Optional Narrative and Drama Scripts - Pine Lake Music
Optional Narrative and Drama Scripts - Pine Lake Music
Optional Narrative and Drama Scripts - Pine Lake Music
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The Hope of Christmas<br />
Created by Phil Barfoot<br />
Arranged by Dave Williamson<br />
<strong>Optional</strong> <strong>Narrative</strong> <strong>and</strong> <strong>Drama</strong>tic <strong>Scripts</strong><br />
by John Plastow<br />
<strong>Narrative</strong> Script Pages 1-6<br />
<strong>Drama</strong>tic Script Pages 7-31<br />
You may make as many copies as you need for your cast.<br />
1
The Hope of Christmas<br />
Share the Light<br />
<strong>Narrative</strong> Script<br />
Created by Phil Barfoot<br />
Arranged by Dave Williamson <br />
Narra=ons by John R. Plastow<br />
SONG: Celebra-on!<br />
Narrator 1 Christmas! The most widely celebrated holiday in the world has come again, <strong>and</strong> <br />
we are here to celebrate! Not only are we enjoying the wonderful tradi
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Jesus was born in a humble stable, but a gr<strong>and</strong> celebra
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Both <br />
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Just imagine the excitement she felt as she witnessed the heavenly hosts praising God <br />
above the humble stable in which Jesus lay. <br />
Imagine the scene as the shepherds came face to face with the angels, who were saying, <br />
“Glory to God in the highest, <strong>and</strong> on earth peace, goodwill toward men!” (Luke 2:14). <br />
Imagine the wonder.<br />
Imagine the emo
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In the beauty of that moment when Jesus was born, was it possible for Mary, or anyone, <br />
to comprehend the extent of God’s love for mankind Why would the God of the <br />
universe <strong>and</strong> the Creator of all things send His Son to become the sacrifice for sin This <br />
is a ques
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On the night of Jesus’ birth, not all the people of Bethlehem recognized what had <br />
happened. They did not all underst<strong>and</strong> that Jesus’ arrival was the fulfillment of <br />
centuries of prophecies in which God promised that He would provide a way for us to be <br />
in communion with Him.<br />
And since that holy night, not everyone has accepted the great <strong>and</strong> mysterious giU given <br />
to mankind in the form of Jesus Christ. Many have, but many have rejected this giU of <br />
eternal life. They have refused to see that Jesus is the Son of the Most High, the Blessed <br />
Redeemer, <strong>and</strong> the long-‐awaited Messiah, Savior of the World.<br />
Yet, on this night there is s
The Hope of Christmas<br />
Share the Light<br />
<strong>Drama</strong>tic Script<br />
Created by Phil Barfoot<br />
Arranged by Dave Williamson<br />
<strong>Drama</strong> Script by John R. Plastow<br />
This contemporary script takes place in Central Park in New York City <strong>and</strong> is filled with realis
New York City, on the edge of Central Park. On stage right is a typical New York City newsst<strong>and</strong>, <br />
with a sign reading “Charlie’s Newsst<strong>and</strong>” prominently displayed. There are park benches <br />
nearby where people can sit, read <strong>and</strong> relax. The center stage area is open, with trees scabered <br />
upstage. Stage leU reveals the exterior of the Park Bible Church. The church is raised, with <br />
several steps leading up to its doors. A double door (or archway) leads into the church.<br />
COSTUMES:<br />
Costumes for this program are easy! All characters should be dressed appropriately for a winter <br />
in New York. During the tradi
spends all of her
The Hope of Christmas<br />
OPENING SONG:<br />
“Celebra-on!”<br />
Scene One<br />
(The first scene takes place three days before Christmas in the late aUernoon. As it opens, <br />
Charlie is straightening up the st<strong>and</strong>, pulng things away, <strong>and</strong> taking a customer’s payment for a <br />
paper. Benjamin enters, goes to the st<strong>and</strong>, <strong>and</strong> browses. Gwen also enters, chooses a <br />
magazine <strong>and</strong> leafs through it. In the background are people passing by, going about their day. <br />
Also seen is the teen, tex
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Yeah, yeah, I admit it—you’re my best customer.<br />
