunst in Utrecht te zien vanaf de Domtoren/Art in Utrecht Seen from the Dom Tower. Edited by
Marja Bosma et al., 52-55. Exhibition catalogue. Centraal Museum; Utrecht, 1999.
Preis der Nationalgalerie für junge Kunst. Edited by Verein der Freunde der Nationalgalerie. Exhibition catalogue.
Berlin: Nationalgalerie im Hamburger Bahnhof, Museum für Gegenwart, 2000.
Raumkörper: Netze und andere Gebilde. Edited by Peter Pakesch. Exhibition catalogue. Basel: Kunsthalle Basel,
2000.
Steffensen, Erik. Caves and Exits. Copenhagen: The Royal Danish Academy of Fine Arts, 2000: 66-67.
Steiner, Rochelle. “Olafur Eliasson: Interview.” In Wonderland. Exhibition catalogue, 55-59. St. Louis: St. Louis
Museum of Art, 2000.
Syndrome. Exhibition catalogue. IASPIS Galleriet; Stockholm, 2000.
Times Are Changing: Auf dem Wege! Aus dem 20. Jahrhundert! Eine Auswahl von Werken der Kunsthalle Bremen
1950-2000. Edited by Kunstverein Bremen, 47. Exhibition catalogue. Bremen: Kunsthalle Bremen, 2000.
Vision og virkelighed: Forestillinger om det 20. århundrede/ Vision and Reality: Conceptions of the 20th Century.
Exhibition catalogue, 70-71. Louisiana Museum for Moderne Kunst; Humlebæk, 2000.
Wanås 2000. Exhibition catalogue, 24-25. Knislinge: Stiftelsen Wanås Utställningar, 2000.
Wissenschaft und Kunst auf dem Campus Berlin-Buch. Edited by BBB, 34-35. Berlin: Biomedizinischer
Forschungscampus Berlin-Buch, 2000.
Z2000: Positionen junger Kunst und Kultur. Edited by Akademie der Künste, 70. Berlin, 2000.
1999
A Project for the Castle. Exhibition catalogue, 314-315. Castello di Rivoli; Milan: Museum of Contemporary Art,
1999.
Art at the Turn of the Millennium/Ausblick auf das neue Jahrtausend. Edited by Uta Grosenick and Burkhard
Riemschneider, 144-145. Cologne, 1999.
Arte all’Arte: IV Edizione 1999. Exhibition catalogue, 70-87. San Gimignano: Arte Continua, 1999.
Birnbaum, Daniel. "Cosmology, Ecstasy & Versions of the Sun: A Journey into Light. " In Like Virginity, Once
Lost: Five views on Nordic Art Now. Edited by Daniel Birnbaum and John Peter Nilsson, 61-62. Lund: Propexus,
1999.
Can You Hear Me? 2. Ars Baltica Triennale der Photokunst / 2nd Ars Baltica Triennial of Photographic Art. Edited
by Kathrin Becker, 34-35, 120-121. Exhibition catalogue. Kiel: Stadtgalerie im Sophienhof; Cologne: Kunsthalle
Rostock, 1999.
Carnegie International 1999 2000. Exhibition catalogue, 32-33, 102, 170. Pittsburgh: Carnegie Museum of Art,

1999.
Eliasson, Olafur. “Proposal for the ‘Sculpture Biennial 1999’.” In Skulptur-Biennale 1999 im Münsterland. Edited
by Kreis Coesfeld, 80-85. Exhibition catalogue. Dülmen, 1999.
Giloy-Hirtz, Petra. Schöpfung. Exhibition catalogue, 112-115, 192. Munich: Karmelitenkirche; Diözesanmuseum
Freising; Landshut: Heilig-Geist-Kirche; Ostfildern-Ruit, 1999.
Jensen, Marianne Krogh. “Olafur Eliasson.” In La Biennale di Venezia: 48. Esposizione Internationale d’Arte:
dAPERTutto. Exhibition catalogue. Edited by Harald Szeemann. Venice 1999: 278-281.
Künstler für Kinder 1999. Published on the occasion of the benefit art auction for children, 1999, as part of the
partnership between the city of Berlin and UNICEF. Berlin, 1999.
Kunstprojekte im Haus der Deutschen Wirtschaft: Wegweiser zu den Dauerinstallationen. Zum Kunstraum und zur
Sammlung des Kulturkreises der deutschen Wirtschaft im BDI e. V. in Berlin. Edited by Kulturkreis der deutschen
Wirtschaft im Bundesverband der Deutschen Industrie, 5-7. Berlin, 1999.
