jainkamalji@gmail.com

jainkamalji@gmail.com

NEWSPAPER THE SUNDAY OBSERVER 1990
PUBLICATION: The Sunday Observer EDITOR: Chandan Mitra PUBLISHER: Anil Ambani
NEWSPAPER SCREEN1991
PUBLICATION:
Indian Express
EDITOR:
Udaytara Nrayan
PUBLISHER:
MS. Anayana Goenka
COMMENTS Behram Contractor, Afternoon Screen has returned to its old format. Designed by Jain Kamal, the
new, old-look magazine has all the familiar trademarks. Pages are divided into neat compartments, bold
pictures, a lot of white space with discriminate use of colour. If you want to redesign a newspaper, Jain
Kamal is the man to visit.
Gulzar, well-known poet and film director Lagta hai koi family member laut aagaya hai.
Udaya Tara Nayar, Editor Screen
People had forgotten ‘SCREEN’ in the tabloid format, but the redesigned broadsheet has been appreciated
by the film industry as well as common man. The eight column ‘STAR’ picture on the front page has given it a
perfect ‘FRIDAY ENTERTAINMENT PAPER’ look. There is no such paper, throught the country.

NEWSPAPER LOKSATTA MARATHI 1991
COMMENTS Dr. Aroon Tikekar, Group Editor, Loksatta
The ‘new look’ LOKSATTA has been executed under the art direction of Jain Kamal. He has vast
experience in designing many English and regional language newspapers and periodicals. Mr. Jain has
always emphasised on using clear and readable typefaces and on making the news paper more attractive.
He is a proud recipient of the NATIONAL LALIT KALA ACADEMY AWARD and the GUJARAT STATE LALIT
KALA ACADEMY AWARD.
PUNE EDITION LOKSATTA MARATHI 1991
PUBLICATION: Indian Express EDITOR: Dr. Aroon Tikekar, Group Editor, Loksatta

NEWSPAPER EXPRESS NEWSLINE 1991
PUBLICATION: Indian Express EDITOR: Sekher Gupta RESIDENT EDITOR: Ravi Shrinivasn
NEWSPAPER INTERNATIONAL SUPPLIEMENT THE FINANCIAL EXPRESS
PUBLICATION: Financial Express EDITOR: Sekher Gupta RESIDENT EDITOR: A B Ravi

NEWSPAPER LOKMAT SAMACHAR 2004
PUBLICATION: LOKMAT SAMACHAR EDITOR: Achutiya nand Mishra
PUBLISHER: LOKMAT PUBLICATIONS NAGPUR EDITOR IN CHIEF: Vijay Darda
PROFILE: A NEWSPAPER FOR HINDI AND MARATHI BELT SPECIALLY IN MAHARASTRA NO. 1 ,IN AAKOLA,
AURANGABAD, NAGPUR,VIDEARVA, MADHAYANCHAL..THEIR TARGET IS TO EXPAND IN 16 EDITIONS
PLACES IN INDIA.
LOOK: THIS NEW LOOK LAUNCH ON 1ST 0F MAY 2004

NEWSPAPER SAANJH LOKSATTA
COMMENTS Lata Raje (Editor) Sanj Loksatta
Th history of printing technology with wooden fonts
has proof of evolution in the sixth century in China. In
the Ming dynasty era, printing on surfaces like wood,
copper and glass was experimented with the help of
clay.
John guttenburgh is the father of modern printing
technology and William Caxton is editor. The art of
printing technology has crossed through several steps
from printing machine, using vapour energy to
linotype, monotype, offset, lithogrpahy, electronic film
setter, rotary to the current technology.
Today the new look of computerised ‘SANJ
LOKSATTA’ is because of the senior Art Director of The
Indian Express Group, Mr. Jain Kamal .
After doing the post-graduation in advertising from the
Benaras Hindu University, he has designed his own
fonts and also designed many English and regional
language newspapers as well as periodicals. In the era
of the internet and the modem, making newspapers
more attractive is not only necessary but also an art
itself. The newspapers are in competition with today’s
television. According to Mr. Jain, “Newspapers are like
‘Khadi’, clean, natural and pure and reading a habit.”
In conclusion, reading is a cultured habit. “Sanj
Loksatta” in the new modern form is ready to carry on
its responsibility of spreading the democratic, strong
and objective ideas to its readers.
PUBLICATION: SAANJH LOKSATTA EDITOR: LataRaje PUBLISHER: THE INDIAN EXPRESS[I]LTD

