May | June 2007 - Boston Photography Focus
May | June 2007 - Boston Photography Focus
May | June 2007 - Boston Photography Focus
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Susan Lakin, Elizabeth & Don,<br />
2006/<strong>2007</strong>, C-print, 30 x 40 inches,<br />
Copyright and courtesy of the artist<br />
Paige Largay, Three Chairs,<br />
2006, C-print, 30 x 40 inches,<br />
Copyright and courtesy of the artist<br />
Christopher Lovi, Out to Dry,<br />
2006/<strong>2007</strong>, Pigmented inkjet<br />
print, 16 x 16 inches,<br />
Copyright and courtesy of the artist<br />
Paul McKee, Equinox,<br />
2004/2006, from the series<br />
“An Essence of Presence,” Gelatin<br />
silver print, 16 x 20 inches,<br />
Copyright and courtesy of the artist<br />
Brad Moore, Trini Circle, Westminster,<br />
CA, 2006, Pigment print<br />
on archival paper, 22 x 17 inches,<br />
Copyright and courtesy of the artist<br />
Christina Seely, 35°00”N,<br />
135°45”E (Kyoto), from the series<br />
“Lux,” Digital C-print, 30 x 40 inches,<br />
Copyright and courtesy of the artist<br />
Martin Stupich, Jail Cell with<br />
Religious Graffiti, <strong>Boston</strong>,<br />
1992/<strong>2007</strong>, Pigment ink jet<br />
print, 16 x 13 inches,<br />
Copyright and courtesy of the artist<br />
Susan Lakin (Rochester, NY) creates surreal portraits in<br />
television sets that comment on today’s mass media culture<br />
and the home. In the mirror image reflected on the screen,<br />
she digitally removes her camera from the shot. Lakin<br />
received her MFA from the University of California, Santa Barbara<br />
and currently teaches at the Rochester Institute of Technology.<br />
She has shown at venues such as CEPA Gallery,<br />
Buffalo, NY and has a pending “Project Room” showing at<br />
the George Eastman House, Rochester, NY.<br />
Brad Moore (Laguna Beach, CA) provides a unique look<br />
at the changing face of modest, suburban cities in Orange<br />
County, California, by concentrating on the built environment<br />
and foliage. Moore is a graduate of Loma Linda University,<br />
Riverside, CA and past President of Aperion, Inc., a<br />
manufacturer and distributor of color calibration products.<br />
Jim Turbert, Astronaut, <strong>2007</strong>,<br />
Digital C-print, 20 x 24 inches,<br />
Copyright and courtesy of the artist<br />
Paige Largay (Somerville, MA) explores the interiors of<br />
her grandmother’s cottage on Cape Cod where she spent<br />
her summers as a child. Currently a MFA candidate at<br />
Massachusetts College of Art, Largay has shown in Massachusetts<br />
at the Sacramento Street Gallery in Cambridge<br />
and New England Photographers at the Danforth Museum<br />
of Art in Framingham.<br />
Christina Seely (Berkeley, CA) is documenting the artificial<br />
glow produced by cities in the three brightest regions in the<br />
world—the United States, Western Europe, and Japan—in<br />
a series titled “Lux.” An adjunct faculty at the California College<br />
of Art, Seely received her MFA in photography from<br />
the RISD in 2003. She is a member of the Civil Twilight collective,<br />
which won Metropolis Magazine’s Next Generation<br />
Competition for their proposed Lunar Resonant Streetlights.<br />
Christopher Lovi (New York, NY and <strong>Boston</strong>, MA) is<br />
fascinated by the use of fences within the urban environs<br />
and how spaces are demarked through physical, visual,<br />
and symbolic boundaries. A graduate of Rochester Institute<br />
of Technology and an architectural photographer, Lovi has<br />
shown at various New York spaces including, Soho Photo<br />
Gallery, Two 07 Art Gallery, and the Salmagundi Art Club.<br />
Martin Stupich (Albuquerque, NM) examines culture’s<br />
imprint on the land, what he describes as artifacts, in his<br />
work. In this series he documented army posts and jails in<br />
<strong>Boston</strong> and Wisconsin and their attendant accoutrements<br />
and markings. Stupich holds a MFA from Georgia State<br />
University and has been exhibited and collected extensively.<br />
Stupich has several ongoing projects on the built environment<br />
in production, including The Red Desert Project with<br />
writer Annie Proulx.<br />
www.prcboston.org | announcements<br />
| exhibitions<br />
Paul McKee (Prescott, AZ) investigates photography’s ability<br />
to go beyond the physical and natural world using a variety<br />
of exposure, manipulation, and toning techniques. A faculty<br />
of Photographic Studies at Prescott College, McKee has<br />
undertaken numerous workshops and research fellowships<br />
and exhibited extensively. In 2006, he was nominated for the<br />
Teacher of the Year Award from Center in Santa Fe, NM.<br />
Jim Turbert (Jamaica Plain, MA) considers perceived<br />
expectations from friends and family versus his present<br />
reality in an ongoing series of self-portraits. A graduate of<br />
Massachusetts College of Art, Turbert currently oversees<br />
technical support for photography and video at Wellesley<br />
College, Wellesley, MA and has been juried into a variety<br />
of regional competitions.<br />
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