Jensen, Marianne Krogh. “Olafur Eliasson.” In Neste Stopp: Kunstfestivalen I Lofoten. Exhibition catalogue.
Kunstfestivalen I Lofoten, 1999: 4-5.
Parreno, Philippe. “My Days Are Shorter than Your T-Shirt.” In German Open: Gegenwartskunst in Deutschland.
Exhibition catalogue. Wolfsburg: Kunstmuseum Wolfsburg; Ostfildern-Ruit, 1999.
Photography from the Martin Z. Margulies Collection. Exhibition catalogue, 28. Miami: The Art Museum at Florida
International University, 1999.
Saman taivaan alla: Taidetta kaupungissa 1999-2000: Under samma himmel/Under the Same Sky. Edited by Jari-
Pekka Vanhala, 46-51. Exhibition catalogue. Volume 4. Kiasma: Museum of Contemporary Art; Helsinki, 2000.
Sharawadgi. Edited by Christian Meyer and Mathias Poledna, 66-69. Exhibition catalogue. Baden: Felsenvilla;
Cologne, 1999.
Sogni/Dreams. Edited by Francesco Bonami and Hans Ulrich Obrist, 36-37. Turin: Fondazione Sandretto Re
Rebaudengo per l’Arte. Venice: Biennale Venice, 1999.
Sommerens mørke og lyse nætter/The Northern Summernights Dark and Light. Edited by Inge-Lise Ravn, 14-17.
Exhibition catalogue. Aarhus: Aarhus Kunstbygning, 1999.
1998
Allerholm, Milou. “Olafur Eliasson: Parallel nutid.” In Statens konstråd årsskrift 1998. Stockholm 1998: 50-53.
Auf der Spur: Kunst der 90er Jahre im Spiegel von Schweizer Sammlungen. Zürich: Kunsthalle Zürich, 1998: 8.
Berlin/Berlin. Edited by Miriam Wiesel, 97-98. Exhibition catalogue. Berlin: Akademie der Künste, Postfuhramt,
Kunst-Werke; Ostfildern-Ruit, 1998.
Cool Places. Exhibition catalogue. Contemporary Art Centre. Vilnius, 1998.
Cream: Contemporary Art in Culture; 10 Curators; 10 Writers; 100 Artists. London: Phaidon, 1998: 104-107.
Edstrandska Stiftelsens Konstnärsstipendiater 1998 / The Edstrand Foundation Art Prize 1998. Edited by Magnus
Jensner, 24-27. Exhibition catalogue. Rooseum: Center for Contemporary Art; Malmö, 1998.
Eliasson, Olafur. “Olafur Eliasson.” In Kunst & Windenergie zur Weltausstellung. Exhibition catalogue, 48-51.
Hannover: Rathaus der Landeshauptstadt Hannover, 1998.
Grant, Simon. “Olafur Eliasson.” In Every Day: 11th Biennale of Sydney. Edited by Jonathan Watkins, 90-91.
Exhibition catalogue. Sydney: Biennale Sydney, 1998.
Hultmann, Kristina. “Olafur Eliasson: Your Compound View.” In Brytningstider: En bok om vår föränderliga värld.
Stockholm. Stockholm, 1998: 104-109.
Jensen, Marianne Krogh. “Olafur Eliasson: Dinamarca.” In XXIV Bienal de São Paulo: Representações nacionais.
Exhibition catalogue, 238-243. São Paulo, 1998.
La Ville. le jardin. la mémoire. Exhibition catalogue. Villa Medici; Rome: Académie de France à Rome, 1998.
Larsen, Lars Bang. “Olafur Eliasson.” In Something Is Rotten in the State of Denmark. Exhibition catalogue, 28-31.
Museum Fridericianum; Kassel, 1998.
Nuit blanche: Scènes nordiques: Les années 90. Exhibition catalogue. Paris: Musée d’Art Moderne de la Ville de
Paris, 1998.
Olsen, Sanne Kofod. “Olafur Eliasson.” In Mai 98: Positionen zeitgenössischer Kunst seit den 60er Jahren. Edited
by Brigitte Oetker and Christiane Schneider, 67-68. Exhibition catalogue. Cologne: Kunsthalle Köln, 2000.