MAGAZINE INDIA TODAY HINDI
PUBLICATION: INDIA TODAY
EDITOR:Prabhu Chawala
PUBLISHER: Arun Puri, Living
Media india ltd
CIRCULATION: 93,000 after sixth
edition 1,90,000
COMMENTS: India Today, the popular weekly was bringing out a special issue, which focussed on how
villians were being paid more than heroes today. The cover shoot was carried out with famous baddie Amrish
Puri in four hours in Nariman Point (Living Media Office).
The logo for the Hindi edition of India Today was a big challenge to me and my senior, Mr. MG.Moinuddin.
The reason being, India Today (English) was an established brand in news magazines. So it was very tough
to design a logo for its sister publication, but it was successfully done.
The first edition of Hindi India Today sold 93,000 copies. The sixth edition sold 1,90,000 copies.
MAGAZINE INDIA EXPRESS 2000
ENGLISH
COMMENTS: Behram Contractor,
Sunday Afternoon
My friend Jain Kamal is one of
the most genuine and dedicated Professionals who
designs fonts, typefaces for newspapers and
magazines.
In Indian Express 2000, he has overlapped fonts,
shown them huddled together, arm on one another’s
shoulder, and shows a futuristic approach to
typography.
The cover is impressive. For the first time in a
newspaper, the mast head has been cut in half and the
picture represents all the senses - eyes, ear, lips, brain.
Each magazine has its own character. There are
different types of glamour, business children
magazines. The book is lovely to look at, to glance
through, digest and keep for the next millennium..
PUBLICATION: INDIAN EXPRESS
EDITOR: PRENUKA KHANDAKAR
PUBLISHER: INDIAN EXPRESS INDIA LTD
MUMBAI
CIRCULATION: 25,000

MAGAZINE DEBONIAR
PUBLICATION: DEBONAIR EDITOR: AMRITA SHAH, RANDHIIR KHERE,
PUBLISHER: VINIT JAIN , MAURYA PUBLICATION [INDIA] PVT LTD
CIRCULATION: 1,25,000
Vijay Dardra,
MP, Rajya Sabha
The book has come
out very well,
especially the duotone
photographs which
were well laid with
wonderful captions.
Subash Chandra,
Chairman ZEE
Jain Kamal has
remarkable talent and
I enjoyed reading the
whole book. He has
worked very hard on
this project and the
result speaks for itself.
COMMENTS: As per the law, full nudes on cover pages are not permitted, but on this cover which was two
fold half of the body was inside the fold. This means that when the buyer bought a copy he could visualise
the entire posterior in its full glory. This was the 21st anniversary edition of Debonair and was
completely sold out, inspite of being priced at Rs.100 which was quite high for a magazine at that time.

PAINTING THE FACE OF A NEWSPAPER
Dada said to me
"Kamal in
61 years of
age no one
has visualised
me as u did
visual me ...
''a face of
news paper'."
SUDHRAK OLWE, PRASANT , NIMISHA, SONI, JAINKAMAL, PRAVEZ DAMANIA, MAHENDRA, CHARAN,
PRADEEP CHANDRA, SUMANT, AYAZ MEMON, CHANTAN UPADAYAYA

PAINTING THE FACE OF A NEWSPAPER
ON 61ST BIRTHDAY
On 61st birthday of Mr. Amithabh Bachhan a painting have presented by me
at J.W.Marriot.
Basically my idea as a publication designer working with the fonts from last 21
years I had put 8 columns of English , French, Urdu text on the face of Mr.
Bachhan with great imposition of fonts.
Dada said to me "Kamal in 61 years of age no one has visualised me as u did
visual me as
'a face of news paper' ."

MAGAZINE NAMASKAR INFLIGHT MAGAZINE 1995
������ ������ �������
�������
������� ������� ������� ��� �� �� �� ������ ������ ������
��������������
��������������
PUBLICATION: Media scope Integroted EDITOR:Lindsay Pereira PUBLISHER: Marzaban Patel
CIRCULATION: 1,50.000
MAGAZINE 24K 2005 NIR MAGAZINE FROM CITIBANK
PUBLICATION: Media scope Integroted EDITOR: Anil Dharkar PUBLISHER: Marzaban Patel
CIRCULATION: 28,.000
PROFILE: A magazine NIR people, the member of citi bank a nice magazine

MAGAZINE FREE & EASY IN-FLIGHT MAGAZINE EXCUTIVE BRITISH AIRWAYS
PUBLICATION: Media scope Integroted PUBLISHER: Marzaban Patel EDITOR: Lindsay Pereira
CIRCULATION: 50,.000
PROFILE Free & Easy is a travel-based publication sent to all Executive Club Members of British Airways
in India. The magazine caters to a well-travelled segment, all connoisseurs of the art of fine living.
MAGAZINE I LIFE MAGAZINE FOR EXCUTIVE ICICI CARD HOLDER
PUBLICATION: Media scope Integroted PUBLISHER: Marzaban Patel EDITOR: Lindsay Pereira
CIRCULATION: 50,.000
PROFILE Free & Easy is a travel-based publication sent to all Executive Club Members of British Airways in
India. The magazine caters to a well-travelled segment, all connoisseurs of the art of fine living.

