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Dance At Illinois Thursday, april 19, 2012, At - Krannert Center for ...

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Studiodance II<br />

<strong>Dance</strong> at <strong>Illinois</strong><br />

<strong>Thursday</strong>, April <strong>19</strong>, <strong>2012</strong>, at 7:30pm<br />

Friday-Saturday, April 20-21, <strong>2012</strong>, at 7pm and 9pm<br />

Studio Theatre


program<br />

yes *<br />

Studiodance II<br />

<strong>Dance</strong> at <strong>Illinois</strong><br />

<strong>Thursday</strong>, April <strong>19</strong>, <strong>2012</strong>, at 7:30pm<br />

Friday-Saturday, April 20-21, <strong>2012</strong>, at 7pm and 9pm<br />

Studio Theatre<br />

[a message from the director]<br />

There will be no intermission.<br />

Yes. Life-affirming experience. The heart and soul of<br />

<strong>Krannert</strong> <strong>Center</strong>.<br />

A place <strong>for</strong> those who seek meaning through<br />

moment after moment after moment of shared<br />

life-affirming experiences that stretch across time<br />

and memory through the art of sound. The art of<br />

human movement. Of the spoken word. And every<br />

combination thereof and beyond.<br />

A world that more fully and courageously embraces<br />

beauty. Joy. Ambiguity. The impulse to inquire. To<br />

reflect. And to lift up one another.<br />

Welcome to this season of shared moments and<br />

the deep privilege of being together. Welcome to<br />

<strong>Krannert</strong> <strong>Center</strong>.<br />

All good things,<br />

That is to say, a place <strong>for</strong> the art of the imagination<br />

writ large.<br />

A place to celebrate our individual and collective<br />

ability to rethink the past and present and to<br />

imagine the possibilities of a world neither defined<br />

nor limited by the seemingly endless obstacles of<br />

our time.<br />

Mike Ross<br />

Director<br />

This production is supported, in part, by donations to The Producers Group. <strong>Dance</strong> at <strong>Illinois</strong> gratefully acknowledges these gifts, which<br />

assist per<strong>for</strong>ming arts students in their professional training.<br />

* [ life-affirming experience ]<br />

2 3


Walking, chewing gum<br />

Marie Lee<br />

Choreography<br />

Lighting Design<br />

<strong>Dance</strong>rs<br />

Renée Archibald<br />

nico Brown<br />

Jack Horwitch<br />

Renée Archibald<br />

nico Brown<br />

Acknowledgments<br />

Thank you Jennifer, Anna, Tamin, Kathleen, and Johanna.<br />

Choreography<br />

Music<br />

Lighting Design<br />

<strong>Dance</strong>rs<br />

Jade S. Peeples<br />

Jasmine D. Wilson<br />

Purity by Drew Doggett<br />

Crescendo by Drew Doggett<br />

Beanz Ramirez<br />

Laina Carney<br />

Lindsay Cunningham<br />

Mya King<br />

Acknowledgments<br />

We would like to thank God, our beautiful dancers, and Brazhal Brewer <strong>for</strong> all of her assistance. We would<br />

also like to thank the people who serve as the inspiration <strong>for</strong> this piece, Jacqueline M. Franklin and Roy L.<br />

Peeples.<br />

4 5


1 Life 0 Continues<br />

Choreography<br />

Music<br />

Lighting Design<br />

<strong>Dance</strong>r<br />

chad Miller<br />

Brinstar by Metal Metroid<br />

The Legend of Zelda: Item by Koji Kondo<br />

Megaman 2 Intro/Title by Manami Matsumae<br />

Metroid—Samus Start by Hirokazu Tanaka<br />

Metroid—Brinstar by Hirokazu Tanaka<br />

Beanz Ramirez<br />

alana Parekh<br />

Acknowledgments<br />

I would like to thank Alana <strong>for</strong> all her hard work during the creation of this solo. I would like to thank my<br />

parents <strong>for</strong> all their love and support. I would also like to thank Nintendo and video game makers in general<br />

<strong>for</strong> all their inspirations.<br />

Choreography<br />

Lighting Design<br />

<strong>Dance</strong>rs<br />

Katy Kantner<br />

Monica Remes<br />

alison Rhoades<br />

Beanz Ramirez<br />

Katy Kantner<br />

Monica Remes<br />

alison Rhoades<br />

Acknowledgments<br />

Thank you to Renée Wadleigh <strong>for</strong> inspiring us to work with her amazing cast of like this!<br />

