Dance At Illinois Thursday, april 19, 2012, At - Krannert Center for ...
Dance At Illinois Thursday, april 19, 2012, At - Krannert Center for ...
Dance At Illinois Thursday, april 19, 2012, At - Krannert Center for ...
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Studiodance II<br />
<strong>Dance</strong> at <strong>Illinois</strong><br />
<strong>Thursday</strong>, April <strong>19</strong>, <strong>2012</strong>, at 7:30pm<br />
Friday-Saturday, April 20-21, <strong>2012</strong>, at 7pm and 9pm<br />
Studio Theatre
program<br />
yes *<br />
Studiodance II<br />
<strong>Dance</strong> at <strong>Illinois</strong><br />
<strong>Thursday</strong>, April <strong>19</strong>, <strong>2012</strong>, at 7:30pm<br />
Friday-Saturday, April 20-21, <strong>2012</strong>, at 7pm and 9pm<br />
Studio Theatre<br />
[a message from the director]<br />
There will be no intermission.<br />
Yes. Life-affirming experience. The heart and soul of<br />
<strong>Krannert</strong> <strong>Center</strong>.<br />
A place <strong>for</strong> those who seek meaning through<br />
moment after moment after moment of shared<br />
life-affirming experiences that stretch across time<br />
and memory through the art of sound. The art of<br />
human movement. Of the spoken word. And every<br />
combination thereof and beyond.<br />
A world that more fully and courageously embraces<br />
beauty. Joy. Ambiguity. The impulse to inquire. To<br />
reflect. And to lift up one another.<br />
Welcome to this season of shared moments and<br />
the deep privilege of being together. Welcome to<br />
<strong>Krannert</strong> <strong>Center</strong>.<br />
All good things,<br />
That is to say, a place <strong>for</strong> the art of the imagination<br />
writ large.<br />
A place to celebrate our individual and collective<br />
ability to rethink the past and present and to<br />
imagine the possibilities of a world neither defined<br />
nor limited by the seemingly endless obstacles of<br />
our time.<br />
Mike Ross<br />
Director<br />
This production is supported, in part, by donations to The Producers Group. <strong>Dance</strong> at <strong>Illinois</strong> gratefully acknowledges these gifts, which<br />
assist per<strong>for</strong>ming arts students in their professional training.<br />
* [ life-affirming experience ]<br />
2 3
Walking, chewing gum<br />
Marie Lee<br />
Choreography<br />
Lighting Design<br />
<strong>Dance</strong>rs<br />
Renée Archibald<br />
nico Brown<br />
Jack Horwitch<br />
Renée Archibald<br />
nico Brown<br />
Acknowledgments<br />
Thank you Jennifer, Anna, Tamin, Kathleen, and Johanna.<br />
Choreography<br />
Music<br />
Lighting Design<br />
<strong>Dance</strong>rs<br />
Jade S. Peeples<br />
Jasmine D. Wilson<br />
Purity by Drew Doggett<br />
Crescendo by Drew Doggett<br />
Beanz Ramirez<br />
Laina Carney<br />
Lindsay Cunningham<br />
Mya King<br />
Acknowledgments<br />
We would like to thank God, our beautiful dancers, and Brazhal Brewer <strong>for</strong> all of her assistance. We would<br />
also like to thank the people who serve as the inspiration <strong>for</strong> this piece, Jacqueline M. Franklin and Roy L.<br />
Peeples.<br />
4 5
1 Life 0 Continues<br />
Choreography<br />
Music<br />
Lighting Design<br />
<strong>Dance</strong>r<br />
chad Miller<br />
Brinstar by Metal Metroid<br />
The Legend of Zelda: Item by Koji Kondo<br />
Megaman 2 Intro/Title by Manami Matsumae<br />
Metroid—Samus Start by Hirokazu Tanaka<br />
Metroid—Brinstar by Hirokazu Tanaka<br />
Beanz Ramirez<br />
alana Parekh<br />
Acknowledgments<br />
I would like to thank Alana <strong>for</strong> all her hard work during the creation of this solo. I would like to thank my<br />
parents <strong>for</strong> all their love and support. I would also like to thank Nintendo and video game makers in general<br />
<strong>for</strong> all their inspirations.<br />
Choreography<br />
Lighting Design<br />
<strong>Dance</strong>rs<br />
Katy Kantner<br />
Monica Remes<br />
alison Rhoades<br />
Beanz Ramirez<br />
Katy Kantner<br />
