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Arts Medal to Honor Iconic Actor Tommy Lee Jones '69

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www.ofa.fas.harvard.edu<br />

Spring 2012<br />

<strong>Arts</strong>Spectrum<br />

INSIDE<br />

Celebrating 20 Years<br />

of ARTS FIRST<br />

<strong>Arts</strong> <strong>Medal</strong><br />

<strong>to</strong> <strong>Honor</strong><br />

<strong>Iconic</strong> Ac<strong>to</strong>r<br />

<strong>Tommy</strong> <strong>Lee</strong><br />

<strong>Jones</strong> ‘69<br />

“It’s no mean calling <strong>to</strong> bring fun in<strong>to</strong> the afternoons of large numbers of people. That <strong>to</strong>o is part of my<br />

job, and I’m happy <strong>to</strong> serve when called on.”<br />

No one would ever accuse the maker of that statement, <strong>Tommy</strong> <strong>Lee</strong> <strong>Jones</strong> ’69, of being anything less than<br />

pragmatic and straightforward: an ac<strong>to</strong>r’s ac<strong>to</strong>r—and occasional direc<strong>to</strong>r—he is revered for his deadpan portrayals<br />

of law enforcement/military officers and other authority figures.<br />

Harvard will pay tribute <strong>to</strong> <strong>Jones</strong> and his iconic artistry when he receives the Harvard <strong>Arts</strong> <strong>Medal</strong> on Thursday,<br />

April 26, the kick-off event for the 2012 ARTS FIRST festival. The medal is given annually <strong>to</strong> an alumnus/a or faculty<br />

member who has achieved distinction in the arts and who has made a special contribution <strong>to</strong> the good of the arts.<br />

<strong>Jones</strong> has received three Academy Award nominations, winning one as Best Supporting Ac<strong>to</strong>r for his portrayal of<br />

federal marshal Samuel Gerard in the 1993 thriller The Fugitive. Other memorable roles include the villain Two-Face<br />

in Batman Forever, terrorist William Strannix in Under Siege, Agent K in the Men in Black films, former Texas Ranger<br />

Woodrow F. Call in Lonesome Dove and Ed Tom Bell in No Country for Old Men. <strong>Jones</strong> has also portrayed real-life<br />

figures such as businessman Howard Hughes, executed murderer Gary Gilmore, Oliver “Doolittle” Lynn in Coal<br />

Miner’s Daughter and baseball great Ty Cobb.<br />

Fellow Harvard-educated thespian John Lithgow ’67, who appeared with <strong>Jones</strong> in several theater productions<br />

when both were undergraduates, will serve as host and modera<strong>to</strong>r of the <strong>Arts</strong> <strong>Medal</strong> ceremony, which will include<br />

a conversation with the honoree (illustrated with clips from his films) followed by the awarding of the medal by<br />

Harvard University President Drew Gilpin Faust. The event takes place at 3 pm at Sanders Theatre; admission is free<br />

but tickets are required, available through the Harvard Box Office beginning Tuesday, April 17: 617.496.2222,<br />

www.boxoffice.harvard.edu.


Public Art<br />

Insert your vision here<br />

Transform your vision, whim, passion, or manifes<strong>to</strong> in<strong>to</strong> a visual object,<br />

environmental intervention, sound piece, or interactive encounter for<br />

Harvard’s ARTS FIRST festival. Public art workshops, led by sculp<strong>to</strong>r Nancy<br />

Selvage, will provide the collaborative foundation <strong>to</strong> turn concepts in<strong>to</strong><br />

expressive energy. Attend an initial brains<strong>to</strong>rming session—with pizza<br />

served—on Tuesday, February 7, at 6 pm at Office for the <strong>Arts</strong>’ main office,<br />

74 Mt. Auburn St. Undergraduate and graduate students welcome.<br />

Selvage, former direc<strong>to</strong>r of the OFA Ceramics Program, has created public<br />

art for the City of Cambridge, the Grand Canyon Visi<strong>to</strong>r Center, and the<br />

North Carolina Zoo. A member of Bos<strong>to</strong>n Sculp<strong>to</strong>rs, she exhibits internationally.<br />