MAGAZINE TAJ CITY GUIDE A MAGAZINE BY TAJ MUMBAI
PUBLICATION: Taj Mumbai
PUBLISHER: Media scope Integroted,
Marzaban Patel
EDITOR: Lindsay Pereira
CIRCULATION: 20,000
PROFILE A magazine by
tajmumbai,covering the
latest happenings, events, celebrities,
lifestyle and more.
MAGAZINE SALAAM MUMBAI A MAGAZINE FOR MUMBAITIES
PUBLICATION: Media scope Integroted PUBLISHER: Marzaban Patel EDITOR: Lindsay Pereira
CIRCULATION: 20,.000
PROFILE magazine by Mumbaiites, for Mumbaiites, Salaam Mumai captures the city
of Mumbai in all its glory - covering the latest happenings, events, celebrities, lifestyle and more.

MAGAZINE USP AGE THE COMPLETE MAGAZINE FOR MARKETING COMMUNACATION PROFESSIONALS
THE
COMPLETE
MAGAZINE
FOR MARKETING
COMMUNICATION
PROFESSIONALS
Q&A
STEFANO
PELLE
ADVERTISING
Stop! Danger
Ahead
MEDIA
A Symbiotic
Relationship
MARKETING
4 Ps, Cs, Ts
RETAIL
Gearing up
for action
The
Business
ofTourism
B Y I NVITATION
III SUNIL GUPTA SOTC & Kuoni Holidays
III ANIRBAN SENGUPTA Grand Hyatt
III RADHIKA SHASTRY RCI Global Vacation Network
III STUART CRIGHTON Cleartrip
PUBLISHER & EDITOR: C D RAMACHANDRAN EDITOR: A B RAVI CIRCULATION: 35,.000
PROFILE A magazine for complete marketing, communication professionals
Q&AIII38
AMITABH KANT III
Joint Secretary, Dept. of
Tourism, Govt. of India
VOL IV
ISSUE NO.5
MARCH 2007
Rs 40

PERIDICAL THE ART OF PUBLIC RELATION 2007
PUBLISHER & EDITOR:
C D RAMACHANDRAN
CIRCULATION: 5.000
COMMENTS: India's first
practial guide to effective PR.
Over50 specialist writerson
our roster Tie-up with
Worldwide Partners Inc.for
international news and views
Super market
approch,something for
everyone connected to
marketing and
communactionsAll things
relevent to the industry in one
book

DAIRY KHADI AND VILLAGE INDUSTRIES COMMISSION 2003
TELEPHONE INDEX
PRODUCED BY: DIRECTORATE OF PUBLICITY, KHADI AND VILLAGE COMMISSION
MUMBAI
DESIGNED BY: Jain Kamal Design 98211 39310
PRINT PRODUCTION: Shivani Associates, 022 2819 5083
CIRCULATION: 10.000
CHAIRMAN: Mahesh Sharma
COMMENTS The design have printed on eveironment friendly handmade paper.

CATLOUGE KHADI AND VILLAGE INDUSTRIES COMMISSION
PRODUCED BY: DIRECTORATE OF PUBLICITY, KHADI AND VILLAGE COMMISSION MUMBAI
DESIGNED BY: Jain Kamal Design 98211 39310
PRINT PRODUCTION: Shivani Associates, 022 2819 5083
CIRCULATION: 10.000
CHAIRMAN: Mahesh Sharma
COMMENTS The design have printed on eveironment friendly handmade paper.

