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Wellington Museums Trust Annual Report 2006

Wellington Museums Trust Annual Report 2006

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THE YEAR’S<br />

HIGHLIGHTS<br />

uncomfortable overlaps between art, science and daily<br />

life. Michael Smither: The Wonder Years was a major<br />

touring exhibition from Auckland Art Gallery of one of<br />

this country’s best loved painters and was also extremely<br />

popular with <strong>Wellington</strong>ians.<br />

Another highlight was Yuk King Tan: Overflow, a gallerycommissioned<br />

project by an artist described as one of<br />

New Zealand’s hottest young talents. This installation<br />

explored ideas about cultural identity, global politics,<br />

trade, power and consumption.<br />

Contrasting in style, Jane Pountney: Wade in the Water<br />

paid tribute to one of <strong>Wellington</strong>’s foremost landscape<br />

artists of recent decades, the late Jane Pountney (1949-<br />

2004). Meanwhile Noel McKenna: Sheltered Life was<br />

another gallery-commissioned project and was curated<br />

by Gregory O’Brien. This explored various notions of<br />

home through paintings and sculptural works, including<br />

McKenna’s ceramics which were inscribed with poetry by<br />

<strong>Wellington</strong>ian Jenny Bornholdt.<br />

Partnership with Te Papa<br />

In a groundbreaking partnership, the gallery and<br />

the Museum of New Zealand Te Papa Tongarewa gave<br />

audiences the chance to see many contemporary New<br />

Zealand artworks from Te Papa’s visual art collections.<br />

Small World, Big Town: Contemporary Art from Te Papa<br />

was curated by Gregory O’Brien, Emma Bugden and<br />

Natasha Conland. A key feature of the exhibition was<br />

the first New Zealand showing of Te Papa’s recent major<br />

acquisition, Michael Stevenson’s This is the Trekka.<br />

This installation project was originally produced for<br />

the New Zealand pavilion at the 2003 Venice Biennale,<br />

for which City Gallery <strong>Wellington</strong> (in partnership with<br />

Creative New Zealand) was the organising gallery.<br />

<strong>Wellington</strong> art on show<br />

Another lively year for City Gallery <strong>Wellington</strong>’s Michael<br />

Hirschfeld Gallery celebrated established local artists<br />

as well as emerging talent. Highlights were Designs on<br />

Antarctica, for which Raewyn Atkinson created a selection<br />

of ceramics featuring scenes of Antarctic history and<br />

landscape. In Muttonbirds - part of a story, a poetic sequence<br />

of 30 photographs, Bruce Connew documented the yearly<br />

migration of the muttonbirds to their nesting sites and<br />

the muttonbirders who follow them there. Connew’s photoessay<br />

was given a rare two-page review by Time.<br />

Diversity at Capital E<br />

Capital E’s vibrant events programme included everything<br />

from live music concert DMV and Battle of Young Wits to<br />

The Big Halloween. A new event, Taste Capital E, opened<br />

the whole facility free to the public as part of the wider<br />

<strong>Wellington</strong> Big Look See arts open day in May.<br />

<strong>Wellington</strong> school children paraded their own artistic<br />

‘“body props” live on stage in the first Capital E Excessive<br />

Accessories Showcase Evening, as part of last year’s<br />

Montana WOW® Awards Show celebrations. A new annual<br />

event offered to schools, this was produced by Capital E in<br />

partnership with WOW® in <strong>Wellington</strong> and the <strong>Wellington</strong><br />

City Council, and proved extremely popular.<br />

On Our Street | Photo by Mark Coote<br />

BOXES | Photo by John Nicholson<br />

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