Her work can be seen at www.nancyselvage.com.<br />

For more information, contact the artist at nancyselvage@gmail.com or visit<br />

www.ofa.fas.harvard.edu/visualarts/course.php.<br />

Dance<br />

Theater<br />

Musicals, dance concert, festival fill schedule<br />

After the Hasty Pudding Theatricals finishes a month-long run on March 4 of<br />

its 164th production—this year called There Will be Flood—and packs up<br />

for New York and Bermuda, Farkas Hall (the former New College Theatre)<br />

plays host <strong>to</strong> the OFA Dance Program’s annual spring concert March 23-31<br />

(see other side for more information). Other undergraduate spring shows in<br />

the Holyoke St. venue include Legally Blonde, The Musical by Laurence<br />

O’Keefe ‘91, Nell Benjamin ‘93 and Heather Hach and Bitch: A Play about<br />

Antigone by Andy Boyd ‘14.<br />

In the Farkas Hall Studio, the Fourth Annual Student Playwrights’ Festival<br />

is in residence April 16-22, and The Graveyard Book, an adaptation of Neil<br />

Gaiman’s novel conceived by Elizabeth Mak ‘12, will be presented April 28-29.<br />

In Radcliffe Yard’s Agassiz Theatre, the Office of Sexual Assault Prevention<br />

and Response presents its annual production of Eve Ensler’s The Vagina<br />

Monologues February 11-18; the South Asian Association presents the<br />

annual showcase of music and dance, Ghungroo, February 19-March 4; the<br />

Gilbert and Sullivan Players present Princess Ida March 12-April 1; and the<br />

African Students Association presents Africa Night April 2-8. From April 9-22,<br />

the 2012 Freshman Musical will be in residence.<br />

For more information, visit www.ofa.fas.harvard.edu/cal and filter listings<br />

by choosing “Theater.” For tickets, visit www.boxoffice.harvard.edu or call<br />

617.496.2222 (TTY 617.495.1642).<br />

Music<br />

Concerts give zing <strong>to</strong> spring<br />

Highlights of the over 100 musical performances presented on campus this<br />

spring at various venues include the following concerts, all taking place in<br />

Sanders Theatre at 8 pm, unless otherwise noted.<br />

Harvard Baroque Chamber Orchestra (HBCO; Phoebe Carrai, conduc<strong>to</strong>r)<br />

joins the Harvard University Choir (Ed <strong>Jones</strong>, conduc<strong>to</strong>r) for its spring<br />

Cantata Concert, “Music of Bach,” on March 4 in The Memorial Church.<br />

For ARTS FIRST, HBCO goes back <strong>to</strong> Bach with the Brandenburg<br />

Concer<strong>to</strong>s 3-5 on April 28, and the University Choir performs a program<br />

<strong>to</strong> be announced on April 29, both at the church.<br />

New course focuses on Forsythe<br />

Chris<strong>to</strong>pher Roman<br />

Dominik Mentzos<br />

Harvard Radcliffe Collegium Musicum (HRCM; Andrew G. Clark,<br />

conduc<strong>to</strong>r) presents the “40th Anniversary Concert,” which includes<br />

Rachmaninoff’s Vespers, on February 18; HRCM teams with Harvard Glee<br />

Club, Radcliffe Choral Society and professional orchestra and soloists for<br />

Mozart’s Requiem on March 2. Harvard Radcliffe Chorus (Kevin C. Leong,<br />

conduc<strong>to</strong>r) performs Schubert’s Mass in A-flat on April 20.<br />

Kuumba Singers of Harvard College presents the 42nd Annual Archie C.<br />

Epps Spring Concert on April 21.<br />

The OFA Dance Program springs in<strong>to</strong> new terri<strong>to</strong>ry with FAS’ launch of Dance<br />

Direc<strong>to</strong>r Jill Johnson’s credit course “Master Work – The Choreographic<br />

Process of William Forsythe.” The course focuses on Forsythe’s work “One<br />

Flat Thing, reproduced,” and will include a visit by Goethe Award-winning<br />

Chris<strong>to</strong>pher Roman, the Dance Program’s spring artist-in-residence. Johnson<br />

and Roman will each produce world premieres for a series of performances<br />

at the end of March. Other special events include a community master class<br />

with Israeli choreographer and Artistic Direc<strong>to</strong>r of Batsheva Dance Company,<br />