CALANDER ETERNAL GANDHI 2006 FOR ADITYA BIRLA GROUP
2 0 0 6
AN INITIATIVE OF THE
GANDHI SMIRTI AND DARSHAN SAMITI
ADITYA BIRLA GROUP
Being in the publishing industry for over 3 decades, we have proved to be pioneers in introducing new concept in the field of
education.India’s first term wiseText book all New Discovery was introduced by us and we are proud to say that wewere thecause for the revolution that
took place in the education system across the country, we introduced the much desired but yet a simple solution of’ one book’!
We now enjoy a clientele of more than 4000 schools across India and have published over 300 titles. We have not only expanded our area of
operations across India but also in the international market.
We thus realize and cherish our potential as quality book publishers who understand the finess of presentation relevant all age group
especilly children.This year weare relesing a minimum of 40 titles in picture book series for toddlers and a minimum of 50 titles in read aloud and
encyclopedia categories for teenagers, all designed authored by eminent writers and artists from India and abroad.
INSPIRATION: The Aditya Birla Group
© jainkamaldesign 9821139310
Those who own money now, are asked to behave like
trustees holding their riches on behalf of the poor.
You may say that trusteeship is a legal fiction. But if
people meditate over it constantly and try to act up
to it, than life on earth would be governed by far
more love than it is at present. Absolute trusteeship
is an absteaction like Euclid’s definition of a point,
and is equally unattainable. But if we strive for it,
we shall be able to go futher in realising state of
equality on earth by any other method.
-M. K. Gandhi
THE ETERNAL GANDHI BROCHURE - BY GANDHI ON TRUSTEESHIP
If we analyse the functions of the Vaishya of the
ancient times, we find that he was assigned the
duty of production and distribution, not for person
al gain, but for common good. All the wealth that
heamassed he held as a trustee for the nation.
Capitalists, if they are to fulfill their real function,
must exist not as exploiters, but as servents of
society. No communism or Bolshevism can thrive if we know and discharge
our duty.Let us produce and distribute for the service of our com
munity. Let us live and be prepared, if it comes to that, to sacrifice ourselves
for the common good.
-G. D. Birla
SPEECH AT MAHARASTRA MERCHANTS’ CONFERENCE, SHOLAPUR YOUNG INDIA 29.12.29
Shanti Peace
The meaning of the word peace changes with context.
Peace can be an emotion or internal state; it can be
quietude, such as at night or during meditation. Peace may
refer specifically to an agreement concluded to end a war,
or to a lack of external warfare, or to a period when a
country's armies are not fighting enemies.
Ahimsa Nonviolence
The meaning of the word peace changes with context.
Peace can be an emotion or internal state; it can be
quietude, such as at night or during meditation.
Peace may refer specifically to an agreement concluded to
end a war, or to a lack of external warfare, or to a period
when a country's armies are not fighting enemies.
Sarvatra Bhayavarjana Fearlessness
Fearlessness presupposes calmness and peace of mind.
For that it is necessary to have a living faith in God.
Fearlessness should connote absence of all kinds of
fear - fear of death, fear of bodily injury, fear of hunger,
fear of insults, fear of public disapprobation,
fear of ghosts and evil spirits, fear of anyone's anger.
Swadeshi Use Locally Made Goods
Swadeshi is that sprit in us which requires us to serve our
immediate neighbours before others. Use only things that
are produced by the immediate neighbours and serve
those industries by making them efficient and complete
where they might be found wanting.oint,and is equally
unattainable. But if we strive for it.
Aswada Control of All the Palate
Food is meant to sustain the body. Food is necessary for
the proper maintenance of our physical health.
The diet should be healthy and well-balanced. The body
was never meant to be treated as a refuse-bin. We have to
be prepared to rid ourselves of stimulating heating and
exciting condiments that we consume mixed with food.
Bhahmacharya Self Discipline
Brahamchraya means control of all the organs of sense.
Hear suggestive stories with the ears, see suggestive
sights with the eyes, taste stimulating food with the
tongue, touch exciting things with the hands, and expect to
control the only remaining organ, is like putting one's hands
in the fire and expecting to escape being hurt.
Copyright © 2006 pagesforages All artworks / design / images /
size / of this calander copyright 2006 pagesforages. All rights are reserved
under copyright conventions. No part of this design is to be reproduced or
utilized in any form without prior permission in writing from the pagesforages.
Concept & designed by www.jainkamal.com
jainkamal101@rediffmail.com
PRODUCED BY: POOJA SHARMA, PAGES FOR AGES ,CHENNAI
CLIENT: ADITYA BIRLA GROUP
DESIGNED BY: Jain Kamal
PRINT PRODUCTION: Shivani Associates
CIRCULATION: 10.000
Sparshbhavana Romove Untouchability
Untouchability means pollution by the touch of certain
persons in reason of their birth in a particular state or family.
It is a heinous crime against humanity.
Removal of untouchability spells the breaking down of barriers
between man and man and
between the various orders of being.
Sarva Dharma Samantva Equality of All
Religions No one religion is higher than another. All are
complimentary to one another Religions have been interwoven.
Just as men have different names and faces, religions
also are different. One sees a special quality in every
one of them.
We must treat all religions as equals.
Sharirshrama Bread Labour
Bread labour means that everyone is expected to perform
sufficient body-labour in order to entitle him to his living.
The idea is that every healthy individual must labour
enough for his food and his intellectual faculties must be
exercised not in order to obtain a living or amass a fortune,
but only in the service of mankind.
Asteya Non Stealing
Much of the distressing poverty in this world has risen out
of the breaches of the principle of Non-stealing.
Non-stealing does not mean merely not to steal. To keep or
take anything which one does not own is also stealing.
One who follows the observance of
Non-stealing will bring about a progressive
reduction of his own wants.
Satya Truth
Truth has no form. There will be as many images of
Truth as there are men. Truth should be
Truth in thought, Truth in speech, and Truth in action.
To the man who has realized this Truth in its fullness,
nothing else remains to be known,
because all knowledge is necessarily included in it.
Aparigraha Non-Possession
Non possession means that we should not hoard
anything that we do not need today. When you
dispossess yourself of everything you have,
you really possess all the treasures of the world.
In other words, you really get all that is
in reality necessary for you.
Jain kamal He has vast experience in designing many English and regional
language newspapers and periodicals. Mr. Jain has always emphasised on using
clear and readable typefaces and on making the news paper more attractive.
He is a proud recipient of the NATIONAL LALIT KALA ACADEMY AWARD and the
GUJARAT STATE LALIT KALA ACADEMY AWARD.

