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CHRYSLER<br />

the<br />

THE MAGAZINE OF THE CHRYSLER MUSEUM OF ART<br />

CALENDAR<br />

September/October 2008<br />

OF EVENTS<br />

p 4 Exhibitions • p 6 News • p 8 Daily Calendar • p 14 Public Programs • p 15 Programs for Members


G E N E R A L I N F O R M A T I O N<br />

2<br />

COVER<br />

Thomas Webb & Sons<br />

Vase (detail), late<br />

19th century and<br />

Hibiscus Vase (detail),<br />

ca. 1890–1900<br />

Gifts <strong>of</strong> Walter P.<br />

<strong>Chrysler</strong>, Jr.<br />

This publication is<br />

produced by the<br />

Communications<br />

Department: Teresa<br />

Sowers, Director <strong>of</strong><br />

Communications; and<br />

Doris D. Taylor, Public<br />

Relations and Media<br />

Relations Coordinator.<br />

Image consultation by<br />

Ed Pollard, <strong>Museum</strong><br />

Photographer<br />

Contact Us<br />

<strong>Chrysler</strong> <strong>Museum</strong> <strong>of</strong> <strong>Art</strong><br />

245 W. Olney Road<br />

Norfolk, VA 23510<br />

Phone: (757) 664-6200<br />

Fax: (757) 664-6201<br />

E-mail: museum@chrysler.org<br />

Website: www.chrysler.org<br />

<strong>Museum</strong> Hours<br />

Wednesday, 10 a.m.–9 p.m.<br />

(admission by voluntary contribution)<br />

Thursday–Saturday, 10 a.m.–5 p.m.<br />

Sunday, 1–5 p.m.<br />

All facilities are closed on Mondays,<br />

Tuesdays, and major holidays.<br />

Jean Outland <strong>Chrysler</strong><br />

Library<br />

Open Wednesday–Friday, 10 a.m. to 5 p.m.<br />

Wednesday evening hours are also<br />

available by appointment only.<br />

E-mail: lchristiansen@chrysler.org<br />

(757) 965-2035<br />

Historic Houses<br />

Free Admission<br />

The Moses Myers House<br />

Corner <strong>of</strong> Bank and Freemason Streets, Norfolk<br />

Hours: Wednesday–Saturday,<br />

10 a.m.–4 p.m.; Sunday, 12–4 p.m.<br />

Tours are hourly through 3 p.m.<br />

(757) 333-1086<br />

The Norfolk History <strong>Museum</strong> at the<br />

Willoughby-Baylor House<br />

601 E. Freemason Street, Norfolk<br />

Hours: Wednesday–Saturday,<br />

10 a.m.–4 p.m.; Sunday, 12–4 p.m.<br />

(757) 333-1091<br />

Tours start at the<br />

Freemason Street Reception Center<br />

401 E. Freemason Street, Norfolk<br />

(757) 441-1526<br />

<strong>Museum</strong> Gift Shop<br />

Open during <strong>Museum</strong> hours<br />

(757) 333-6297<br />

Cuisine and Company<br />

at the <strong>Chrysler</strong><br />

Wednesday–Saturday, 11 a.m.–3 p.m.<br />

Sunday, 12–3 p.m.<br />

(757) 333-6291<br />

Accessibility<br />

The <strong>Museum</strong> is fully accessible<br />

to wheelchairs and baby strollers<br />

(both are available free <strong>of</strong> charge at<br />

the admissions desk).<br />

There is ample free parking.<br />

Admission<br />

General Admission: $7<br />

Senior Citizens, Teachers, and<br />

Military: $5<br />

<strong>Museum</strong> Members, Students with ID,<br />

and children ages 18 and under: Free<br />

Wednesday: Voluntary Contribution<br />

Facility Rental<br />

(757) 333-6233<br />

www.chrysler.org/rentals.asp or email<br />

events@chrysler.org<br />

Department Directory<br />

Office <strong>of</strong> the Director 333-6234<br />

Development and Membership 333-6294<br />

Communications 333-6295<br />

Special Events 333-6233<br />

Finance & Administration 333-6224<br />

Education 333-6269<br />

Historic Houses 333-1086<br />

Security 333-6237<br />

Curatorial 965-2033<br />

Library 965-2035<br />

Visitor Services 965-2039<br />

Membership<br />

(757) 333-6294<br />

www.chrysler.org/membership.asp<br />

Group and School<br />

Tours<br />

(757) 333-6269<br />

www.chrysler.org/programs.asp<br />

“<br />

”<br />

Volunteers<br />

(757) 333-6220<br />

www.chrysler.org/membership<br />

The <strong>Chrysler</strong> <strong>Museum</strong> <strong>of</strong> <strong>Art</strong> is partially<br />

supported by grants from the City <strong>of</strong><br />

Norfolk, the Virginia Commission for<br />

the <strong>Art</strong>s, the Institute <strong>of</strong> <strong>Museum</strong> and<br />

Library Services, the National<br />

Endowment for the <strong>Art</strong>s, the National<br />

Endowment for the Humanities, the<br />

Business Consortium for <strong>Art</strong>s Support,<br />

and the Webster Foundation.<br />

<strong>Chrysler</strong> <strong>Museum</strong> <strong>of</strong> <strong>Art</strong><br />

Board <strong>of</strong> Trustees<br />

2008-09<br />

Decker Anstrom, Vice Chair<br />

Robert M. Boyd<br />

Nancy W. Branch<br />

Jerry A. Bridges<br />

Macon F. Brock<br />

Robert W. Carter<br />

E. John Field<br />

Andrew S. Fine<br />

David R. Goode<br />

Cyrus W. Grandy V<br />

Adrianne R. Joseph<br />

Linda H. Kaufman, Secretary<br />

Sandra W. Lewis<br />

Henry D. Light<br />

Edward L. Lilly<br />

Vincent J. Mastracco, Jr.<br />

Arnold B. McKinnon<br />

Patterson N. McKinnon<br />

Charles W. (Wick) Moorman, Chair<br />

Susan Nordlinger<br />

Richard D. Roberts<br />

Anne B. Shumadine<br />

Thomas L. Stokes, Jr.<br />

Josephine L. Turner<br />

Leah Waitzer<br />

Lewis W. Webb III<br />

Wayne F. Wilbanks<br />

Dixie Wolf<br />

This is a significant artistic event for Norfolk and the <strong>Chrysler</strong>. I will be<br />

taking my 9-year-old granddaughter to see the exhibit as she is artistically<br />

inclined. I want her to be able to say that she has really seen a Rembrandt.<br />

L. F. Demmin from Norfolk, comment posted on www.your757.com


D I R E C T O R ’ S N O T E<br />

ALTERNATIVE CAREERS<br />

When I get together with colleagues to relax, complain, and share stories, sooner or later, the<br />

conversation turns to the question, “What would you do if you did not work in a <strong>Museum</strong>”<br />

Because we deeply love our work, most <strong>of</strong> us can’t really imagine doing anything else. But<br />

when people are pressed, interesting answers turn up.<br />

Two choices are mentioned with surprising frequency: “I’d become a clergyman” and “I’d open<br />

an old-fashioned hardware store.” Both choices, one l<strong>of</strong>ty, the other mundane, make great<br />

sense to me.<br />

<strong>Museum</strong>s, like churches and synagogues, are places where people come together to find<br />

fellowship and search for meaning and direction in their lives. Just as priests and rabbis<br />

present and interpret sometimes ambiguous sacred texts, it is the job <strong>of</strong> museum staff to<br />

help visitors use rich, complex, and multi-layered works <strong>of</strong> art to find spiritual and emotional<br />

balance and to understand their place in the larger scheme <strong>of</strong> things. Like a church service,<br />

a museum visit involves a certain amount <strong>of</strong> ritual, minus the heavy use <strong>of</strong> incense. We<br />

certainly try through music, lectures, films, and community events, to engage our<br />

“parishioners” on multiple levels. <strong>Museum</strong>s, in other words, are places where people who share the belief that works <strong>of</strong><br />

art can be a source <strong>of</strong> insight, come together in search <strong>of</strong> inspiration and guidance.<br />

Hardware stores work in much the same way. If you have a problem that needs a solution—a leaky faucet, a bad electrical<br />

outlet, or a screen door that won’t stay closed—then you would need tools and supplies to fix the problem and instructions on<br />

how to use them. A great hardware store should provide both. To a home-repair novice, this task can seem even more<br />

daunting when looking around this store containing a fascinating assortment <strong>of</strong> strange and mysterious things. Each item was<br />

created with a special purpose in mind. What to do How does one even know where to start, which tool to select, or how to<br />

use it to get the desired result It is the store manager’s job to make sense <strong>of</strong> it all for the customer. Although the manager<br />

cannot fix the problem directly, he can provide the tools and advice necessary to get the customer started on the right track.<br />

