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Joe turner's Come and Gone - Center Stage

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Bibliogr aphy<br />

History<br />

C<strong>and</strong>aele, Kerry. Bound for Glory, 1919–1930. Philadelphia, 1997.<br />

—From the Milestones in Black American History series, a fairly detailed young adults’ guide to the Great Migration with many<br />

period photographs.<br />

Cooper, Michael L. Bound for the Promised L<strong>and</strong>: The Great Black Migration. New York, 1995.<br />

—An illustrated survey of the world of the South from which Black migrants fled <strong>and</strong> the Northern cities to which they flocked,<br />

featuring both opportunities <strong>and</strong> obstacles; aimed at young adult readers.<br />

Franklin, John Hope <strong>and</strong> Moss, Jr., Alfred A. From Slavery to Freedom. New York, 2005.<br />

—Wonderfully detailed history <strong>and</strong> chronology of African Americans, usefully broken down into very specific categories—<br />

including aspects of African culture in the Diaspora <strong>and</strong> the spectrum of experience geographically—North <strong>and</strong> South,<br />

continental <strong>and</strong> Caribbean—over time.<br />

Gottleib, Peter. Making Their Own Way. Chicago, 1987.<br />

—From the Blacks in the New World series, a study of Southern Blacks’ migration to <strong>and</strong> arrival in Pittsburgh between 1916 <strong>and</strong><br />

1930, placed within the larger context of the Great Migration as a whole <strong>and</strong> the changing American urban l<strong>and</strong>scape.<br />

Sernet, Milton C. Bound for the Promised L<strong>and</strong>. Durham, NC, 1997.<br />

—A comprehensive, somewhat dense study of the period of <strong>and</strong> around the Migration, particularly focusing on the role of<br />

religion <strong>and</strong> spirituality <strong>and</strong> the exodus’ impact on them.<br />

Trotter, <strong>Joe</strong> William <strong>and</strong> Smith, Eric Ledell, eds. African Americans in Pennsylvania. Harrisburg, 1997.<br />

—Chronological overview of Black Pennsylvania, from Colonial to modern times.<br />

August Wilson<br />

Bogumil, Mary L. Underst<strong>and</strong>ing August Wilson. Columbia, SC, 1999.<br />

—Useful brief overview of the writer <strong>and</strong> his works.<br />

Bryer, Jackson R. <strong>and</strong> Hartig, Mary C., eds. Conversations with August Wilson. Jackson, MS, 2006.<br />

—A wide-ranging <strong>and</strong> fairly up-to-date array of interviews <strong>and</strong> conversations with the playwright.<br />

Shannon, S<strong>and</strong>ra D. The Dramatic Vision of August Wilson. Washington, 1995.<br />

—Critical studies of six of the plays, <strong>and</strong> perspective on Wilson’s writing as a whole.<br />

Influences<br />

Turner, Elizabeth Hutton, ed. Jacob Lawrence: The Migration Series. Washington, 1993.<br />

—Based on the Phillips Collection exhibition of the same title, a gorgeous rendering of some of the l<strong>and</strong>mark images Lawrence<br />

created in response to the Great Migration.<br />

Fine, Ruth. The Art of Romare Bearden. Washington, 2003.<br />

—Illustrated exhibition catalogue from the National Gallery of Art, including biographical material <strong>and</strong> some incisive critical<br />

essays on the life, art, <strong>and</strong> impact of Bearden—a major source of inspiration for <strong>Joe</strong> Turner <strong>and</strong> Wilson’s work in general.<br />

If you have any trouble using this resource guide—<br />

or for more information on CENTERSTAGE’s education<br />

programs—call us at 410.986.4050. Student group rates<br />

start at just $15. Call Group Sales at 410.986.4008 for more<br />

information, or visit centerstage.org.<br />

Material in our Next <strong>Stage</strong> resource guide is made available free of charge for<br />

legitimate educational <strong>and</strong> research purposes only. Selective use has been made<br />

of previously published information <strong>and</strong> images whose inclusion here does<br />

not constitute license for any further re-use of any kind. All other material is<br />

the property of CENTERSTAGE, <strong>and</strong> no copies or reproductions of this material<br />

should be made for further distribution, other than for educational purposes,<br />

without express permission from the authors <strong>and</strong> CENTERSTAGE.<br />

Next <strong>Stage</strong>: <strong>Joe</strong> Turner’s <strong>Come</strong> <strong>and</strong> <strong>Gone</strong> | 16

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