Ohad Naharin, and Bos<strong>to</strong>n Ballet Dance Talks, featuring contemporary ballet<br />

performance and discussion.<br />

For more information about these and other Dance Program events, call<br />

617.495.8683 or visit www.ofa.fas.harvard.edu/dance.<br />

Harvard Wind Ensemble (Mark Olson, conduc<strong>to</strong>r), part of the Harvard<br />

University Bands (Tom Everett, direc<strong>to</strong>r), performs “The Music of Vincent<br />

Persichetti” on March 3 and “Miles Ahead: Music Associated with Miles<br />

Davis” on April 21, both at Lowell Hall. Harvard Jazz Bands (Tom Everett and<br />

Mark Olson, conduc<strong>to</strong>rs) and guest artists are also featured in “Blue Note:<br />

Then and Now” on April 14.<br />

Harvard Radcliffe Orchestra (Federico Cortese, conduc<strong>to</strong>r) performs works<br />

by Falla, Debussy and Ravel in an ARTS FIRST concert on April 28.<br />

For more information on the spring season—including concerts by the<br />

Harvard Pops Orchestra, Mozart Society Orchestra and Bach Society<br />

Orchestra—visit www.ofa.fas.harvard.edu and click on “Performing <strong>Arts</strong>,”<br />

then “Music.”


74 Mt. Auburn Street<br />

Cambridge, Massachusetts 02138<br />

T 617.495.8676<br />

F 617.495.8690<br />

www.ofa.fas.harvard.edu<br />

<strong>Arts</strong> Spectrum welcomes your questions<br />

and comments: spectrum@fas.harvard.edu<br />

<strong>Arts</strong>Spectrum<br />

Edi<strong>to</strong>r: Thomas <strong>Lee</strong> | Managing Edi<strong>to</strong>r: Gary Duehr<br />

Associate Edi<strong>to</strong>r: Emily Vides | Design: S<strong>to</strong>ltze Design<br />

Office for the <strong>Arts</strong> at Harvard<br />

The OFA supports student engagement in the arts and integrates the arts<br />

in<strong>to</strong> University life. Through its programs and services, the OFA teaches and<br />

men<strong>to</strong>rs, fosters student art making, connects students <strong>to</strong> accomplished<br />

artists, commissions new work, and partners with local, national, and<br />

international constituencies.<br />

Harvard <strong>Arts</strong> Resource Council<br />

The Advisory Committee <strong>to</strong> the Office for the <strong>Arts</strong> at Harvard<br />

Carl<strong>to</strong>n Cuse ’81, Co-Chair<br />

Robert Kraft ’76, Co-Chair<br />

Neal Baer ’79 GSE, ’82 GSA, ’96 HMS<br />

Paul Buttenwieser ’60, ’64 HMS, ’00 KSG<br />

Sandy Climan ‘77, ‘79 HBS, ‘79 SPH<br />

Barry Cohen, ’74, ’77 HBS, ’77 HLS<br />

Lucy Fisher ‘71<br />

Lauren Greenfield ’87, ’88 GSA<br />

Charles Hirschhorn ‘79<br />

Thomas B. McGrath ’76, ’80 HBS<br />

Stanford Makishi ‘87<br />

Jeffrey Melvoin ‘75<br />

Andrea Miller-Keller ‘63<br />

Keri Putnam ‘87<br />

Mia River<strong>to</strong>n ‘99<br />

Sylvia Scheuer<br />

David Scudder ‘57<br />

Thomas Viertel ‘63<br />

Irene Weigel ‘70<br />

Edward Zwick ‘74<br />

FAS Council on the <strong>Arts</strong><br />

Diana Sorensen, Chair<br />

James F. Rothenberg Professor of Romance Languages and Literatures<br />

and of Comparative Literature; Dean of <strong>Arts</strong> and Humanities<br />

Federico Cortese<br />

Conduc<strong>to</strong>r, Harvard-Radcliffe Orchestra; Senior Lecturer on Music<br />

S. Allen Counter<br />

Direc<strong>to</strong>r of the Harvard Foundation, Professor of Neurology<br />