It’s not so different in a museum. People come in search <strong>of</strong> something—peace and quiet, historical information, spiritual<br />

renewal, a pleasant afternoon with friends. The museum is filled with wonderful works <strong>of</strong> art that seem mysterious, yet filled<br />

with promise. This is where the Curator, Educator, or <strong>Museum</strong> Director come in. We are there to <strong>of</strong>fer the tools and a bit <strong>of</strong><br />

advice to get the project going.<br />

William J. Hennessey<br />

Director<br />

Peter Henry Emerson<br />

(British, 1856–1936)<br />

Thomas Frederick Goodall<br />

(British, 1857–1944)<br />

Rowing Home the Scho<strong>of</strong>-Stuff, Plate XXI from<br />

Life and Landscape on the Norfolk Broads,1886<br />

Royal Photographic Society Collection at the<br />

National Media <strong>Museum</strong>, Bradford, UK<br />

1


CAMEOPERFORMANCES:<br />

MASTERPIECES OF CAMEO GLASS<br />

FROM THE CHRYSLER’S COLLECTION<br />

Decorative <strong>Art</strong>s Gallery<br />

Ongoing<br />

Cameo Performances: Masterpieces from the <strong>Chrysler</strong>’s Collection focuses on cameo<br />

glass made in England during the late 19 th century. English glassmakers,<br />

inspired by historical glass excavated at ancient Greek and Roman<br />

archaeological sites, created some <strong>of</strong> the most skillfully carved cameo<br />

glass ever produced. These artists also used the Victorian fashion for natural and<br />

oriental ornament as a basis on which to build their own works <strong>of</strong> art.<br />

The exhibition, displayed in the newly renovated Decorative <strong>Art</strong>s Gallery,<br />

features approximately 40 objects from the <strong>Chrysler</strong>’s collection, highlighting<br />

some <strong>of</strong> the <strong>Museum</strong>’s most eye-catching cameo glass acquisitions. This is the<br />

first time the collection has been seen in one space while also incorporating<br />

other decorative arts such as silver, ceramics, and furniture. The <strong>Museum</strong>’s<br />

second video kiosk appears in this exhibition, giving visitors an intimate<br />

look into the intricate process <strong>of</strong> making cameo glass.<br />

Although English cameo glass was originally conceived as a revival<br />

<strong>of</strong> an ancient Roman technique, English glass carvers became<br />

fascinated with Far and Near Eastern symbolism and<br />

naturalism, which identified certain mystical and<br />

symbolic meanings that were locked within the<br />

natural world. Cameo vases in this exhibition<br />

show the influence <strong>of</strong> Chinese and Japanese<br />

art in decoration and form. Cameo<br />

Performances also includes a wide variety<br />

<strong>of</strong> objects adorned with floral<br />

designs. Based on their quality and<br />

size, these vases were the least<br />

expensive <strong>of</strong> the cameo objects<br />

as glassmaking firms began to<br />

rely more heavily on the<br />

process <strong>of</strong> acid-etching to<br />

achieve the desired effect <strong>of</strong><br />

cameo—continuing to meet<br />

consumer demand.<br />

George Woodall (English, 1850–1925)<br />

Thomas Woodall (English, 1849–1926)<br />

Thomas Webb & Sons, Stourbridge, England<br />

Vase in the Chinese Taste (detail), ca. 1885–90<br />

Gift <strong>of</strong> the Mowbray Arch Society


C O V E R S T O R Y<br />

How Cameo Glass is Made<br />

Stourbridge, England<br />

Unfinished Vase With Sea Nymphs,<br />

late 19th century<br />

<strong>Museum</strong> purchase<br />

Probably Hodgetts, Richardson & Son<br />

Blank for a Portland Vase Replica, ca. 1876-78<br />

Gift <strong>of</strong> James Summar Sr. in honor <strong>of</strong> Rebecca W. Hitt<br />

Cameo glass is made by layering two or more colors <strong>of</strong> glass<br />

and then removing part <strong>of</strong> the outer layer or layers to reveal a<br />

design in relief against a background <strong>of</strong> contrasting color.<br />

The 19 th -century glassmakers first created a glass blank, the<br />

undecorated form <strong>of</strong> glass before it is engraved or cut,<br />

typically with two layers <strong>of</strong> glass.<br />

Unlike the ancient Romans, English glassmakers used the<br />

labor-saving device <strong>of</strong> hydr<strong>of</strong>luoric acid to remove much <strong>of</strong><br />

outer layer <strong>of</strong> glass. To do this, the areas that were to remain<br />

in relief were painted with a wax resist and then dipped into<br />

an acid bath. Engraving wheels and pointed metal styluses<br />

resembling mechanical pencils were used in the final carving.<br />

During the 18 th and 19 th centuries, archaeological<br />

excavations in the Mediterranean brought<br />

renewed attention to the art <strong>of</strong> the ancient Greek<br />

and Roman worlds. Like other 19 th -century artists<br />

and architects who chose to imitate Greek and<br />

Roman decorative motifs based on these<br />

archeological finds, English cameo<br />

glassmakers first made objects in direct<br />

imitation <strong>of</strong> ancient Roman vessels.<br />

They began with replicas <strong>of</strong> the<br />

greatest known masterpiece <strong>of</strong> Roman<br />

cameo glass, the Portland Vase.<br />

English cameo glass made its debut<br />

in 1878 at the World’s Fair in Paris.<br />

John Northwood I had three<br />

cameo glasses on display including<br />

his copy <strong>of</strong> the Portland Vase, the<br />

Milton Vase (seen in the <strong>Chrysler</strong>’s<br />

exhibition), and the unfinished<br />

Dennis Vase. Not to be outdone,<br />

English glassmaker Hodgetts,<br />

Richardson & Son, hired Alphonse<br />

Lechevrel and Joseph Locke to make<br />

16 cameo glasses for their booth at the Fair.<br />

Locke’s Vase with a Cupid, was also shown at<br />

the 1878 Fair.<br />

Thomas Webb & Sons, Stourbridge, England<br />

Dragon Bowl (detail), ca. 1885<br />

Gift <strong>of</strong> Rebecca W. Hitt in memory <strong>of</strong> Billy Hitt<br />

Joseph Locke (English, 1846–1936)<br />

Hodgetts, Richardson & Son, Stourbridge, England<br />

Vase with Cupid, ca. 1877–78<br />

<strong>Museum</strong> purchase, Walter P. <strong>Chrysler</strong>, Jr.<br />

Endowment Fund<br />

3


E X H I B I T I O N S<br />

Grecian Couch, (1805-1820)<br />

Mahogany with white pine supports<br />

Made in New York City, New York<br />

On loan from George M.* and Linda H. Kaufman<br />

Cameo Glass<br />

Gallery<br />

CURRENTLY ON VIEW<br />

Cameo Performances: Masterpieces <strong>of</strong> Cameo<br />

Glass from the <strong>Chrysler</strong>’s Collection<br />

Ongoing<br />

Highlighting the skills <strong>of</strong> master carvers and their sources <strong>of</strong><br />

inspiration, cameo glass steals the spotlight in this show<br />

drawn from the <strong>Museum</strong>’s renowned glass collection.<br />

Exploring the history <strong>of</strong> cameo glass carving beginning with<br />

ancient Roman examples, this exhibition focuses on the<br />

popular resurgence <strong>of</strong> the technique in England during the<br />

late 19 th century.<br />

Kaufman Furniture Gallery<br />

Ongoing<br />

This new installation features loans from the collection <strong>of</strong><br />

Linda H. Kaufman and the late George M. Kaufman—one <strong>of</strong><br />

our nation’s greatest collections <strong>of</strong> American decorative arts<br />

and Dutch Golden Age paintings. The new display<br />

highlights the stylistic evolution <strong>of</strong> American furniture from<br />

the mid-18 th to the early 19 th century and helps visitors<br />

understand the individual character <strong>of</strong> pieces produced in the<br />

early American furniture making centers—Boston, Newport,<br />

New York, Philadelphia, etc.<br />

4<br />

The Old Order and The New: P. H. Emerson<br />

and Photography, 1885-1895<br />

Now through November 9, 2008<br />

In the 1880s, Peter Henry Emerson began photographing the<br />

Norfolk and Suffolk, England landscapes, producing beautiful<br />

prints, and publishing books and portfolios for which he<br />

became well-known.<br />

The images in this<br />

exhibition represent<br />

the continual shift and<br />

antagonism between<br />

values and ideas. They<br />

convey the rich flavor<br />

<strong>of</strong> Emerson’s time and<br />

invite comparisons<br />

with contemporary life<br />

and culture.<br />

Moses Myers, Merchant <strong>of</strong> Norfolk<br />

(at the Historic Houses)<br />

Opens October 10, 2008<br />

As part <strong>of</strong> a generous gift from Mr. T. Parker Host, the<br />

Historic Houses will install a new permanent exhibition at<br />

the Moses Myers House. The new exhibition explores the<br />

business <strong>of</strong> maritime commerce through the life and<br />

business <strong>of</strong> Moses Myers.<br />

Ansel Adams Photography<br />

Now through September 7, 2008<br />

This exhibition, drawn entirely from the <strong>Chrysler</strong>'s<br />

collection, consists <strong>of</strong> 15 photographs from one <strong>of</strong> the<br />

world's most renowned photographers, Ansel Adams. He is<br />

best known for his images <strong>of</strong> Yosemite<br />

and the Sierra Nevada Mountain Range.<br />

Peter Henry Emerson<br />

(British, 1856–1936)<br />

Lone Lagoon, Plate II from Marsh Leaves, 1895<br />

Royal Photographic Society Collection at the<br />

National Media <strong>Museum</strong>, Bradford, UK


E X H I B I T I O N S<br />

Ben Fernandez (American, b. 1936)<br />

Memphis, Tennessee, April 6, 1968,<br />

printed ca. 1989.<br />

Gift <strong>of</strong> Kodak and Michael S. Engl<br />

UPCOMING<br />

Countdown to Eternity: Photographs <strong>of</strong><br />

Dr. Martin Luther King, Jr.<br />

by Ben Fernandez<br />

September 26, 2008–March 1, 2009<br />

In the years before Dr. Martin Luther King, Jr. was<br />

assassinated, award-winning photographer Ben Fernandez<br />

documented his life—visually demonstrating King’s<br />

powerful messages. These photographs serve as visual<br />

testimony <strong>of</strong> a dedicated photojournalist who gives the<br />

world a different view <strong>of</strong> Dr. King and the state <strong>of</strong> America<br />

during its transition towards providing equal rights.<br />

Norman Rockwell (American,1894-1978)<br />

No Swimming, 1921<br />

Cover illustration for The Saturday Evening Post, June 4, 1921<br />

Oil on canvas, 25 1/4” x 22 1/4”<br />

©From the permanent collection <strong>of</strong> Rockwell <strong>Museum</strong><br />