Monica Remes<br />
alison Rhoades<br />
Acknowledgments<br />
Thank you to Renée Wadleigh <strong>for</strong> inspiring us to work with her amazing cast of like this!<br />
Roanoke<br />
6 7
Untitled<br />
Choreography/Composition<br />
Lighting Design<br />
<strong>Dance</strong>rs<br />
Jessica Cornish<br />
Ricky Schlude<br />
Beanz Ramirez<br />
Jessica Cornish<br />
Ricky Schlude<br />
Calmly she goes (with a touch that knows)<br />
Choreography<br />
Music<br />
Lighting Design<br />
<strong>Dance</strong>rs<br />
Mary Albano<br />
Shades by Alex Teske<br />
Jack Horwitch<br />
andrea Chim<br />
ashley Cizmar<br />
Acknowledgments<br />
Our mamas and our papas, Jimmy Page, Kirstie Simson, Philip Johnston.<br />
Note<br />
The title originates from “Elemental Woman” by Charles Wiles.<br />
Acknowledgments<br />
Thank you to Andrea and Ashley <strong>for</strong> your creative souls and your commitment to working with wacky<br />
rehearsals. Thank you Alex <strong>for</strong> creating such a beautiful piece of music. Thank you to my family <strong>for</strong> your<br />
constant love and support.<br />
8 9
Rind Pericarp Pith<br />
Ponderosity<br />
Choreography<br />
Kamilla Kinard<br />
Choreography<br />
abby Brandolino<br />
Music<br />
Fatal Flower Garden by Andrew Bird<br />
Music<br />
<strong>Thursday</strong> by Takénobu<br />
Lighting Design<br />
Beanz Ramirez<br />
Lighting Design<br />
Jack Horwitch<br />
<strong>Dance</strong>r<br />
Kamilla Kinard<br />
<strong>Dance</strong>r<br />
abby Brandolino<br />
Acknowledgments<br />
I would like to thank Eoin O’Brien and Kristina Isabelle, who introduced me to stilting years ago. I would like<br />
to dedicate this piece to my friends and family, who have helped me keep my balance through my injury and<br />
have given me the strength of patience. A special thank you to Philip Johnston, Kate Kuper, Guy Tal, Jessica<br />
Cornish, and Jeff Zahos <strong>for</strong> their invaluable assistance in my process.<br />
Acknowledgments<br />
I would like to thank my parents <strong>for</strong> always giving me support and letting me follow my dream. I would also<br />
like to thank Kirstie Simson <strong>for</strong> pulling me out of my shell and <strong>for</strong> all of her guidance throughout rehearsals.<br />
10 11
Solo.<br />
Found<br />
Choreography<br />
nico Brown<br />
Choreography<br />
tamin Totzke<br />
Lighting Design<br />
Jack Horwitch<br />
Music<br />
Fourtet<br />
Composer<br />
eric Simmons<br />
Lighting Design<br />
Jack Horwitch<br />
Collaborators<br />
Michael Bieronski<br />
anders Pollack<br />
Movement Collaboration<br />
grant Bowen<br />
Jeff Zahos<br />
Per<strong>for</strong>mers<br />
nico Brown<br />
eric Simmons<br />
<strong>Dance</strong>rs<br />
grant Bowen<br />
Jeff Zahos<br />
Acknowledgments<br />
Thank you Anders and Michael.<br />
Thank you Eric.<br />
Acknowledgments<br />
Thank you G.B. and J.Z.<br />
12 13
Profiles<br />
Kirstie Simson (Concert Director) is world renowned<br />
as an excellent teacher and captivating per<strong>for</strong>mer<br />
who is a leading light in the field of dance<br />
improvisation. She has collaborated with many<br />
dancers and musicians who share an interest in<br />
improvisation, including Steve Paxton, Nancy Stark<br />
Smith, Simone Forti, Michael Schumacher, Adam<br />
Benjamin, Russell Maliphant, and Lê Quan Ninh.<br />
She was given a London <strong>Dance</strong> and Per<strong>for</strong>mance<br />
Award and was called “a unique figure in the dance<br />
world” by Time Out London, and Jennifer Dunning of<br />
The New York Times wrote: “Kirstie Simson is justly<br />
celebrated in Britain <strong>for</strong> exquisite, sensuous dancing<br />
that seems to come from some simple <strong>for</strong>ce of<br />
nature.” Kirstie has just released a film about dance<br />
improvisation with filmmaker Katrina McPherson. In<br />
January 2008, Kirstie joined the faculty of <strong>Dance</strong> at<br />
<strong>Illinois</strong>.<br />
Mary Albano (Choreographer) is a junior dance<br />