Roanoke<br />

6 7


Untitled<br />

Choreography/Composition<br />

Lighting Design<br />

<strong>Dance</strong>rs<br />

Jessica Cornish<br />

Ricky Schlude<br />

Beanz Ramirez<br />

Jessica Cornish<br />

Ricky Schlude<br />

Calmly she goes (with a touch that knows)<br />

Choreography<br />

Music<br />

Lighting Design<br />

<strong>Dance</strong>rs<br />

Mary Albano<br />

Shades by Alex Teske<br />

Jack Horwitch<br />

andrea Chim<br />

ashley Cizmar<br />

Acknowledgments<br />

Our mamas and our papas, Jimmy Page, Kirstie Simson, Philip Johnston.<br />

Note<br />

The title originates from “Elemental Woman” by Charles Wiles.<br />

Acknowledgments<br />

Thank you to Andrea and Ashley <strong>for</strong> your creative souls and your commitment to working with wacky<br />

rehearsals. Thank you Alex <strong>for</strong> creating such a beautiful piece of music. Thank you to my family <strong>for</strong> your<br />

constant love and support.<br />

8 9


Rind Pericarp Pith<br />

Ponderosity<br />

Choreography<br />

Kamilla Kinard<br />

Choreography<br />

abby Brandolino<br />

Music<br />

Fatal Flower Garden by Andrew Bird<br />

Music<br />

<strong>Thursday</strong> by Takénobu<br />

Lighting Design<br />

Beanz Ramirez<br />

Lighting Design<br />

Jack Horwitch<br />

<strong>Dance</strong>r<br />

Kamilla Kinard<br />

<strong>Dance</strong>r<br />

abby Brandolino<br />

Acknowledgments<br />

I would like to thank Eoin O’Brien and Kristina Isabelle, who introduced me to stilting years ago. I would like<br />

to dedicate this piece to my friends and family, who have helped me keep my balance through my injury and<br />

have given me the strength of patience. A special thank you to Philip Johnston, Kate Kuper, Guy Tal, Jessica<br />

Cornish, and Jeff Zahos <strong>for</strong> their invaluable assistance in my process.<br />

Acknowledgments<br />

I would like to thank my parents <strong>for</strong> always giving me support and letting me follow my dream. I would also<br />

like to thank Kirstie Simson <strong>for</strong> pulling me out of my shell and <strong>for</strong> all of her guidance throughout rehearsals.<br />

10 11


Solo.<br />

Found<br />

Choreography<br />

nico Brown<br />

Choreography<br />

tamin Totzke<br />

Lighting Design<br />

Jack Horwitch<br />

Music<br />

Fourtet<br />

Composer<br />

eric Simmons<br />

Lighting Design<br />

Jack Horwitch<br />

Collaborators<br />

Michael Bieronski<br />

anders Pollack<br />

Movement Collaboration<br />

grant Bowen<br />

Jeff Zahos<br />

Per<strong>for</strong>mers<br />

nico Brown<br />

eric Simmons<br />

<strong>Dance</strong>rs<br />

grant Bowen<br />

Jeff Zahos<br />

Acknowledgments<br />

Thank you Anders and Michael.<br />

Thank you Eric.<br />

Acknowledgments<br />

Thank you G.B. and J.Z.<br />

12 13


Profiles<br />

Kirstie Simson (Concert Director) is world renowned<br />

as an excellent teacher and captivating per<strong>for</strong>mer<br />

who is a leading light in the field of dance<br />

improvisation. She has collaborated with many<br />

dancers and musicians who share an interest in<br />

improvisation, including Steve Paxton, Nancy Stark<br />

Smith, Simone Forti, Michael Schumacher, Adam<br />

Benjamin, Russell Maliphant, and Lê Quan Ninh.<br />

She was given a London <strong>Dance</strong> and Per<strong>for</strong>mance<br />