1921 SEPS: Licensed by Curtis Publishing, Indianapolis, IN<br />

American Chronicles: The <strong>Art</strong> <strong>of</strong><br />

Norman Rockwell<br />

November 12, 2008–February 1, 2009<br />

Drawn from the Norman Rockwell <strong>Museum</strong> in Stockbridge,<br />

Massachusetts, this exhibition surveys the career <strong>of</strong><br />

America’s premier 20 th -century commercial illustrator and<br />

arguably its most beloved artist. The exhibition includes 41<br />

<strong>of</strong> Rockwell’s oil paintings, a group <strong>of</strong> drawings and posters<br />

including the Four Freedoms, and all 323 covers that the artist<br />

created between 1916 and 1963 for The Saturday Evening Post.<br />

5


N E W S<br />

CLICK HERE!<br />

Get a Sneak Peek at Upcoming <strong>Art</strong> <strong>of</strong> Glass 2 Exhibition<br />

Be the first to view the <strong>Art</strong> <strong>of</strong> Glass 2, a series <strong>of</strong> exhibitions and glass-themed<br />

performances centered on the world <strong>of</strong> contemporary glass. The <strong>Chrysler</strong><br />

<strong>Museum</strong>, in partnership with the Contemporary <strong>Art</strong> Center <strong>of</strong> Virginia and the<br />

Virginia <strong>Art</strong>s Festival, will <strong>of</strong>ficially introduce these one-<strong>of</strong>-a-kind showstoppers<br />

during the spring and summer <strong>of</strong> 2009. Log on and learn more about this<br />

upcoming world-class celebration <strong>of</strong> glass.<br />

www.art<strong>of</strong>glass2.com<br />

Membership Now Available Online<br />

Join the <strong>Chrysler</strong> <strong>Museum</strong> <strong>of</strong> <strong>Art</strong> today and instantly receive discounts on<br />

<strong>Museum</strong> admission, enjoy exclusive Members’ events, discounts in the gift shop, and be the first to view all <strong>of</strong><br />

our major exhibitions. Start now by logging on and becoming a part <strong>of</strong> the <strong>Chrysler</strong> family!<br />

http://www.chrysler.org/membership.asp<br />

<strong>Chrysler</strong> E-News<br />

No time to sift through newspapers or read lengthy articles Let us deliver the news directly to you. Get<br />

quick, concise information about the latest events and exhibition openings every month. Sign up today!<br />

http://www.chrysler.org/news.asp<br />

The <strong>Chrysler</strong> At-A-Glance<br />

Whether planning a trip to Hampton Roads or entertaining guests, let this online resource guide you through<br />

all the “happenings” in the <strong>Museum</strong>. Simply click on any day <strong>of</strong> the week, choose your time, and all <strong>of</strong> the<br />

<strong>Chrysler</strong>’s events are there at your fingertips.<br />

http://www.chrysler.org/calendar/index.htm<br />

Send Us Your Feedback<br />

Let us know how we are doing. Visit Hampton Roads’ new<br />

one-stop resource for all the arts events in the area and<br />

leave your comments and suggestions. Your quote could<br />

appear in the next issue <strong>of</strong> the <strong>Chrysler</strong> Magazine!<br />

www.your757.com<br />

6


(Left to right) BEC Co-Chair Bob Boyd <strong>of</strong><br />

BB&T, his wife, Amy Boyd, Robert Wells <strong>of</strong><br />

Virtexco Corporation, and Christopher C<strong>of</strong>fing<br />

<strong>of</strong> Merrill Lynch<br />

N E W S<br />

BEC CHOOSES ROCKWELL<br />

The <strong>Chrysler</strong> <strong>Museum</strong> <strong>of</strong> <strong>Art</strong>’s Business Exhibition<br />

Council continues its support this year with their<br />

latest selection for sponsorship, American Chronicles:<br />

The <strong>Art</strong> <strong>of</strong> Norman Rockwell, scheduled to open in<br />

November 2008. On June 5, 2008, this group <strong>of</strong><br />

corporate leaders held their annual selection<br />

dinner and toured their current selection,<br />

Rembrandt’s Etchings: The Embrace <strong>of</strong> Darkness and Light.<br />

They watched presentations for three upcoming<br />

exhibitions and after two rounds <strong>of</strong> voting, finally<br />

made their decision.<br />

Since 1999, the BEC has raised more than $1,000,000 to underwrite exhibitions, bringing<br />

masterpieces to Hampton Roads. If your company is interested in becoming a part <strong>of</strong> the<br />

leading corporate support group <strong>of</strong> the <strong>Chrysler</strong> <strong>Museum</strong> <strong>of</strong> <strong>Art</strong>, the Council always<br />

welcomes new Members.<br />

For information on becoming a Member, please contact Brian Wells in the Development<br />

Office at 757-333-6298 or bwells@chrysler.org.<br />

INTERNS: BEYOND THE GALLERIES<br />

Each semester, students from across the mid-Atlantic region<br />

experience the <strong>Chrysler</strong> <strong>Museum</strong> beyond the galleries. We<br />

<strong>of</strong>fer interns the opportunity to get hands-on experience working<br />

in various departments throughout the building.<br />

The <strong>Chrysler</strong> also gives students experience in finance, special<br />

events, registration, and communications. During this past<br />

summer, we<br />

were pleased<br />

to invite 14<br />

students and<br />

recent<br />

graduates, all<br />

with a range<br />

<strong>of</strong> talents and<br />

diverse<br />

backgrounds,<br />

to support our<br />

work.<br />

Interns Gabrielle Barr and Luke McDonald at the<br />

Historic Houses<br />

Under the<br />

supervision<br />

<strong>of</strong> a <strong>Chrysler</strong><br />

staff<br />

member,<br />

interns<br />

contribute to projects in their assigned departments and<br />

acquire skills necessary for future careers.<br />

<strong>Chrysler</strong> <strong>Museum</strong> summer interns: Back row (left to right): Keri Kauffman, Edward Oldfield,<br />

Anne West, Laura Godfrey; Front row (left to right): Tatiana Bryant, Stephanie Kiah, Lauren<br />

Kirchner, Anne Williams; Interns (not pictured here): Ashleigh Fotenos, Emily McAlpine,<br />

Christie Bernick, and Aliya Reich<br />

A weekly discussion series—led by curators, educators, and other<br />

key Members <strong>of</strong> the museum staff—also enables interns to explore<br />

issues, ask questions, and gain insight into the challenges <strong>of</strong> the<br />

museum world.<br />

Want to participate Simply visit http://www.chrysler.org/jobs.asp<br />

or contact Alexandra Hunter at ahunter@chrysler.org<br />

or 757-333-6268.<br />

“The program is a great way to educate and<br />

expand the horizons <strong>of</strong> those who are interested<br />

in a museum career.”<br />

— a former <strong>Chrysler</strong> <strong>Museum</strong> intern.<br />

7


C A L E N D A R<br />

SEPTEMBER<br />

3 Wed 12:30 p.m. Gallery Talk Ansel Adams Photographs<br />

6:15 p.m. Jazz The <strong>Art</strong> <strong>of</strong> Jazz with Greg Dudzinski and The Fine <strong>Art</strong> <strong>of</strong> Wine<br />

4 Thurs 11 a.m. Tickle My Ears Take My Picture in the Kaufman Theatre Lobby<br />

6 Sat 2 p.m. Gallery Talk Collecting with Vision: Treasures from the <strong>Chrysler</strong> Collection<br />

7 Sun 2 p.m. Gallery Talk Ansel Adams CURRENTLY Photographs ON VIEW<br />

Exhibition Closes<br />

Ansel Adams Photography<br />

10 Wed 12:30 p.m. Gallery Talk The Old Order and the New: P.H. Emerson and Photography,1885-1895<br />

6:15 p.m. Jazz The <strong>Art</strong> <strong>of</strong> Jazz with the Chris Brydge Group<br />

7 p.m. Norfolk History <strong>Museum</strong> Series I Come from Ole Virginny: The Story <strong>of</strong> the Banjo, 1790-1860<br />

13 Sat 2 p.m. Gallery Talk Collecting with Vision: Treasures from the <strong>Chrysler</strong> Collection<br />

2 p.m. Senior <strong>Art</strong> Forum Cameo Performances: Masterpieces <strong>of</strong> Cameo Glass from the <strong>Chrysler</strong>’s Collection<br />