Pakkhus. Exhibition catalogue, 36-37. Moss: Momentum Nordic Festival of Contemporary Art, 1998.
“Projeto: Olafur Eliasson.” In XXIV Bienal de São Paulo: Roteiros: Roteiros: Roteiros: Roteiros: Roteiros:
Roteiros: Roteiros.” Exhibition catalogue, 20-21. São Paulo, 1998.
Schmidt, Eva. “Olafur Eliasson.” In Do All Oceans Have Walls? Edited by Horst Griese and Eva Schmidt, 24-29.
Exhibition catalogue. Bremen: Städtische Galerie im Buntentor, 1998.
Seamless: Curatorial Training Programme 97/98. Exhibition catalogue. Amsterdam: De Appel, 1998.
Sightings: New Photographic Art. Exhibition catalogue. London: Institute of Contemporary Art, 1998.
Transatlántico: Diseminación. cruce y desterritorialización. Exhibition catalogue, 76-81. Las Palmas: Centro
Atlántico de Arte Moderno, 1998.
Vingt mille lieues/lieux sur l’esker: 3e Symposium en arts visuels de l’Abitibi-Témiscamingue. Centre d’exposition

d’Amos. 1998: 40, 69.
Visions du Nord. Exhibition catalogue. Paris: Musée d’Art Moderne de la Ville de Paris, 1998.
1997
Alikeness. Exhibition catalogue. Fitzroy: Centre for Contemporary Photography, 1997.
Kunstpreis der Böttcherstraße in Bremen 1997. Exhibition catalogue, 20-25. Bonn: Bonner Kunstverein, 1997.
New Art. Edited by Roxana Marcoci et al., 51. New York, 1997.
On Life: Beauty: Translations and Other Difficulties: 5th International Istanbul Biennial. Edited by Emre Baykal,
86-87. Exhibition catalogue. Istanbul, 1997.
Stalke 1987-1997. Copenhagen: Stalke Galleri, 1997: 19, 39-41.
Studija Islandija: Islandijos iuolaikinis menas. Exhibition catalogue, 16. Vilnius: Contemporary Art Centre, 1997.
The Louisiana Exhibition: New Art from Denmark and Scania. Exhibition catalogue, 14. Louisiana Museum of
Modern Art; Humlebæk, 1997.
Trade Routes: History and Geography: 2nd Johannesburg Biennale. Exhibition catalogue, 96-97. Johannesburg:
Biennale Johannesburg, 1997.
Truce: Echoes of Art in an Age of Endless Conclusions. Edited by Janine Sieja. Exhibition catalogue. Santa Fe:
SITE Santa Fe, 1997.
1996
Art Focus: Contemporary Art in Israel. Exhibition catalogue. Jerusalem: The Jerusalem Foundation, 1996: 37.
Echoes: Contemporary Art at the Age of Endless Conclusions. Edited by Francesco Bonami, 182-183. New York,
1996.
Manifesta 1. Rotterdam. the Netherlands. June 9 - August 19, 1996. Exhibition catalogue, 10-11. Amsterdam, 1996.
Nach Weimar. Edited by Rolf Bothe. Exhibition catalogue. Weimar: Ostfildern-Ruit: Cantz Verlag, 1996: 110-112.
Prospect 96: Photographie in der Gegenwartskunst. Exhibition catalogue, 124-127. Frankfurt: Frankfurter
Kunstverein; Frankfurt: Schirn Kunsthalle Frankfurt; Kilchberg/Zurich, 1996.
The Scream: Borealis 8. Nordic Fine Arts 1995-96. Exhibition catalogue, 64-67. Arken Museum of Modern Art;
Ishøj, 1996.
1995
Campo 95. Exhibition catalogue, 31. Venice: Corderie dell’Arsenale; Turin: Fondazione Sandretto Re Rebaudengo;
Malmö: Kunstmuseet Malmö, 1995.
(Landschaft) mit dem Blick der 90er Jahre. Edited by Kathrin Becker and Klara Wallner, 54. Exhibition catalogue.
Koblenz: Mittelrhein-Museum; Museum Schloss Burgk/Saale; Berlin: Haus am Waldsee; Cologne, 1995.
1994
Europa ’94: Junge europäische Kunst in München. Edited by Christian Gögger et al. Exhibition catalogue. Munich,
1994.
1992
Paradise Europe. Exhibition catalogue. Copenhagen: BizArt, 1992: 62-63, 68, photo supplement.