CALANDER ETERNAL GANDHI 2006 FOR ADITYA BIRLA GROUP
2006FEBRUARY
SUNDAY MONDAY TUESDAY WEDNESDAY THRUSDAY FRIDAY SATURDAY
1 2 3 4
5 6 7 8 9 10 11
12 13 14 15 16 17 18
19 20 21 22 23 24 25
26 27 28
2006JANUARY
SUN MON TUE WED THR FRI SAT
1 2 3 4 5 6 7
8 9 10 11 12 13 14
15 16 17 18 19 20 21
22 23 24 25 26 27 28
29 30 31
2006MARCH
SUN MON TUE WED THU FRI SAT
1 2 3 4
5 6 7 8 9 10 11
12 13 14 15 16 17 18
19 20 21 22 23 24 25
26 27 28 29 30 31
© jainkamaldesign 9821139310
2006MARCH
SUNDAY MONDAY TUESDAY WEDNESDAY THRUSDAY FRIDAY SATURDAY
1 2 3 4
5 6 7 8 9 10 11
12 13 14 15 16 17 18
19 20 21 22 23 24 25
26 27 28 29 30 31
2006FEBRUARY
SUN MON TUE WED THU FRI SAT
1 2 3 4
5 6 7 8 9 10 11
12 13 14 15 16 17 18
19 20 21 22 23 24 25
26 27 28
2006APRIL
SUN MON TUE WED THU FRI SAT
30 1
2 3 4 5 6 7 8
9 10 11 12 13 14 15
16 17 18 19 20 21 22
23 24 25 26 27 28 29
© jainkamaldesign 9821139310
2006JUNE
SUNDAY MONDAY TUESDAY WEDNESDAY THRUSDAY FRIDAY SATURDAY
1 2 3
4 5 6 7 8 9 10
11 12 13 14 15 16 17
18 19 20 21 22 23 24
25 26 27 28 29 30
2006MAY
SUN MON TUE WED THU FRI SAT
1 2 3 4 5 6
7 8 9 10 11 12 13
14 15 16 17 18 19 20
21 22 23 24 25 26 27
28 29 30 31
IDEA
The design was based on 12 wows of Gandhiji and his thought process about life.
2006JULY
SUN MON TUE WED THU FRI SAT
30 31 1
2 3 4 5 6 7 8
9 10 11 12 13 14 15
16 17 18 19 20 21 22
23 24 25 26 27 28 29
© jainkamaldesign 9821139310