14 Sun 2 p.m. Gallery Talk The <strong>Art</strong> <strong>of</strong> Portraiture<br />

2 p.m. Event Vissi D'<strong>Art</strong>e: An Afternoon <strong>of</strong> Opera and <strong>Art</strong><br />

16 Tues 10 a.m. Event Flower Guild’s Fall Floral Demonstration (First Session)<br />

1 p.m. Event Flower Guild’s Fall Floral Demonstration (Second Session)<br />

17 Wed 12:30 p.m. Gallery Talk Cameo Performances: Masterpieces <strong>of</strong> Cameo Glass from the <strong>Chrysler</strong>’s Collection<br />

6:15 p.m. Jazz The <strong>Art</strong> <strong>of</strong> Jazz with Latin Jazz Conspiracy<br />

7 p.m. Gallery Talk The Old Order and the New: P.H. Emerson and Photography, 1885-1895<br />

8 p.m. Film Series <strong>Art</strong> After Dark: The Go-Between (1970)<br />

20 Sat 10:30 a.m. Event FAAA Annual <strong>Art</strong> Class Series (at the <strong>Chrysler</strong> <strong>Museum</strong>)<br />

2 p.m. Gallery Talk Collecting with Vision: Treasures from the <strong>Chrysler</strong> Collection<br />

21 Sun 2 p.m. Gallery Talk The Old Order and the New: P.H. Emerson and Photography,1885-1895<br />

24 Wed 11 a.m. NSA Lecture Norman Rockwell Paints a Post Cover with Peter Rockwell, <strong>Art</strong>ist, Sculptor, and<br />

son <strong>of</strong> Norman Rockwell<br />

12:30 p.m. Gallery Talk Cameo Performances: Masterpieces <strong>of</strong> Cameo Glass from the <strong>Chrysler</strong>’s Collection<br />

6:15 p.m. Jazz The <strong>Art</strong> <strong>of</strong> Jazz with Gil Cruz<br />

26 Fri Exhibition Opens Countdown to Eternity: Photographs <strong>of</strong> Dr. Martin Luther King, Jr. by Ben Fernandez<br />

6 p.m. Event FAAA 3rd Annual Q-Down<br />

27 Sat 2 p.m. Gallery Talk Collecting with Vision: Treasures from the <strong>Chrysler</strong> Collection<br />

28 Sun 2 p.m. Gallery Talk The <strong>Art</strong> <strong>of</strong> Portraiture<br />

English<br />

English Cameo Vase<br />

with Morning Glories,<br />

late 19th century<br />

Gift <strong>of</strong> James, Rebecca<br />

and Kate Summar in honor<br />

<strong>of</strong> Malcolm and<br />

Nancy Branch<br />

Ben Fernandez (American, b. 1936)<br />

Dr. Benjamin Spock, Dr. King, and Monsignor Rice <strong>of</strong> Pittsburgh, April 15, 1967<br />

Gift <strong>of</strong> Kodak and Michael S. Engl<br />

8


C A L E N D A R<br />

OCTOBER<br />

1 Wed 7:30 a.m. Event Friends <strong>of</strong> the Historic Houses Road Trip (George Washington’s Mt. Vernon<br />

Estate & Gardens)<br />

12:30 p.m. Gallery Talk The Old<br />

UPCOMING<br />

Order and the New: P.H. Emerson and Photography,1885-1895<br />

6:15 p.m. Jazz The <strong>Art</strong> <strong>of</strong> Jazz with Sonya Lorelle and The Fine <strong>Art</strong> <strong>of</strong> Wine<br />

2 Thurs 11 a.m. Tickle My Ears Juice, Tea, and Jam in the H<strong>of</strong>heimer Porcelain Gallery<br />

3 Fri 5:30 p.m. Event For <strong>Art</strong>’s Sake’s Blues on the Hague<br />

4 Sat 2 p.m. Senior <strong>Art</strong> Forum The James H. Ricau Collection <strong>of</strong> American Sculpture<br />

2 p.m. Gallery Talk Collecting with Vision: Treasures from the <strong>Chrysler</strong> Collection<br />

5 Sun 2 p.m. Gallery Talk Cameo Performances: Masterpieces <strong>of</strong> Cameo Glass from the <strong>Chrysler</strong>’s Collection<br />

7 Tues 10 a.m. Event Flower Guild’s Fall Floral Demonstration<br />

8 Wed 12:30 p.m. Gallery Talk The <strong>Art</strong> <strong>of</strong> Portraiture<br />

6:15 p.m. Jazz The <strong>Art</strong> <strong>of</strong> Jazz with Brian Jones<br />

7 p.m. Norfolk History <strong>Museum</strong> Series Historic Photos <strong>of</strong> Norfolk<br />

10 Fri Exhibition Opens Moses Myers, Merchant <strong>of</strong> Norfolk (at the Historic Houses)<br />

11 Sat 2 p.m. Gallery Talk Collecting with Vision: Treasures from the <strong>Chrysler</strong> Collection<br />

12 Sun 2 p.m. Gallery Talk The Old Order and the New: P.H. Emerson and Photography,1885-1895<br />

15 Wed 12:30 p.m. Gallery Talk Cameo Performances: Masterpieces <strong>of</strong> Cameo Glass from the <strong>Chrysler</strong>’s Collection<br />

6:15 p.m. Jazz The <strong>Art</strong> <strong>of</strong> Jazz with JuJu & After Hours<br />

17 Fri 7 p.m. Fall Film for Families Night At the <strong>Museum</strong><br />

18 Sat 10 a.m. Event FAAA Annual <strong>Art</strong> Class Series (at the Hampton University <strong>Museum</strong>)<br />

1 p.m. Event Photographer Peter Henry Emerson and England’s Norfolk Broads<br />

2 p.m. Gallery Talk Collecting with Vision: Treasures from the <strong>Chrysler</strong> Collection<br />

19 Sun 1 p.m. Historic Houses Program Sukkot: The Feast <strong>of</strong> Ingathering<br />

2 p.m. Gallery Talk The <strong>Art</strong> <strong>of</strong> Portraiture<br />

22 Wed 11 a.m. NSA Mabel Brown Lecture The Cleveland <strong>Museum</strong> <strong>of</strong> <strong>Art</strong>: Past, Present, and Future with Timothy Rub,<br />

Director and CEO <strong>of</strong> the Cleveland <strong>Museum</strong> <strong>of</strong> <strong>Art</strong><br />

12:30 p.m. Gallery Talk The Old Order and the New: P.H. Emerson and Photography,1885-1895<br />

6:15 p.m. Jazz The <strong>Art</strong> <strong>of</strong> Jazz with Under Construction<br />

23 Thu 7 p.m. Event Mowbray Arch Society Fall Program<br />

25 Sat 2 p.m. Gallery Talk Collecting with Vision: Treasures from the <strong>Chrysler</strong> Collection<br />

26 Sun 2 p.m. Gallery Talk The Old Order and the New: P.H. Emerson and Photography,1885-1895<br />

29 Wed 12:30 p.m. Gallery Talk The <strong>Art</strong> <strong>of</strong> Portraiture<br />

6:15 p.m. Jazz The <strong>Art</strong> <strong>of</strong> Jazz with Against All Odds<br />

Peter Henry Emerson<br />

(British, 1856–1936)<br />

Low Water on Breydon, Plate II from Wild Life on a Tidal Water, 1890<br />

Royal Photographic Society Collection at the National Media <strong>Museum</strong>, Bradford, UK<br />

9


N E W S<br />

Gallery Assistant Director at Howard<br />

University, Scott Baker (pictured far right),<br />

leads Friends <strong>of</strong> African American <strong>Art</strong> and<br />

guests around the historic campus.<br />

10<br />

NORFOLK SOCIETY OF ARTS<br />

LECTURE SERIES<br />

The Norfolk Society <strong>of</strong> <strong>Art</strong>s Lecture<br />

Series features a fascinating array <strong>of</strong><br />

speakers and topics. Lectures are held on<br />

selected Wednesdays through April 2009.<br />

Each lecture begins at 11 a.m. in the<br />

Kaufman Theatre and is preceded by a<br />

c<strong>of</strong>fee reception at 10:30 a.m.<br />

Wednesday, September 24, 2008<br />

Norman Rockwell Paints a Post Cover<br />

Peter Rockwell, <strong>Art</strong>ist/Sculptor, Son <strong>of</strong> Norman Rockwell<br />

Wednesday, October 22, 2008 (Mabel Brown Lecture)<br />

The Cleveland <strong>Museum</strong> <strong>of</strong> <strong>Art</strong>: Past, Present, and Future<br />

Timothy Rub, Director and CEO <strong>of</strong> the Cleveland <strong>Art</strong><br />

<strong>Museum</strong><br />

Wednesday, November 19, 2008<br />

The Pulitzer Foundation for <strong>Art</strong>s: A Unique Institution<br />

Emily Rauh Pulitzer, Founder and Chair, The Pulitzer<br />

Foundation for the <strong>Art</strong>s, St. Louis<br />

Wednesday, December 3, 2008<br />

Antoine’s Alphabet: Watteau & His World<br />

Jed Pearl, Author and Critic<br />

Wednesday, January 28, 2009<br />

How to Read a Piece <strong>of</strong> Antique Furniture<br />

Don Williams, Senior Furniture Conservator for the<br />

Smithsonian Institution<br />

Wednesday, February 25, 2009<br />

Tartan <strong>Art</strong>: Collecting for the National Galleries <strong>of</strong> Scotland<br />