Award and was called “a unique figure in the dance<br />

world” by Time Out London, and Jennifer Dunning of<br />

The New York Times wrote: “Kirstie Simson is justly<br />

celebrated in Britain <strong>for</strong> exquisite, sensuous dancing<br />

that seems to come from some simple <strong>for</strong>ce of<br />

nature.” Kirstie has just released a film about dance<br />

improvisation with filmmaker Katrina McPherson. In<br />

January 2008, Kirstie joined the faculty of <strong>Dance</strong> at<br />

<strong>Illinois</strong>.<br />

Mary Albano (Choreographer) is a junior dance<br />

major at the U of I. She has per<strong>for</strong>med in works by<br />

Linda Lehovec, Betsy Brandt, Sarah Haas, Brittany<br />

Sylwestrak, and Cristina Walterman. She has also<br />

studied with Thodos <strong>Dance</strong> Chicago. She was<br />

awarded a Scholarship <strong>for</strong> <strong>Dance</strong> Projects in 2010.<br />

Renee Archibald (Choreographer) is currently<br />

a second-year MFA candidate in dance at the U<br />

of I. Prior to graduate school, Archibald earned<br />

her BFA in contemporary dance from the North<br />

Carolina School of the Arts and per<strong>for</strong>med with<br />

various choreographers, including Rebecca<br />

Lazier, Christopher Williams, Ann Liv Young, Alex<br />

Escalante, and Joshua Bisset, in New York City. Her<br />

choreographic works were presented in New York<br />

venues including the <strong>Dance</strong> Theatre Workshop,<br />

the Kitchen, the Brooklyn Museum, the Chocolate<br />

Factory, and Danspace Project.<br />

Abby Brandolino (Choreographer) is a third-year<br />

BFA candidate in dance. This is the first piece she<br />

has choreographed <strong>for</strong> Studiodance II. Abby has<br />

per<strong>for</strong>med in Senior Thesis Concerts and recently<br />

appeared in November <strong>Dance</strong> in Elby Brosch’s The<br />

Methodology of Directionality and Detachment. She<br />

was also an understudy <strong>for</strong> the excerpt from T. Lang’s<br />

Mutha/Mother, which was per<strong>for</strong>med at November<br />

<strong>Dance</strong> this past fall.<br />

Nico Brown (Choreographer) is a first-year graduate<br />

student with <strong>Dance</strong> at <strong>Illinois</strong>. He has worked <strong>for</strong><br />

Jacob’s Pillow <strong>Dance</strong> Festival, the American <strong>Dance</strong><br />

Festival, and Movement Research.<br />

Jessica Cornish (Choreographer) is a senior BFA<br />

candidate in dance. She was born and grew up<br />

in Pakistan and this summer will be volunteering<br />

in India, where she will be dancing with women<br />

and children who are recovering from a life of sex<br />

trafficking and prostitution. She will then move to<br />

Berlin to dance.<br />

Katy Kantner (Choreographer) is a senior BFA<br />

candidate in dance as well as a BA candidate in<br />

Spanish who will graduate in May <strong>2012</strong>. From<br />

Madison, Wisconsin, Katy has enjoyed the<br />

opportunities and challenges that <strong>Dance</strong> at <strong>Illinois</strong><br />

has provided her. Katy is looking <strong>for</strong>ward to<br />

continuing this experimentation in movement and<br />

choreography on the West or East Coast.<br />

Kamilla Kinard (Choreographer) is a sophomore in<br />

dance from Columbus, Ohio. She has trained at the<br />

Columbus <strong>Dance</strong> Theatre and studied with Danga<br />

Grimaldi’s Circus. She has been a part of High Jinks<br />

Productions <strong>for</strong> a number of years, per<strong>for</strong>ming<br />

both circus skills and dance in a variety of settings,<br />

including festivals, parades, clubs, and corporate<br />

parties. She is excited to be combining dance and<br />

circus arts on stage be<strong>for</strong>e your eyes!<br />

Chad Miller (Choreographer) is a junior dance major<br />

at the U of I. He began his dance career during<br />

college at Southern <strong>Illinois</strong> University at Edwardsville.<br />

He was originally a computer science major until he<br />

took a dance class by chance. He is very happy that<br />

he found dance by accident and is now working to<br />

improve and start a professional career in dance.<br />

Jade S. Peeples (Choreographer), a third-year BFA<br />

student, was born in Chicago, <strong>Illinois</strong>, but grew up<br />

in Gurnee, <strong>Illinois</strong>. She has been dancing since high<br />

school and enjoys teaching and choreographing <strong>for</strong><br />

local churches and schools in her hometown.<br />

Monica Remes (Choreographer) is a senior BFA<br />

dance and cinema studies minor candidate <strong>for</strong><br />

graduation in December <strong>2012</strong>. She has per<strong>for</strong>med in<br />