major at the U of I. She has per<strong>for</strong>med in works by<br />
Linda Lehovec, Betsy Brandt, Sarah Haas, Brittany<br />
Sylwestrak, and Cristina Walterman. She has also<br />
studied with Thodos <strong>Dance</strong> Chicago. She was<br />
awarded a Scholarship <strong>for</strong> <strong>Dance</strong> Projects in 2010.<br />
Renee Archibald (Choreographer) is currently<br />
a second-year MFA candidate in dance at the U<br />
of I. Prior to graduate school, Archibald earned<br />
her BFA in contemporary dance from the North<br />
Carolina School of the Arts and per<strong>for</strong>med with<br />
various choreographers, including Rebecca<br />
Lazier, Christopher Williams, Ann Liv Young, Alex<br />
Escalante, and Joshua Bisset, in New York City. Her<br />
choreographic works were presented in New York<br />
venues including the <strong>Dance</strong> Theatre Workshop,<br />
the Kitchen, the Brooklyn Museum, the Chocolate<br />
Factory, and Danspace Project.<br />
Abby Brandolino (Choreographer) is a third-year<br />
BFA candidate in dance. This is the first piece she<br />
has choreographed <strong>for</strong> Studiodance II. Abby has<br />
per<strong>for</strong>med in Senior Thesis Concerts and recently<br />
appeared in November <strong>Dance</strong> in Elby Brosch’s The<br />
Methodology of Directionality and Detachment. She<br />
was also an understudy <strong>for</strong> the excerpt from T. Lang’s<br />
Mutha/Mother, which was per<strong>for</strong>med at November<br />
<strong>Dance</strong> this past fall.<br />
Nico Brown (Choreographer) is a first-year graduate<br />
student with <strong>Dance</strong> at <strong>Illinois</strong>. He has worked <strong>for</strong><br />
Jacob’s Pillow <strong>Dance</strong> Festival, the American <strong>Dance</strong><br />
Festival, and Movement Research.<br />
Jessica Cornish (Choreographer) is a senior BFA<br />
candidate in dance. She was born and grew up<br />
in Pakistan and this summer will be volunteering<br />
in India, where she will be dancing with women<br />
and children who are recovering from a life of sex<br />
trafficking and prostitution. She will then move to<br />
Berlin to dance.<br />
Katy Kantner (Choreographer) is a senior BFA<br />
candidate in dance as well as a BA candidate in<br />
Spanish who will graduate in May <strong>2012</strong>. From<br />
Madison, Wisconsin, Katy has enjoyed the<br />
opportunities and challenges that <strong>Dance</strong> at <strong>Illinois</strong><br />
has provided her. Katy is looking <strong>for</strong>ward to<br />
continuing this experimentation in movement and<br />
choreography on the West or East Coast.<br />
Kamilla Kinard (Choreographer) is a sophomore in<br />
dance from Columbus, Ohio. She has trained at the<br />
Columbus <strong>Dance</strong> Theatre and studied with Danga<br />
Grimaldi’s Circus. She has been a part of High Jinks<br />
Productions <strong>for</strong> a number of years, per<strong>for</strong>ming<br />
both circus skills and dance in a variety of settings,<br />
including festivals, parades, clubs, and corporate<br />
parties. She is excited to be combining dance and<br />
circus arts on stage be<strong>for</strong>e your eyes!<br />
Chad Miller (Choreographer) is a junior dance major<br />
at the U of I. He began his dance career during<br />
college at Southern <strong>Illinois</strong> University at Edwardsville.<br />
He was originally a computer science major until he<br />
took a dance class by chance. He is very happy that<br />
he found dance by accident and is now working to<br />
improve and start a professional career in dance.<br />
Jade S. Peeples (Choreographer), a third-year BFA<br />
student, was born in Chicago, <strong>Illinois</strong>, but grew up<br />
in Gurnee, <strong>Illinois</strong>. She has been dancing since high<br />
school and enjoys teaching and choreographing <strong>for</strong><br />
local churches and schools in her hometown.<br />
Monica Remes (Choreographer) is a senior BFA<br />
dance and cinema studies minor candidate <strong>for</strong><br />