John Leighton, Director General <strong>of</strong> the National<br />

Galleries <strong>of</strong> Scotland<br />

Wednesday, March 25, 2009<br />

Dealer, Taste Maker, and Champion <strong>of</strong> American <strong>Art</strong>:<br />

Edith Gregor Halpert<br />

Lindsay Pollock, Author, Journalist with Bloomberg’s<br />

Wednesday, April 22, 2009<br />

The <strong>Art</strong> <strong>of</strong> Rene Lalique<br />

Nicholas Dawes, Antiques Dealer, Author, Parsons<br />

School <strong>of</strong> Design Faculty<br />

COST: Free to NSA Members.<br />

For more information or to join NSA, please contact<br />

Pam Pruden at 757-623-0875 or pctpruden@verizon.net.<br />

FRIENDS OF AFRICAN AMERICAN ART:<br />

ON THE ROAD AGAIN<br />

Summer’s advent means travel for many <strong>Chrysler</strong> Members, and<br />

this year, the Friends <strong>of</strong> African American <strong>Art</strong> took to the<br />

road—embarking on an exciting tour <strong>of</strong> works by some <strong>of</strong> the<br />

most popular African American artists <strong>of</strong> the last century. FAAA<br />

Members and friends, including guests from Hampton University<br />

and the Virginia <strong>Museum</strong> <strong>of</strong> Fine <strong>Art</strong>s, headed towards<br />

Washington, D.C. to view art on the campus <strong>of</strong> Howard<br />

University and to experience the Aaron Douglas: African American<br />

Modernist exhibit at the Smithsonian American <strong>Art</strong> <strong>Museum</strong>.<br />

While visiting Howard University, Gallery Assistant Director<br />

Scott Baker led the group on a tour <strong>of</strong> the art holdings on the<br />

campus, including the stained glass windows <strong>of</strong> Rankin<br />

Chapel and the steel mural by Jacob Lawrence. The Friends<br />

and guests also traveled to the Smithsonian <strong>Museum</strong> to view<br />

the fusion <strong>of</strong> cubism, art deco, and African and African<br />

American imagery found in Douglas’ work.<br />

Want to join us next time Don’t miss your chance to<br />

discover art from a different perspective. For more<br />

information about trips or to become a Member <strong>of</strong> FAAA,<br />

please contact Brian Wells at 757-333-6298.<br />

Raffle winner, Annette Etheridge, prepares to hit the open road in her new <strong>Chrysler</strong> Sebring.<br />

AND THE WINNER IS…<br />

Congratulations to Annette Etheridge <strong>of</strong> Suffolk who<br />

drove away in a 2008 <strong>Chrysler</strong> Sebring Convertible after<br />

winning this year’s <strong>Chrysler</strong>-to-<strong>Chrysler</strong> Car Raffle.<br />

Over 6,000 tickets were sold and proceeds from this year’s<br />

raffle provide valuable support for <strong>Museum</strong> operations. The<br />

<strong>Chrysler</strong> sends a special thanks to our sponsors Hampton<br />

Roads <strong>Chrysler</strong> Jeep Dealers, WTKR News Channel 3, and<br />

the <strong>Museum</strong>’s staff and volunteers whose combined efforts<br />

made this year’s raffle a great success!


N E W S<br />

THE CHRYSLER MUSEUM COLLECTION ON THE ROAD<br />

In September and October, three major works will leave the <strong>Chrysler</strong> <strong>Museum</strong> for exhibitions around the globe.<br />

Georges Rouault (French, 1871-1958)<br />

Head <strong>of</strong> Christ, 1905<br />

Gift <strong>of</strong> Walter P. <strong>Chrysler</strong>, Jr.<br />

© <strong>Art</strong>ists Rights Society (ARS), New York / ADAGP, Paris<br />

Paul Signac (French,<br />

1863-1935)<br />

The Lagoon <strong>of</strong> Saint<br />

Mark, Venice, 1905<br />

Gift <strong>of</strong> Walter P.<br />

<strong>Chrysler</strong>, Jr.<br />

© <strong>Art</strong>ists Rights<br />

Society (ARS), New<br />

York / ADAGP, Paris<br />

Massachusetts, USA<br />

Heading north, Georges Rouault’s Head <strong>of</strong> Christ (above<br />

left) will be in Boston at the McMullen <strong>Museum</strong> <strong>of</strong> <strong>Art</strong><br />

(Boston College) in the exhibition “Mystic Masque:<br />

Semblance and Reality in Georges Rouault, 1871-1958.”<br />

Occasioned by the 50 th anniversary <strong>of</strong> Rouault’s death.<br />

Basel, Switzerland<br />

Moving across the Atlantic to Basel, Switzerland, Paul<br />

Signac’s, The Lagoon <strong>of</strong> St. Mark (above right) is featured in<br />

“Venice: From Canaletto and Turner to Monet.”<br />

Missouri, USA<br />

Jackson Pollock’s Number 23, 1951 will make its way to the<br />

St. Louis <strong>Art</strong> <strong>Museum</strong> in late October for the exhibition<br />

”Action/Abstraction: Pollock, deKooning, and American<br />

<strong>Art</strong>, 1940–1976”. If you cannot make it to St. Louis this<br />

fall, the exhibition can be seen next in Buffalo at the<br />

Albright-Knox <strong>Art</strong> Gallery.<br />

Houston, Texas<br />

At the <strong>Museum</strong> <strong>of</strong> Fine <strong>Art</strong>s, Houston, Pierre Etienne<br />

Theodore Rousseau's A Clearing in the Forest <strong>of</strong> Fontainebleau is<br />

the highlight <strong>of</strong> the show "In the Forest Fontainebleau:<br />

Painters and Photographers from Corot to Monet"<br />

through October 19, 2008.<br />

Gallery Host Otha Dunn<br />

A TOAST TO THE HOST!<br />

The <strong>Chrysler</strong> <strong>Museum</strong> <strong>of</strong> <strong>Art</strong> is proud to congratulate Gallery Host Otha Dunn, who<br />

was recently named “Tour Guide <strong>of</strong> the Year” by the Norfolk Convention and Visitors<br />

Bureau at the National Tourism Week Pep Rally. This annual event is a celebration for<br />

front-line staff, including tour guides, docents, and concierges. This is a wonderful<br />

opportunity for them to meet, enthusiastically represent their respective organizations, and<br />

to be recognized for the outstanding jobs they perform for the city and its visitors each day.<br />

Dunn, who has been employed with the <strong>Chrysler</strong> <strong>Museum</strong> for 33 years as a security guard,<br />

became a gallery host just last fall and remains an important part <strong>of</strong> the <strong>Chrysler</strong> Team.<br />

Congratulations, Mr. Dunn!<br />

11


N E W S<br />

"Children from the Park <strong>View</strong> School in Newport News hear about St. Michael<br />

from the Chairman <strong>of</strong> the Junior League. Docents, Mrs. Thomas Bond, Jr.<br />

Some 12 docents <strong>of</strong>fer three different tours to children from 3rd-6th grades.<br />

During the past year, 7,718 school children were taken on guided tours."<br />

Norfolk <strong>Museum</strong> Bullitin/Annual Report V. XIII, N.1, February, 1963<br />

12<br />

THE DOCENTS<br />

TURN 50!<br />

This fall, the <strong>Chrysler</strong> <strong>Museum</strong> welcomes<br />

18 new Docents to its corps <strong>of</strong> more<br />

than 80 volunteer guides. These volunteers<br />

join the Docents in an auspicious year as<br />

2008 marks the 50th anniversary <strong>of</strong> the<br />

Docent Program at the <strong>Chrysler</strong>. The<br />

<strong>Museum</strong> will formally honor its Docents in<br />

May <strong>of</strong> 2009 at their annual end-<strong>of</strong>-year<br />

luncheon, but the celebration starts in<br />

September 2008 when active Docents return<br />

for school tours.<br />

In 1958, when the <strong>Chrysler</strong> <strong>Museum</strong> was<br />

the Norfolk <strong>Museum</strong> <strong>of</strong> <strong>Art</strong>s and Sciences,<br />

the Junior League <strong>of</strong> Norfolk established a<br />

volunteer docent program to lead school<br />

tours at the <strong>Museum</strong>. The League’s<br />

president at that time was Mrs. Sabine<br />

Andrews, and these volunteers set the<br />

docent program at the National Gallery <strong>of</strong> <strong>Art</strong> as their model.<br />

The program began with six volunteers, and by the spring <strong>of</strong><br />

1959 they gave their first tours.<br />

These founding volunteers recognized the importance <strong>of</strong> the<br />

arts and the <strong>Museum</strong> to the quality <strong>of</strong> education <strong>of</strong>fered in the<br />

region’s schools. As the demand for school tours grew, so did<br />

the number <strong>of</strong> volunteers. Consequently, the Junior League<br />

pledged $20,000 in 1966 towards the salary <strong>of</strong> the <strong>Museum</strong>’s<br />

first education director, Mr. Richard Carroll. His primary<br />

responsibility was to train the <strong>Museum</strong>’s docents. During this<br />

time, women from the Service Clubs<br />

<strong>of</strong> Virginia Beach and Portsmouth also<br />

participated in the <strong>Museum</strong>’s<br />

education programs, including taking<br />

works <strong>of</strong> art into schools.<br />

In the 1970s, the collection <strong>of</strong><br />

Walter P. <strong>Chrysler</strong>, Jr. transformed<br />

the Norfolk <strong>Museum</strong> <strong>of</strong> <strong>Art</strong>s and<br />