works by Jan Erkert, Rebecca Walter, Trisha Brown,<br />

Grace Courvoisier, Carl Flink, Linda Lehovec, and<br />

Renée Wadleigh.<br />

Alison Rhoades (Choreographer), a junior BFA<br />

candidate in dance, was born and raised in Auburn,<br />

<strong>Illinois</strong>. During her time at the U of I, she has<br />

per<strong>for</strong>med in various faculty and graduate student<br />

works. Alison is a second-year member of the Mark<br />

Morris <strong>Dance</strong> Group Shadow Program, through<br />

which she has participated in various outreach<br />

activities, and she will return to New York to study in<br />

the company’s summer intensive. She is also a James<br />

Scholar in the College of Fine and Applied Arts and<br />

was recently awarded the Dads Association Library<br />

Award <strong>for</strong> extraordinary academic achievement.<br />

Ricky Schlude (Choreographer) is a senior in<br />

electrical engineering who loves the Chicago Bulls<br />

and hates eating vegetables. He spends his free<br />

time playing the guitar, attending dance shows, and<br />

refining his jump shot.<br />

Tamin Totzke (Choreographer) is a movement<br />

improviser, choreographer, and dance educator. She<br />

has toured throughout the United States teaching<br />

and per<strong>for</strong>ming at universities, theatres, and festivals,<br />

including the West Coast Contact Improvisation<br />

Festival (2009-2011), Earthdance (2008-2011), and<br />

the Seattle Festival of <strong>Dance</strong> Improvisation. Currently,<br />

she is a second-year MFA candidate in dance. In the<br />

summer of <strong>2012</strong>, Tamin will travel with Kirstie Simson<br />

to work with Cloud Gate <strong>Dance</strong> Theatre in Taipei,<br />

Taiwan, and at the Epic Arts <strong>Center</strong> in Phnom Penh,<br />

Cambodia.<br />

Jasmine D. Wilson (Choreographer), a third-year<br />

BFA student, was born in Chicago, <strong>Illinois</strong>, where she<br />

began dancing at Whitney M. Young Magnet High<br />

School. As an aspiring dance instructor, Jasmine often<br />

teaches modern dance to the students at her alma<br />

mater as well as at other local programs in Chicago.<br />

Linda Esperance (Technical Director) is a third-year<br />

MFA candidate in the Scenic Technology Program.<br />

As part of her assistantship, she is also the technical<br />

director <strong>for</strong> <strong>Dance</strong> at <strong>Illinois</strong>. Originally from Orlando,<br />

Florida, she completed her BFA in theatre design/<br />

technology at the University of Central Florida.<br />

Her credits <strong>for</strong> <strong>Krannert</strong> <strong>Center</strong> include technical<br />

