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A Comparison of Product Placements in Movies and Television ...

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152 HANDBOOK OF PRODUCT PLACEMENT IN THE MASS MEDIA<br />

person, subscribe to cable, or when they typically watch television. In a<br />

multi-audience sett<strong>in</strong>g, there are likely to be more <strong>in</strong>teractions among<br />

the audience members while watch<strong>in</strong>g television than while view<strong>in</strong>g a<br />

movie <strong>in</strong> a theater. Greater <strong>in</strong>teraction among the people <strong>in</strong> the room<br />

may also lead to different reactions to a br<strong>and</strong> placement than when<br />

watch<strong>in</strong>g a program alone.<br />

While academicians <strong>and</strong> scholars are striv<strong>in</strong>g for stronger measures<br />

<strong>of</strong> effectiveness <strong>of</strong> product placement, advertisers <strong>and</strong> practitioners are<br />

seek<strong>in</strong>g to justify their expenditures <strong>in</strong> product placement. A new company,<br />

Br<strong>and</strong> Advisors, has come up with a pric<strong>in</strong>g model that takes <strong>in</strong>to<br />

account the size <strong>of</strong> the audience the movie may attract throughout its<br />

life cycle (at the box <strong>of</strong>fice, home video, pay-per-view, <strong>and</strong> television),<br />

<strong>and</strong> the starr<strong>in</strong>g role the br<strong>and</strong> is <strong>of</strong>fered <strong>in</strong> the movie (Graser, 2003).<br />

Br<strong>and</strong> Advisors’ f<strong>in</strong>ancial assessment <strong>of</strong> product placement project<br />

states the audience size projections can be reforecast <strong>and</strong> repriced once<br />

the movie hits the theaters or airs on TV, allow<strong>in</strong>g partners to alter their<br />

arrangement based on actual results as the movie moves <strong>in</strong>to other distribution<br />

w<strong>in</strong>dows.<br />

In regards to br<strong>and</strong> starr<strong>in</strong>g role, a car placement would be <strong>of</strong> greater<br />

market<strong>in</strong>g value if it is driven by the lead characters <strong>and</strong> the automaker’s<br />

tie-<strong>in</strong> sponsorship is <strong>in</strong>cluded <strong>in</strong> the movie’s DVD release than a placement<br />

where the car appeared briefly <strong>in</strong> the movie. However, Ong <strong>and</strong><br />

Meri (1994) questioned whether tie-<strong>in</strong> sponsorship underm<strong>in</strong>es the positive<br />

impact <strong>of</strong> product placement. They argued the audience may be<br />

sensitized to the po<strong>in</strong>t <strong>of</strong> view<strong>in</strong>g the br<strong>and</strong> placement as tacky, too deliberate,<br />

or “not natural.” Their contention <strong>of</strong> tie-<strong>in</strong> sponsorships impact<strong>in</strong>g<br />

product placement values unfortunately has yet to be explored<br />

<strong>in</strong> a research study.<br />

METHODOLOGY<br />

An onl<strong>in</strong>e survey to assess consumers’ attitudes toward product placement<br />

<strong>in</strong> movies <strong>and</strong> <strong>in</strong> TV programs was developed at a pr<strong>of</strong>essional<br />

survey builder website (i.e., Formsite.com). The survey was also hosted<br />

there. Follow<strong>in</strong>g an <strong>in</strong>troduction <strong>of</strong> the researchers conduct<strong>in</strong>g the survey,<br />

<strong>and</strong> an explanation <strong>of</strong> the purpose <strong>of</strong> the survey, respondents were<br />

provided with a brief description <strong>of</strong> product/br<strong>and</strong> placements <strong>in</strong> a<br />

movie or TV show. Respondents were told that the camera would focus<br />

on the br<strong>and</strong> or logo for a few seconds if the placement was <strong>in</strong>tentional.<br />

They would also likely see the characters <strong>in</strong> the movie/program us<strong>in</strong>g or

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