Sciences, but the role <strong>of</strong> Docents in<br />

the <strong>Museum</strong>’s mission remained<br />

essential. Over the last 50 years,<br />

these volunteers have reached<br />

hundreds <strong>of</strong> thousands <strong>of</strong> children<br />

and adults, and their combined<br />

volunteer hours easily exceeds one<br />

million! The fact that so many<br />

Preparing meal for event<br />

former Docents<br />

continue to play<br />

important roles in<br />

the life <strong>of</strong> the<br />

<strong>Museum</strong> after<br />

years <strong>of</strong> service,<br />

speaks to their<br />

deep personal<br />

relationships with<br />

<strong>Chrysler</strong>’s<br />

collection.<br />

The <strong>Museum</strong><br />

hopes that<br />

current Docents<br />

and those from<br />

years past will<br />

join together on<br />

May 19, 2009,<br />

to share their<br />

decades <strong>of</strong><br />

unforgettable<br />

experiences and<br />

to celebrate this milestone in the <strong>Museum</strong>’s history.<br />

The Education Department welcomes Members’<br />

recollections <strong>of</strong> the program’s first decades, including names<br />

<strong>of</strong> those who should be remembered as founding volunteers.<br />

Please contact Scott Howe, Director <strong>of</strong> Education and<br />

Public Programs at 757-965-2046 or email<br />

showe@chrysler.org for submissions.<br />

BON APPÉTIT!<br />

Many thanks to everyone who<br />

participated in the inaugural <strong>Art</strong> Feast<br />

dining series this past spring! <strong>Art</strong> Feast<br />

featured the talents <strong>of</strong> three exceptional<br />

Hampton Roads Chefs: Todd Jurich from<br />

Todd Jurich’s Bistro, Willie Moats from<br />

Byrd & Baldwin Bros. Steakhouse, and<br />

Phillip Craig Thomason from Vintage<br />

Kitchen. A delightful selection <strong>of</strong> wines,<br />

provided by The Wine Cellar at Farm<br />

Fresh, accompanied each <strong>of</strong> the dinners.<br />

The <strong>Chrysler</strong> was pleased to have the<br />

generous support and assistance <strong>of</strong><br />

Distinctive Event Rentals, and Norfolk<br />

Wholesale Floral.


N E W S<br />

ARTFUL EXPLORATION<br />

Create precious memories and learn about the artistic and cultural life <strong>of</strong><br />

places around the world on any one <strong>of</strong> our custom designed tours. For<br />

additional information on <strong>Museum</strong> trips or to make reservations, please<br />

contact Deborrah Grulke at 757-333-6318 or dgrulke@chrysler.org<br />

Parque de Maria Luisa, Seville, Spain<br />

CLASSIC SPAIN<br />

(April 26–May 5, 2009)<br />

Take part in an unforgettable journey<br />

across centuries <strong>of</strong> Spanish history.<br />

Venture into the sun-baked landscapes<br />

<strong>of</strong> Toledo, Seville, Granada, Valencia,<br />

and finally, Barcelona, while<br />

discovering the timeless beauty <strong>of</strong><br />

Spain. Explore the country’s exquisite<br />

art and breathtaking architecture on a<br />

10-day sojourn beginning in Madrid.<br />

Cost: $3,049 per person,<br />

double occupancy (includes airfare<br />

from Norfolk)<br />

Students gather in the <strong>Chrysler</strong>'s Tiffany Galleries during the <strong>Museum</strong>'s<br />

Camp <strong>Chrysler</strong>.<br />

The historic port <strong>of</strong> Dubrovnik<br />

Lavender Field, Provence, France<br />

VILLAGE LIFE ALONG THE<br />

DALMATIAN COAST<br />

(July 21–29, 2009)<br />

Sail from the port <strong>of</strong> Venice across<br />

the dark blue Adriatic Sea and along<br />

Dalmatia’s ruggedly beautiful island<br />

dotted shoreline. Rarely visited by<br />

American travelers, the Dalmatian<br />

Coast <strong>of</strong>fers an unmatched collection<br />

<strong>of</strong> Roman ruins, medieval towns,<br />

stunning rivieras, and idyllic islands.<br />

A special two-night Venice Pre-<br />

Program option is also <strong>of</strong>fered.<br />

Cost: $3,195 per person (plus airfare)<br />

FLAVORS OF BURGUNDY<br />

AND PROVENCE<br />

(October 3–14, 2009)<br />

The <strong>Chrysler</strong> <strong>Museum</strong> <strong>of</strong> <strong>Art</strong> and the<br />

Virginia <strong>Museum</strong> <strong>of</strong> Fine <strong>Art</strong>s are<br />

teaming up this year to present a<br />

12-day journey from Paris to Nice.<br />

This tour includes a seven-day scenic<br />

cruise down the Rhone River from<br />

Chalons to Arles aboard the<br />

Avalon Scenery.<br />

Cost: $3,107 per person,<br />

double occupancy<br />

Ed Francis, Assistant Pr<strong>of</strong>essor <strong>of</strong> <strong>Art</strong> at Tidewater Community College,<br />

demonstrates the technique <strong>of</strong> glassblowing to observers in Mary's Garden.<br />

CHRYSLER GLASS GALLERIES:<br />

A NEW PERSPECTIVE<br />

Visit the <strong>Chrysler</strong> <strong>Museum</strong> this fall, and view<br />

some <strong>of</strong> the <strong>Chrysler</strong>’s most treasured glass<br />

masterpieces from a whole new perspective.<br />

Currently, the glass galleries are undergoing a<br />

number <strong>of</strong> cosmetic changes including new paint<br />

and carpeting in primary display areas, fresh labels<br />

explaining each object in detail, and several new<br />

arrangements <strong>of</strong> glass. A new video kiosk will also<br />

be featured in the galleries, allowing visitors to get<br />

an intimate view <strong>of</strong> glass making techniques. These<br />

renovations, which will take place in gradual phases,<br />

will help guests engage with the <strong>Chrysler</strong>'s<br />

ever-popular glass collection.<br />

13


P R O G R A M S<br />

14<br />

PUBLIC PROGRAMS<br />

GALLERY TALKS<br />

Gallery Talks are customized tours that<br />

highlight the <strong>Museum</strong>’s many changing<br />

exhibitions and works in the <strong>Chrysler</strong>’s<br />

collection. Gallery Talks are scheduled<br />

weekly at 12:30 p.m. on Wednesdays and<br />

at 2 p.m. on Saturdays and Sundays.<br />

Each session begins at the <strong>Museum</strong>’s<br />

information desk in Huber Court.<br />

September: 3 & 7<br />

Ansel Adams Photographs<br />

September: 6, 13, 20 & 27<br />

October: 4, 11, 18 & 25<br />

Collecting with Vision: Treasures<br />

from the <strong>Chrysler</strong> Collection<br />

September: 10 & 21<br />

October: 1, 12, 22 & 26<br />

The Old Order and the New: P.H.<br />

Emerson and Photography, 1885-1895<br />

September: 14 & 28<br />

October: 8, 19 & 29<br />

The <strong>Art</strong> <strong>of</strong> Portraiture<br />

September: 17 & 24<br />

October: 5 & 15<br />

Cameo Performances: Masterpieces<br />

<strong>of</strong> Cameo Glass from the<br />

<strong>Chrysler</strong>’s Collection<br />

Cost: Free and open to the public.<br />

TICKLE MY EARS:<br />

STORIES AND ART<br />

AT THE CHRYSLER<br />

Geared towards pre-kindergarten children,<br />

this program takes place on the first<br />

Thursday <strong>of</strong> every month and features<br />

stories, songs, and surprises to help young<br />

children appreciate art.<br />

This program is generously<br />

supported by Target.<br />

Thursday, September 4, 11 a.m.<br />

in the Kaufman Theatre Lobby<br />

Take My Picture<br />

Thursday, October 2, 11 a.m. in<br />

the H<strong>of</strong>heimer Porcelain Gallery<br />

Juice, Tea, and Jam<br />

Cost: Free and open to the public.<br />

PHOTOGRAPHER<br />

PETER HENRY<br />

EMERSON AND<br />

ENGLAND’S<br />

NORFOLK BROADS<br />

Saturday, October 18, 1 p.m.<br />

in the Kaufman Theatre<br />

The <strong>Chrysler</strong> <strong>Museum</strong> and the Norfolk<br />

Sister City Association present two<br />

lectures in conjunction with the<br />

exhibition, The Old Order and the New:<br />

P.H. Emerson and Photography, 1885-1895.<br />

Curator Hope Kingsley’s lecture will<br />

place Emerson’s photographs in the<br />

context <strong>of</strong> 19 th -century painters.<br />

Historian and East Anglian native<br />

Jayne Forsythe Tracey will speak on<br />

the past, present, and future <strong>of</strong> the<br />

region that inspired P. H. Emerson.<br />

The afternoon closes with reflections<br />

on the parallels between Emerson’s<br />

Norfolk Broads and its sister city,<br />

Norfolk, Virginia.<br />

Cost: Free and open to the public.<br />

VISSI D’ARTE: AN<br />

AFTERNOON OF<br />

OPERA AND ART<br />

Sunday, September 14, 2 p.m.<br />

in the Kaufman Theatre<br />

The <strong>Chrysler</strong> <strong>Museum</strong> and<br />

Virginia Opera join forces<br />

to present an afternoon <strong>of</strong><br />

music and art. Singers and curators share<br />

the stage and explore the <strong>Chrysler</strong>’s<br />

galleries to connect classic arie from II<br />

Trovatore and Elixir <strong>of</strong> Love with works in<br />

the <strong>Museum</strong>’s collection.<br />

Cost: Free and open to the public.<br />

HISTORIC<br />

HOUSES<br />

PROGRAMS<br />

For more information<br />

about Historic<br />

Houses Programs,<br />

please call<br />

757-333-1091.<br />

SEPTEMBER:<br />

3 Greg Dudzinski<br />

10 Chris Brydge Group<br />

17 Latin Jazz<br />

Conspiracy<br />

24 Gil Cruz<br />

Public Programs are included with <strong>Museum</strong><br />

admission. Remember, <strong>Museum</strong> Members, children<br />

under 18, and students with college ID are always<br />

admitted to the <strong>Museum</strong> free <strong>of</strong> charge. Unless<br />

