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May | June 2007 - Boston Photography Focus

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Susan Lakin, Elizabeth & Don,<br />

2006/<strong>2007</strong>, C-print, 30 x 40 inches,<br />

Copyright and courtesy of the artist<br />

Paige Largay, Three Chairs,<br />

2006, C-print, 30 x 40 inches,<br />

Copyright and courtesy of the artist<br />

Christopher Lovi, Out to Dry,<br />

2006/<strong>2007</strong>, Pigmented inkjet<br />

print, 16 x 16 inches,<br />

Copyright and courtesy of the artist<br />

Paul McKee, Equinox,<br />

2004/2006, from the series<br />

“An Essence of Presence,” Gelatin<br />

silver print, 16 x 20 inches,<br />

Copyright and courtesy of the artist<br />

Brad Moore, Trini Circle, Westminster,<br />

CA, 2006, Pigment print<br />

on archival paper, 22 x 17 inches,<br />

Copyright and courtesy of the artist<br />

Christina Seely, 35°00”N,<br />

135°45”E (Kyoto), from the series<br />

“Lux,” Digital C-print, 30 x 40 inches,<br />

Copyright and courtesy of the artist<br />

Martin Stupich, Jail Cell with<br />

Religious Graffiti, <strong>Boston</strong>,<br />

1992/<strong>2007</strong>, Pigment ink jet<br />

print, 16 x 13 inches,<br />

Copyright and courtesy of the artist<br />

Susan Lakin (Rochester, NY) creates surreal portraits in<br />

television sets that comment on today’s mass media culture<br />

and the home. In the mirror image reflected on the screen,<br />

she digitally removes her camera from the shot. Lakin<br />

received her MFA from the University of California, Santa Barbara<br />

and currently teaches at the Rochester Institute of Technology.<br />

She has shown at venues such as CEPA Gallery,<br />

Buffalo, NY and has a pending “Project Room” showing at<br />

the George Eastman House, Rochester, NY.<br />

Brad Moore (Laguna Beach, CA) provides a unique look<br />

at the changing face of modest, suburban cities in Orange<br />

County, California, by concentrating on the built environment<br />

and foliage. Moore is a graduate of Loma Linda University,<br />

Riverside, CA and past President of Aperion, Inc., a<br />

manufacturer and distributor of color calibration products.<br />

Jim Turbert, Astronaut, <strong>2007</strong>,<br />

Digital C-print, 20 x 24 inches,<br />

Copyright and courtesy of the artist<br />

Paige Largay (Somerville, MA) explores the interiors of<br />

her grandmother’s cottage on Cape Cod where she spent<br />

her summers as a child. Currently a MFA candidate at<br />

Massachusetts College of Art, Largay has shown in Massachusetts<br />

at the Sacramento Street Gallery in Cambridge<br />

and New England Photographers at the Danforth Museum<br />

of Art in Framingham.<br />

Christina Seely (Berkeley, CA) is documenting the artificial<br />

glow produced by cities in the three brightest regions in the<br />

world—the United States, Western Europe, and Japan—in<br />

a series titled “Lux.” An adjunct faculty at the California College<br />

of Art, Seely received her MFA in photography from<br />

the RISD in 2003. She is a member of the Civil Twilight collective,<br />

which won Metropolis Magazine’s Next Generation<br />

Competition for their proposed Lunar Resonant Streetlights.<br />

Christopher Lovi (New York, NY and <strong>Boston</strong>, MA) is<br />

fascinated by the use of fences within the urban environs<br />

and how spaces are demarked through physical, visual,<br />

and symbolic boundaries. A graduate of Rochester Institute<br />

of Technology and an architectural photographer, Lovi has<br />

shown at various New York spaces including, Soho Photo<br />

Gallery, Two 07 Art Gallery, and the Salmagundi Art Club.<br />

Martin Stupich (Albuquerque, NM) examines culture’s<br />

imprint on the land, what he describes as artifacts, in his<br />

work. In this series he documented army posts and jails in<br />

<strong>Boston</strong> and Wisconsin and their attendant accoutrements<br />

and markings. Stupich holds a MFA from Georgia State<br />

University and has been exhibited and collected extensively.<br />

Stupich has several ongoing projects on the built environment<br />

in production, including The Red Desert Project with<br />

writer Annie Proulx.<br />

www.prcboston.org | announcements<br />

| exhibitions<br />

Paul McKee (Prescott, AZ) investigates photography’s ability<br />

to go beyond the physical and natural world using a variety<br />

of exposure, manipulation, and toning techniques. A faculty<br />

of Photographic Studies at Prescott College, McKee has<br />

undertaken numerous workshops and research fellowships<br />

and exhibited extensively. In 2006, he was nominated for the<br />

Teacher of the Year Award from Center in Santa Fe, NM.<br />

Jim Turbert (Jamaica Plain, MA) considers perceived<br />

expectations from friends and family versus his present<br />

reality in an ongoing series of self-portraits. A graduate of<br />

Massachusetts College of Art, Turbert currently oversees<br />

technical support for photography and video at Wellesley<br />

College, Wellesley, MA and has been juried into a variety<br />

of regional competitions.<br />

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