graduation in December <strong>2012</strong>. She has per<strong>for</strong>med in<br />
works by Jan Erkert, Rebecca Walter, Trisha Brown,<br />
Grace Courvoisier, Carl Flink, Linda Lehovec, and<br />
Renée Wadleigh.<br />
Alison Rhoades (Choreographer), a junior BFA<br />
candidate in dance, was born and raised in Auburn,<br />
<strong>Illinois</strong>. During her time at the U of I, she has<br />
per<strong>for</strong>med in various faculty and graduate student<br />
works. Alison is a second-year member of the Mark<br />
Morris <strong>Dance</strong> Group Shadow Program, through<br />
which she has participated in various outreach<br />
activities, and she will return to New York to study in<br />
the company’s summer intensive. She is also a James<br />
Scholar in the College of Fine and Applied Arts and<br />
was recently awarded the Dads Association Library<br />
Award <strong>for</strong> extraordinary academic achievement.<br />
Ricky Schlude (Choreographer) is a senior in<br />
electrical engineering who loves the Chicago Bulls<br />
and hates eating vegetables. He spends his free<br />
time playing the guitar, attending dance shows, and<br />
refining his jump shot.<br />
Tamin Totzke (Choreographer) is a movement<br />
improviser, choreographer, and dance educator. She<br />
has toured throughout the United States teaching<br />
and per<strong>for</strong>ming at universities, theatres, and festivals,<br />
including the West Coast Contact Improvisation<br />
Festival (2009-2011), Earthdance (2008-2011), and<br />
the Seattle Festival of <strong>Dance</strong> Improvisation. Currently,<br />
she is a second-year MFA candidate in dance. In the<br />
summer of <strong>2012</strong>, Tamin will travel with Kirstie Simson<br />
to work with Cloud Gate <strong>Dance</strong> Theatre in Taipei,<br />
Taiwan, and at the Epic Arts <strong>Center</strong> in Phnom Penh,<br />
Cambodia.<br />
Jasmine D. Wilson (Choreographer), a third-year<br />
BFA student, was born in Chicago, <strong>Illinois</strong>, where she<br />
began dancing at Whitney M. Young Magnet High<br />
School. As an aspiring dance instructor, Jasmine often<br />
teaches modern dance to the students at her alma<br />
mater as well as at other local programs in Chicago.<br />
Linda Esperance (Technical Director) is a third-year<br />
MFA candidate in the Scenic Technology Program.<br />
As part of her assistantship, she is also the technical<br />
director <strong>for</strong> <strong>Dance</strong> at <strong>Illinois</strong>. Originally from Orlando,<br />
Florida, she completed her BFA in theatre design/<br />
technology at the University of Central Florida.<br />
Her credits <strong>for</strong> <strong>Krannert</strong> <strong>Center</strong> include technical<br />
director <strong>for</strong> Lady Macbeth: A Kabuki Play, The Magic<br />
Flute, The African Company Presents Richard III,<br />
Macbeth, and Albert Herring. She has also been the<br />
technical director <strong>for</strong> River Valley Rep’s 2011 summer<br />
season and has worked in entertainment as a stage<br />
technician <strong>for</strong> Walt Disney World.<br />
14 15
Jess Gersz (Costume Coordinator) is a second-year<br />
MFA costume design candidate. Jess received his BA<br />
in theatre with a minor in costume production from<br />
the University of Albany (SUNY Albany). During his<br />
time at the U of I, Jess has worked in the Department<br />
of Theatre designing The Last Days of Judas Iscariot<br />
and has been an assistant designer on operas such as<br />
Rigoletto and The Magic Flute. Jess has also worked<br />
at the Glimmerglass Festival on productions such as<br />
The Tender Land, Carmen, and the world premiere of<br />
A Blizzard on Marblehead Neck. This summer, Jess<br />
will be returning to the Glimmerglass Festival as the<br />
costume shopper.<br />
Jack Horwitch (Lighting Designer) is a junior in<br />
the BFA Lighting Design Program at the U of I. He<br />
recently finished working as an assistant lighting<br />