otherwise noted, no reservations are required for<br />

individuals, but please call for group reservations.<br />

Sunday, October 19, 1 p.m. at the<br />

Moses Myers House<br />

Sukkot: The Feast <strong>of</strong> Ingathering<br />

Learn more about Norfolk’s Jewish<br />

heritage as the Moses Myers House,<br />

home <strong>of</strong> Norfolk’s first Jewish<br />

residents, highlights the festival <strong>of</strong><br />

Sukkot—commemorating the<br />

protection given to the Israelites<br />

during their exodus in the wilderness<br />

and celebrating the gathering <strong>of</strong> the<br />

harvest. Help build and decorate a<br />

traditional sukkah!<br />

Cost: Free and open to the public.<br />

WEDNESDAY NIGHT JAZZ<br />

The popular <strong>Art</strong> <strong>of</strong> Jazz features an all-star lineup <strong>of</strong> regional<br />

performers every Wednesday night from 6:15 p.m.–8:45 p.m.<br />

in the <strong>Museum</strong>’s Huber Court. Wine and refreshments are<br />

available for purchase, and the <strong>Museum</strong>’s galleries stay open<br />

for guests’ enjoyment. A complete schedule <strong>of</strong> performers is<br />

listed below.<br />

Sponsored by Farm Fresh, The Fine <strong>Art</strong> <strong>of</strong> Wine–an informal<br />

tasting–takes place on the first Wednesday <strong>of</strong> each month.<br />

Members receive a $1 discount on each glass <strong>of</strong> wine and<br />

half-<strong>of</strong>f wine tasting.<br />

Cost: Free and open to the public.<br />

OCTOBER:<br />

1 Sonya Lorelle<br />

8 Brian Jones<br />

15 JuJu & After Hours<br />

22 Under Construction<br />

29 Against All Odds


P R O G R A M S<br />

Unless otherwise noted, no reservations are required<br />

for individuals, but please call for group reservations.<br />

SENIOR ART FORUM<br />

This senior citizens group meets at 2 p.m. on one Saturday a month for a<br />

tour, discussion, and light refreshments.<br />

Saturday, September 13, 2 p.m. in the Education Workshop<br />

Cameo Performances: Masterpieces <strong>of</strong> Cameo Glass<br />

from the <strong>Chrysler</strong>’s Collection<br />

Saturday, October 4, 2 p.m. in the Education Workshop<br />

The James H. Ricau Collection <strong>of</strong> American Sculpture<br />

Cost: Free for Members and $5 for non-Members.<br />

ART AFTER DARK<br />

Join us for the final evening <strong>of</strong> this exciting film series. <strong>Art</strong> After Dark<br />

features a Gallery Talk at 7 p.m. in the <strong>Museum</strong> and is followed by a film<br />

presentation at 8 p.m. To join the <strong>Art</strong> After Dark e-mail list, please contact<br />

Alexandra Hunter at ahunter@chrysler.org or 757-333-6268.<br />

Wednesday, September 17, 8 p.m. in Mary’s Garden<br />

The Go-Between (1970)<br />

A film adaptation <strong>of</strong> L.P. Hartley’s novel, The Go-Between<br />

explores social class and forbidden love at the turn-<strong>of</strong>-thecentury<br />

in our sister city, Norfolk, England.<br />

Gallery Talk–The Old Order and the New: P.H. Emerson and<br />

Photography, 1885-1895<br />

Cost: $5 for Members and $7 for non-Members. Tickets are<br />

available at the door.<br />

FALL FILM FOR FAMILIES<br />

For more information, please call 757-333-6239 or email<br />

cdillard@chrysler.org.<br />

Friday, October 17, 7 p.m. in Mary’s Garden<br />

Night at the <strong>Museum</strong><br />

Ever wonder what happens when the lights are out Join us for a<br />

fun-filled night <strong>of</strong> exploration as we peruse the <strong>Museum</strong>’s<br />

galleries—giving visitors an opportunity to view the <strong>Chrysler</strong>’s<br />

treasures after hours. Following the tour, participants will enjoy<br />

Night at the <strong>Museum</strong>, a comedic adventure about a night security<br />

guard who discovers an<br />

ancient curse that causes<br />

animals and exhibits to<br />

come to life! The film<br />

features a star-studded cast<br />

including Ben Stiller, Robin<br />

Williams, Dick Van Dyke,<br />

and Mickey Rooney. Don’t<br />

miss out on all the fun!<br />

PROGRAMS FOR MEMBERS<br />

Seating will be available on a first-come, first-served basis<br />

and is limited to Members. Guests are encouraged to bring<br />

chairs or blankets. In the event <strong>of</strong> inclement weather, the film<br />

will be shown in the Kaufman Theatre.<br />

7 p.m.–Journey through the <strong>Chrysler</strong><br />

8 p.m.–Outdoor Film Presentation<br />

Cost: Free for Members.<br />

FLOWER GUILD<br />

For more information or to become a Member <strong>of</strong> the Flower Guild, please<br />

contact Jenny Kolin at 757-333-6294 or email jkolin@chrysler.org.<br />

Tuesday, September 16<br />

10 a.m. (First Session)<br />

1 p.m. (Second Session)<br />

Fall Floral Demonstrations<br />

As the summer sun settles down, the<br />

Flower Guild is gearing up for its<br />

annual Fall Floral Demonstration.<br />

Learn how to arrange contemporary<br />

floral masterpieces from nationallyacclaimed<br />

speaker and master in the<br />

art <strong>of</strong> floral design, Sandra Baylor. In addition to serving as a<br />

judge for the Garden Club <strong>of</strong> America, Baylor is also one <strong>of</strong><br />

the founding Members <strong>of</strong> the <strong>Chrysler</strong>’s Flower Guild.<br />

All participants must be current Flower Guild Members. Space<br />

is limited and reservations will be honored upon payment only.<br />

Cost: $50 for Flower Guild Members<br />

FRIENDS OF THE<br />

HISTORIC HOUSES<br />

For more information or to become a Member <strong>of</strong> the Friends <strong>of</strong> the Historic<br />

Houses, please call 757-333-6294 or email jkolin@chrysler.org.<br />

Wednesday, October 1<br />

Departure: 7:30 a.m. from the <strong>Chrysler</strong> <strong>Museum</strong><br />

Returning: 7 p.m. from George Washington’s Estate & Gardens<br />

Annual Road Trip<br />

Fasten your seatbelts because the Friends <strong>of</strong> the Historic Houses<br />

are hitting the road this fall! Don’t miss the chance to explore<br />

the rich history within George Washington’s Mount Vernon<br />

Estate & Gardens—located just south <strong>of</strong> Washington, D.C. on<br />

the banks <strong>of</strong> the Potomac River. Participants will enjoy an<br />

exclusive tour <strong>of</strong> the house and grounds as well as the new<br />

education center. Lunch will be served at the historic Mount<br />

Vernon Inn.<br />

Cost: $75 for Friends <strong>of</strong> Historic Houses Members and<br />

$90 for non-Members.<br />

15


P R O G R A M S<br />

PROGRAMS FOR MEMBERS<br />

FRIENDS OF<br />

AFRICAN AMERICAN ART<br />

For more information or to become a Member <strong>of</strong> Friends <strong>of</strong> African American<br />

<strong>Art</strong>, please call Brian Wells at 757-333-6298 or email bwells@chrysler.org.<br />

Unless otherwise noted, no reservations are required<br />

for individuals, but please call for group reservations.<br />

NORFOLK HISTORY<br />

MUSEUM SERIES<br />

Lectures are held in the Kaufman Theatre at the <strong>Museum</strong> on the second<br />

Wednesday each month. Refreshments will be <strong>of</strong>fered after each event.<br />

Sponsored by the Norfolk Historical Society. For more information or to<br />

join, please call 757-333-1091.<br />

16<br />

Friends <strong>of</strong> African<br />

American <strong>Art</strong><br />

gather in Huber<br />

Court for some<br />

heel-grinding,<br />

toe-strutting fun<br />

at their annual<br />

Q-Down.<br />

Friday, September 26, 6 p.m. in Huber Court<br />

3rd Annual Q-Down<br />

Grab your hat, shine those boots, and sharpen your spurs for<br />

the 3rd Annual Q-Down presented by the <strong>Chrysler</strong> <strong>Museum</strong>’s<br />