director <strong>for</strong> Lady Macbeth: A Kabuki Play, The Magic<br />

Flute, The African Company Presents Richard III,<br />

Macbeth, and Albert Herring. She has also been the<br />

technical director <strong>for</strong> River Valley Rep’s 2011 summer<br />

season and has worked in entertainment as a stage<br />

technician <strong>for</strong> Walt Disney World.<br />

14 15


Jess Gersz (Costume Coordinator) is a second-year<br />

MFA costume design candidate. Jess received his BA<br />

in theatre with a minor in costume production from<br />

the University of Albany (SUNY Albany). During his<br />

time at the U of I, Jess has worked in the Department<br />

of Theatre designing The Last Days of Judas Iscariot<br />

and has been an assistant designer on operas such as<br />

Rigoletto and The Magic Flute. Jess has also worked<br />

at the Glimmerglass Festival on productions such as<br />

The Tender Land, Carmen, and the world premiere of<br />

A Blizzard on Marblehead Neck. This summer, Jess<br />

will be returning to the Glimmerglass Festival as the<br />

costume shopper.<br />

Jack Horwitch (Lighting Designer) is a junior in<br />

the BFA Lighting Design Program at the U of I. He<br />

recently finished working as an assistant lighting<br />

designer/master electrician <strong>for</strong> the School of Music<br />

Opera Program’s production of The Barber of<br />

Seville. Other credits include lighting design <strong>for</strong> the<br />

Department of Theatre’s abbreviated production of<br />

The Glass Menagerie on last summer’s trip to China.<br />

Jack has also served as an assistant lighting designer/<br />

master electrician <strong>for</strong> the Department of Theatre’s<br />

production of Cabaret and November <strong>Dance</strong> 2011,<br />

as well as numerous other Department of Theatre,<br />

<strong>Dance</strong> at <strong>Illinois</strong>, and School of Music Opera Program<br />

productions. Jack will be interning this coming<br />

summer as an electrician <strong>for</strong> the Santa Fe Opera.<br />

Austin Lin (Stage Manager) is a junior double<br />

majoring in theatre and computer science. <strong>At</strong> the U<br />

of I, Austin has served as an assistant stage manager<br />

on a variety of productions, including Macbeth, The<br />

African Company Presents Richard III, Studiodance<br />

I, La Calisto, Cabaret, and The Last Days of Judas<br />

Iscariot. Austin is excited to be stage managing with<br />

Bethany Regalbuto.<br />

Beanz Ramirez (Lighting Designer) is a student in<br />

the BFA Lighting Design Program, and this is his first<br />

design project. He’d like to thank all the faculty and<br />

employees at <strong>Krannert</strong> <strong>Center</strong> who have helped him<br />

over the last couple of years.<br />

Bethany Regalbuto (Stage Manager) is a senior BFA<br />

stage management student. She has previously been<br />

an assistant stage manager <strong>for</strong> November <strong>Dance</strong><br />

2011 and Studiodance 2011 with <strong>Dance</strong> at <strong>Illinois</strong>.<br />

In her time at the U of I, she has been the stage<br />

manager <strong>for</strong> Hoodoo Love with the Department of<br />

Theatre and an assistant stage manager <strong>for</strong> Man of La<br />

Mancha and The Barber of Seville with the School of<br />

Music Opera Program. She comes to the U of I from<br />

South Carolina, where she worked on shows such as<br />

Ferdinand the Bull, Steel Magnolias, and Beauty and<br />

the Beast. She is excited to have the opportunity to<br />

work as a stage manager with Austin Lin.<br />

Julie Rundell (Properties Master) has been the<br />

assistant properties director at <strong>Krannert</strong> <strong>Center</strong><br />

since <strong>19</strong>90. Be<strong>for</strong>e coming to Urbana, she worked at<br />

theatres in North Carolina, Michigan, Massachusetts,<br />

and Wisconsin, and, occasionally, her work can be<br />

seen in Chicago. She has a BFA from the North<br />

Carolina School of the Arts.<br />

Jeff Zahos (Sound Designer) is passionately<br />

dedicated to exploring the confluence of music,<br />

sound, and movement. He finds himself doing work<br />

that crosses and blurs lines between disciplines. For<br />

example, he is currently exploring live per<strong>for</strong>mance<br />

as a sound design practice. Musically, his primary<br />

pursuit is partnering with dance, and he has also<br />

per<strong>for</strong>med with orchestras, rock bands, gamelans,<br />

and West African drumming ensembles and in<br />

musical theatre. Highlights as a sound designer<br />

include his collaboration with <strong>Dance</strong> at <strong>Illinois</strong> on<br />

several concerts. He has engineered recent CD<br />

releases by Rhythm Manding featuring Moussa<br />

Bolokada Conde, piano virtuoso Ian Hobson, mezzosoprano<br />

Elizabeth Buckley, and the <strong>At</strong>lantic Harp<br />

Duo. This evening, Jeff is also dancing in Found<br />

choreographed by Tamin Totzke.<br />

16 17


Production Staff<br />

THANK You <strong>for</strong> Joining Us<br />

Concert Director<br />

<strong>Dance</strong> at <strong>Illinois</strong> Head<br />

Stage Managers<br />

Assistant Stage Managers<br />

Technical Director<br />

Costume Coordinator<br />

Kirstie Simson<br />

Jan Erkert<br />

austin Lin<br />

Bethany Regalbuto<br />

anna Clarke<br />

Yeseul Hwang<br />

Mallory Kling<br />

Linda Esperance<br />

Jess Gersz<br />

bathrooms<br />

medical<br />

emergency<br />

cough drops<br />

earplugs<br />

cameras &<br />

electronic<br />

devices<br />

Bathrooms are located in the Foellinger Great Hall Foyer, the Colwell Playhouse Foyer, the<br />

east entrances on Level 5, and in each elevator lobby on Level 1 and Level 3.<br />