designer/master electrician <strong>for</strong> the School of Music<br />
Opera Program’s production of The Barber of<br />
Seville. Other credits include lighting design <strong>for</strong> the<br />
Department of Theatre’s abbreviated production of<br />
The Glass Menagerie on last summer’s trip to China.<br />
Jack has also served as an assistant lighting designer/<br />
master electrician <strong>for</strong> the Department of Theatre’s<br />
production of Cabaret and November <strong>Dance</strong> 2011,<br />
as well as numerous other Department of Theatre,<br />
<strong>Dance</strong> at <strong>Illinois</strong>, and School of Music Opera Program<br />
productions. Jack will be interning this coming<br />
summer as an electrician <strong>for</strong> the Santa Fe Opera.<br />
Austin Lin (Stage Manager) is a junior double<br />
majoring in theatre and computer science. <strong>At</strong> the U<br />
of I, Austin has served as an assistant stage manager<br />
on a variety of productions, including Macbeth, The<br />
African Company Presents Richard III, Studiodance<br />
I, La Calisto, Cabaret, and The Last Days of Judas<br />
Iscariot. Austin is excited to be stage managing with<br />
Bethany Regalbuto.<br />
Beanz Ramirez (Lighting Designer) is a student in<br />
the BFA Lighting Design Program, and this is his first<br />
design project. He’d like to thank all the faculty and<br />
employees at <strong>Krannert</strong> <strong>Center</strong> who have helped him<br />
over the last couple of years.<br />
Bethany Regalbuto (Stage Manager) is a senior BFA<br />
stage management student. She has previously been<br />
an assistant stage manager <strong>for</strong> November <strong>Dance</strong><br />
2011 and Studiodance 2011 with <strong>Dance</strong> at <strong>Illinois</strong>.<br />
In her time at the U of I, she has been the stage<br />
manager <strong>for</strong> Hoodoo Love with the Department of<br />
Theatre and an assistant stage manager <strong>for</strong> Man of La<br />
Mancha and The Barber of Seville with the School of<br />
Music Opera Program. She comes to the U of I from<br />
South Carolina, where she worked on shows such as<br />
Ferdinand the Bull, Steel Magnolias, and Beauty and<br />
the Beast. She is excited to have the opportunity to<br />
work as a stage manager with Austin Lin.<br />
Julie Rundell (Properties Master) has been the<br />
assistant properties director at <strong>Krannert</strong> <strong>Center</strong><br />
since <strong>19</strong>90. Be<strong>for</strong>e coming to Urbana, she worked at<br />
theatres in North Carolina, Michigan, Massachusetts,<br />
and Wisconsin, and, occasionally, her work can be<br />
seen in Chicago. She has a BFA from the North<br />
Carolina School of the Arts.<br />
Jeff Zahos (Sound Designer) is passionately<br />
dedicated to exploring the confluence of music,<br />
sound, and movement. He finds himself doing work<br />
that crosses and blurs lines between disciplines. For<br />
example, he is currently exploring live per<strong>for</strong>mance<br />
as a sound design practice. Musically, his primary<br />
pursuit is partnering with dance, and he has also<br />
per<strong>for</strong>med with orchestras, rock bands, gamelans,<br />
and West African drumming ensembles and in<br />
musical theatre. Highlights as a sound designer<br />
include his collaboration with <strong>Dance</strong> at <strong>Illinois</strong> on<br />
several concerts. He has engineered recent CD<br />
releases by Rhythm Manding featuring Moussa<br />
Bolokada Conde, piano virtuoso Ian Hobson, mezzosoprano<br />
Elizabeth Buckley, and the <strong>At</strong>lantic Harp<br />
Duo. This evening, Jeff is also dancing in Found<br />
choreographed by Tamin Totzke.<br />
16 17
Production Staff<br />
THANK You <strong>for</strong> Joining Us<br />
Concert Director<br />
<strong>Dance</strong> at <strong>Illinois</strong> Head<br />
Stage Managers<br />
Assistant Stage Managers<br />
Technical Director<br />
Costume Coordinator<br />
Kirstie Simson<br />
Jan Erkert<br />
austin Lin<br />