Friends <strong>of</strong> African-American <strong>Art</strong>. This fun-filled evening<br />

promises line dancing, great music, and all-you-can-eat<br />

bar-b-que. Special thanks goes to the Q-Down’s sponsors<br />

BlackAmericans.com and FAAA’s program sponsors Mr. Jerry<br />

Bridges, Mr. and Mrs. Macon F. Brock, Jr., Calvin & Lloyd,<br />

Ltd., and Mrs. Regina V.K.Williams.<br />

Cost: $35 per person. Open to the public.<br />

Saturday, September 20, 10:30 a.m.<br />

at the <strong>Chrysler</strong> <strong>Museum</strong><br />

Annual <strong>Art</strong> Class Series: 19th and Early 20th-Century<br />

African American <strong>Art</strong>ists in Context<br />

African American artists from the past century would have<br />

been familiar with the European and American artists<br />

featured in the Joan P. Brock Galleries. The <strong>Chrysler</strong>’s Chief<br />

Curator, Jeff Harrison, will discuss the importance <strong>of</strong> wellknown<br />

African American painters and sculptors within the<br />

context <strong>of</strong> the new installations.<br />

Saturday, October 18, 10:30 a.m.<br />

at Hampton University <strong>Museum</strong><br />

Annual <strong>Art</strong> Class Series: A New Perspective on the<br />

Hampton University <strong>Museum</strong> Collections<br />

Vanessa Thaxton-Ward will share her extensive knowledge<br />

<strong>of</strong> the <strong>Museum</strong>’s world-famous collection <strong>of</strong> African<br />

American art, including the John Biggers and Charles<br />

White murals. A temporary exhibit <strong>of</strong> powerful works from<br />

Michigan artist John Onye Lockard will display one <strong>of</strong><br />

America’s most important contemporary Black artists.<br />

Cost: Classes are $80 for the series or $25 per class.<br />

Open to the public.<br />

Wednesday, September 10, 7 p.m. in the Kaufman Theatre<br />

“I Come from Ole Virginny”: The Story <strong>of</strong> the Banjo, 1790-1860<br />

This informative and entertaining “show and tell” program,<br />

presented by Virginia Patriots, Inc. <strong>of</strong> Richmond, examines the<br />

origins and transformation <strong>of</strong> the banjo and banjo music in<br />

Virginia from slavery to the Civil War. Several reproduction<br />

instruments are exhibited and demonstrated.<br />

Wednesday, October 8, 7 p.m. in the Kaufman Theatre<br />

Historic Photos <strong>of</strong> Norfolk<br />

Norfolk City Historian Peggy McPhillips is the author/editor<br />

<strong>of</strong> Historic Photos <strong>of</strong> Norfolk, published in June 2008 by Turner<br />

Publishing. The book includes nearly 200 images <strong>of</strong> Norfolk<br />

people, places, and events from the 1860s to the 1970s. Most<br />

are taken from the collections <strong>of</strong> the Sargeant Memorial<br />

Room <strong>of</strong> Norfolk’s Kirn Memorial Library.<br />

Books can be purchased in the <strong>Museum</strong>'s gift shop and<br />

McPhillips will be available for a special book signing<br />

during the event.<br />

Cost: Admission is $5 per person. Members <strong>of</strong> the Norfolk<br />

Historical Society and Friends <strong>of</strong> the Historic Houses are free.<br />

MOWBRAY ARCH SOCIETY<br />

For information on the Mowbray Arch Society, please contact Gail Winn<br />

at 757-333-6221 or gwinn@chrysler.org.<br />

Thursday, October 23, 2008 at 7 p.m.<br />

in the Kaufman Theatre<br />

Fall Program<br />

Join the Mowbray Arch Society this fall as they celebrate the<br />

start <strong>of</strong> their 2008 season. Explore the history <strong>of</strong> collecting in<br />

America with special guest Dr. Inge Reist, Director <strong>of</strong> the<br />

Center for the History <strong>of</strong> Collecting in America at the Frick<br />

<strong>Art</strong> Reference Library in New York City. The lecture will be<br />

followed by a special dinner at 8 p.m. and preceded by<br />

cocktails in Huber Court at 6 p.m.


THE FELDMAN<br />

CHAMBER SERIES<br />

The Feldman<br />

Chamber Music<br />

Society is gearing up<br />

for its 2008-2009<br />

concert series—<br />

bringing the best in chamber music<br />

to Hampton Roads. Each concert<br />

begins at 8 p.m. in the Kaufman<br />

Theatre and is preceded by<br />

complimentary wine and hors<br />

d’oeuvres as well as a preview with<br />

Dwight Davis <strong>of</strong> WHRO.<br />

Participants also enjoy a<br />

complimentary post-concert<br />

reception with the featured artists.<br />

Monday, September 15, 2008<br />

Daedulus String Quartet<br />

Monday, October 6, 2008<br />

Biava String Quartet<br />

Monday, November 3, 2008<br />

Trio Solisti Piano Trio<br />

Monday, February 9, 2009<br />

Cypress String Quartet<br />

Monday, March 9, 2009<br />

Manderling String Quartet<br />

Monday, April 6, 2009<br />

Peabody Piano Trio<br />

COST: Season tickets are available<br />

for $100 (2 concerts free). Individual<br />

concert tickets are $20 each. Music<br />

Pr<strong>of</strong>essional and Student tickets are<br />

$35 for the season and $7 for<br />

individually purchased tickets.<br />

For more information or to<br />

purchase tickets, please call<br />

757-552-1630 or visit<br />

www.feldmanchambermusic.org.<br />

THANK YOU!<br />

The <strong>Chrysler</strong>’s ability to serve our community, to fulfill our mission <strong>of</strong> enriching<br />

and changing lives, depends in large measure on the generosity <strong>of</strong> individuals,<br />

corporations, and foundations that provide essential support.<br />

At the start <strong>of</strong> a new season, the <strong>Chrysler</strong> wishes to <strong>of</strong>fer special thanks to the<br />

following organizations which have provided special grants to the <strong>Chrysler</strong> in<br />

recent months:<br />

The Norfolk Foundation<br />

Support for the upgrade <strong>of</strong> the <strong>Museum</strong>’s technology infrastructure<br />

The Virginia Commission for the <strong>Art</strong>s<br />

The Business Consortium for <strong>Art</strong>s Support<br />

For general operating support, making possible special exhibitions and<br />

educational programs<br />

Norfolk Society <strong>of</strong> <strong>Art</strong>s<br />

For a new video recording system for the <strong>Museum</strong> theatre and for scholarships<br />

to Camp <strong>Chrysler</strong><br />

The Virginia Beach Foundation<br />

To underwrite the SAPLINGS program bringing 1 st and 2 rd graders to the<br />

<strong>Museum</strong> for learning experiences with their parents<br />

Harry Bramhall Gilbert Charitable Trust<br />

<strong>Museum</strong>’s Business Exhibition Council<br />

In support <strong>of</strong> Rembrandt’s Etchings: The Embrace <strong>of</strong> Darkness and Light exhibition<br />

The Virginian-Pilot<br />

The <strong>Chrysler</strong> Foundation<br />

For the creation <strong>of</strong> online pre-and postvisit<br />

materials for school groups, the<br />

upgrade <strong>of</strong> the <strong>Museum</strong>’s collection<br />

management database, and the redesign <strong>of</strong><br />

our website<br />

Henry Luce Foundation<br />

Supporting the reinstallation <strong>of</strong><br />

our American collection<br />

City <strong>of</strong> Norfolk<br />

Our principal partner,<br />

providing essential<br />

support for the<br />

operation,<br />

maintenance, and<br />

security <strong>of</strong> the<br />

<strong>Museum</strong> building<br />

Thomas Webb & Sons<br />

or Stevens and<br />

Williams, Ltd.<br />

Lily and Fern<br />

Vase (detail), late<br />

19th century<br />

Gift <strong>of</strong> Walter P.<br />

<strong>Chrysler</strong>, Jr.<br />

17


Blues<br />

For <strong>Art</strong>’s Sake<br />

Presents<br />

theHague<br />

on<br />

Friday, October 3, 2008<br />

5:30–9 p.m.<br />

The summer months may be gone, but the fun is not over yet.<br />

Join us for a relaxing evening by the water as we <strong>of</strong>ficially end<br />

yet another exciting For <strong>Art</strong>’s Sake season!<br />

Indulge in all-you-can-eat, hearty bar-b-que and vegetarian chili<br />

while enjoying some cool blues tunes and gentle breezes<br />

sweeping <strong>of</strong>f <strong>of</strong> the Hague Inlet.<br />

Cost: $30 for Members and $40 for non-Members<br />

Purchase tickets by Monday, September 29, 2008, and<br />

receive a $5 discount.<br />

Food and s<strong>of</strong>t drinks are included with admission. Alcoholic beverages will be available for purchase at the event.<br />

For more information or to purchase tickets, please contact Brian Wells at 757-333-6298 or bwells@chrysler.org.<br />

245 West Olney Road<br />

Norfolk, Virginia 23510-1509<br />

www.chrylser.org<br />

NON PROFIT ORG.<br />

U.S. POSTAGE<br />

PAID<br />

NORFOLK, VA<br />

PERMIT #3369

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