Deborah Foster<br />

Senior Lecturer on Folklore and Mythology<br />

Jorie Graham<br />

Boyls<strong>to</strong>n Professor of Rhe<strong>to</strong>ric and Ora<strong>to</strong>ry<br />

Jill Johnson<br />

Dance Direc<strong>to</strong>r, Office for the <strong>Arts</strong> Dance Program; Senior Lecturer,<br />

Department of Music<br />

Ruth Stella Lingford<br />

Professor of the Practice of Animation; Direc<strong>to</strong>r of Undergraduate Studies,<br />

Visual and Environmental Studies<br />

Cathleen McCormick<br />

Direc<strong>to</strong>r of Programs, Office for the <strong>Arts</strong> at Harvard<br />

Jack Megan<br />

Direc<strong>to</strong>r, Office for the <strong>Arts</strong> at Harvard<br />

Diane Paulus<br />

Artistic Direc<strong>to</strong>r, American Reper<strong>to</strong>ry Theater; Professor of the Practice<br />

of Theater<br />

Olaf Post<br />

Precep<strong>to</strong>r in Music<br />

Elaine Scarry<br />

Walter M. Cabot Professor of Aesthetics and the General Theory of Value;<br />

Senior Fellow of the Society of Fellows<br />

Marcus Stern<br />

Associate Direc<strong>to</strong>r of the American Reper<strong>to</strong>ry Theater and the A.R.T./MXAT<br />

Institute for Advanced Theatre Training; Lecturer on Dramatic <strong>Arts</strong>


www.ofa.fas.harvard.edu<br />

Spring 2012<br />

Happy 20th Birthday,<br />

ARTS FIRST!<br />

Twenty years ago, ac<strong>to</strong>r John Lithgow ’67 came up with an<br />

idea. It sprung from his own experience of Harvard while an<br />

undergraduate, and his memory of the “wild variety of creative<br />

ferment,” as he calls it in his au<strong>to</strong>biography, Drama: An Ac<strong>to</strong>rs<br />

Education (Harper Collins, 2011).<br />

His idea was <strong>to</strong> create something akin <strong>to</strong> an Edinburgh<br />

Festival at Harvard University. It would occur over four days<br />

each spring, celebrating the rich variety of student talent in the<br />

performing and visual arts. Twenty years later, ARTS FIRST<br />

has evolved in<strong>to</strong> one of the largest college arts festivals in the<br />

United States. Every year, more than 2,000 ac<strong>to</strong>rs, dancers,<br />

musicians, visual artists and art makers of all stripes present<br />

close <strong>to</strong> 200 theatrical and dance productions, concerts, and<br />

exhibitions, attended by thousands of art lovers from Greater<br />

Bos<strong>to</strong>n. It is the culmination of a cycle of creation that begins in<br />

the fall and builds <strong>to</strong> an explosive crescendo each spring.<br />

As Lithgow observes in his book:<br />

By now it is impossible <strong>to</strong> imagine a year at Harvard without it. During its four-day span,<br />

hundreds of students act, dance, sing, play music, exhibit their art, and show their films.<br />

Thousands more watch. Every theater and concert hall on the campus is pressed in<strong>to</strong><br />

service. Twenty-odd buildings are converted <strong>to</strong> performance spaces. Harvard Yard is flung<br />

open <strong>to</strong> the public and nearly everything is free.<br />

The schedule for the 2012 festival, which runs from Thursday <strong>to</strong> Sunday, April 26 through 29,<br />

will be released in late winter. Highlights include:<br />

<br />

This extraordinary film and dance piece, created by David Michalek, features Harvard’s<br />

Jill Johnson, Direc<strong>to</strong>r of the OFA Dance Program.<br />

<br />

Rhe<strong>to</strong>ric, Jorie Graham. The focal point is the premiere of a multimedia student<br />

presentation comprised of poetic fragments from the work of revered poets and alumni.<br />

<br />

from intimate dramas at the Adams House Pool Theater <strong>to</strong> the premiere of a new opera on<br />

the Loeb Drama Center Mainstage based on the life of poet Hart Crane.<br />

So come celebrate the “creative ferment” of this extraordinary arts community! See the ARTS<br />