Contact an usher or other staff member <strong>for</strong> assistance with medical emergencies.<br />

Complimentary cough drops, courtesy of St. Joseph Apothecary, are available from the<br />

ushers.<br />

Disposable foam earplugs may be obtained from the ushers.<br />

The use of cell phones, cameras, and recording devices during per<strong>for</strong>mances is strictly<br />

prohibited. Please turn off cell phones and watch alarms be<strong>for</strong>e entering the theatre.<br />

Check cameras, recording devices, and pagers at the Patron Services desk located near<br />

the Ticket Office in the Lobby.<br />

Properties Master<br />

Hair/Makeup Coordinator<br />

Sound Designer<br />

Assistant Sound Designer<br />

Lighting Designers<br />

<strong>Dance</strong> at <strong>Illinois</strong> Photographer<br />

Sound Board Operator<br />

Light Board Operator<br />

Patch Operator<br />

Deck/Gel Running Crew<br />

Costume Running Crew<br />

Julie Rundell<br />

natalie Loveland<br />

Jeff Zahos<br />

Kevin A. Cushman<br />

Jack Horwitch<br />

Beanz Ramirez<br />

natalie Fiol<br />

abigail Kaesberg<br />

Sarah Jeffers<br />

alexandria Wiss<br />

antara Bera<br />

Skylar Males<br />

tiffany Norris<br />

Jennifer Wagner<br />

Francesca Burns<br />

elyssa McNeil<br />

alana Parekh<br />

theatre exits<br />

late seating<br />

recycling<br />

lost & found<br />

patron services<br />

ticket office<br />

comments &<br />

questions<br />

acknowledgments<br />

Please take a moment be<strong>for</strong>e the per<strong>for</strong>mance to note the theatre exits nearest to you.<br />

As a courtesy to the per<strong>for</strong>mers and audience members, latecomers will be seated in<br />

theatres only at times selected in advance by the artist.<br />

Please place all trash and recycling in the marked bins. The University will sort out the<br />

recyclables after collection.<br />

Make inquiries about lost items or drop off found ones at the Ticket Office.<br />

<strong>Krannert</strong> <strong>Center</strong> theatres are equipped with wheelchair and easy-access seating and<br />

infrared hearing amplification systems. Large-print programs, Braille programs, and<br />

American Sign Language interpreters are available with three weeks’ advance notice.<br />

Lobby-level washroom facilities are fully accessible, as is the Ticket Office counter.<br />

For in<strong>for</strong>mation on these and other services, contact the Patron Services Director at<br />

217/333-9716 (TTY: 217/333-9714) or patronservices@krannertcenter.illinois.edu.<br />

Open 10am to 6pm every day<br />

Open 10am through first intermission on per<strong>for</strong>mance days<br />

Phone: 800/KCPATIX or 217/333-6280<br />

TTY <strong>for</strong> patrons who are deaf, hard-of-hearing, or speech-impaired: 217/333-9714<br />

E-mail: kran-tix@illinois.edu<br />

Groups (20 or more): 217/244-0549<br />

<strong>Krannert</strong><strong>Center</strong>.com<br />

<strong>Krannert</strong> <strong>Center</strong> welcomes your comments and questions. Comment cards are available<br />

at the Ticket Office counter at all times. Address e-mail correspondence to comments@<br />

krannertcenter.illinois.edu.<br />

<strong>Krannert</strong> <strong>Center</strong> is grateful <strong>for</strong> the valuable assistance of the <strong>Krannert</strong> <strong>Center</strong><br />

Student Association, the <strong>Krannert</strong> <strong>Center</strong> Community Volunteers, and Illini Emergency<br />

Medical Services. They help make everyone who comes through our doors feel safe and<br />

cared <strong>for</strong>. We thank them deeply.<br />

18 <strong>19</strong>

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