Here, I want this one, too. (She h<strong>and</strong>s him the book.)<br />
Just giving you a hard
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(Holding each up in turn) This one’ll tell you you’re broke, <strong>and</strong> this one’ll tell you, “Who <br />
cares The world is going in the toilet anyway.”<br />
Ah, come on, Charlie, it’s not that bad, is it<br />
Every day I read the headlines of a dozen papers <strong>and</strong> such, <strong>and</strong> it’s all bad. (Have Charlie <br />
recite several prominent current headlines here.) You can read for hours <strong>and</strong> never find <br />
any reason to have any hope in this world, or even in the human race.<br />
Yeah, maybe you’re right; the hope stock has been in a steady decline. But I’m s
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You buy a paper every day <strong>and</strong> you don’t look at the date<br />
I just know when the market closes, okay<br />
Doesn’t your iPhone, Droid or Blackberry tell you the date<br />
Yeah, all three do.<br />
Today is the twenty-‐second. Christmas is in three days.<br />
Whoa. I guess I’d beber send something to Mom, don’t you think<br />
(Thinking about his children) Yeah. Take it from a lonely old parent—I know it would <br />
mean a lot to her.<br />
(Realizing what Charlie really just said) Yeah, I’ll make sure I do. (Looking over at the <br />
crowd in front of the church) Hey, what’s all the commo
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(Laughing) But isn’t that what the song says… “Joy to the World”<br />
That’s not the joy I think the song is talking about!<br />
SONG:<br />
“All Glory”<br />
Scene Two<br />
(This scene takes place later on the same day. As it begins, Charlie, Benjamin <strong>and</strong> assorted <br />
other customers are at the st<strong>and</strong>. Gwen is on her bench <strong>and</strong> Fran is onstage among the people. <br />
The choir is in forma
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(Not looking up from her book) Hello.<br />
How are you today<br />
G Just fine.<br />
(There is a slight uncomfortable pause.)<br />
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Nice talking to you, Gwen.<br />
The same.<br />
(The pastor sighs <strong>and</strong> goes over to Charlie. Benjamin inconspicuously listens to his conversa
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This year’s different. We’re moving it outside this year…into the park. We’re gonna do it <br />
right over there (poin
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Reverend Call me Tom.<br />
Good aUernoon, Reverend.<br />
On Christmas Eve, we’re doing our annual program at 5:30. Why don’t you come <br />
Charlie, here, is even helping us promote it.<br />
(Benjamin looks over at Charlie, who kind of shakes his head.)<br />
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We’ll see. I’ll probably be taking care of business.<br />
Me, too.<br />
Huh<br />
Me, too. That’s what I’ll be doing, too—taking care of business.<br />
Sure, Reverend. I mean I’ll be working, doing my part to keep this city going. <br />
Me, too. (Pause) Suit yourself, but you’ll be missing out.<br />
I’ll get over it.<br />
I sure hope not, Ben. <br />
(Ben just shakes his head.)<br />
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(To Charlie) Well, Charlie, thanks for your help. I’ve got to get back to rehearsal.<br />
Sure, sure.<br />
(The pastor goes back to the front of the church, where the choir is reassembling.)<br />
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(To Benjamin) You know, you could be a lible more pleasant to him. He’s not so bad.<br />
Never give an inch when you don’t have to, I always say. If I encourage him, the next <br />
thing you know, he’ll be aUer my wallet.<br />
S
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Nah, this’ll do it. (No
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How could I forget You remind me every ten minutes!<br />
Just trying to take care of you, Charlie.<br />
I can take care of myself, thank you.<br />
(There is a slight pause.)<br />
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(Looking toward the teen) Hey, Charlie, about that kid that’s been hanging around here <br />
lately…<br />
(Nodding towards the teen, who is silng on the church steps, tex
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Where are you staying<br />
You ask a lot of ques
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(Irritated, he stops tex
P (Unfazed) Tomorrow at 5:30.<br />
