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eco tj6+.qxd - Economic Cooperation Organization

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Woodwork<br />

Wall painting, wood and plaster carving<br />

can be found in house d<strong>eco</strong>rations.<br />

In the northern towns of Khudjand (formerly<br />

Leninabad), and Istravshan (formerly<br />

Ura-Tyube), great attention was<br />

paid to the painting of ceilings, and in<br />

the western town of the Bukhara- wall<br />

painting. Both forms of interior d<strong>eco</strong>ration<br />

are found in Samarkand. The best<br />

way to see both ancient and modern<br />

applications of fine wood cutting and<br />

ornamental painting is in private homes<br />

in mahalIas (districts), mosques and in<br />

teahouses. Centers of woodcraft are<br />

Istravshan and Isfarain in the north.<br />

Almost all the houses in towns and villages<br />

had Ivans (verandas) with a figured<br />

column topped by a carved beam.<br />

The doors and wooden shutters, which<br />

originally substituted for windows, were<br />

also carved.<br />

Pottery &<br />

Metal Works<br />

One of the oldest<br />

and most popular<br />

handicrafts is pottery.<br />

The production of<br />

own temperature<br />

ware was a fundamentally<br />

efficient<br />

process. Low firing<br />

temperatures and<br />

short firing times limited<br />

the amount of<br />

fuel required important<br />

in dry areas of Tajikistan where surplus<br />

of vegetation was not to be wasted<br />

and fuel often had to be painstakingly<br />

gathered and carted from a distance. In<br />

the hot, dry summers of Tajikistan,<br />

porous earthenware kept water and liquid<br />

milk products cool through transportation<br />

and evaporation. The water<br />

ewers, jugs and drinking pitches produced<br />

today are practically indistinguishable<br />

in body and form from artifacts<br />

excavated. Archaeological r<strong>eco</strong>rds<br />

bear witness to the popularity of ceramic<br />

miniatures and toys in Tajikistan.<br />

Excavated toy figurines and whistles<br />

dating from hundreds or thousands of<br />

years ago differ little in form and inspiration<br />

from those still made today, particularly<br />

for the traditional spring solstice<br />

celebration of Navruz celebrated<br />

on 21 March. Favorite subjects include<br />

birds, sheep, dogs, horses, fish and<br />

mythological beings. There is a legend<br />

that potter is connected with fire, and it<br />

was always considered that half the creation<br />

of a Pot is the craftsman's work<br />

and half is through the magic of the<br />

fire. In the towns and large villages, pottery<br />

was usually a man's occupation. In<br />

the southeastern mountainous region<br />

potteries were made by women. The<br />

potter's wheel was turned by foot. Most<br />

popular, was pottery made in Khujand<br />

and Istravshan. Good<br />

pottery was also produced<br />

in the Isfara<br />

Valley (Kanibadam<br />

and Chorku) and the<br />

Karatag Settlement in<br />

the Hissar Valley. The<br />

range of objects<br />

made by the potters<br />

was very wide and<br />

included dishes of<br />

various sizes and<br />

shapes, cups - large<br />

and small, with and<br />

without stems, curved and straight,<br />

diverse earthenware jars, bowls, washtubs,<br />

and jugs. The ornamentation and<br />

color schemes differed with each<br />

region. D<strong>eco</strong>ration, if applied, was<br />

incised, appliquéd, mounded, drawn or<br />

painted using solutions of suspensions<br />

of ground red and ochre-colored oxides<br />

and other minerals. It was only in the<br />

ninth and tenth centuries that potters<br />

359

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