CATLOUGE FOR NATIONAL GEOGRAPHY SUDHARAK OLWE
CONSERVANCY
WORKERS
LIFE POSITIVE
CHILDREN REFUGEES
BABA AMTE
TAMASHA
RELIGION
PEOPLE
HARD NEWS
We see beauty in the ruins of Ajanta
Ellora , then why cant we see beauty
in the ruins of a man? "
B A B A A M T E
" I do’t cry ,
I shoot..."
S U D H A R A K O L W E
Baba Amte
Like millions of Indians,
I revered Baba for all that he was
doing to restore the
dignity and self-worth of thousands of
people suffering from leprosy.
I was looking forward to meeting him
at Anandwan, Forest of Joy.
Whenever I feel down and
out
I look at these pictures.
And I smile.
The smile gets broader and
broader.
And goes deeper and deeper
These are children from
the Victoria Memorial school
for the Blind,
Tardeo, Mumbai �
‘‘I don’t cry
I shoot...’’
SUDHARAK OLWE

CATLOUGE ENLIGTEMENT BY CHARAN HARMA
Experience 117 x 152 cms acrylic on canvas
Eternal 122 x183 cms acrylic on canvas
Enlightenment
evate 61 x152 cms acrylic on canvas
Artistic Realisation
are several ways to read Charan Sharma's work. On
There cursory viewing, his work seems to belong to the
world of a realist. His works are, no doubt, located within a realist
world, and yet they are unfettered by any of the characteristic
constraints of the realism. Charan invokes a
fantasy world in the starkness of the real world while creating an
appropriate setting for disquieting thoughts. In his
paintings, there is an intimate interface between the real and the
imagined.
The paintings of the Buddha by his brush juxtapose reality and
spirituality in a unique manner. A tranquil monastery set against
an awesome sky, large up-scaled prayer wheels, serene-faced
Buddha carved on stones weathered over ages and looming over
the cliff-side, lotuses strewing rosy pink petals appear part-realist
and part-illusionary. As a gifted and spiritual magician, Charan
weaves images that are not mere depictions of a land or a
locality but are an output of a seasoned mediator and a sincere
interpreter. This painter admirably lifts salient features
of the traditional and popular visual imagery and concocts a
variegated combination, a rarified oeuvre. In an age where
the copier and technological skills at image enhancing computer
packages cover the expanse of a canvas at the speed of a click,
Charan's paintings with their meticulous detailing stand out distinctly.
He has remained faithful to painting. Skilled drawing is
central to his art practice.
Spun on the fabric of an inherent spirituality and
subsequent assured myth Charan's paintings are rooted in the
present and yet can be viewed as records with that
timelessness of the real. Charan Sharma takes his conformity to
its illusionist extremes. His style compares favourably with the
work of artists known for their trompe-d'oeil (literally, trick of the
eyes). Charan's work neither belongs to the category of the surrealists
- who invented an unaffected and naturalistic manner of representing
their strange and unusual dreams - nor to the German
painters of the New Objectivity School - who spiked and shrouded
their realist portraits with acerbic
psychological insights.
The large canvases in billboard fashion, exacted with photographic
detail and with the reality of temple frescoes are filled
with sculpted images of Buddha - who must have been painted
countless times by thousands of painters and artists over the millennia.
Multidimensional in effect, Charan's paintings invite and
secure your attention. Is this a monk's devotion; is it an architect's
fulfilling accomplishment or merely a magician
conjuring up diasporic distended dioramas? Moving across
several categories in a career that spans nearly three decades this
present body of work places him at the apex of
engagement with the unpredictable within realist depictions. The
way he mediates this engagement and the stark imagery and play
of composed light that he brings into view
distinguishes this painter from the rest.
Way back in 1989 the ineffable and well-known pioneer of
Indian contemporary art, Francis Newton Souza wrote
about Charan in his article published in the now defunct
Illustrated Weekly of India: "Charan, in my opinion is one of
the ten best artists of this country".
A decade later, Souza again wrote in the prominent Hindi
Weekly of the times - Dharmayug 1991. "Charan's paintings - some
of which are true masterpieces - possess all the eclectic elements
like sentimentality, suspense, and magical effects, which can only
be borne of a true artist". Those who knew Souza well will confirm
that he was an artist who would not suffer fools easily and who
commented always with a brutally honest tongue. That Souza's
prediction was not an over
statement of Charan's potential is amply proved by the
prolificity and brilliance of Charan's work over the past three
decades.
Charan has perfected not only his skills as a painter but
also the grammar of expression. The brilliance of his
paintings lies in the perfection of this language.
- Niyatee Shinde
October 2005
Empathy 117 x152 cms acrylic on canvas
Ethereal 127 x127 cms acrylic on canvas
Earth 180 x180 cms acrylic on canvas
Eternity 152 x 117 cms acrylic on canvas