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Good. It’s nice to know when we can hope again.<br />
Actually, it started 2000 years ago, <strong>and</strong> it’s s
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(Irritatedly) What’s with you Look around you. There’s nothing for most of the people <br />
out here.<br />
I don’t agree.<br />
There’s nothing you have to offer—<br />
(Interrup
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That’s the whole point.<br />
Whatever you say. I goba go. Nice talking with you. See you tomorrow, Charlie.<br />
(Benjamin exits, <strong>and</strong> the pastor stops <strong>and</strong> thinks for a moment.)<br />
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The hope is in the baby. The baby born in Bethlehem.<br />
(Pause) <br />
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You okay<br />
(Frustrated) Yeah.<br />
Don’t let him bug you. He <strong>and</strong> I argue all the
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You don’t know about this.<br />
And what is that<br />
That Jesus was born, <strong>and</strong> He came to give us hope for the future…that through Him, we <br />
can really live.<br />
I know all about Chris
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Yes. The message that it contains is far more important—<br />
(Interrup
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Hope. It’s the feeling we have when we actually believe that what we desire is going to <br />
happen. Christmas represents that for all of us: the hope of peace on earth, the hope of <br />
comfort <strong>and</strong> joy.<br />
The hope that there is a God in heaven who loves us, <strong>and</strong> with whom we can have a <br />
rela
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Imagine the glory.<br />
And imagine the light. <br />
Imagine how that sleepy lible town of Bethlehem became a celes
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Together, let us offer our praise to the One who is our Hope, who is our Peace, <strong>and</strong> who <br />
is our Joy!<br />
N1/2 Yes! Christ is born. <br />
N1 <br />
The hope of Christmas is fulfilled for those who choose to trust in Him <strong>and</strong> believe that <br />
He is the promised Messiah <strong>and</strong> Savior of the world. This Christmas, we express our <br />
praise <strong>and</strong> sing our joy! With thanksgiving we shout hallelujah to Jesus, the Hope <strong>and</strong> <br />
Light of Christmas!<br />
SONG: <br />
“Hallelujah!”<br />
Scene Five<br />
(This scene takes place on Christmas Eve aUer the presenta
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All right, then, where do we go from here What does your story have to do with <br />
anything What will it do for anybody today (Mo
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No. Not for me.<br />
(Benjamin throws his h<strong>and</strong>s up in disbelief <strong>and</strong> exits as the pastor st<strong>and</strong>s <strong>and</strong> sadly watches him <br />
walk away. The pastor then watches Fran, Gwen, <strong>and</strong> the teen all exit, unconvinced, then sees <br />
Charlie cross to the manger <strong>and</strong> look at the baby. He approaches Charlie.)<br />
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Charlie<br />
I think I’d like to hear more about this baby. I’d like to know more about this hope you’re <br />
talking about.<br />
Let’s go inside where it’s warmer, <strong>and</strong> I’ll make you a cup of coffee. (They begin to exit.) <br />
Shouldn’t you close up the st<strong>and</strong><br />
Nah. Let ‘em take whatever they want…it’s Christmas!<br />
(They exit into the church as the lights dim <strong>and</strong> the music begins.)<br />
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On the night of Jesus’ birth, not all the people of Bethlehem recognized what had <br />
happened. They did not all underst<strong>and</strong> that Jesus’ arrival was the fulfillment of <br />
centuries of prophecies in which God promised that He would provide a way for us to be <br />
in communion with Him.<br />
And since that holy night, not everyone has accepted the great <strong>and</strong> mysterious giU given <br />
to mankind in the form of Jesus Christ. Some have, but many have turned away. They <br />
have refused to see that Jesus is the Son of the Most High, the Blessed Redeemer, <strong>and</strong> <br />
the long-‐awaited Messiah, Savior of the World.<br />
Yet, on this night there is s