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The Strange Death of Architectural Criticism - Black Dog Publishing

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<strong>The</strong> <strong>Strange</strong> <strong>Death</strong> <strong>of</strong> <strong>Architectural</strong> <strong>Criticism</strong> is a collection <strong>of</strong> 100 essays and<br />

articles by Martin Pawley, one <strong>of</strong> the most important and entertaining voices in<br />

post-war architectural criticism. Pawley studied architecture at the Oxford School<br />

<strong>of</strong> Architecture, the Ecole Nationale Superieure des Beaux Arts in Paris and the<br />

<strong>Architectural</strong> Association in London, before embarking on a distinguished career as a<br />

writer, teacher, critic and broadcaster. A former editor <strong>of</strong> Building Design, Pawley was<br />

later architecture critic <strong>of</strong> <strong>The</strong> Guardian and <strong>The</strong> Observer and has contributed to <strong>The</strong><br />

Architects' Journal, RIBA Journal and Blueprint amongst other publications. His most<br />

recent books include <strong>The</strong>ory and Design in the Second Machine Age (<strong>Black</strong>well,<br />

1990), Norman Foster: a Global Architecture (Thames & Hudson, 1999), Terminal<br />

Architecture (Reaktion Books,1998), and 20th Century Architecture: A Readers'<br />

Guide (<strong>Architectural</strong> Press, 1999).<br />

Pawley’s range as a writer is extraordinary. He can shift from the ‘gonzo’ style <strong>of</strong> Hunter<br />

S Thompson through the gentle surrealism <strong>of</strong> the Daily Telegraph’s Peter Simple to<br />

magisterial sweeps through the contemporary architectural condition that are virtually<br />

without rival both in their depth <strong>of</strong> study and their sharpness <strong>of</strong> perception.<br />

Spanning Pawley's 40-year career, <strong>The</strong> <strong>Strange</strong> <strong>Death</strong> <strong>of</strong> <strong>Architectural</strong> <strong>Criticism</strong> is<br />

a celebration <strong>of</strong> his remarkable body <strong>of</strong> work, covering subjects including the impact<br />

<strong>of</strong> technology on society, space exploration, vehicle design and the environment.<br />

Beginning with his AA diploma thesis "<strong>The</strong> Time House", the book includes writings<br />

on contemporary design, iconic buildings and some <strong>of</strong> the most important issues<br />

facing modern architecture as well as interviews with architects including Norman<br />

Foster, Buckminster Fuller, Leon Krier and Zaha Hadid. By turns poignant, coruscating,<br />

controversial and humorous – but always original and insightful – this book is a<br />

reminder <strong>of</strong> how exhilarating architectural writing at its best can be.<br />

Essays in the book include: '<strong>The</strong> Time House', 'Looking for a Sound', 'Garbage<br />

Housing', 'Meeting Buckminster Fuller', 'Archigram', 'After Postmodernism', 'Terminal<br />

Architecture', 'Defence <strong>of</strong> Modern Architecture', 'Norman Foster', '<strong>The</strong> Most Important<br />

Building <strong>of</strong> the 20th Century' and 'Is Ecology Hot Air'<br />

David Jenkins is the author <strong>of</strong> Norman Foster Works (Prestel Verlag, 2003) and the<br />

former architecture editor at Phaidon.<br />

black dog publishing limited<br />

Unit 4.04 Tea Building<br />

56 Shoreditch High Street<br />

London E1 6JJ<br />

www.blackdogonline.com

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