LOGO DESIGN PAGES FOR AGES 2006

MAGAZINE HINDI BOOK DESH DESHWAR 2007
14
osme efomeeJej
15
osme efomeeJej
�
ØecegKe GÅeesieheefle
� ßeer kegâceejcebieuece efyeÌ[uee �
meeceüepÙe keâe
efmekeâboj
DeeefolÙe efyeÌ[uee keâer DemeeceefÙekeâ ce=lÙeg mes Gvekesâ
osMe kesâ otmejs yeÌ[s DeewÅeesefiekeâ meeceüepÙe keâes mebYeeueves keâe
meeje Yeej ÙegJee kegâceej cebieuece efyeÌ[uee kesâ kebâOeeW
hej Dee ieÙee~ Gme meceÙe YeejleerÙe keâeheexjsš peiele
ceW ‘kegâceej yeeyet’ kesâ nj keâece keâes keâeHeâer yeejerkeâer mes
peebÛee pee jne Lee efkeâ keäÙee Jes Fme DeewÅeesefiekeâ meeceüepÙe
keâes keâeÙece jKe heeÙeWies~DeefolÙe efyeÌ[uee mecetn ves keâvee[e
keâer yeer.heer.Dees. kebâheveer efceveekeäme ceW Mele-ØeefleMele FbkeäÙetšer
efnmmesoejer neefmeue keâjves keâe mecePeewlee efkeâÙee nw~
Ùen mecePeewlee meeÌ{s yeejn keâjesÌ[ [e@uej DeLee&led
562 keâjesÌ[ ®heÙes ceW efkeâÙee ieÙee nw~ efJeueÙe kesâ yeeo
kebâheveer keâe keâejesyeej leerme keâjesÌ[ [e@uej nes peeÙesiee~
GÅeesie ef#eeflepe ceW jepemLeeve kesâ ceešer heg$eeW ves
JewefMJekeâ YeejleerÙe meYÙelee, hebjheje Deewj mebmke=âefle kesâ meeLe
osMe keâer DeeefLe&keâ Øeieefle, ØeewÅeesefiekeâer GVeÙeve Je mebjÛeveelcekeâ
efJekeâeme kesâ meeceeefpekeâ oeefÙelJeeW keâes yeKetyeer efveYeeÙee~ Fvekeâer
keâeÙe&kegâMeuelee kesâ keâejCe jsefiemleeveer ceešer keâer KegMeyet efJeosMeeW lekeâ
Hewâueer~ osMe keâer Meeve SJeb Øeefle‰e keâes FvneWves meoe ieewjJeeefvJele
jKee~
GVeermeJeeR meoer ceW Skeâ Ssmes ner efheueeveer kesâ mes" efMeJeveejeÙeCe
efyeÌ[uee ves jsefiemleeveer Menj efheueeveer ceW keâešve keâer Kejero-HeâjesKle
kesâ efueS efyeÌ[uee GÅeesie Iejeves keâer veeRJe jKeer~ yeermeJeeR meoer kesâ
DeejbYe ceW Fme DeeOeejefMeuee keâes Gvekesâ heg$e ßeer IeveMÙeeceoeme
efyeÌ[uee ves Deewj cepeyetle yeveeÙee~ FvneWves šskeämešeFue, HeâeFyej,
DeuÙetceerefveÙece, meerceWš Deewj kesâefcekeâume
kesâ yeÌ[s mebÙeb$e ueieeS~
mJeleb$elee keâer ueÌ[eF& ceW ßeer
IeveMÙeeceoeme efyeÌ[uee Yeer heerÚs
veneR jns~ efyeÇefšMe ngketâcele kesâ
efKeueeHeâ ßeer efyeÌ[uee ves cenelcee
ieebOeer keâes hetCe& menÙeesie efoÙee~
Deheves oeoe yemeblekegâceej efyeÌ[uee
kesâ meeLe kegâceejcebieuece efyeÌ[uee
cegbyeF& ceW jepemLeeveer
meceepe keâer Deveskeâ
mebmLeeSb nesves kesâ
yeeJepeto DeYeer lekeâ
keâesF& Ssmeer meebmke=âeflekeâ
efveoxefMekeâe meeceves veneR
DeeÙeer nw efpemekesâ peefjS
Fme meceepe kesâ
ieCeceevÙe efJeYetefleÙeeW
Deewj efJejue ØeefleYeeDeeW
keâes ceeuee ceW heg

GUIDE INDIAN INSTITUTE OF TECHNOLOGY BOMBAY
VISITING K C COLLAGE MUMBAI
LECTURE ON PUBLICATION DESIGN
Indian Insitute of
Technology welcome for
lecture on publication
design for their design
students.
BOMBAY COLLAGE
of
JOURNALISM
K. C. Colage Building, Dinahaw Warnna Road, Churchgate ,Mumbai 400020.
Phone 2822772 Fax:28820769
LECTURE ON PUBLICATION DESIGN
The K. C. College [Director: G.T. Balani] have organised a
lecture on publication design for their Journalism students.