Bethany Regalbuto<br />
anna Clarke<br />
Yeseul Hwang<br />
Mallory Kling<br />
Linda Esperance<br />
Jess Gersz<br />
bathrooms<br />
medical<br />
emergency<br />
cough drops<br />
earplugs<br />
cameras &<br />
electronic<br />
devices<br />
Bathrooms are located in the Foellinger Great Hall Foyer, the Colwell Playhouse Foyer, the<br />
east entrances on Level 5, and in each elevator lobby on Level 1 and Level 3.<br />
Contact an usher or other staff member <strong>for</strong> assistance with medical emergencies.<br />
Complimentary cough drops, courtesy of St. Joseph Apothecary, are available from the<br />
ushers.<br />
Disposable foam earplugs may be obtained from the ushers.<br />
The use of cell phones, cameras, and recording devices during per<strong>for</strong>mances is strictly<br />
prohibited. Please turn off cell phones and watch alarms be<strong>for</strong>e entering the theatre.<br />
Check cameras, recording devices, and pagers at the Patron Services desk located near<br />
the Ticket Office in the Lobby.<br />
Properties Master<br />
Hair/Makeup Coordinator<br />
Sound Designer<br />
Assistant Sound Designer<br />
Lighting Designers<br />
<strong>Dance</strong> at <strong>Illinois</strong> Photographer<br />
Sound Board Operator<br />
Light Board Operator<br />
Patch Operator<br />
Deck/Gel Running Crew<br />
Costume Running Crew<br />
Julie Rundell<br />
natalie Loveland<br />
Jeff Zahos<br />
Kevin A. Cushman<br />
Jack Horwitch<br />
Beanz Ramirez<br />
natalie Fiol<br />
abigail Kaesberg<br />
Sarah Jeffers<br />
alexandria Wiss<br />
antara Bera<br />
Skylar Males<br />
tiffany Norris<br />
Jennifer Wagner<br />
Francesca Burns<br />
elyssa McNeil<br />
alana Parekh<br />
theatre exits<br />
late seating<br />
recycling<br />
lost & found<br />
patron services<br />
ticket office<br />
comments &<br />
questions<br />
acknowledgments<br />
Please take a moment be<strong>for</strong>e the per<strong>for</strong>mance to note the theatre exits nearest to you.<br />
As a courtesy to the per<strong>for</strong>mers and audience members, latecomers will be seated in<br />
theatres only at times selected in advance by the artist.<br />
Please place all trash and recycling in the marked bins. The University will sort out the<br />
recyclables after collection.<br />
Make inquiries about lost items or drop off found ones at the Ticket Office.<br />
<strong>Krannert</strong> <strong>Center</strong> theatres are equipped with wheelchair and easy-access seating and<br />
infrared hearing amplification systems. Large-print programs, Braille programs, and<br />
American Sign Language interpreters are available with three weeks’ advance notice.<br />
Lobby-level washroom facilities are fully accessible, as is the Ticket Office counter.<br />
For in<strong>for</strong>mation on these and other services, contact the Patron Services Director at<br />
217/333-9716 (TTY: 217/333-9714) or patronservices@krannertcenter.illinois.edu.<br />
Open 10am to 6pm every day<br />
Open 10am through first intermission on per<strong>for</strong>mance days<br />
Phone: 800/KCPATIX or 217/333-6280<br />
TTY <strong>for</strong> patrons who are deaf, hard-of-hearing, or speech-impaired: 217/333-9714<br />
E-mail: kran-tix@illinois.edu<br />
Groups (20 or more): 217/244-0549<br />
<strong>Krannert</strong><strong>Center</strong>.com<br />
<strong>Krannert</strong> <strong>Center</strong> welcomes your comments and questions. Comment cards are available<br />
at the Ticket Office counter at all times. Address e-mail correspondence to comments@<br />
krannertcenter.illinois.edu.<br />
<strong>Krannert</strong> <strong>Center</strong> is grateful <strong>for</strong> the valuable assistance of the <strong>Krannert</strong> <strong>Center</strong><br />
Student Association, the <strong>Krannert</strong> <strong>Center</strong> Community Volunteers, and Illini Emergency<br />
Medical Services. They help make everyone who comes through our doors feel safe and<br />
cared <strong>for</strong>. We thank them deeply.<br />
18 <strong>19</strong>