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era of surfing when finding and catching waves and breaks was<br />

all that mattered to a generation of young men for whom jobs,<br />

marriage and mortgages meant little by comparison. As Greg<br />

Noll has said, ‘I’m not sorry for being a fun hog for all of my<br />

life’.<br />

The longboard was the original form for surfboards when they<br />

were first manufactured in the United States in the 1920s.<br />

They evolved from the Polynesian and Hawaiian boards made<br />

of solid wood used in the ancient practice of Hoe he’e nalu, a<br />

kind of stand-up paddle boarding. Construction materials for<br />

longboards evolved from plywood and balsawood through to<br />

fibreglass and polyurethane foam. The longboard or ‘Malibu’,<br />

typically 4 to 6 metres in length, dominated the surf scene up<br />

to the late 1960s and 1970s when short ‘performance’ boards<br />

(made famous by renowned Australian surfer Nat Young)<br />

introduced a revolution in style and board manufacture.<br />

Vintage longboards now attract high prices on the collectors<br />

market and have assumed iconic status in the history of surf<br />

culture.<br />

David Burnett is the Curator of International Art at the<br />

Queensland Art Gallery | Gallery of Modern Art.<br />

Greg Noll (b.1937, active Hermosa Beach, near Los Angeles)<br />

Surfboard<br />

c.1960<br />

Polyurethane foam, fibreglass cloth, polyester resin, wood<br />

LACMA, Gift of Matt Jacobson<br />

7

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