FIRST Guide and online listings for event schedules at www.ofa.fas.harvard.edu/arts.<br />

For volunteer opportunities and other information, contact Associate Project Manager Gary<br />

Duehr, arts@fas.harvard.edu, 617.495.8699.<br />

Clockwise from <strong>to</strong>p: ARTS FIRST parade (2003); Pan-African Dance and Music Ensemble (2007,<br />

Kris Snibbe); public art installation in Harvard Yard (2003); Harvard University Band (2009);<br />

Asian American Dance Troupe (2002); 1997 Harvard <strong>Arts</strong> <strong>Medal</strong> recipient, singer/songwriter<br />

Bonnie Raitt ‘72, with Master of the <strong>Arts</strong> at Harvard, ac<strong>to</strong>r John Lithgow ‘67 (1997).<br />

Joe Lovano<br />

www...<br />

To learn more about OFA programs and services,<br />

and for up-<strong>to</strong>-date info about events and other<br />

arts opportunities at Harvard, go <strong>to</strong>:<br />

www.ofa.fas.harvard.edu<br />

Blue Note Groove, Part Two<br />

Harvard swings with “Blue Note Records, Then and Now,” the year-long salute <strong>to</strong> the<br />

label’s extraordinary legacy sponsored by the OFA Jazz Program and Harvard Jazz Bands<br />

that includes film screenings and a Jazz Bands concert with special guest artists.<br />

Wednesday, April 11, at 6:30 pm: Blue Note: a S<strong>to</strong>ry of Modern Jazz (1997), documentary<br />

written and directed by Julian Benedikt; Thursday, April 12, time TBA: ‘Round Midnight<br />

(1986), directed by Bertrand Tavernier. Brattle Theatre, 40 Brattle St., Harvard Square.<br />

“Blue Note Records, Then and Now,” concert featuring the Harvard Jazz Bands<br />

(Tom Everett and Mark Olson, conduc<strong>to</strong>rs) with special guest saxophonist/composer<br />

Joe Lovano, and others <strong>to</strong> be anounced. Sanders Theatre, 45 Quincy St. Tickets $15;<br />

$8 students and seniors, available through the Harvard Box Office, 617.496.2222<br />

(TTY 617.495.1642), www.boxoffice.harvard.edu.<br />

Forsythe Fosters New Works<br />

Head of The Forsythe Company since 2005, the innovative choreographer<br />

William Forsythe is the focus of a credit course taught this term by OFA<br />

Dance Program Direc<strong>to</strong>r Jill Johnson, “Music 103r: Master Work: The<br />

Choreographic Process of William Forsythe.” A comprehensive, transdisciplinary<br />

study of Forsythe’s work “One Flat Thing, reproduced” will<br />

inform the creation of a new collaborative piece <strong>to</strong> be premiered at an<br />

evening of original dance works, which also includes work by Dance<br />

Program Artist-in-Residence Chris<strong>to</strong>pher Roman created during the<br />

recent Wintersession dance intensive.<br />

Friday-Saturday, March 23-24, 30-31 at 8 pm, Farkas Hall. Tickets $15;<br />

$10 students and seniors, available through the Harvard Box Office,<br />

617.496.2222 (TTY 617.495.1642), www.boxoffice.harvard.edu.<br />

Join us on Facebook and Twitter:<br />

Harvard<strong>Arts</strong><br />

Read our Harvard <strong>Arts</strong> Beat blog:<br />

www.ofa.fas.harvard.edu/wordpress<br />

JOIN THE CONVERSATION!<br />

Grants Available for Student <strong>Arts</strong> Projects<br />

Office for the <strong>Arts</strong> project grants are awarded twice annually for<br />

undergraduate arts projects in a range of artistic disciplines. These<br />

grants are intended <strong>to</strong> seed a rich and varied student-arts landscape<br />

in the College and <strong>to</strong> fund student artistic growth through artmaking.<br />

Funding for 2013 ARTS FIRST festival projects is also available.<br />

The deadline for fall 2012 projects is Wednesday, April 18.<br />

For more information, visit www.ofa.fas.harvard.edu/support/grants.<br />

<strong>Arts</strong>Spectrum Spring 2012 www.ofa.fas.harvard.edu

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