GUIDE TO NID THE SEVENTH CONVOCATION OF NATIONAL INSTITUTE OF DESIGN
JURY TO CBFC
GUIDE FOR NID
The SEVENTEENTH CONVOCATION of THE NATIONAL
INSTITUTE OF DESIGN AHMEDABAD who give education for
industrial design education, Research and Service to respond
to the complex problem of a repidly changing economic
environment.
Mr. Sumeet Patel had done his diploma project on redesign of a
News Paper the Indian Express under Jain Kamal (Art Director of the Indian
Express group)who was the guide to Mr. Sumeet Patel his diploma project.
GOVERNMENT OF INDIA
MINISTRY OF INFORMATION & BROADCASTING
CENTRAL BOARD OF FILM CERTIFICATION
DIPLOMA PROJECT
Redesigning of a Newspaper
‘Indian Express’
Volumn 1
STUDENT: SUMIT PATEL
GUIDE: MANU GAJJAR
CONSULTENT: KAMAL JAIN
1995-96
COMMUNAICATION DESIGN FACULTY [GRAPHIC DESIGN]
National Institute of Design
Ahmedabad
Appointed as a Member on the Mumbai Advisory Panel Member of
the Central Board of Film Certification, Government of India.
approved the films like- BlackFriday, Karam, Jo bole so
nihal,Farzania, Final Solutation,etc.

SEMINAR ON PUBLICATION DESIGN BY JAIN KAMAL
Seminar on Publication Design by Jainkamal
3 DAYS SEMINAR ON:
1. Publication Design
2. Editorial Art v/s Advertising
3. Logo Design and Corporate Identity
ORGANISED BY: SOPHIA SHREE B.K. SOMANI MEMORIAL
POLYTECHNIC,
PROF. MADHURI NAIK, PRINCIPAL
ART & DESIGN DEPARTMENT, SOPHIA SHREE B.K.
SOMANI MEMORIAL POLYTECHNIC, BHULABHAI DESAI
ROAD, Mumbai 400 026,
phone:dir: 2351145 / board:2351315723512913
fax:23515596

SHORT TEARM COURSE
SIR JJ INSTITUTE OF APPLIED ARTS
SIR J J INSTITUTE OF APPLIED ART, MUMBAI 400 001.TEL: 2621276/77
SHORT TEARM COURSE BY ALL INDIA APPLIED ART
TEACHERS SPONSERED BY AICTE
SHORT TEARM COURSE FOR APPLIED ART TEACHERS
Invited for presentation and dimension to All India Council for
Technical Education [AICTE] has recoganised and approved
Sir J J Institute of Applied art, Mumbai as a nodel institute and decided
to to develope it into an educational centre of excllence .
As a part of the project under quality improvement programme [QIP],
AICTE has asked the institute to organise a Short Tearm Course for
Applied Art teachers.The short trarm course
‘Chitra Kala’ a semiar on Editorial & Publishing Illustration’
CONVENER:
PROF. G. G. WAGHMERE, DEAN SIR J.J. INSTITUTE OF APPLIED ARTS,
MUMBAI 400 001.
COORDINATOR:
PROF. ANANT KULKAARNI, TEACHER FACULTY MEMBER
SIR J.J. INSTITUTE OF APPLIED ARTS,MUMBAI 40 001.

JAIN KAMAL DESIGN
PERMANENT
ADDRESS
JAIN KAMAL
A G 6, CHANDULAL
PARK
OPP..DENA BANK
BHAYANDER WEST
MUMBAI 401 101.
CELL
+ 91 98211 39310
TELEFAX
022 28195083
EMAIL
jainkamalji@gmail.
com
WEB SITE
www.jainkamal.com

or; products, Indian w
ality and bp
panese, n product Ko
ng begun.
ith relentle
truggling. a histo
e ean an image
urable produ
d belongs dea
eap (
ineties? produ
s to keep Ba
oving) wer a
g industries tremors
d which at such theyl
es, r the Pens, cost o
hinese wa
hinese -cost prod pr
ucts. Good
pting ulPERCEPT
with the newe
Thankyou!