Wellington Museums Trust Annual Report 2006
Wellington Museums Trust Annual Report 2006
Wellington Museums Trust Annual Report 2006
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THE YEAR’S<br />
HIGHLIGHTS<br />
uncomfortable overlaps between art, science and daily<br />
life. Michael Smither: The Wonder Years was a major<br />
touring exhibition from Auckland Art Gallery of one of<br />
this country’s best loved painters and was also extremely<br />
popular with <strong>Wellington</strong>ians.<br />
Another highlight was Yuk King Tan: Overflow, a gallerycommissioned<br />
project by an artist described as one of<br />
New Zealand’s hottest young talents. This installation<br />
explored ideas about cultural identity, global politics,<br />
trade, power and consumption.<br />
Contrasting in style, Jane Pountney: Wade in the Water<br />
paid tribute to one of <strong>Wellington</strong>’s foremost landscape<br />
artists of recent decades, the late Jane Pountney (1949-<br />
2004). Meanwhile Noel McKenna: Sheltered Life was<br />
another gallery-commissioned project and was curated<br />
by Gregory O’Brien. This explored various notions of<br />
home through paintings and sculptural works, including<br />
McKenna’s ceramics which were inscribed with poetry by<br />
<strong>Wellington</strong>ian Jenny Bornholdt.<br />
Partnership with Te Papa<br />
In a groundbreaking partnership, the gallery and<br />
the Museum of New Zealand Te Papa Tongarewa gave<br />
audiences the chance to see many contemporary New<br />
Zealand artworks from Te Papa’s visual art collections.<br />
Small World, Big Town: Contemporary Art from Te Papa<br />
was curated by Gregory O’Brien, Emma Bugden and<br />
Natasha Conland. A key feature of the exhibition was<br />
the first New Zealand showing of Te Papa’s recent major<br />
acquisition, Michael Stevenson’s This is the Trekka.<br />
This installation project was originally produced for<br />
the New Zealand pavilion at the 2003 Venice Biennale,<br />
for which City Gallery <strong>Wellington</strong> (in partnership with<br />
Creative New Zealand) was the organising gallery.<br />
<strong>Wellington</strong> art on show<br />
Another lively year for City Gallery <strong>Wellington</strong>’s Michael<br />
Hirschfeld Gallery celebrated established local artists<br />
as well as emerging talent. Highlights were Designs on<br />
Antarctica, for which Raewyn Atkinson created a selection<br />
of ceramics featuring scenes of Antarctic history and<br />
landscape. In Muttonbirds - part of a story, a poetic sequence<br />
of 30 photographs, Bruce Connew documented the yearly<br />
migration of the muttonbirds to their nesting sites and<br />
the muttonbirders who follow them there. Connew’s photoessay<br />
was given a rare two-page review by Time.<br />
Diversity at Capital E<br />
Capital E’s vibrant events programme included everything<br />
from live music concert DMV and Battle of Young Wits to<br />
The Big Halloween. A new event, Taste Capital E, opened<br />
the whole facility free to the public as part of the wider<br />
<strong>Wellington</strong> Big Look See arts open day in May.<br />
<strong>Wellington</strong> school children paraded their own artistic<br />
‘“body props” live on stage in the first Capital E Excessive<br />
Accessories Showcase Evening, as part of last year’s<br />
Montana WOW® Awards Show celebrations. A new annual<br />
event offered to schools, this was produced by Capital E in<br />
partnership with WOW® in <strong>Wellington</strong> and the <strong>Wellington</strong><br />
City Council, and proved extremely popular.<br />
On Our Street | Photo by Mark Coote<br />
BOXES | Photo by John Nicholson<br />
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